Ammar Portfolio

LAILA AMMARARCHITECT.+.DESIGNER

SELECTED WORK SAMPLES

Index 02-03

Depth Conception (Thesis)

JetBlue Terminal

Lovell Guest House

Cultural Center

Global Art Academy

OTR Art Center

04-09

10-19

20-23

24-27

28-37

38-43

(# of ppl) ACADEMIC

Michael McInturf Architects

FRCH Design Worldwide

Gensler Hospitality

FME Design + Arch

SHP Leading Design

44-51

52-55

56-57

58-59

60-61

PROFESSIONAL (pg #)

(pg #)

03

Professors - Jeff Kipnis, Rob Livesey

SITE : Cincinnati, Ohio

PROMPT : Choose a competition to use as a platform to express your personal design agenda. (Used as part of Thesis Argument)

RESPONSE: I chose the Evolo Skyscraper competition which has few parameters but calls for an innovative solution to the vertical design problem. The loose restrictions enabled me to pursue my interests that range from fantastical, graphic, form making which plays with the transition between 2D and 3D to the realities that I feel ground Architecture such as structure, environment, context, and program. This competition entry was a springboard for my Exit Review talk “Depth Conception” which was given at Knowlton Hall April 8th 2014

SPRING STUDIO 2014EVOLO SKYSCRAPER#FigureField #DepthConception #Competition #2d3d

STRUCTURAL DIAGRAM>>

STEEL FRAMEIntegrated Water Collection & Drainage

SOUTH FACING CURTAINWALL

SUPERSTRUCTURE

RIGID SPACE TRUSS FLOORS SPANNING CORES

INTERMEDIATE FLOORSVariations of Tension Hung & Interior Column Support

RIGID SPACE TRUSS FLOORS SPANNING CORES

INTERMEDIATE FLOORSVariations of Tension Hung & Interior Column Support

STEEL STRUCTURAL PODSInfill :: Glass & Composite Panels

05

<<SOUTH PERSPECTIVEThe style of rendering speaks to its fantastical, futuristic ideals (a sort of homage to Mies van der Rohes Friedrichstrasse)

INTERIOR PERSPECTIVE>>

<<SOUTH AERIALIcons of the city

0607

RIVER PURIFICATION & ON-SITE AGRICULTURE::Living Machines//Aquaponics

Tidal Pools 1-3

Wetland A1&2

Wetland B1&2

FishTank

FishTank

Growing Beds

Growing Beds

Polluted River Intake

Clean Water to River

Greyw

ater for Tower

Fish & P

roduce for Restaurant &

Market

SphereInherently Voluminous

3D Op.Mold

3D FormAggregate (landscape)

3D FormRE-Aggregate (tower)

CONCEPT DIAGRAM>>

RIVER PURIFICATION & ON-SITE AGRICULTURE :: Living Machines/ /Aquaponics >>

3D Op.Compress

2d FormRetain Section

2d Op.Outline

2D=3DGraphic Projection

2D Op.Slice

3D Op.Displace

<<SECTION PERSPECTIVE

09

Partner - Natalie SnyderProfessor - Justin Diles

SITE : New York, New York at JFK airport directly connected to Eero Saarinen’s TWA Terminal.

PROMPT: Design a terminal for Jet Blue Airlines that relates to (touches, covers, shares space with, etc...) the existing TWA terminal as it stands today. The design should stem from a process of field object studies that will create an aggregated, volumetric, architectural shell. Incorporate way-finding strategies to create a clear sequence of arrivals.

