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7 Habits of Highly Effective Designers IAP 2014 January 15, 2014 Department of Urban Studies and Planning

Seven Habits of Highly Effective Designers - IAP 2014

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Presentation and workshop on Design Fundamentals and Poster Creation, January 2014, MIT DUSP - special focus on event poster creation. January 15, 2014 [email protected] Presenter: Michael Foster (@mjfoster83) Presentation is licensed under a CC-BY-SA 3.0 license: http://creativecommons.org/licenses/by-sa/3.0/. Significant contributors to this work include Michael Foster (@mjfoster83), Chris Rhie (@chris_rhie), and Annemarie Gray (@annemariegray).

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Page 1: Seven Habits of Highly Effective Designers - IAP 2014

7 Habits of Highly Effective Designers

IAP 2014January 15, 2014

Department of Urban Studies and Planning

Page 2: Seven Habits of Highly Effective Designers - IAP 2014

• Present a simple set of principles to follow for novice designers• Outline a set problems and gotchas in poster design• Provide common guidelines for poster designers to fall back on• Establish a workflow for creating simple and effective event posters

WORKSHOP GOALS

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• Designing posters is a huge part of organizing and promoting an event• Effective design can be lasting and powerful• You have to know the rules before you can break them

WORKSHOP GOALS

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A bit about me…

Mike FosterGIS/Data Viz/Graphics Specialist

DUSP MIT

• Eight Years experience in the GIS and Design field• Specialization in Geodesign, Cartography, and Data Analysis

• B.S. Geography, University of Wisconsin – Madison (2006)• M.S. Geographic Information Science, University of Minnesota (2010)

• Graduate Minor: Computer Science• Thesis topics:

• GIS and Graphic Interoperability• Accuracy Assessment Methods for Volunteered Geographic

Information• Spatial Database Design and Implementation

• Certified GIS Professional (2013)

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“It is not about how much information there is, but rather how effectively it is arranged.”

-Edward Tufte

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What is Graphic Design?

The art of communication, stylizing, and problem solvingthrough type and image.

Functional and utility-driven. Composition is of high importance.

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Basic Elements

Typography and FontTextual ContentColor and Hue

Page Layout and BalanceManipulation of Image

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Urban Planning Graphics

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Urban Planning Graphics

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Urban Planning Graphics

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The Good, the Bad, and the Ugly

• MBTA Map Competition• Graphs and charts• Websites

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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The Good, the Bad, and the Ugly

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Less is always more• When in doubt, keep it simple

• The effective use of negative space is a hallmark of good design – design the negative space just as you would the positive space. Ask yourself: “What elements can I remove or simplify and still retain my message?” Pare it down to the essentials.

• For repetitive information, remember the “rule of small multiples.”

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Be hierarchical.• Communicate the relative importance of data through variations in size, weight, and

intensity. You should be able to squint and clearly understand a hierarchy of your composition.

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Good design has CRAP.• It’s okay if you have a lot to fit.

• Contrast, Repetition, Alignment, and Proximity: use these principles to allow your audience to easily follow the connections between your ideas and the message of the poster.

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Just two fonts.• Good design can be achieved with just one or two fonts. As a general rule, sans serif fonts

work well for titles, headers, and electronic media. Serif fonts work well for body text in print media. The most useful fonts have many weights to choose from.

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Magic number twelve.• The human mind looks for natural proportions of 2, 3, and 4. As the least common

denominator, 12 is an extremely useful number for column layout, and it’s also a good point size multiple for fonts (12 pt, 24 pt, 36 pt, etc). A good rule of thumb is that a column of text should be about 60 characters wide for your eyes to easily follow.

• Use no smaller than 12 pt font on your poster, and make your titles and headings very large, 60+pt.

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Imitate. (But don’t copy.)• Beg, borrow – but don’t steal – ideas for beautiful posters and graphics from experienced

designers.

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Be color conscious.• Like a well-written paragraph, each graphic should have a singular message. Use color to

unify your message and highlight differences.

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Tips for Design

Lets put the pencil to the paper (or the mouse to the screen!)

Specifically tailored to DUSP Event Posters

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Components of a Poster1. Event Name2. Time/Date3. Location4. Image/Graphic5. Abstract6. Contact Information

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Remove noise1. Event Name2. Time/Date3. Location/Address4. Flashy Image5. Abstract6. Contact Information

Get these components on your poster, skip items that don’t have meaning. They are what is known in the design world as “noise”.

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Size Matters…Most common DUSP Poster Sizes

8.5 inch X 11 inch (Letter)

11 inch X 17 inch (Tabloid)

These sizes will work best for posting around DUSPSmaller will get lost, larger take up too much room

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Portrait Landscape

Orientation Matters…

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Layout Matters…Alignment is important

(and professional)

RecommendationOrganize your poster with a grid

Photography “The rule of thirds”

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Layout Matters…Create a template.

You can reuse an effective poster over and over, changing the

elements.

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The Grid

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The MarginMake your margins consistent.

Approximately ½ inch around the top and sides.

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Visual Center of the PageThe visual center of your page is NOT the same as the geometric

center.

Visual center is slightly above the geometric center

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Bold and Contrasting ColorsUse BOLD and CONTRASTING

colors.

Dark text on a light backgrounds.Light text on dark backgrounds.

Should hold up to non-color printing.

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Pick a PaletteFind known and established color

ramps and palettes.

http://kuler.adobe.comhttp://macwright.org/d3-curvy

http://tristen.ca/hcl-picker

See handout

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Design at SizeDesign your Poster at the size of

your final product.

Set settings in your design software to the desired size of your final output.

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Design at SizeDesign your Poster at the size of

your final product.

Prevents pixilation of images, allows for proper sizing of text to maximize

legibility

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Image SelectionSometimes you don’t have a

choice…

Book CoverPre-chosen Event Logo

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Bold and BeautifulBut often you do…

Choose images that are:Bold

RelevantColorfulIndicative

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Let the Image Guide YouUse the image, beautiful pictures

have a built in layout for you.

Place text in areas with least amount of noise and largest blocks

of bold colorsTRANSIT IN BOSTON

A ROUNDTABLE DISCUSSIONTHURS JAN 18, 9PM, ROOM 9-450

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Resourceshttp://www.flickr.com

http://commons.wikimedia.org

See handout

Copyrighted Images:When in doubt, cite your source.

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Image GuidelinesUse the largest image possible that

you can find.

Know your pixel size.

Letter size =1275 pixels by 1650 pixels

Try to choose no smaller than this.

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Font Selection

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Sans Serif Favorites• Can be used anywhere, good for headers and titles

ArialCalibriEurostileFranklin GothicGill SansHelvetica

Lucida SansMyriad Pro BoldSwiss 721 CondensedSwiss 721 Black CondensedVerdana

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Serif Favorites• Good for bodies, abstracts, and content

Cambria

Baskerville

Garamond

Times New Roman

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Non-Favorites• Use sparingly, by that, I mean probably never.

Brush Script

Comic Sans

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Font Size•Title/Main content: 48-60pt+•Supplemental text: 24-36pt•Abstract/Body: 18-24pt•Stay big. Use no smaller than 12!

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Poster Digestion• Should be able to get main gist of poster

in seconds• < 15 seconds• Most viewers will see it in passing

• More in waiting area• Less in hallway

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Lots of Software Available•Adobe Photoshop/Illustrator•GIMP/Inkscape•Microsoft Powerpoint/Paint

The tool does not make your graphic, you do.Use the tools you have!

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End.•We just covered a lot•Questions/Comments/Complaints

Special thanks to Chris Rhie and Annemarie Gray