MAGAZINE CREATION PROCESS

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st JuneSynopsis: Lua (Amy Spinks) is a young girl who has just been in a fatal car accident. After lying in the hospital bed ob-serving her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventures unravel...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In traditional

student film fashion, the actors

were unrecognisable, and

there were no specially design

sets or impressive FX, but

this film certainly held it‟s own

charm.

The pace of the film allowed

me to appreciate the beautiful-

ly captured scenic moments,

and emphasise with the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the b̀eautifully vulnerable and

innocent young girl. The film is

framed

well, we often see things

from the characters perspec-

tive, like when Lua first sees

Tom when she is lying in the

hospital grounds. Moments

like this keeps the film allur-

ing and enticing rather than a

simple and boring observation

of the events from an outside

perspective. I really felt for

both characters and felt really

involved with this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanent very

innocent expression, but

teamed with her beauty it

portrays mystery and thought-

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st June

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after

Lua and we want everything

to turn out well for the

couple. The two of them are

create at creating the illusion

of true love, excellent acting

on both parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editaing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st JuneSynopsis: Lua (Amy Spinks) is a young girl who has just been in a fatal car accident. After lying in the hospital bed ob-serving her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventures unravel...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In traditional

student film fashion, the actors

were unrecognisable, and

there were no specially design

sets or impressive FX, but

this film certainly held it‟s own

charm.

The pace of the film allowed

me to appreciate the beautiful-

ly captured scenic moments,

and emphasise with the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the b̀eautifully vulnerable and

innocent young girl. The film is

framed

well, we often see things

from the characters perspec-

tive, like when Lua first sees

Tom when she is lying in the

hospital grounds. Moments

like this keeps the film allur-

ing and enticing rather than a

simple and boring observation

of the events from an outside

perspective. I really felt for

both characters and felt really

involved with this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanent very

innocent expression, but

teamed with her beauty it

portrays mystery and thought-

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after

Lua and we want everything

to turn out well for the

couple. The two of them are

create at creating the illusion

of true love, excellent acting

on both parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editaing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st JuneSynopsis: Lua (Amy Spinks) is a young girl who has just been in a fatal car accident. After lying in the hospital bed ob-serving her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventures unravel...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In traditional

student film fashion, the actors

were unrecognisable, and

there were no specially design

sets or impressive FX, but

this film certainly held it‟s own

charm.

The pace of the film allowed

me to appreciate the beautiful-

ly captured scenic moments,

and emphasise with the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the b̀eautifully vulnerable and

innocent young girl. The film is

framed

well, we often see things

from the characters perspec-

tive, like when Lua first sees

Tom when she is lying in the

hospital grounds. Moments

like this keeps the film allur-

ing and enticing rather than a

simple and boring observation

of the events from an outside

perspective. I really felt for

both characters and felt really

involved with this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanent very

innocent expression, but

teamed with her beauty it

portrays mystery and hought-

fulness rather than fear.

Butchy Davy, playing Tom,

has a similar caring ambi-

ance, as an audience we

want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editaing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

12 13

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st JuneSynopsis: Lua (Amy Spinks) is a young girl who has just been in a fatal car accident. After lying in the hospital bed ob-serving her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventures unravel...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In traditional

student film fashion, the actors

were unrecognisable, and

there were no specially design

sets or impressive FX, but

this film certainly held it‟s own

charm.

The pace of the film allowed

me to appreciate the beautiful-

ly captured scenic moments,

and emphasise with the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the b̀eautifully vulnerable and

innocent young girl. The film is

framed

well, we often see things

from the characters perspec-

tive, like when Lua first sees

Tom when she is lying in the

hospital grounds. Moments

like this keeps the film allur-

ing and enticing rather than a

simple and boring observation

of the events from an outside

perspective. I really felt for

both characters and felt really

involved with this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanent very

innocent expression, but

teamed with her beauty it

portrays mystery and hought-

fulness rather than fear.

Butchy Davy, playing Tom,

has a similar caring ambi-

ance, as an audience we

want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editaing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

12 13

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st JuneSynopsis: Lua (Amy Spinks) is a young girl who has just been in a fatal car accident. After lying in the hospital bed ob-serving her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventures unravel...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In traditional

student film fashion, the actors

were unrecognisable, and

there were no specially design

sets or impressive FX, but

this film certainly held it‟s own

charm.

The pace of the film allowed

me to appreciate the beautiful-

ly captured scenic moments,

and emphasise with the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the b̀eautifully vulnerable and

innocent young girl. The film is

framed

well, we often see things

from the characters perspec-

tive, like when Lua first sees

Tom when she is lying in the

hospital grounds. Moments

like this keeps the film allur-

ing and enticing rather than a

simple and boring observation

of the events from an outside

perspective. I really felt for

both characters and felt really

involved with this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanent very

innocent expression, but

teamed with her beauty it

portrays mystery and hought-

fulness rather than fear.