RESPONSE: By aggregating many cellular boulders into one larger object we found a way to achieve a hierarchy of spaces that ultimately became a cohesive composition. The “riverstones” are situated so that where they cross the ground plane, enclosed volumes can be experienced. Inversely, where they don’t meet the ground, users experience them as an undulating ceilingscape. The concept of “riverstones” also helps organize the circulation creating a flow that directs travelers seamlessly to their destination while creating

SPRING STUDIO 2013JETBLUE TERMINAL#FieldObject #TWA #Wayfinding #Ceilingscape

11

LONGITUDINAL SECTION >>

<<EARLY FORM STUDIES

//LARGE PHYSICAL SECTION MODEL

13

\\SITE PLAN

//PHYSICAL MASSING MODEL

//LARGE PHYSICAL SECTION MODEL

\\TRANSVERSE SECTION

15

<<TEXTURE & LIGHTING PHOTOGRAPHS

//INTERIOR OF PHYSICAL SECTION MODEL

17

Op/Admin SpaceIn Bound

Out BoundSpatial Arrival (entrance)

Concessionsdirect to check-inmain entrance

kiosks

check-

in desk

s

check-

in desk

s

check-in desks

check-in desks

SECURITY CHECK-POINT

entrance

seating

shopping/dining/info

entrance

BAGGAGE CLAIM

car-rentals

exit

dining

outdoordining

seating/waiting

seating/waiting

seating/waiting

lost baggage

exit

a1

a2a3

a4

a5

a6

b1 b2

b3

b4 b5

b6b7 b8

b9

b12b13

b14

b10

b11

food c

ourt

food

food

to garage/air tran

pick-up

Operations/Administration

Operations/Administration

//WAYFINDING DIAGRAM

UPUP UPUP

\\FLOOR PLANS

19

Professor - Doug Graf

SITE : Newport Beach, California situated next to Rudolf Schindler’s Lovell Beach House. It is an oceanfront property that overtime has found itself in a tightly packed neighborhood. However, when the Lovell House was first designed it sat alone with the sand of the beach flowing right up underneath it.

PROMPT: Design a guest house that includes a living area, kitchenette, a place to eat, a restroom, and two bedrooms.

RESPONSE: The plot to the east of the house was once owned by the Lovell’s. Assuming their retention of that land, the new guest house is situated on that plot aligned to the alley to create a courtyard facing the beach front. As the frames of Schindler’s design march along, they transform from creating a frame for space to enabling a cellular arrangement. Sharing the edge with the most cellular facade, the guest house becomes a series of floating elements attached to a new type of framework. Rather than a very porous frame, the guest house has a solid wall that turns the corner and organizes main circulation paths along and around it.

FALL STUDIO 2013 (pt.1)LOVELL GUEST HOUSE#2wks #ModernAesthetic #LinkageToAutonomy

>>EXISTING PICTURES OF LOVELL HOUSE (library of congress historic buildings survey)

\\REAR PERSPECTIVE

21

THE LOVELL GUEST HOUSE

North Elevation

Ground Floor

Laila Ammar

South Elevation

First Floor

East Elevation

Second Floor

West Elevation

Roof

THE

OR

IGIN

AL

HO

US

E

Section BSection A

A

A

BB

0’ 5’

10’ 20’

N


North Elevation

Ground Floor

Laila Ammar

South Elevation

First Floor

East Elevation

Second Floor

West Elevation

Roof

THE

OR

IGIN

AL

HO

US

E

Section BSection A

A

A

BB

0’ 5’

10’ 20’

N


North Elevation

Ground Floor

Laila Ammar

South Elevation

First Floor

East Elevation

Second Floor

West Elevation

Roof

THE

OR

IGIN

AL

HO

US

E

Section BSection A

A

A

BB

0’ 5’

10’ 20’

N

\\ELEVATIONS

//FLOOR PLANS

West South

North East

\\PHYSICAL MODEL PHOTOS

//SECTIONS

East/West North/South

23

Professor - Doug Graf

SITE : Columbus, Ohio

RESPONSE: With such a large program, this design breaks up its components to create a renaissance village with its organization (albeit contemporary in its style). The arrangement creates a circulation narrative that lends itself to continuous discovery in an extroverted loop.

