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New Media Art,Interactivity,21st Century Aesthetics#newmedia #uxaustralia
Matt Nish-Lapidus / @emenelUX Australia 2013
http://www.flickr.com/photos/87106931@N00/1432715400/
http://www.flickr.com/photos/87106931@N00/1432715400/László Moholy-Nagy, Composition A.XX (1924)
Max Bill, Junghans Clocks (1924) http://www.flickr.com/photos/renespitz/4391184667/
http://images.collection.cooperhewitt.org/34741_5b800e8582d93d72_b.jpg
http://media2.hpcwire.com/dmr/parc.jpg
http://translab.burundi.sk/code/vzx/
A. Michael Noll, Four Computer-Generated Random Patterns Based on the Composition Criteria Of Mondrian's Composition With Lines, 1964
http://stuyspectator.com/2011/09/29/beauty-of-the-gadgets/moma-talk-to-me-by-dennis-rim/
Cage vs. Duchamp: Toronto Musical Chess Match (1968) http://fluxlist.blogspot.com.au/2011/12/cage-vs-duchamp-toronto-musical-chess.html
Five Principles:Lev Manovich, The Language of New Media (2001)
1. Numerical Representation2. Modularity3. Automation4. Variability5. Cultural Transcoding
“If culture, in the context of interactive media, becomes something we ‘do,’ it’s the interface that defines how we do it and how the ‘doing’ feels.”
David Rokeby, The Construction of Experience: Interface as Content (1998)
David Rokeby, Reflexions (1983)
VIDEO - Reflexions
https://vimeo.com/17230919
VIDEO - Very Nervous System
https://vimeo.com/8120954
“The active ingredient of the work is its interface. The interface is unusual because it is invisible and very diffuse, occupying a large volume of space, whereas most interfaces are focussed and definite. Though diffuse, the interface is vital and strongly textured through time and space. The interface becomes a zone of experience, of multi-dimensional encounter. The language of encounter is initially unclear, but evolves as one explores and experiences.”
David Rokeby on Very Nervous System
Norman White, The Helpless Robot (1987 - 1996)
Steve Mann, SeatSale: License to Sit (2001)
VIDEO - SeatSale
https://vimeo.com/14379416
VIDEO - The Giver of Names
https://vimeo.com/17187792
http://www.elfanzine.tv/wp-content/uploads/2011/09/04-1024x666.jpgStelarc, Third Hand (1980 - 1998)
http://90.146.8.18/bilderclient/PR_2009_enigma_001_p.jpgEduardo Kac, Natural History of the Enigma (2003 - 2009)
http://www.kenleung.ca/portfolio/screenplay-holland-bloorview/Ken Leung, Screenplay (2012)
http://www.crainsnewyork.com/apps/pbcsi.dll/storyimage/CN/20121120/TECHNOLOGY/121129985/AR/0/touchscreen-phones.jpg?q=100
What does it say about our relationship to culture and technology?
http://www.hangthebankers.com/wp-content/uploads/2012/11/google-surveillance.jpg
How does the design embody your idea of beauty?
http://www.creativeapplications.net/wp-content/uploads/2010/06/jared10.jpg
Does your design begin to build the future you want to see?
http://dungeonsandcaverns.blogspot.com.au/2013/02/looking-for-good-cyberpunk-game.html
“All new media objects, whether created from scratch on computers or converted from analog media sources, are composed of digital code...”
http://solidwork.tistory.com/entry/Rosso-Restaurant-SO-Architecture-%EB%86%8D%EC%8B%AC-%EC%8C%80%EB%AC%B8%ED%99%94%EA%B4%80-%EC%B0%B8%EC%A1%B0
“... media becomes programmable.”Lev Manovich, The Language of New Media (2001)
http://bobbyrice.blogspot.ca/2009/11/in-game-scene-art-lotr-silent-hill-5.html
Everything is programmable
http://www.moma.org/interactives/exhibitions/2011/talktome/objects/146358/
Everything is New Mediahttp://www.flickr.com/photos/stuckincustoms/2786154526/