Albert watson(Studio Portrait Photographer)

Albert Watson (born 1942) is a Scottish photographer well known for his fashion, celebrity and art photography, and whose work is featured in galleries and museums worldwide. He has shot over 200 covers of Vogue around the world and 40 covers of Rolling Stone magazine since the mid-1970s. Photo District News named Watson one of the 20 most influential photographers of all time, along with Richard Avedon and Irving Penn, among others.[1] Watson has won numerous honors, including a Lucie Award,[2] a Grammy Award, the Hasselblad Masters Award and three ANDY Awards,.[3] He was awarded The Royal Photographic Society's Centenary Medal and Honorary Fellowship (HonFRPS) in recognition of a sustained, significant contribution to the art of photography in 2010.

Mise-en-scene- the lightening for this picture is good, he has the light directed on her face and it brings out the dark colour of her skin and the background is almost the same colour.

Mode of address; she's in a slightly slutty position to show off her boobs and make it look sexual.

Representation; this women would be seen as a good looking but likes to be sexual, I am saying this from the way she poses and her with wet hair and hard nipples.

Don McCullin(Photojournalist)

Donald McCullin, FRPS CBE (born 9 October 1935, Finsbury Park, London, England) is an internationally known British photojournalist, particularly recognized for his war photography and images of urban strife. His career, which began in 1959, has specialised in examining the underside of society, and his photographs have depicted the unemployed, downtrodden and the impoverished.

Mise-en-scene- the flash on the camera is on and it makes his face loook really pale, and the glasses make his eyes look squinted.

Mode of address- the way he's holding the glasses makes his eyes look very wide apart and the lighting round his head makes it look narrow, he allso has no facial expression.

Representation-people seen with glasses would be seen as a geek or nerd and someone that has hardly any friends.

Annie LeibovitzStudio Portrait Photographers

photographer Annie Leibovitz was born October 2, 1949, in Waterbury, Connecticut. In 1970 she took a job at Rolling Stone magazine. In 1983 she began working for the entertainment magazine Vanity Fair. During the late 1980s, Leibovitz started to work on a number of high-profile advertising campaigns. From the 1990s to the present, she has been publishing and exhibiting her work.

Mise-en-scene- this family are in there back garden having some nice family time, the lighting on there face makes them look happy and joyful.

Mode of address- they all have a happy facial expression and all cuddling in a way that they look comfortable together.

Representation- people like this would be seen as a lovely caring family and been brought up in a nice manner.

Richard Avedon(photojournalist)

                                               

Avedon was born in New York City, to a Jewish family. He was the son of Jacob Israel Avedon, a Russian-born immigrant who started a successful retail dress business on Fifth Avenue,[2] and his wife Anna, who came from a family that owned a dress manufacturing business.[1] He attended DeWitt Clinton High School in Bedford Park, Bronx, where he worked on the school paper The Magpie with James Baldwin from 1937 until 1940.[3] After graduating from DeWitt in 1941, Avedon enrolled at Columbia University, but dropped out after one year. Avedon then started as a photographer for the Merchant Marines in 1942, taking identification pictures of the crewmen with his Rolleiflex camera given to him by his father as a going-away present. From 1944 to 1950, he studied with Alexey Brodovitch at his Design Laboratory at the New School for Social Research.[

Mise-en-scene- the lighting in this photo makes the women look pale and tacky and its look like she’s in a built up city and somewhere in America, she also has a cigarette in her mouth but in a certain way which makes her look slightly slutty.

Mode of address- she has a very slight facial expression as if she doesn’t really care and the way she's just slouched backwards makes her not look as if she has much self respect.

Representation- back in the 1970’s women who dressed and looked like this would be seen as a women that sleeps around maybe a prostitute.