A large street brings the user up through the site, presenting different facades for entry points or views into the building. The street terminates into the keystone of the program, the Library. However, through a small reveal one can skirt past the library and find themselves in a hidden garden. With the sectional variation of the street running through the site, one could also enter on the south side into a lobby which compresses underneath the street and creates new entry points to the program related above. This is also where you will find the beginning of the gallery sequence that takes you further down, down, down - until you reach a sunken garden back on the west street front. This then presents you with the beginning of the street that you must have missed by entering on the south.

FALL STUDIO 2013 (pt.2)CULTURAL CENTER

DN

T H E A T R E

CA

FE

GALLER IES

V I E W

LIB

RA

RY

T H E A T R E

CA

FE

GALLER IES

LIB

RA

RY

S C H O O L

T E R R A C E

APARTMENTS

\\PHYSICAL MODEL

>>CIRCULATION DIAGRAMS

#OneMonth #Cultural #NarrativeCirculation

DN

T H E A T R E

CA

FE

GALLER IES

V I E W

LIB

RA

RY

T H E A T R E

CA

FE

GALLER IES

LIB

RA

RY

S C H O O L

T E R R A C E

APARTMENTS

25

<<VIGNETTES

\\SOUTH-EAST AERIAL

\\PHYSICAL MODEL VIEWS

DN

D

DN

D

DN

D

DN

D29 resident’s terrace28 apartments27 library26 studios25 classrooms

DN

D

08 racquetball courts07pool06 gym05 back of house04 theatre03 galleries02 event lobby (a)01 school lobby

15 event lobby (b)14 gallery shop13 cafe12 director’s offices11 conference10 language labs09 faculty offices

24 theatre mezzanine23 outdoor seating / sculpture garden22 resident’s event room21 event room terrace20 apartment entry19 library18 faculty offices17 studios16 classrooms

08

07

02

01

06

05

09

10

1112

13

1415

1617

18

19

20

21

2223

24

2526

27

2829

05

0403

0303

SECOND FLOOR

FIRST FLOOR

THIRD FLOOR

FOURTH FLOOR

4TH/6TH FL.TYP.

27

Partners - Yana Grinblat & Michael TomasoProfessors - Rob Livesey & Bart Overley

SITE : Yellow Springs, Ohio

PROMPT: Just as the last century’s tycoons sought to play out their wealth and power through the formation of The American Academy in Rome, the new generation of mega-patrons seek to make a mark with a collection of Art Academies placed internationally. With the given city, choose a site and design an academy for artists to live and work.

RESPONSE: With existing paths and a stream leading right to it, our selected site extends the experience of any user hiking, biking, rowing, or even horseback riding through Glen Helen. In this natural atmosphere we wanted to explore the powerful effect of providing a stark contrast - THE CUBE. The cube is dissected into two parts. The larger outer form has crashed into the site and shattered from its rigidity, creating an abstract interpretation of a geometrical tree canopy. The smaller cube that was carved away retains its pure geometric form and though it does not take on the form of the woods, it looms out over the stream and reflects its

FALL STUDIO 2012GLOBAL ART ACADEMY#ComprehensiveStudio #CubePotential #Objectness

29

LIBRARY : 4400 sf -reading room, offices, cataloging, & storage

ART GALLERIES : 1400 sf -wall, floor, and hanging space

RESIDENCE -1&2 bedroom apartments to accommodate 50 people

STUDIOS -sculpture, vis.art, arch., landscape, design, music performance and composition, writing, history, art history, & film

COMMON SPACES : 10,000 -dining, kitchen, gaming, lounging, cafe

ADMINISTRATION -director and asst. director offices, conference, reception, waiting, restrooms

SERVICE -laundry, IT, server room, building services, storage

//PROGRAM AXON

\\FORMAL ARRANGEMENT

MASSING

20MASSING 31

//SOUTH ELEVATION

//EAST WEST SECTION

[ [

BU

IL

DI

NG

.SK

IN

S [ [ [[ [ [OUTER SHELL: Random Cut Faces CANTED PORTICO: Vertical STUDIO CUBE: Pure Grid

