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7/30/2019 12Cloisters Art Museum Final
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The Cloisters Museum, New YorkProject by: Trevor and Shotaro 7/18/11
BIOGRAPHY
Shotaro
The museum building was designed by Charles Collens (18731956), the architectof New York City's Riverside Church, in a simplified, paraphrased medieval style
which incorporated the cloister elements. The process of idealizing and creatingthe building began in the early 20th century. It has continued to be a host to
many different types of art and renovations since.
Joseph Breck (18851933), a curator of decorative arts and assistant director ofthe Metropolitan, and James J. Rorimer (19051966), who would later be named
director, were primarily responsible for the interior. Balancing Collens's
interpretation with strict attention to historical accuracy, Breck and Rorimer
created in the galleries a clear and logical flow from the Romanesque (ca.
1000ca. 1150) through the Gothic period (ca. 11501520).
Cloisters Art Museum, New York Abbaye Saint-Philibert, Tournus
Pictures-Cloisters Art Museum, Gardens (Google Maps)/ http://hubpages.com/hub/Why-Id-like-
to-Live-at-a-Medieval-Monastery
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SITE RESPONSE
Shotaro
Site Environment/Birds Eye View (Google Maps)
The site is located by the Hudson River, sheltered by thick layers of trees. The building itself has many noticeable features from a birds eye view. The roof mainly
consists of sharped edged formations. However, Collens also develops rounded roofs,
which produce a structured division between shapes and dimensions. The court yard is bounded by the buildings walls. Yet, there are also openings located
between the arches of the building and by the roof less ceilings.
An identifiable characteristic of the garden are the brick paths placed in a shape ofcrosses.
The court yards of the medieval monasteries were meant to be utilized as a place ofisolation and meditation. Today, the gardens provide a place for the vegetation to grow
and provide a stylistic coordination between the plants and the buildings theme. People
can take a tour within the building and observe both the art inside the building and the
gardens.
Identifiable patterns are located within the building as the rooms tend to be clustered,each room divided by thick stone walls.
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PROGRAM RESPONSE
Trevor
What are the various program components and how are they organized in thebuildings?
MAIN FLOOR
1. Entrance Hall
2. Romanesque Hall
3. Fuentiduena Chapel
4. St-Guilhem cloister
5. Langon Chapel
6. West Terrace
7. Pontaut Chapter House
8. Cuxa Cloister
9. Early Gothic Hall10. Gothic Chapel
11. Nine Heroes Tapestry Room
12. Hall of Unicorn Tapestries
13. Boppard Room
14. Burgos Room
15. Spanish Room
16. Late-Gothic Hall
17. Froville Arcade
18. Books and Reproductions
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Plan View, Labeled Rooms Ma, Cloisters Museum
http://www.planetware.com/map/the-cloisters-map-us-nyc9.htm
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Lower Level, Plan View-Trevor
Main Level, Plan View-Trevor
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Circulation
The other, neutral galleries were arranged around the Cuxa Cloister to allow theeasy circulation of visitors from the entrance through rooms organized
chronologically from Romanesque to Late Gothic.
With its four separate chapels, each is representative of a step in thedevelopment of medieval architectural styles. He made sketches to show this
neat chronological progression paralleling the traffic pattern. (There is a sketch
showing the traffic pattern)
What are some of the spatial ordering principles observed?-According to the plan view, we can conclude a trend towards a structure
which forms rooms in a clustered manner yet, also developes opening with the
use of archways and roof less gardens.
What is the relationship between the inside and the outside, between thearchitecture and the natural environment?
-Enclosure within the building tends to be fairly consistent. The open sky and
vegetation is mainly incorporated within the gardens. This then created a strong
contrast between the gardens and the rooms of the buildings. Yet at the same
time, these contrasting effects are brought together by a unifying theme.
What is the general character of the architecture - formal, natural, ordered,random, etc.?- The general character of the architecture is Monastic from Romanesque to
Gothic.
"I think it would be well to develop one scheme in which the monastic form is
accurately adhered to; a second scheme with a paved courtyard, with some of those
buildings enclosing the cloisters,-"
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Thematic Characteristics
Trevor
Romanesque Architecture-a simple, rectangular structure with three naves and a semi-circular apse at one
end
Typical elements of Romanesque architecture include thick walls, barrel vaults,the semi-circular apse, carved portals, and little but predominantly geometric
decoration- checkers, zigzags, etc.
From its thick walls the building can then be generalized that Romanesquestructures are one of massive solidity and strength.
Gothic Architecture-The pointed arch (courtyards), the ribbed vault, and the flying buttress
Example of Romanesque Structure- St. Albans
http://mylondontravels.blogspot.com/2007_09_01_archive.html
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SPATIAL ORDERING
Shotaro/Trevor
The museum has a tendency to feel clustered due to its many walls withinthe main level of the structure. However, in some rooms, Collen seems to
experiment with creating space in a skyward direction.
The designer also utilizes elements of closed masses within the rooms ofthe museum with the exception of the tower and the garden. This
opposition within a single structure can then be categorized as a form of
special duality.
