Upload
brannanart1101
View
1.727
Download
0
Tags:
Embed Size (px)
DESCRIPTION
Citation preview
Art Appreciation
Chapter 8Prints
4 basic methods
•Relief• Intaglio• Lithography• Screenprinting
What is a print?
• Courtesy of moma• http://www.moma.org/interactives/projects/2
001/whatisaprint/print.html
websites• Colored woodblock prints in the japanese style– http://www.youtube.com/watch?v=dliF74ojOho
• 4 color woodblock print, a stamping method– http://www.youtube.com/watch?v=Ej0D_qxBd2w
• The best video, 3 color reduction process (with Bridget Mary Henry)– http://www.youtube.com/watch?v=qSoRnKXpjU0
• MC Escher, doing his woodblock print of Snakes– http://www.youtube.com/watch?v=cEQcuIRROzM
Relief
• The background image is cut away• The raised areas hold ink
Preface to Diamond Sutra, 868, woodblock handscroll, the earliest surviving woodcut image
Durer, Four Horsemen of the Apocalypse, 1497-98, woodcut
Odawara-juku in the 1830s, as depicted by Hiroshige in his series The Fifty-Three Stations of
the Tōkaidō.
Hiroshige and Van Gogh
Clear Weather After Snow at Kameyama
The Lake at Hakone
Fukagawa Susaki and Jūmantsubo
Edvard Munch
• http://romanjaster.com/edvard-munch/gallery/wood/index.htm
Edvard Munch, woodcut
Mondschein II (Moonlight II), Edvard Munch, 1902, Woodcut
Melancholy, Edvard Munch, 1896, Woodcut
Vampire, Edvard Munch, 1895-1902,Woodcut
Tower of Babel, M.C. Escher, 1928, woodcut
Snakes, M.C. Escher, 1969, woodcuthttp://www.youtube.com/watch?v=cEQcuIRROzM
Wood engraving
• Uses the end grain of the board• Uses harder wood• More highly detailed
• Quick video showing fine detail• http://www.youtube.com/watch?v=UzZ26udf
Ps0&feature=player_embedded
Thomas Bewick, Barn Owl, 1847, wood engraving
Grace Thurston Arnold Albee, The Boyer Place, 1946, wood engraving
Still Life with Glass Under the Lamp, Pablo Picasso, 1962, linocut
Chuck Close, S.P. II, 1997, linocut
intaglio• Refers to 5 techniques
– Engraving– Drypoint– Mezzotint– Etching– Aquatint
• Opposite of relief, the ink goes into the grooves on the surface.
• Artist makes lines or grooves into a metal plate using a sharp tool or acid
• The entire surface is inked and then the plate is wiped clean• The paper is used damp and then pressed onto the plate
under pressure
• Intaglio demo• http://www.youtube.com/watch?v=SNKn4PORGBI• MC Escher Mezzotint• http://www.mcescher.com/Film/Eschermezotintprint.mpg
• Lithography demo• http://www.youtube.com/watch?v=JHw5_1Hopsc• Screenprinting demo• http://www.youtube.com/watch?v=wogKeYH2wEE
engraving• Began from the practice of incising designs
into armor• A sharp V-shaped tool called a burin is used to
cut lines into a metal plate• Shallow cuts make a light, thin line and deeper
gouges make a darker, thicker line• The result is similar to drawing• Engravings were a popular way of making
reproductions of major paintings
The Judgement of Paris after Raphael, Raimondi, 1514-18, engraving
St Jerome in his Study, Durer, 1514, engraving
drypoint
• Similar to etching, except it uses a sharp pointed drypoint needle instead of a V-shaped burin
• The artist draws on the metal plate similar to drawing on paper
drypoint
Woman in Cafe, Lesser Ury, 1919-21, showing the typical rich blurred line of drypoint.