//PHYSICAL MODEL

33

circulation core

post-tensioned concrete slabs

one way reinforced concrete slabs

reinforced concrete walls

inset slanted columns

circulation cores

site cast concrete frame

cantilevered truss

columns along curtainwall

one way reinforced concrete slabs

//STRUCTURAL AXON

//GALLERY PERSPECTIVE

//CAFETERIA PERSPECTIVE//LOUNGE PERSPECTIVE

35

\\SOUTH EAST PERSPECTIVE

//FLOOR PLANS

37

Professor - Ming Tang

SITE : Pendleton, Cincinnati, Ohio is the eastern edge of Over the Rhine (OTR), the largest, most intact urban historic district in the United States. Pendleton is considered OTR’s art district and houses the existing art center. This area is majority low income, non-home owners. However, OTR has seen major revitalization and a surge in small businesses in the past four years.

PROMPT: On an urban site in Cincinnati, use the potential of parametric thinking and tools as a resource for achieving diversity and complexity in urban form generation to design a new Pendleton Art Center. Total of 32,000 Sq. Ft.

RESPONSE: The design strives to align itself with the organization’s mission of ”encouraging and nurturing artistic creativity, by providing a supportive and inspiring environment for artists.” The programmatic adjacencies focus on a studio based environment with flexible gallery space. To interact with the iconic corner of Pendleton, the form gestures toward the “OTR Bell Tower.” To emphasize the relationship to its site, the interior grand stair bleeds into the landscape and a fragmented, ribbon like, tensile structure slinks through the landscape and up onto the building. The ribbons placement was based on solar studies from Vasari. The building skin was derived from the combination of a manual division of the faces and a parametric grasshopper definition. With color mapping, views and privacy were considered and

SPRING STUDIO 2012O.T.R. ART CENTER#ComputationalDesign #CommunityAccess #Gestural

39

\\SITE PLAN

Second Floor

retailgrand stairstoragekitchenmultipurpose roomrestroomspatioworkspacemech.classrooms/lecture hallslobby/gallery

galleryofficescomputer lablibrarybalconyrestroomsclassroomsconference roomsmech.

010203040506070809

0102030405060708091011

01 010202

03

04

05

06

06

07

07

08

08

09

01

01

01

01

02

0304

05

0606

07

0809

09

10

10

11

First Floor

//FLOOR PLANS

41

\\COLOR MAPPING PRIVACY & VIEWS

//ELEVATIONS

//INTERIOR GALLERY PERSPECTIVE

\\STREET SIDE PERSPECTIVE

43

Office Location: Cincinnati, Ohio

In this small office of roughly 8 people (+/-) I quickly took on various responsibilities stretching across all aspects of a design practice, challenging my creative and practical boundaries. I have also had the fortune of working on variable project types: Educational Facilities, Hospitality(F&B), Residential, Commercial (Mixed-Use) as well as speculative work. The four projects sampled here are as follows:

Business Club (Anonymous): Design Lead40,000 SF Co-Working+Wellness+Restaurant

CCDS Athletic Center: Project Manager/ArchitectNatatorium/Facilities Renovation + 5,000 SF Entry

CCDS Early Childhood Center: Design/Production8,000 SF 18mo-5 yr old Multi-Purpose Education Facility

ACADIA Pavilion: Logistics, Physical ModelsExhibit Entry & Anticipated Design Build

ARCHITECT (Aug.‘15-Current)Michael McInturf Architects#IterativeDesign #DigitalFabrication #LocalAgitator

//MASSING STUDIES

Business Club (Anonymous)

