20
TIME 2 hours. INSTRUCTIONS TO CANDIDATES Write your Centre Number and Candidate Number in the spaces provided at the top of this page. Write your answers in the spaces provided in this question paper. Answer four questions. Answer all questions in Section A and B, one question from Section C and one question from Section D. INFORMATION FOR CANDIDATES The total mark for this paper is 70 including marks for quality of written communication, structure and presentation of ideas in Sections C and D. You are provided with an insert booklet for use with Questions 1 and 2 in this paper. Do not write your answers on this insert booklet. 12012 For Examiner’s use only Question Number Marks 1 2 3 4 Total Marks Centre Number Candidate Number ADVANCED SUBSIDIARY (AS) General Certificate of Education 2019 *SMU32* SMU32 Music Assessment Unit AS 3: Responding to Music Paper 2 Written Examination [SMU32] THURSDAY 23 MAY, MORNING

2019 0XVLF - CCEA

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TIME2 hours.

INSTRUCTIONS TO CANDIDATESWrite your Centre Number and Candidate Number in the spaces provided at the top of this page.Write your answers in the spaces provided in this question paper.Answer four questions.Answer all questions in Section A and B, one question from Section C and one question from Section D.

INFORMATION FOR CANDIDATESThe total mark for this paper is 70 including marks for quality of written communication, structure and presentation of ideas in Sections C and D.You are provided with an insert booklet for use with Questions 1 and 2 in this paper.Do not write your answers on this insert booklet.

12012

For Examiner’suse only

Question Number Marks

1 2 3 4

TotalMarks

Centre Number

Candidate NumberADVANCED SUBSIDIARY (AS)

General Certificate of Education2019

*SMU32*

SM

U32

Music

Assessment Unit AS 3: Responding to Music

Paper 2

Written Examination

[SMU32]THURSDAY 23 MAY, MORNING

12012 2

Examiner OnlyMarks Remark

Section A

1 Compulsory area of study: Music for Orchestra, 1700–1900

Mozart: Symphony No. 39 in E♭ major K543, first movement, Bars 143–179

Answer all the following questions using the score provided (see insert booklet).

(a) What is the overall form of this movement?

[1]

(b) From which section of the movement is this extract taken?

[1]

(c) Identify the key in the following bars.

Bars 143–144 [1]

Bars 147–149 [1]

Bars 158–160 [1]

(d) (i) Identify the theme which is presented in Bars 147–151.

[1]

(ii) Identify three techniques used to develop this theme in Bars 152–159.

1. [1]

2. [1]

3. [1]

12012 3 [Turn over

Examiner OnlyMarks Remark

(e) Identify the chord and its position/inversion in the following bars (e.g. E minor, first inversion).

Bar Chord Position/inversion

Bar 1461

Bar 1611

Bar 1621

[6]

(f) Identify two string textures in Bars 170–173.

1. [1]

2. [1]

(g) Identify the type of chord in the following bars (e.g. dominant seventh).

Bar 173 [1]

Bar 175 [1]

(h) Identify the cadence in Bar 1792–3.

[1]

Total [20]

12012 4

Examiner OnlyMarks Remark

Section B

Unfamiliar Score Analysis

2 Mozart: String Quartet No. 10 in D, K575, Mt. 3, Bars 1–30

Answer all the following questions using the score provided (see insert booklet).

(a) Identify the chord (e.g. B♭ major, first inversion) in the following bars.

Bar Chord Position/inversion

Bar 33

Bar 71

Bar 12

[6]

(b) Identify the key in the following bars.

Bars 7–8 [1]

Bars 153–182 [1]

(c) Identify the ornament on the first beat of Bar 15.

[1]

12012 5 [Turn over

Examiner OnlyMarks Remark

(d) Comment on the presentation and development of the opening melody in Bars 163–231.

[4]

(e) Identify the violin texture in Bars 232–271.

[1]

(f) Identify three melodic features of the first violin part in Bars 27–30.

1. [1]

2. [1]

3. [1]

(g) Identify the key and cadence in Bars 29–30.

key [1]

cadence [1]

(h) In which dance style is this extract?

[1]

Total [20]

12012 6

Examiner OnlyMarks Remark

Section C

Area of Study: Sacred Vocal Music (Anthems)

Answer one of the following questions.

3 (a) Identify the celebratory features in the middle section of Handel’s Zadok the Priest (“And all the people rejoiced”).

or

(b) Comment on the main musical features in the first solo verse of This is the Record of John by Gibbons.