Butchy Davy, playing Tom,

has a similar caring ambi-

ance, as an audience we

want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editaing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

12 APERTURE MAGAZINE SUMMER 201413

RE

VIE

WS

APERTURE MAGAZINE

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceReleased: 1st JuneSynopsis: Lua (Amy Spinks) is a young girl who has just been in a fatal car accident. After lying in the hospital bed ob-serving her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventures unravel...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In traditional

student film fashion, the actors

were unrecognisable, and

there were no specially design

sets or impressive FX, but

this film certainly held it‟s own

charm.

The pace of the film allowed

me to appreciate the beautiful-

ly captured scenic moments,

and emphasise with the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the b̀eautifully vulnerable and

innocent young girl. The film is

framed

well, we often see things

from the characters perspec-

tive, like when Lua first sees

Tom when she is lying in the

hospital grounds. Moments

like this keeps the film allur-

ing and enticing rather than a

simple and boring observation

of the events from an outside

perspective. I really felt for

both characters and felt really

involved with this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanent very

innocent expression, but

teamed with her beauty it

portrays mystery and hought-

fulness rather than fear.

Butchy Davy, playing Tom,

has a similar caring ambi-

ance, as an audience we

want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editaing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

12 APERTURE SUMMER 2014 13

THE APERTURE FILM GUIDE : Now available digit ally

WWW.APERTUREMAGAZINE.CO.UK

Cast: Amy Spinks, Butchy Davy and Sheila Dance

Director: Hattie Upton-DanceReleased: 1st June

Synopsis: Lua is a young girl who has just been in a fatal car accident. After lying in the hospital bed observing her mundane and inapt surround-ings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventure unravels...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In tradition-

al student film fashion, the

actors were unrecognisable,

and there were no specially

designed sets or impressive

FX, but this film certainly held

it‟s own charm.

The pace of the film al-

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing rather

than a simple and boring

observation of the events from

an outside perspective. I really

felt for both characters and felt

really involved in this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanen,t very

innocent expression, but

teamed with her beauty it

portrays mystery and thought-

fulness rather than fear.

fulness rather than fear.

Butchy Davy, playing Tom,

has a similar caring ambi-

ance, as an audience we

want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are great at

creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Rating:

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

12 APERTURE SUMMER 2014 13

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTUREWWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

R E V I E W

„ EMOTIVE ANDBEAUTIFUL‟

Cast: Amy Spinks, Butchy Davy and Sheila Dance

Director: Hattie Upton-DanceReleased: 1st June

Synopsis: Lua is a young girl who has just been in a fatal car accident. After lying in the hospital bed observing her mundane and inapt surround-ings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventure unravels...

I was not expecting much

when I sat down to watch LUA

at the UK Independent Film

Festival. It is unusual to see a

film written and directed by the

same person in this evolved

world of film where the credits

have enough names to run for

over ten minutes. This is a trait

that is now seen as a quirky

characteristic of a filmmak-

er, such as Woody Allen or

Quentin Tarantino, rather than

a requirement. In tradition-

al student film fashion, the

actors were unrecognisable,

and there were no specially

designed sets or impressive

FX, but this film certainly held

it‟s own charm.

The pace of the film al-

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise the

heart-breaking love between

the two main characters with-

out seeming slow. I particularly

enjoyed the hospital scene

where the quick cuts between

Lua and her perspective

created a sense of adrenaline,

building up to her escape. Lua

was portrayed well; we gather

compassion for her straight

from the start when her Moth-

er seems so dismissive of her

and her health. We also see

her through the eyes of Tom

frequently, a perspective that

makes it hard to see a fault in

the beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing rather

than a simple and boring

observation of the events from

an outside perspective. I really

felt for both characters and felt

really involved in this film.

Amy Spinks was a perfect

choice for the character Lua,

she has a permanen,t very

innocent expression, but

teamed with her beauty it por-

trays mystery and thoughtful-

ness rather than fear. Butchy

fulness rather than fear.

Butchy Davy, playing Tom,

has a similar caring ambi-

ance, as an audience we

want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are great at

creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics

for the mood of the film, but

also making the film very

pleasant to watch. The use

of lens flares created a very

romantic feel. The symbolism

of the sun setting in the final

scene was very successful, I

feel like it guided the audi-

ence into realising that they

are not just taking a dip in the

ocean, it is the end for both

of them.

The editing flowed well, and

the series of events was well

constructed to provide an en-

tertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

RATING:

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Film Realeased 1st June

2014

Website: www.aper

tire[productions.com/lua

Lu a

12 APERTURE SUMMER 2014 13

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTUREWWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

R E V I E W

„ EMOTIVE ANDBEAUTIFUL‟

Synopsis: Lua is a young girl who has just been in a fatal car accident. After lying in the hospital bed observing her mundane and inapt surroundings she decides to slip out onto the streets alone. Luckily, Tom, an old friend and the love of her life, rescues her and as the sun rises their adventure unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same per-

son in this evolved world of

film where the credits have

enough names to run for

over ten minutes. This is a

trait that is now seen as a

quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al-

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love

between the two main

characters without seeming

slow. I particularly enjoyed

the hospital scene where

the quick cuts between Lua

and her perspective creat-

ed a sense of adrenaline,

building up to her escape.