45

//MASSING STUDIES

<<EXTERIOR CONCEPT RENDERING

<<CONSTRUCTION PHOTOS

//EAST ELEVATION

//SOUTH ELEVATION

//NORTH ELEVATION

CCDS Early Childhood Center

<<CONSTRUCTION PHOTOS

//EAST ELEVATION

//SOUTH ELEVATION

//NORTH ELEVATION

47

//EXTERIOR PERSPECTIVE//ENTRY ADDITION INTERIOR PERSPECTIVE

//MASSING PARTI

//NATATORIUM INTERIOR PERSPECTIVE

CCDS Athletic Center Renovation & Addition

//EXTERIOR PERSPECTIVE

49

//EXHIBIT TEXT EXCERPT //PAVILION RENDERING

//PHYSICAL MASSING MODEL

05

‘WOODPRINTS’MARGEN-LAB + MICHAEL MCINTURF ARCHITECTS

DESIGN DRAWINGS

01 - ACCESS RAMP 02 - BASE FRAME 03 - WALLS AND OPENNINGS

04 - POLYPS 05 - SUPERIOR RINGS 06 - SHUTTERS

Section

Plan

5.2ft

11.2ft 6.49ft

18ft

38ft

14.8ft

10.7

sqf

1.4 ft

4.59 ft

7.87 ft

19 ft

21.3 ft

27.9 ft

Laye

rs /

Phas

es 0

1-03

La

yers

/ Ph

ases

04-

06

ACADIA Pavilion

//PAVILION SECTION

//PHYSICAL SECTION MODEL51

#RetailDesign #ConsumerFocused #NeutralArchitecture

//ENTRY PERSPECTIVE//STOREFRONT ELEVATIONS

Office Location: Cincinnati, Ohio

As a member of the Retail Mixed Use studio, I was assigned to our client, Premium Outlets. While working for the client I helped with a handful of ongoing projects they had (ground up and renovations). Most notably I spent a majority of my time on their new Denver Premium Outlet.

Denver Premium Outlet is a two phase project culminating in 400,000 sq ft of retail space supplemented with a (roughly) 17,000 sq ft Market Lodge for dining, resting, and capturing views of the neighboring Rocky Mountains. Letting nature speak for itself through the landscaping, the Architecture retains its fashionable integrity with minimal, asymmetrical forms.

Working with our Creative Director, I aided in the design and material selections and followed the project through to Construction Documents as design changes continued to be made by the client.

DESIGNER (Jun.‘14 to Aug.’15)FRCH Design Worldwide

//ENTRY PERSPECTIVE

53

Applied “Wood” SidingCondition 3

Denver Premium Outlets, Thorton, CO | Component Study | February 9, 2015 | page 1127851.000

PAINTCondition 2 : Different Color Over Storefronts


WRAPPING HEADERCondition 1


^^INTERIOR PERSPECTIVE

^^STOREFRONT VARIATION STUDY

^^COLUMN DETAIL STUDIES

^^ENTRY PERSPECTIVE

WOOD & STEEL CONNECTION STUDIES

BASE CONDITIONS

Denver Premium Outlets, Thornton, CO | Component Study | February 13, 2015 | page 527851.000

PAINTCondition 2 : Different Color Over Storefronts


^^COLUMN DETAIL STUDIES

WOOD & STEEL CONNECTION STUDIES

BASE CONDITIONS

Denver Premium Outlets, Thornton, CO | Component Study | February 13, 2015 | page 527851.000 Applied “Wood” Siding

Conditions 1


StoneCondition 1 : On brick Base


55

Office Location: Los Angeles, California

While at Gensler I split my time between two hotel projects. The first is shown here : Heritage Hotel in Albuquerque. The client was looking to infuse traditional architecture of the region (pueblo style) into a more contemporary, luxurious design. I took on the design responsibilities for the landscape and hardscape and also contributed to the facade designs. Additionally, I was responsible for creating presentations for the client.

The second project I was on (not pictured here for contractual reasons) was a feasibility study for an airport hotel attached to the Atlanta Airport. We engaged in site, market, and program research and came up with six possible designs for the client.

Summer Intern 2013GENSLER HOSPITALITY#InternationalMindset #ContextualArchitecture

//REAR PERSPECTIVE

\\POOL-SIDE VIGNETTES

//REAR PERSPECTIVE

57

Office Location: San Francisco, California

While at FME, I was mainly on the 717 Battery project team.

