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A new play by Catherine Filloux Directed by Stan Cahill Starring Kimber Riddle and Steve Guevara A woman's political choice. The trauma of captivity. And what memory will finally come to hold.

A woman's political choice. The trauma of captivity. And ... · A woman's political choice. The trauma of ... and has been commissioned to write the libretto for ... A Chorus Line,

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Page 1: A woman's political choice. The trauma of captivity. And ... · A woman's political choice. The trauma of ... and has been commissioned to write the libretto for ... A Chorus Line,

A new play by Catherine Filloux

Directed by Stan Cahill Starring Kimber Riddle and Steve Guevara

A woman's political choice. The trauma of captivity.

And what memory will finally come to hold.

Page 2: A woman's political choice. The trauma of captivity. And ... · A woman's political choice. The trauma of ... and has been commissioned to write the libretto for ... A Chorus Line,

While Ingrid Betancourt was running for President in Colombia in 2002, she was kidnapped by the terrorist organization the FARC. Details of Ingrid

Betancourt’s story can be found in the public record. This story is imagined as a two-person play based in part on those events.

STAN CAHILL (Director) MFA from New York University Graduate Acting Program. Performer: NY Off Broadway: As You Like It (New York Shakespeare Festival), Rapture Two-Step (West Bank Theatre). Regional: Romeo and Juliet (Hudson Valley Shakespeare), A Few Good Men (Westport Country Playhouse), The Misanthrope (Philadelphia Theatre Guild). Los Angeles: 92 Days, Locked Up Down Shorty’s (Powerhouse Theatre). Film: Pearl Harbor, A Thousand Acres. TV: NYPD Blue, Judging Amy, Frank Leaves for the Orient, JFK: Reckless Youth. Director: No Other Gods: A Passion (World Premiere, Concord NH), 12 Incompetent Men (UK Premiere, Edinburgh), Passion Fruit (World Premiere, Edinburgh), Markus/Passion (Washington National Cathedral), Footprints to Heaven, The Night Before Christmas (BBC Radio). Certificate: Moscow Art Theatre.

CATHERINE FILLOUX (Playwright) is an award-winning theater artist who

has been writing about human rights and social justice for over twenty years. Filloux’s more than twenty plays have been produced in the U.S. and around the world including in Cambodia, Iraq, Bosnia and Belgium. Filloux is the librettist for three produced operas; and has been commissioned to write the libretto for composer Olga Neuwirth’s Orlando at the Vienna State Opera, based on the novel by Virginia Woolf. Catherine is a co-founder of Theatre Without Borders.

Page 3: A woman's political choice. The trauma of captivity. And ... · A woman's political choice. The trauma of ... and has been commissioned to write the libretto for ... A Chorus Line,

KIMBER RIDDLE (Woman) MFA from New York University Graduate Acting Program. NY Off Broadway: Luz (La MaMa), Mad Forest (Manhattan Theatre Club), Zero Church (St. Ann’s Warehouse), Enrico IV (NYU Director’s Lab) Regional Credits: Tranced (Merrimack Repertory Theatre), House Arrest (Mark Taper Forum), Common Infractions, Gross Injustices (American Repertory Theater), Piano (Harvard University), IACD Acting Company 1998-2000 (Harvard University, Director Anna Deavere Smith) Film: Guy, Thirty, Under The Bridge TV Credits: ABC mini-series, Stephen King’s The Langoliers, CBS mini-series Love, Honor & Obey: The Last Mafia Marriage. Certificate: Moscow Art Theatre.

STEVE GUEVARA (Man) MFA from New York University Graduate Acting Program. NY Off Broadway: Fortinbras (Signature Theater Company), Sam Shepard project Hunted (The Public Theater), Sam Shepard project Bottle House (The Public Theater), Regional Credits: Yerma (Arena Stage) Film: Psycho III (Universal Pictures).

Page 4: A woman's political choice. The trauma of captivity. And ... · A woman's political choice. The trauma of ... and has been commissioned to write the libretto for ... A Chorus Line,

DARREN R. SUSSMAN (Sound Design) Owner of Reid Sound, Inc. Regional Credits: A Chorus Line, Merrily We Roll Along, Reasons to be Pretty, Lucky Stiff, Machinal, The Full Monty, Seven Brides for Seven Brothers (Rider University), Ain’t Misbehavin’, Waiting For Godot (Two River Theatre Company), A Moment In Time, The Private Dick, So You Think You’re Godd (Medicine Show Theatre), New Kid, Conquest of Fears (George Street Playhouse), The R&J Project (Mason Gross School of the Arts).

MICHAEL L. THOMAS (Movement Coach) danced principal roles with the

Alvin Ailey American Dance Theater, Donald Byrd/The Group, Lar Lubovitch Dance Company and Complexions Contemporary Ballet. Movement coach work with Anna Deavere Smith for Let Me Down Easy, On Grace, Notes From the Field.