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INSTRUCTIONS TO CANDIDATESWrite your Centre Number and Candidate Number in the spaces provided at the top of this page.Write your answers in the spaces provided in this question paper.Answer four questions.Answer all questions in Section A and B, one question from Section C and one question from Section D.
INFORMATION FOR CANDIDATESThe total mark for this paper is 70 including marks for quality of written communication, structure and presentation of ideas in Sections C and D.You are provided with an insert booklet for use with Questions 1 and 2 in this paper.Do not write your answers on this insert booklet.
12012
For Examiner’suse only
Question Number Marks
1 2 3 4
TotalMarks
Centre Number
Candidate NumberADVANCED SUBSIDIARY (AS)
General Certificate of Education2019
*SMU32*
SM
U32
Music
Assessment Unit AS 3: Responding to Music
Paper 2
Written Examination
[SMU32]THURSDAY 23 MAY, MORNING
12012 2
Examiner OnlyMarks Remark
Section A
1 Compulsory area of study: Music for Orchestra, 1700–1900
Mozart: Symphony No. 39 in E♭ major K543, first movement, Bars 143–179
Answer all the following questions using the score provided (see insert booklet).
(a) What is the overall form of this movement?
[1]
(b) From which section of the movement is this extract taken?
[1]
(c) Identify the key in the following bars.
Bars 143–144 [1]
Bars 147–149 [1]
Bars 158–160 [1]
(d) (i) Identify the theme which is presented in Bars 147–151.
[1]
(ii) Identify three techniques used to develop this theme in Bars 152–159.
1. [1]
2. [1]
3. [1]
12012 3 [Turn over
Examiner OnlyMarks Remark
(e) Identify the chord and its position/inversion in the following bars (e.g. E minor, first inversion).
Bar Chord Position/inversion
Bar 1461
Bar 1611
Bar 1621
[6]
(f) Identify two string textures in Bars 170–173.
1. [1]
2. [1]
(g) Identify the type of chord in the following bars (e.g. dominant seventh).
Bar 173 [1]
Bar 175 [1]
(h) Identify the cadence in Bar 1792–3.
[1]
Total [20]
12012 4
Examiner OnlyMarks Remark
Section B
Unfamiliar Score Analysis
2 Mozart: String Quartet No. 10 in D, K575, Mt. 3, Bars 1–30
Answer all the following questions using the score provided (see insert booklet).
(a) Identify the chord (e.g. B♭ major, first inversion) in the following bars.
Bar Chord Position/inversion
Bar 33
Bar 71
Bar 12
[6]
(b) Identify the key in the following bars.
Bars 7–8 [1]
Bars 153–182 [1]
(c) Identify the ornament on the first beat of Bar 15.
[1]
12012 5 [Turn over
Examiner OnlyMarks Remark
(d) Comment on the presentation and development of the opening melody in Bars 163–231.
[4]
(e) Identify the violin texture in Bars 232–271.
[1]
(f) Identify three melodic features of the first violin part in Bars 27–30.
1. [1]
2. [1]
3. [1]
(g) Identify the key and cadence in Bars 29–30.
key [1]
cadence [1]
(h) In which dance style is this extract?
[1]
Total [20]
12012 6
Examiner OnlyMarks Remark
Section C
Area of Study: Sacred Vocal Music (Anthems)
Answer one of the following questions.
3 (a) Identify the celebratory features in the middle section of Handel’s Zadok the Priest (“And all the people rejoiced”).
or
(b) Comment on the main musical features in the first solo verse of This is the Record of John by Gibbons.
12012 9 [Turn over
Examiner OnlyMarks Remark
Section D
Area of Study: Secular Vocal Music (Musicals)
Answer one of the following questions.
4 (a) Identify the features of the ‘Tonight Quintet’ which show the influence of jazz and Latin-American music.
or
(b) Identify the melodic features of the three main themes when first sung by the soloist at the beginning of ‘Ol’ Man River’.
240273
Permission to reproduce all copyright material has been applied for.In some cases, efforts to contact copyright holders may have been unsuccessful and CCEAwill be happy to rectify any omissions of acknowledgement in future if notified.
THIS IS THE END OF THE QUESTION PAPER
12012.02
Music
Assessment Unit AS 3: Responding to Music
Paper 2
Written Examination
[SMU32]THURSDAY 23 MAY, MORNING
ADVANCED SUBSIDIARY (AS)General Certificate of Education
2019
Insert Booklet for use with
Section A Question 1Section B Question 2
*SMU32*
SM
U32
BLANK PAGE
12012.02 2
Allegro
Allegro
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Timp.
Vl.
Vla.
Vc.& Db.
8
Fl.
Cl.(Bb)
Bsn.
Vl.
Vla.
Vc.& Db.
f
12
f
12
f
12
f
12
f
f
I p f p
II p f p
p f
p
f
pizz.
p
p
12
p
12
p
I
II
arco
12012.02 3 [Turn over
Allegro
Allegro
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Timp.
Vl.
Vla.
Vc.& Db.
8
Fl.
Cl.(Bb)
Bsn.
Vl.
Vla.
Vc.& Db.
f
12
f
12
f
12
f
12
f
f
I p f p
II p f p
p f
p
f
pizz.
p
p
12
p
12
p
I
II
arco
Insert for use with AS 3 Paper 2Section A, Question 1 Bars 143–179
150
143
12012.02 4
15
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
21
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
f
12
1. f
12
f
12
a 2
p f
12
f
I f
II f
f
f
12
12
12
a 2
12
a 2
I
II
26
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
32
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
12
a 2 a 2
12
a 2
12
12
I
II
12
12
12
12
I
II
163
157
12012.02 5 [Turn over
15
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
21
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
f
12
1. f
12
f
12
a 2
p f
12
f
I f
II f
f
f
12
12
12
a 2
12
a 2
I
II
26
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
32
Fl.
Cl.(Bb)
Bsn.
Hn.(Eb)
Tpt.(Eb)
Vl.
Vla.
Vc.& Db.
12
a 2 a 2
12
a 2
12
12
I
II
12
12
12
12
I
II
174
168
© Ernst Eulenburg GmbH & Co. "reproduced by permission of Ernst Eulenburg Ltd".
12012.02 6
Allegretto
Violin I
Violin II
Viola
Cello
8
16
23
p fp fp
p fp fp
p fp fp
p fp fp
fp f
fp f
fp f
fp f
p f
p f
p f
p f
p
p
p
p
1
Insert for use with AS 3 Paper 2Section B, Question 2 Bars 1–30
Allegretto
Violin I
Violin II
Viola
Cello
8
16
23
p fp fp
p fp fp
p fp fp
p fp fp
fp f
fp f
fp f
fp f
p f
p f
p f
p f
p
p
p
p
1
Allegretto
Violin I
Violin II
Viola
Cello
8
16
23
p fp fp
p fp fp
p fp fp
p fp fp
fp f
fp f
fp f
fp f
p f
p f
p f
p f
p
p
p
p
1
Allegretto
Violin I
Violin II
Viola
Cello
8
16
23
p fp fp
p fp fp
p fp fp
p fp fp
fp f
fp f
fp f
fp f
p f
p f
p f
p f
p
p
p
p
1
© Ernst Eulenburg GmbH & Co. "reproduced by permission of Ernst Eulenburg Ltd".
Allegretto
Violin I
Violin II
Viola
Cello
8
16
23
p fp fp
p fp fp
p fp fp
p fp fp
fp f
fp f
fp f
fp f
p f
p f
p f
p f
p
p
p
p
1