“The five-level, 58,000-square-foot club at 717 Battery St. contains a high-end restaurant, four bars, a wine cellar, a library, meeting rooms, a gym and spa, an outdoor garden and 14 hotel rooms, including a penthouse suite with views of the Transamerica Pyramid and the Bay Bridge. A dramatic glass elevator and glass railing on an imposing steel and glass staircase to the lower level are among the design highlights.”

-SF Gate

I mostly handled custom interior detailing for the Construction Documents. The photographs below show the finished building, and the image to the right is a rendering done during the design process.

I also worked on a handful of other tasks for various projects such as corporate interiors and office buildings for developers.

Winter Co-Op 2012FME DESIGN+ARCH#TechBoom #HistoricReUse #WorkplaceAndLeisure

//RESTAURANT PERSPECTIVE

\\FINISHED PHOTOGRAPHS

//RESTAURANT PERSPECTIVE

59

Office Location: Cincinnati & Columbus, Ohio

SHP Leading Design has been in the K-12 Market for over 100 years. I spent much of my time there on the Northwestern High School project team, designing my alma mater. The project was two separate buildings (a PK-6 & 7-12) totaling 247,000 square feet. The designs are 2-story buildings with abundant natural lighting. Each building will target a minimum of LEED Silver certification. The project will includes a geothermal HVAC system and many other new technologies.

It was an interesting experience learning about public clients sitting on both sides of the fence - as designer and a member of that school’s community. When I worked part time (16+ Hours a week), I became a more fluid employee working on several projects as needed. I took on tasks that ranged from SDs to CDs and even CA. I was also in direct contact with consultants to help produce the most innovative solutions for our design problems.

3Co-Ops & 2yrs Part Time SHP LEADING DESIGN#EducationDesign #LeadersInBIM #PublicProjects

//REAR PERSPECTIVE

\\PROGRAM SKETCH LAYOUT

2-1/2" SPRAY FOAMINSULATION AND AIRBARRIER

TERMINATION BAR

MEMBRANE FLASHING

SEALANT

CMU

MASONRY JOINTREINFORCEMENT

BRICK

THRU-WALL RECEIVER W/COUNTER FLASHING

TERMINATION BAR

WEEP

CAVITY DRAINAGEMATERIAL2-1/2" SPRAY

FOAM INSULATIONAND AIR BARRIER

6" CMU, GROUTSOLID

MEMBRANE FLASHING8" CMU

2-1/2" CAVITYWALL INSULATION

MEMBRANE ROOFING

GROUND FACE CMU IN LIEU OFBRICK AT SIMILAR CONDITION

BRICK

WEEP

MEMBRANE FLASHING

MASONRY JOINTREINFORCEMENT

CAST STONE SILL - SEEDETAILS ON SHEET A009

SEALANT ANDBACKER ROD

TRANSLUCENT WALL PANELS

12 x 8 BOND BEAM

5x3-1/2"X5/16" CONT. STEELANGLE (GALV), BOLT TO CMUW/ 1/2"Ø EXPANSION ANCHOR32"OC.

2-1/2" SPRAY FOAMINSULATION AND AIRBARRIER

12" CMU

BRAKE-FORMED ALUMNIUMSILL - TYPE 1

1"

SEALANT

4 5/8" 1 7/8"

5/8"

15°

5/8" 1 5/8"

5°

50°

4 1/4" 2 7/8"

2 1/8"

1'-1 1/2" 2"

15° 5°

1 5/8"5/8"

2 7/8"10 1/2"

2 1/8"

