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HELLO. I’m Matt @duckymatt #DS15

Designing Responsive Experiences - Digital Shoreditch - May 2015

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HELLO. I’m Matt @duckymatt #DS15

@cyberduck_uk cyber-duck.co.uk

DESIGNING RESPONSIVEEXPERIENCES

Image credit: Warner Bros, Village Roadshow Pictures, Groucho II Partnership & Silver Pictures (The Matrix, 1999) @duckymatt

SO, HOW DO WE DEFINE RESPONSIVE DESIGN?

Image credit: Hartswood Films, BBC Wales & Masterpiece (Sherlock, 2010)

MEDIA QUERIES

FLUID GRIDS

FLEXIBLE IMAGES

DELIVERING ELEGANT VISUAL EXPERIENCES, ACROSS JUST

ABOUT ANY DEVICE.

JOB DONE, RIGHT?

Image credit: Broadway Video, Little Stranger, NBC Universal Television (30 Rock, 2006)

WELL, NOTQUITE

Image credit: Carolco Pictures, Pacific Western, Lightstorm Entertainment, Canal+ & T2 Productions (Terimator 2: Judgment Day, 1991)

THE TRUE CHALLENGES OF RWD GO BEYOND MEDIA QUERIES AND MAKING EVERYTHING STRETCHY.

CONTENT STRATEGY

PERFORMANCE

FUTURE FRIENDLINESS

MATTER?WHY DOES ALL OF THIS

@duckymatt

Source: http://adwords.blogspot.co.uk/2015/05/building-for-next-moment.html

MOBILE WEB VS DESKTOP WEB

INTERNET USERS

2007 - 2015

Source: Kleiner Perkins Caufield Byers, Mary Meeker’s Internet Trends 2011 http://www.kpcb.com/insights/2011-internet-trends

DESKTOP

MOBILE

@duckymatt

A CRUDE GRAPH…

#MOBILEGEDDONImage credit: Twentieth Century Fox, & Centropolis Entertainment (Independence Day, 1996) @duckymatt

@duckymatt

CONTENT STRATEGY

@duckymatt

Content strategy plans for the creation, publication, and governance of useful, usable content.

Define not only which content will be published, but why we’re publishing it in the first place.

KRISTINA HALVORSON

Source: http://alistapart.com/article/thedisciplineofcontentstrategy @duckymatt

ASSUMPTION IS THE ENEMY OF A GOOD CONTENT

STRATEGY

@duckymatt

BUT AREN’T MOBILE USERS ALWAYS ‘ON THE GO’?

Image credit: 20th Century Fox Television & Greenway Productions (Batman, 1966) @duckymatt

60% OF SMARTPHONE DATA IS USED INDOORS

Source: http://www.cennydd.com/blog/designing-with-context

Image credit: Fox 2000 Pictures, Regency Enterprises, Linson Films, Atman Entertainment, Knickerbocker Films & Tarius Film (Fight Club, 1999)

@duckymatt

39% OF PEOPLE USE THEIR MOBILE IN THE LOO

Source: http://www.wiyamobile.net/pitch.pdf

Image credit: Bwark Productions & Young Films (The Inbetweeners, 2008)

@duckymatt

Source / Credit: http://xkcd.com/773/

@duckymatt

CONTENT PARITY

YOUR CORE CONTENT SHOULD BE AVAILABLE

ON ALL PLATFORMS

@duckymatt

Credit: http://wtfmobileweb.com/ @duckymatt

Credit: http://wtfmobileweb.com/ @duckymatt

Credit: http://wtfmobileweb.com/

@duckymatt

@duckymatt

SO HOW CAN WEAVOID ASSUMPTIONS?