12012 7 [Turn over

Examiner OnlyMarks Remark

12012 8

Examiner OnlyMarks Remark

[15]

12012 9 [Turn over

Examiner OnlyMarks Remark

Section D

Area of Study: Secular Vocal Music (Musicals)

Answer one of the following questions.

4 (a) Identify the features of the ‘Tonight Quintet’ which show the influence of jazz and Latin-American music.

or

(b) Identify the melodic features of the three main themes when first sung by the soloist at the beginning of ‘Ol’ Man River’.

12012 10

Examiner OnlyMarks Remark

Examiner OnlyMarks Remark

12012 11 [15]

240273

Permission to reproduce all copyright material has been applied for.In some cases, efforts to contact copyright holders may have been unsuccessful and CCEAwill be happy to rectify any omissions of acknowledgement in future if notified.

THIS IS THE END OF THE QUESTION PAPER

12012.02

Music

Assessment Unit AS 3: Responding to Music

Paper 2

Written Examination

[SMU32]THURSDAY 23 MAY, MORNING

ADVANCED SUBSIDIARY (AS)General Certificate of Education

2019

Insert Booklet for use with

Section A Question 1Section B Question 2

*SMU32*

SM

U32

BLANK PAGE

12012.02 2

Allegro

Allegro

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Timp.

Vl.

Vla.

Vc.& Db.

8

Fl.

Cl.(Bb)

Bsn.

Vl.

Vla.

Vc.& Db.

f

12

f

12

f

12

f

12

f

f

I p f p

II p f p

p f

p

f

pizz.

p

p

12

p

12

p

I

II

arco

12012.02 3 [Turn over

Allegro

Allegro

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Timp.

Vl.

Vla.

Vc.& Db.

8

Fl.

Cl.(Bb)

Bsn.

Vl.

Vla.

Vc.& Db.

f

12

f

12

f

12

f

12

f

f

I p f p

II p f p

p f

p

f

pizz.

p

p

12

p

12

p

I

II

arco

Insert for use with AS 3 Paper 2Section A, Question 1 Bars 143–179

150

143

12012.02 4

15

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

21

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

f

12

1. f

12

f

12

a 2

p f

12

f

I f

II f

f

f

12

12

12

a 2

12

a 2

I

II

26

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

32

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

12

a 2 a 2

12

a 2

12

12

I

II

12

12

12

12

I

II

163

157

12012.02 5 [Turn over

15

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

21

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

f

12

1. f

12

f

12

a 2

p f

12

f

I f

II f

f

f

12

12

12

a 2

12

a 2

I

II

26

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

32

Fl.

Cl.(Bb)

Bsn.

Hn.(Eb)

Tpt.(Eb)

Vl.

Vla.

Vc.& Db.

12

a 2 a 2

12

a 2

12

12

I

II

12

12

12

12

I

II

174

168

© Ernst Eulenburg GmbH & Co. "reproduced by permission of Ernst Eulenburg Ltd".

12012.02 6

Allegretto

Violin I

Violin II

Viola

Cello

8

16

23

p fp fp

p fp fp

p fp fp

p fp fp

fp f

fp f

fp f

fp f

p f

p f

p f

p f

p

p

p

p

1

Insert for use with AS 3 Paper 2Section B, Question 2 Bars 1–30

Allegretto

Violin I

Violin II

Viola

Cello

8

16

23

p fp fp

p fp fp

p fp fp

p fp fp

fp f

fp f

fp f

fp f

p f

p f

p f

p f

p

p

p

p

1

Allegretto

Violin I

Violin II

Viola

Cello

8

16

23

p fp fp

p fp fp

p fp fp

p fp fp

fp f

fp f

fp f

fp f

p f

p f

p f

p f

p

p

p

p

1

Allegretto

Violin I

Violin II

Viola

Cello

8

16

23

p fp fp

p fp fp

p fp fp

p fp fp

fp f

fp f

fp f

fp f

p f

p f

p f

p f

p

p

p

p

1

© Ernst Eulenburg GmbH & Co. "reproduced by permission of Ernst Eulenburg Ltd".

Allegretto

Violin I

Violin II

Viola

Cello

8

16

23

p fp fp

p fp fp

p fp fp

p fp fp

fp f

fp f

fp f

fp f

p f

p f

p f

p f

p

p

p

p

1

240271

Permission to reproduce all copyright material has been applied for.In some cases, efforts to contact copyright holders may have been unsuccessful and CCEAwill be happy to rectify any omissions of acknowledgement in future if notified.