50°

8 X 8 BOND BEAM

8" CMU

4" H CMU, GROUT SOLID2-1/2" SPRAY FOAMINSULATION AND AIRBARRIER

STEEL JOIST

TAPERED ROOF INSULATIONON ROOF INSULATION

MEMBRANE ROOFING

ROOF DECK

VAPOR RETARDER

WOOD BLOCKING CUT FROM2x12, ANCHOR TO CMU W/1/2"Ø EXPANSION ANCHORS(MIN. 3-1/2" EMBEDMENT)COUNTERSUNK 24" OC. ,STAGGER SIDES, 2" MIN.FROM FACE OF CMU

1'-4"

2-1/2" CFMF Z-FURRING16" OC. VERTICAL

4 X 8 M

ASON

RY OP

ENING

CONDUCTOR HEAD13"W X 9"H X 8"DW/ BUILT-INOVERFLOW AS PERLATEST SMACNASTANDARDS

COVER BOARD

9"

3"6"

8"

DOWNSPOUT

1/2"

5x5x5/16 CONT. STEEL ANGLE(GALV), BOLT TO CMU W/1/2"Ø EXPANSION ANCHOR32"OC.

6" 3 1/2"

METAL COPING

2x12 WOOD BLOCKING, BOLTTO STEEL ANGLE W/ 1/2"ØBOLT 32" OC.

SLOPE

8 X 8 BOND BEAM

8" CMU

4" H CMU, GROUT SOLID2-1/2" SPRAY FOAMINSULATION AND AIRBARRIER

MASONRY JOINTREINFORCEMENT STEEL JOIST

TAPERED ROOF INSULATIONON ROOF INSULATION

MEMBRANE ROOFING

ROOF DECK

VAPOR RETARDER

METAL COPING WOOD BLOCKING CUT FROM2x12, ANCHOR TO CMU W/1/2"Ø EXPANSION ANCHORS(MIN. 3-1/2" EMBEDMENT)COUNTERSUNK 24" OC. ,STAGGER SIDES, 2" MIN.FROM FACE OF CMU

3"3/4

"

2-1/2" CFMF RUNNER

METAL WALLPANEL

1 1/2" 1'-0 5/8"ROOF STRUCTURE

VARIES @ SIMILAR CONDITIONS

2-1/2" CFMF Z-FURRING16" OC. VERTICAL

4 X 8 M

ASON

RY OP

ENING

CONDUCTOR HEAD13"W X 9"H X 8"DW/ BUILT-INOVERFLOW AS PERLATEST SMACNASTANDARDS

COVER BOARD

9"

3"6"

8"

DOWNSPOUT

METAL WALL PANEL 3"1/2

"

B/ SOFFIT110'-8"

AIR BARRIER

1/2" GYPSUMSHEATHING

MEMBRANE ROOFING

STEEL BEAM

STEEL JOIST

7/8" CFMF HAT SHAPEDFURRING CHANNELS 16" OC.ON 1-1/2" CFMF CARRYINGCHANNELS 32" OC.

1/2" GYPSUM SHEATHING

8"

METAL WALLPANEL

METAL COPING PANEL

WOOD BLOCKING CUTFROM 2x8, BOLT TO CFMFRUNNER 32" OC.

COVER BOARD

TAPERED ROOFINSULATION ONROOF INSULATION

1/2" CEMENT BOARD

DEFS ON 1/2" CEMENT BOARD

SOFFIT VENTEDGE TRIM AND SEALANT

3-5/8" CFMFSTUDS, 16" OC.

T/ PANEL115'-0"

B/ PANEL110'-5 1/2"

VAPOR RETARDER

CFMF SUPPORTCLIP ANCHOR TOSTEEL BEAM

METAL SCUPPERLINER 4"X8" - ALLSIDES

DRIP FLASHING

HEMMED METALFLANGE TRIMDRIP FLASHING

METAL COPING

THROUGH-WALL FLASHING

COUNTER FLASHINGRECEIVER

END DAM

COUNTERFLASHING

ROOF MEMBRANETERMINATION BAR

WEEP

ROOF MEMBRANE SEE S

ECTIO

NS8" M

IN.