@duckymatt

CHALLENGE ASSUMPTIONS WITH RESEARCH

Image credit: The Ladd Company, Shaw Brothers and Warner Bros. (Blade Runner, 1982) @duckymatt

WRITE USER STORIES

@duckymatt

AUDIT YOUR EXISTING CONTENT

Image credit: Nintendo & Capcom (The Legend of Zelda: A Link to the Past, 1991) @duckymatt

MOBILE FIRSTDESIGN

Check out: http://abookapart.com/products/mobile-first

@duckymatt

MOBILE FIRSTDESIGN

CONTENT STRATEGY

@duckymatt

AVOID CONTENT BLOAT

Image credit: Imagine Entertainment (The Nutty Professor, 1996) @duckymatt

@duckymatt

CONTENT STRUCTURE

YOU CAN’T CREATE GREAT EXPERIENCES IF YOU DON’T KNOW WHAT YOUR CONTENT IS MADE OF

@duckymatt

OUR CONTENT WILL NEED TO BECOME MORE FLEXIBLE THAN EVER

Image credit: Sunbow Productions, Marvel Productions & Hasbro (The Transformers, 1984) @duckymatt

PERFORMANCE

@duckymatt

THE WEB TODAY…

Image credit: 4Kids Productions Inc (Pokémon, 1998) @duckymatt

TRANSFER SIZE

2010 2015

Source: http://httparchive.org/trends.php

700KB

2,000 KB

@duckymatt

IF WE CONTINUE AT THIS RATE THE AVERAGE PAGE SIZE IN 2020

WILL BE OVER 5MB!

@duckymatt

71% OF PEOPLE EXPECT WEBSITES TO LOAD AS

QUICKLY (OR FASTER) ON THEIR MOBILE PHONE

See: http://e-commercefacts.com/research/2011/07/what-usrs-want-from-mobil/19986_WhatMobileUsersWant_Wp.pdf @duckymatt

OUR USERS DON’T WANT TO BE LEFT WAITING

Image credit: Wolper Pictures Ltd (Willy Wonka & The Chocolate Factory, 1971) @duckymatt

BRAD FROST

Photo credit: John Davey: http://www.flickr.com/photos/johndavey/8891059281/

Source: http://bradfrostweb.com/blog/post/performance-as-design/

It’s time for us to treat performance as an essential design feature, not just as a technical best practice

@duckymatt

PERFORMANCE AT THE HEART OF ALL DESIGN DECISIONS

Image credit: Paramount Pictures, Robert Stigwood Organisation & Allan Carr Production (Grease, 1978) @duckymatt

SETTING APERFORMANCE BUDGET

Image credit: Twentieth Century Fox Film Corporation (Speed, 1994) @duckymatt

PAGE LOAD SPEED

HTTP REQUESTS

SIZE OF THE PAGE@duckymatt

http://whatdoesmysitecost.com/

@duckymatt

Check out: http://danielmall.com/articles/how-to-make-a-performance-budget/

@duckymatt

PERCEPTION OF SPEED MATTERS

Source: http://www.nytimes.com/2012/08/19/opinion/sunday/why-waiting-in-line-is-torture.html?_r=0

Image credit:Children’s Television Workshop & SesameWorkshop (Sesame Street, 1969-)

@duckymatt

MAKE THE FIRST PAGE RENDER BLAZING FAST

Image credit: Pixar Animation Studios & Walt Disney (Toy Story, 1995) @duckymatt

LOAD ONLY CRITICAL CONTENT THAT IS VISIBLE TO THE USER

ON FIRST PAGE LOAD

https://developers.google.com/speed/docs/insights/PrioritizeVisibleContent#structure

@duckymatt

FUTUREFRIENDLINESS

Check out: http://futurefriendlyweb.com/ @duckymatt

THE FUTURE IS ALREADY HERE

Image credit: Universal Pictures, Amblin Entertainment, U-Drive Productions (Back to the Future, 1985) @duckymatt

Photo credit: TechStage: https://www.flickr.com/photos/bestboyzde/15710950965 @duckymatt

Photo credit: Orde Saunders Liew: https://www.flickr.com/photos/79578508@N08/10081419044/ @duckymatt

Photo credit: Christopher Schmidt: https://www.flickr.com/photos/crschmidt/2224975112/ @duckymatt

Photo credit: Jon Fingas: https://www.flickr.com/photos/jfingas/15770620452/ @duckymatt

Photo credit: Mobilyazilar: https://www.flickr.com/photos/mobilyazilar/16172156273 @duckymatt

Source & Image Credit: http://arstechnica.com/gadgets/2012/03/hands-on-gesture-voice-and-the-many-inputs-of-samsungs-smart-tv/ @duckymatt