Hard Climb, Louise Bourgeois, 1946-47, burin and drypoint
Edvard Munch, The Women, 1895,Drypoint on paper
mezzotint
• This is a reverse process, working from dark to light
• First the entire metal plate is roughened using a sharp tool called a rocker– The entire plate would make a black print at this
point because the burrs hold the ink– The artist uses a burnisher (a smoothing tool) to
smooth and rub out areas to create lighter values.– In the lightest areas, the burrs are smoothed out
entirely
The Jolly Flat Boat Men after George Caleb), Thomas Doney, 1847, mezzotint
Eye, Escher, 1946, Mezzotinthttp://www.mcescher.com/Film/Eschermezotintprint.mpg
Etching
• The entire plate is covered with a ground, like beeswax or asphalt
• The artist draws through the ground on the plate using an etching needle
• The entire plate is dipped into acid• Acid eats away the lines• The ground is removed• The plate is inked and printed
etching
Christ Preaching, Rembrandt, c. 1652, etching
aquatint
• Different in that it does not print lines but rather areas of tone
• It is good for creating value changes• Most often used with another technique• The artist dusts the plate with powder resin in
various thicknesses, then heats the plate to make the resin stick
• Plate is dipped into acid
Goya, Hasta la Muetre (until death),aquatint and etching
Goya, 1797-98, etching and aquatint,No 52: ¡Lo que puede un sastre!
Woman Bathing, Mary Cassatt, 1891, drypoint and aquatint
midpoint
lithography• Much different that intaglio, it is a planographic process• Lithography artists draw onto smooth limestone surface
using a greasy material– Lithographic crayon– Tusche, a greasy ink
• It works based on the idea that oil and water do not mix• The stone is treated with acid to fix the drawing in place• Then it is damped with water, the water goes to areas
without grease• The stone is inked and the ink sticks to the grease and is
repelled by the watery areas• Lithographs are often mistaken for drawings
Lithography stone with it mirror image,map of Munich
Death and the Mother, Kathe Kollwitz, 1934, lithograph
The Seated Clowness, Henri de Toulouse-Letrec, color lithograph
La Goulue, Toulouse-Lautrec, lithograph poster,use multiple stones to reproduce images in color
Alphonse Mucha, Fruit, 1897, lithogrph
Nestle’s Food for Infants, Mucha, lithograph, 1897
Dance, Mucha, 1898, lithograph
Still Life with Spherical Mirror, Escher, 1934, lithograph
Reptiles, Escher, 1943, lithograph
Three Worlds, Escher, 1955, lithograph
Hand with Reflecting Sphere,Escher, 1935, lithograph
Edvard Munch, self-portrait, lithograph
Edvard Munch, Madonna, 1895-1902Lithograph
Screenprinting• The artist uses a screen– Traditionally silk
• Silkscreen• Serigraphy
• They block out certain areas that are not meant to be printed– Using various methods and materials
• Place the screen over paper and force ink thru the screen using a squegee
• To use multiple colors, a screen is prepared for each color and the paper is registered for each printing
Untitled from Maryilyn Monroe, Andy Warhol, 1967, screenprint
Self-portrait, Andy Warhol, 1966, silkscreen on 9 canvases
Retroactive I, Robert Rauschenberg, 1964, oil and silkscreen on canvas
What Appropriation Has Given Me, Chagoya, 1992, serigraph
Gumiring Garkman, Lin Onis, 1994,Screenprint on Paper
Goonya Na Bilda, Lin Onus, 1994,Screenprint on paper,
Monotype & Monoprint
• Monotype – uses ink on a simple featureless surface (can be copper plate
or acrylic glass, ect) then transferred onto paper or canvas– plates are re-inked every time resulting in unique individual
prints• Monoprint– Uses ink on a plate with permanent markings on it such as
texture or incised lines– Plates are re-inked with each print, resulting in a unique
coloring with a common theme
• A second print is sometimes called a ghost print
Bastille Day, Prendergast, 1892, monotype in oil colors
End of chapter 8