4"

4"

2"

ROOF INSULATIONROOF DECK

NOTE:COUNTER FLASHING IS NOTSHOWN AT ALL LOCATIONS FORCLARITY

THROUGH WALL FLASHINGTERMINATION BAR

BRICK

COUNTER FLASHING RECEIVER

THROUGH-WALL FLASHING END DAM

ROOF MEMBRANE END DAM

SILL FLASHING END DAM

WEEP

ROOF MEMBRANETERMINATION BAR

ROOF DECK

ROOF INSULATION

1/2" CEMENT BOARD

ROOF MEMBRANE

CMU BACK UP

SILL FLASHING/RECEIVER POSITIVE SLOPE TOWARDS ROOF SURFACE

ROOF MEMBRANE TERMINATION BAR

NOTES:1. THIS DETAIL IS FOR ILLUSTRATIVE PURPOSES TO

SHOW HOW THE FLASHINGS TIE TOGETHER AT THEEND DAM. NOT ALL CLADDING COMPONENTS ARESHOWN. REFER TO ADDITIONAL DETAILS FORCOMPLETE ASSEMBLY

2. COUNTER FLASHING IS NOT SHOWN FOR CLARITY.3. METAL WALL PANELS ARE NOT SHOWN FOR CLARITY4. PROVIDE SEALANT BETWEEN END DAMS.

2 1/2" SPRAY FOAMINSULATION ANDAIR BARRIER

2 1/2" SPRAY FOAMINSULATION ANDAIR BARRIER

ROOF MEMBRANE

WEEP

ROOF MEMBRANE TERMINATION BAR

COUNTER FLASHING RECEIVER

THROUGH WALL FLASHING

END DAM

COUNTER FLASHING

4"

SEE S

ECTIO

NS8" M

IN.

4"

4"

NOTE:COUNTER FLASHING IS NOTSHOWN AT ALL LOCATIONS FORCLARITY

ROOF INSULATION

ROOF DECK

RI

D ARI

T

CH

TEC

EG

REE

ST

OI

HOFOETATS

KEVIN E. KREUZ8636

DATE

COMM NO.

COPYRIGHTSTEED HAMMOND PAUL, INCALL RIGHTS RESERVED

4805

Mon

tgom

ery

Roa

dC

inci

nnat

i, O

hio

4521

2

236

Hig

h S

treet

Ham

ilton

, Ohi

o 45

011

250

Civ

ic C

ente

r Driv

eC

olum

bus,

Ohi

o 43

215

Sui

te 4

0051

3-38

1-21

12

513-

863-

5441

Sui

te 2

0061

4-22

3-21

24

0'-1" REFERENCE LINE5/11

/201

1 4:

06:4

8 PM

5610

TR

OY

RO

AD, S

PRIN

GFI

ELD

, OH

455

02

A540

MISCELLANEOUSDETAILS

NO

RTH

WES

TER

N P

K-6

SC

HO

OL

5-11-11

2008071.01

NO

RTH

WES

TER

N L

OC

AL

SCH

OO

L D

ISTR

ICT

5610

TR

OY

RO

AD, S

PRIN

GFI

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455

02

ISSUANCES

3" = 1'-0"A5401 DETAIL

3" = 1'-0"A5402 DETAIL

3" = 1'-0"A5403 DETAIL

TYPE 1 TYPE 2

3" = 1'-0"A5404 BRAKE-FORMED ALUMINUM SILL TYPES

TYPE 4TYPE 3

1 1/2" = 1'-0"A5405 SCUPPER DETAIL @ BRICK

1 1/2" = 1'-0"A5406 SCUPPER DETAIL @ METAL PANEL

1 1/2" = 1'-0"A5407 DETAIL

1 1/2" = 1'-0"A5408 PARAPET WALL FLASHING

1 1/2" = 1'-0"A5409 THROUGH WALL FLASHING TYPICAL DETAIL

1 1/2" = 1'-0"A54010 WALL FLASHING AT ROOF TRANSITION

\\3D CONSTRUCTION DETAIL

61

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