What kinds of circulation or movement patterns are observed and how dothese reinforce the overall spatial organization?
-"The other neutral galleries were arranged around the Cuxa Cloister to allow the easy
circulation from visitors from the entrance through rooms organized chronologically."
Cloisters Museum, Main Level
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Cloisters Museum, Lower Level
http://www.metmuseum.org/works_of_art/galleryLoc.asp?dep=7&Works=gallerylocatio
n_r
STRUCTURAL SYSTEMSShotaro
Columns are apparent in the alignment throughout the walls of the garden. Theyprovide both an expansion of space and stylistic appeal, while serving to hold
structural purposes.
By observation of the building, the structure mainly consists of brick, stone andmarble. Because these materials are conductors, it suggests a low temperature
setting. This characteristic of the building suggests a contrast between the
sunlight of the garden and the inside of the building.
The materials consistencies and use of more past architectural styles throughoutthe structure provide the medieval features that the architect attempted to
display. The structure dominates the total aspect of the building as thevegetation, the garden and other significant features serves to compliment the
building rather then
Picture of Cloisters Art Museum Building and Its Garden
http://www.examiner.com/coastal-travel-in-new-york/a-day-on-the-hudson-at-fort-
washington-park-manhattan-s-lighthouse-and-the-cloisters
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ENVIRONMENTAL ASPECTS
Trevor
What kind of materials are used externally and internally to reflect the environmental
conditions?
-Metal and Glass Roof
Electric lighting and an upper story - were rejected, and finally Collens devised a glass
roof that gave the impression of an atrium space without the hazards
-Artificially weathered walls
To create that atmosphere he artificially weathered his museum, a basilica plan brick
shed, by hosing down the walls while the mortar was still fresh
How does the architecture respond to various natural forces such as light, wind,and climate?
Drawing on his architectural background, Collens saw the starting point for this
recapturing of the past in the organization of space in the museum. "A museum of this
character should be very intimate, should be self-enclosed, should have large rooms
and the windows should be comparatively small, in order to obtain a subdued light."
Example of light entrances within the Museum Structure
http://www.whidc.org/cloisters.html
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Vegetation
Shotaro
Different types of vegetation are located within the museum. The vegetationalso incorporates medieval themes as they were utilized in the past for practical
uses such as herbal, fragrant and consumable purposes.
The link below is a site dedicated to the gardens within the Cloisters Museum inNew York. They provide categorized information of the plants, divided by their
unique qualities (scent, medical consumable). They also post individual
information and pictures of each plant. We can see that the Architectural
expression is shown continually in every aspect of the structure.
http://blog.metmuseum.org/cloistersgardens/
Known as Vervain, this plant was utilized for medical purposes and is considered as one
of the greatest medical vegetation in Western cultures.
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HISTORICAL CONTINUITY
Trevor
What spatial patterns, overall character and other characteristics expressprevious architectural examples
-In March 1932 Collens argued for a mixture of Gothic and Romanesque arches,
combining the capitals of Trie and St. Guilhem-le-Desert in one cloister to represent a
protracted period of construction, common in the Middle Ages.
-What archetypes appear in the design?
Thick wallsRomanesque
The pointed arch - gothic
Semi-circular apseRomanesque
St. Guilhem-le-Desert
http://www.languedoc-holiday-guide.com/st-guilhem-le-desert.html
The capitals of Trie
http://www.flickr.com/photos/jbarry5/2697141649/
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Does the overall character suggest references to previous periods or examplesfrom architectural history?
The character of the tower of The Cloisters is similar to the Tower of Monsempron and
the Bell tower of St. Trophime (built between the 12th and 15th century).
Bell Tower of St. Trophime Church, Arles (12th century)
http://www.flickr.com/photos/obartunov/5129110375/
For this general grouping he depended on the character of such monuments asthe church at Monsempron or the Monastery of St. Trophime in Arlesplan
The Church at Monsempron
http://en.structurae.de/photos/index.cfm?JS=23211
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Sketches
Perspective
Perspective, Arches, Museum and Garden -ShotaroSection
Section, Building -Trevor
Elevation
Elevation, Building and Walls-Shotaro
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Works Cited
Leuchak, Mary. "Metropolitan Museum Journal."JSTOR. The Metropolitan Museum of Art.
Web.17July2011..
"Map of the Cloisters." PlanetWare Travel Guide - Hotels, Attractions, Pictures, Maps &
More. Planet Ware. Web. 17 July 2011. .
Moore, Charles Willard, William J. Mitchell, and William Turnbull. The Poetics of Gardens.
Cambridge, MA: MIT, 1993. Print.
Parry, Stan. "The Formation of The Gothic Style." Key Elements of Gothic Architecture.
Cartage.Web.17July2011..
"Romanesque Architecture." Salamanca Guide. What Salamanca. Web. 17 July 2011.
.
"The Metropolitan Museum of Art - Works of Art: The Cloisters." The Metropolitan Museum
of Art, New York: Metmuseum.org. The Metropolitan Museum of Art. Web. 17 July
2011. .