Lua was portrayed well;

we gather compassion for

her straight from the start

when her Mother seems

so dismissive of her and

her health. We also see her

through the eyes of Tom

frequently, a perspective

that makes it hard to see a

fault in the beautifully vul-

nerable and innocent young

girl. The film is framed well,

we often see things from

the characters perspective,

like when Lua first sees

Tom when she is lying in

the hospital grounds. Mo-

ments like this keep the film

alluring and enticing rather

than a simple and boring

observation of the events

from an outside perspec-

tive. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character

Lua, she has a permanen,t

very innocent expression,

but teamed with her beau-

ty it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was well

constructed to provide an

entertaining story. The editing

was not flawless and not as

smooth as industry made

films however it did not affect

the overall image of the film,

if anything it helped to estab-

lish the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellently directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

12 APERTURE SUMMER 2014 13

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTUREWWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

R E V I E W

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

RATING:

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

12 APERTURE SUMMER 2014 13

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTUREWWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

R E V I E W

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

RAT ING:

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

R E V I E W

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

R A T I N G :

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

REVIEWS

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

REVIEWS

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

REVIEWS

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

REVIEWS

Synopsis: Lua is a young

girl who has just been in

a fatal car accident. After

lying in the hospital bed

observing her mundane

and inapt surroundings

she decides to slip out

onto the streets alone.

Luckily, Tom, an old friend

and the love of her life,

rescues her and as the

sun rises their adventure

unravels...

I was not expecting much

when I sat down to watch

LUA at the UK Independent

Film Festival. It is unusual

to see a film written and

directed by the same

person in this evolved world

of film where the credits

have enough names to run

for over ten minutes. This is

a trait that is now seen as

a quirky characteristic of a

filmmaker, such as Woody

Allen or Quentin Tarantino,

rather than a requirement.

In traditional student film

fashion, the actors were

unrecognisable, and there

were no specially designed

sets or impressive FX, but

this film certainly held it‟s

own charm.

The pace of the film al -

lowed me to appreciate the

beautifully captured scenic

moments, and emphasise

the heart-breaking love be-

tween the two main charac -

ters without seeming slow.

I particularly enjoyed the

hospital scene where the

quick cuts between Lua and

her perspective created a

sense of adrenaline, building

up to her escape. Lua was

portrayed well; we gather

compassion for her straight

from the start when her

Mother seems so dismiss -

ive of her and her health.

We also see her through

the eyes of Tom frequent ly,

a perspective that makes

it hard to see a fault in the

beautifully vulnerable and

innocent young girl. The film

is framed well, we often see

things from the characters

perspective, like when Lua

first sees Tom when she is

lying in the hospital grounds.

Moments like this keep the

film alluring and enticing

rather than a simple and

boring observation of the

events from an outside per -

spective. I really felt for both

characters and felt really

involved in this film.

Amy Spinks was a perfect

choice for the character,

she has a permanen,t very

innocent expression, but

teamed with her beauty

it portrays mystery and

thoughtfulness rather than

fear. Butchy Davy, playing

Tom, has a similar caring

ambiance, as an audience

we want him to look after Lua

and we want everything to

turn out well for the couple.

The two of them are create

at creating the illusion of true

love, excellent acting on both

parts.

The stunning cinematog-

raphy really reflected the

beauty of their love; while

they are together the lighting

is always colourful and bright,

creating great aesthetics for

the mood of the film, but also

making the film very pleasant

to watch. The use of lens

flares created a very roman-

tic feel. The symbolism of the

sun setting in the final scene

was very successful, I feel

like it guided the audience

into realising that they are not

just taking a dip in the ocean,

it is the end for both of them.

The editing flowed well, and

the series of events was

well constructed to provide

an entertaining story. The

editing was not flawless and

not as smooth as industry

made films however it did not

affect the overall image of

the film, if anything it helped

to establish

the charm of Lua.

The soundtrack really com-

pleted the film and embed-

ded all aspects together. The

traditional and classical piano

score created a timeless

impression, establishing the

dream-like qualities hinted

at through other mediums.

Emotive and beautiful, the

music complimented the film

wonderfully.

I am very impressed by this

charming and enchanting

study into the perils of lost

love, an excellent ly directed

and presented independent

short film.

Photograph copyright

of Aperture Film Pro-

ductions ©

Words by : HUD Media

Studies.

Website: www.aperturepro-

ductions.com/lua

Lu a

012 APERTURE SUMMER 2014

THE APERTURE FILM GUIDE : Now available digit ally

SUMMER 2014 APERTURE 013WWW.APERTUREMAGAZINE.CO.UKWWW.APERTUREMAGAZINE.CO.UK

“ EMOTIVE ANDBEAUTIFUL”

Cast: Amy Spinks, Butchy Davy and Sheila DanceDirector: Hattie Upton-DanceRelease Date: June 2014Certificate: 12A

REVIEWS