@duckymatt

Photo credit: David Carrington:https://www.flickr.com/photos/thox/5053262651 @duckymatt

Source & Image Credit: http://www.bmwblog.com/2008/03/05/more-info-on-the-bmw-full-in-car-web-access/ @duckymatt

A HOSTILE ENVIRONMENT

Image credit: Twentieth Century Fox Film Corporation, Gordon Company, & Silver Pictures (Die Hard, 1988) @duckymatt

Source: http://outdatedbrowser.com/ @duckymatt

DIFFERENT BROWSERS

@duckymatt

SLOW CONNECTIONS

Photo credit: LoKan Sardari: https://www.flickr.com/photos/lokan/17289001432/ @duckymatt

TINY TO HUGE SCREENS

Photo credit:Paul: https://www.flickr.com/photos/-macjasp/7056169897 @duckymatt

RETINA AND NON RETINA

Image credit: Paramount Pictures & Industrial Light & Magic (Star TrekIV: The Voyage Home, 1986) @duckymatt

NEW INPUTS

@duckymatt

WE DON’T GET TO DECIDE HOW PEOPLE ACCESS OUR CONTENT

@duckymatt

DO WEBSITES NEED TO LOOK EXACTLY THE SAME IN EVERY

BROWSER?

@duckymatt

http://dowebsitesneedtolookexactlythesameineverybrowser.com/@duckymatt

Image credit: Julien Douvier: http://www.juliendouvier.com/Animated-photography-Escalators

PROGRESSIVE ENHANCEMENT

Source: http://christianheilmann.com/2012/02/16/stumbling-on-the-escalator/

@duckymatt

DESIGN FOR TOUCH BY DEFAULT

AND ENHANCE WITH TOUCH GESTURES

Image credit: Twentieth Century Fox, Dreamworks SKG, Cruise/Wagner Productions, Blue Tulip Productions, Ronald Shusett/Gary Goldman (Minority Report, 2002) @duckymatt

FORM ENHANCEMENTUSING INPUT TYPES AND ATTRIBUTES

Image credit: http://blog.teamtreehouse.com/use-input-element

@duckymatt

ANIMATION AS AN ENHANCEMENT

Source / Image credit: Dann Petty: https://dribbble.com/shots/1621359-Open-Close-Icon-Animation @duckymatt

LOCATION, LOCATION, LOCATION

@duckymatt

Check out: http://canibbq.com

CONDITIONAL LOADINGGREAT FOR ADAPTIVE EMBEDDING

@duckymatt

WE’LL NEED TO ADAPT TO THESE CHALLENGES

Image credit: Paramount Pictures (Airplane!, 1980)@duckymatt

RESPONSIVE DESIGN GOES MUCH FURTHER

THAN MEDIA QUERIES AND FLUID GRIDS

Image credit: Pixar Animation Studios & Walt Disney (Toy Story, 1995) @duckymatt

3 FACTORS Image credit: L.A. Films and HBO (¡Three Amigos!, 1986) @duckymatt

CONTENT STRATEGY

PERFORMANCE

FUTURE FRIENDLINESS@duckymatt

MAKE TRULY RESPONSIVE EXPERIENCES

Image credit: Warner Bros, Village Roadshow Pictures, Groucho II Partnership & Silver Pictures (The Matrix, 1999) @duckymatt

THAT WE

Image credit: Walt Disney and Pixar Studios. (Up, 2009) @duckymatt

OUR CLIENTS

Image credit: Twentieth Century Fox Film Corporation, Gordon Company, & Silver Pictures (Die Hard, 1988) @duckymatt

AND OUR USERS

Image credit: Chartoff-Winkler Productions and United Artists (Rocky, 1976) @duckymatt

WILL

Image credit: Warner Bros, Village Roadshow Pictures, A&E Television Network, Bazmark Films, Red Wagon Entertainment and Spectrum Films (The Great Gatsby, 2013) @duckymatt

THANK YOU@duckymatt

Copyright: Studio 37 & La Petite Reine & La Classe Américaine & JD Prod & France 3 Cinéma & Jouror Productions & uFilm (The Artist, 2011)

#DS15