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Anne FængsrudAnne FængsrudVestfold CollageVestfold Collage
Head of Department Head of Department For Teachers’ TrainingFor Teachers’ Training
Paradigm shifts in learning (and teaching) see Timothy KoschmannCSCL: Theory Practice
New technology wolcomes new ways of working
The traditional teaching and learning The traditional teaching and learning methods in our schools have been based onmethods in our schools have been based on
The correct answer
Clearly defined curriculum
Individual work
The teacher teaches
The pupils learns based on reproducing facts and pieces of knoewledge from books
The instructive Instruction, demonstration
The telling Lecture, speech, storytelling
The interogative Teaching in the class room, consulting, retelling of the lesson for today, traditional Q& A
The dialogue Learning through dialogue, dialogue lecture, discussion, formal discussion, brainstorming, consultancy
The processive and adaptive
Case studies, storyline, team work, project oriented learning, work shops, role play, cooperative learning
The practicle x x Visits to schools, excursions, practicle work individually or in a group
6 different approaches to teaching 6 different approaches to teaching
The role of the teacherThe role of the teacher• consultant, project
leader, commentator• fascilitator, inspirator
for the pupils’ variety learning styles
Guide to the internet
Promotor of relevant know-how and skills
Flexibel partner
The role of the studentThe role of the student
• Increased independence and reflection
• Participation and problem based approach
• Individual goals and initiatives
• Manage his/her own time• Communicative
competance• Collaborative skills
ICT
E-mail, Word, Windows
CSLcomputer supported learning
Excel, Powerpoint
CSCL – computer supported collaborative learning
ICT in teaching
ICT as a tool for getting information x ICT as a tool for documentation y ICT as a tool for communication z ICT as a teaching tool p ICT as a learning tool o ICT for creative writing and learning x
C rim e s to ry/d e tec tive s to ry
4 Hen d in g
3 Dm u rd er
4 Ien d in g
3 Em u rd er
2 Bcon flic t d eve lop m en t
4 Jen d in g
3 Fm u rd er
4 Ken d in g
3 Gm u rd er
2 Ccon flic t d eve lop m en t
1 Ain trod u c tion
Definition of digital portefolio
A portfolio is a "purposeful collection of student work that exhibits the student's efforts, progress, and achievements. The collection must include student participation in selecting contents, the criteria for selection, the criteria for judging merit, and evidence of student self-reflection" (Lankes, 1995).
Portfolio assessment includes performance-based works in progress, as well as best products used for assessment measured according to the achievement of content standards
What is a digital portefolio?
1. Based on the same principles as an ordninary paper portefolio
2. …organized digitally 3. ...er transparent
Collaborative learning with ICT
Hildegunn Otnes
Portefolio assessment
What is a digital portefolio? XXX Ex 1 Ex2
http://luna.itu.no/Fokusomraader/mappevurd/1008073925_64/view http://mix.hive.no/~amjensen/ http://mix.hive.no/~lenelu/ http://mix.hive.no/~nins/ Collection
Selection
Reflection
Assessment
Norwegian – ex1, ex2, ex3 100% portefolio assessment –
internal? External? Both? Legal documents –
government/college/team Should part of the end of term
assessment be based on traditional exams marked externally?
Two key challenges
The relationship between ICT and portefolio assessment
The relationship between process and and assessment Is the end of term assessment
actually based on the work the student done during the course?
Will the type of assessment we chose influence our teaching methods?
Product versus process
How do we meet the documentation challenge?
Essay days with coaching Individually and in groups
Diversity in genres and variation in text length?
Drafts– can they be placed in the portefolio?
Loggs and reflective texts? Curriculum?
Instruction, coaching or freedom
Freedom to decide probem topic/theme
Freedom to define course curriculum Freedom to decide documentation
genre Freedom to decide work process Freedom to decide when to work What kind of progression has been
planned?
Portefolio
Authentic writing environment Motivating and stimulating Easy to control, coach and compare Encouraging competition Constant changing and improvement of
products, ie writing process Welcomes a variety of ways of writing
and structuring texts Welcomes grxts and collaboration
Open or closed systems
What can be shown on the net/open system? Should the whole portefolio or only parts of
it be revealed to the rest of the world? Only finished papers or ”drafts” too? Only papers signed off by a teacher? Only productions adapted to the pc
medium? Should some home pages control
admittance through a pass word?
Possible profit for student
More learning because og less teaching Authentic environments can replace the
inauthentic exam environment. The student must include a greater variety
of genres/texts and exercises showing a broader range of competence and skills
The student will put effort into his/her own work throughout a course.
Improved group, class and school learning environment
• The information community quest for speed forces us to reorganize towards more autonomy and more flexilility.
• Schools must supply pupils and students with a symbol analytic competence to be able to construct meaning i our hypercomplex society.
What is a scenario for the future school?What is a scenario for the future school?
Learning has been based on centralization Learning has been based on centralization and standardizationand standardization
Standardized textbooks and methods
Standardized and fixed oportunities for cooperation
Standardized evaluation techniques and methods
Standardized and universal perspectives on learning and deveopment
What about our text perspective?
Search for texts?
Make texts?
Analyze texts?
Read texts?
computer = librarycomputer = library
computer = writer’s work shopcomputer = writer’s work shop
computer = new genre generatorcomputer = new genre generator
Genres
n ove ls , sh ort s to ries e tc N on fic t ion essay
F rom p rin ted m ed ia F rom p ic tu re m ed ia
Texts d irec tly tran s fe rredfrom o th er m ed ia
h yp ertexts in te rac tive texts
Texts ad op tin g a ll p oss ib ilit ies o f th e d ig ita l m ed iu m
Texts in d ig ita l m ed ia