ArtCAM Pro - Manual

8/10/2019 ArtCAM Pro - Manual

1/28

ArtCAM Pro.

Tools:

Case out New - the new file - Opens to a new model.

The real size of the required physical model of the model is entered (in thepresent units), must enter the Height and the wide one.

It consists with a slid ar of of resolution of the model is to say what finely isdi!ided. The finished one that you can otain finally when mechanizing to the

model depends on the fi"ed resolution.

#or e"ample - if you went to prepare a model that has $%%mm of wide and putthe resolution to $%% points, the smallest step in the model will e then $mm. If

you put the resolution to $%%% points, the smallest step will e %.$mm.

Case out Open & files opens an e"isting model already.TheTipo-'scoa archi!es the required data ey in of the list.

*rt+* odel ( art). It opens archi!es that contain information associated withmodels, e!en the images in /, image of tiff, 0+1, 2I#, and 30'2. These

formats of the file are used to read images created y other applications.

2uard to & the present disc model cases out Save 4al!a *rchi!es -.

Case out Information - #ile of Information - Opens a dialogue that shows thepresent dimensions of the image.

He allows to select a rectangular region of the image enclosing it with a ruertied the o". The left utton of the mouse in a corner of the noticeale region

presses the utton and with the held utton, it drags the cursor to the oppositecorner. The o" can re-classify according to the size when it wants maing clic

in an edge or corner and dragging mouse. To mo!e the clic of the o" and todrag within the o". Once created the noticeale region it can e used for the

+ourt, +opy and +reates the functions of the e"ample. 4electing the uttonagain and they will clear the o" of the unfolding.

Edit Cut - the +ourt 5e!iews - +ortes outside the part at the moment selected ofthe image and places go to the paper holder.

Edit Copy - 5e!iew the +opy - the +opies of the part at the moment selected ofthe image and places in the paper holder.


2/28

Edit Paste - the 0aste 5e!iews - the 0astes itmap of the paper holder in the

present image.

The 0rofessional of *rt+* can stic only it maps and !ectors of the 0aperholder.

6ou can use the 0aste for the following operations7

$. to stic the wor of art from a file to another one. to reproduce the wor of art within a file

8. to copy the wor of art of another application in *rt+* #or

9itmaps7 in selecting to the 0aste mo!ement the cursor in the present :ista. 6ouwill see a then rectangle (the size of the oect in the paper holder) mo!ing with

the cursor. 0ressing the utton the cursor will put a copy of the oect in their

wor of art.The !ectors7 They will put automatically in the art wor. If you want to mo!e the

!ectors then selecci;nelos using the utton in ain toolar. The mouse upon the!ector mo!es until the cursor changes and then the !ectors can crawl to the

required position.

The paste without the +olor of the 9ottomIf you tighten and maintain the capital ey that although, you are positioning the

map of ites with the ey of left mouse of hand, the map of ites will stic withoutthe color of the ottom. The color of the ottom is taen as potes - Opens a window where you canenter the commentaries.

Help Inde" - the Inde" of the aid - Opens the #ile of *id in the 0age of theindicated Inde".


3/28

Barra de Ejemplos contains the tools to manipulate an existing image. Most of these orders also it can be

in the Menu of examples.

.

This order allows to put the size of the model in real the 0=.

This order allows to place the position of the model selecting in particular pi"eland the 1y- coordinates assigned to him.

This option reflects the complete image (itmap or map of ites ? the !ectors) inthe horizontal direction.

This option the image maes a complete mirror of the image (itmap ? the!ectors) in the !ertical direction.

This option turns the complete image (itmap ? the !ectors) in @% degrees in thesense of the needles of the cloc.

This option turns the complete image (itmap ? the !ectors) in @% degrees insense anti schedule.

This option allows him that it adds the orders to the image in the wished side.

This option annuls all itmaps of the image and games of ottom to the presentprimary color.

This order generates an image of the alance of grays of an e"isting relief.


4/28

The Drawing tools contained in the drawing created with tools to create and to alter the drawings

of bitmap. It must be had it presents/displays that the tools aailable within !rt"!M mainly thin# aboutthe use to alter the wor# and will not match the degree of the tools found within the speciali$ed painting

and will draw the programs.

ows him that itr more !ectorsee of e"tensi!e(It transforms,) Te simp!e

lect the utton

n the required!ector.

"anifo!d Vectors7 4elect the first !ector pre!iously and then it in the same way selects the additional !ectorswith the held capital ey. /rag a o" around the required !ectors.

the 9itmap Toolar and :ector Toolarnience.

It draws a line in p


5/28

This pinto option using the rush at the moment selected topolish the edges or parts. This option is only a!ailale when it

is possile to e smoothed. Bhen the utton clics with theutton of the mouse, the area under the rush that shows thesmoothing one, the polisher is slow in the acti!e image, is to

say is smoothing what only taes place under the rush.

This utton opens the trowel of colors and allows to defineand adds the new color to the trowel of :ista colors in /.

4elecciona a color of the map of the +olors asic allows himto add additional colors. If a asic color is not required, can

define a +ustomized +olor.

This pinto option with the present rush in the primary color,ut only upon areas that are secondary colors at the moment.

This is an option to dilute the primary color, ut it will stopwhen it is with p


6/28

Barra de %ectores& contains the tools that you need to draw the ector graphics& along with the tools to turn

the ectors to the grafica area.Information can be here on the correction of detail of forms of the ector

The tools to manipulate the forms of the ector will be found ahead in

This tool allows him that it selects one or more !ectors with the intention ofe"tensi!e operations (Transforms, 2roup etc.)

The unique :ector7 4elect the utton and you clic in the required !ector.The multiple :ectors7 4elect the first !ector pre!iously and soon it selects the

additional !ectors plus the capital ey held (shift) to /rag a window around the

required !ectors.

This tool allows the user to measure the distance etween two points, the angleetween those two points and to the a"is of 1 and also the change in 1 and and

etween oth points.

This tool allows him to create a rectangular !ector. +lic and you maintain theleft utton of the mouse and drag the mouse to produce the rectangle. Then OC

in the assistant of dialogue of *rt+* presses, to accept or to cancel thechanges. aintaining the capital ey simultaneously it produces a square.

This tool allows him creates an elliptical !ector. +lic and you maintain the uttonof mouse of left hand and drag the mouse to produce the ellipse. Then the

utton of OC in the *rt+* of dialogue of the *ssistant presses to accept thepoints or to cancel to lea!e the changes. 6ou also can re!iew the form doingclic and prolonging to the handling pursuer altering the data in the dialogue

picture efore pushing utton OC.

This tool allows that you draw a form to pulse. There are two ways to draw thecontinuous form or of points.

This tool allows him that it creates an ellipse formed y the !ector. +lic and youmaintain to the left utton of the mouse and arrAstrelo to produce the ellipse.

Then clic presses utton OC. 6ou also you can re!iew the form doing andprolonging the pursuer of it handles or altering the data in the dialogue efore

gi!ing OC.

This tool allows him to create a polygon formed y the !ector with three or moresides.+lic and you maintain the utton of mouse of left hand and drag the

mouse to produce the polygon. Then OC in the assistant of *rt+* presses toaccept the points or to cancel the changes.


7/28

This tool allows him that it creates a star formed y the !ector with the three ofpoints or most outer points. +lic and you maintain the utton of the mouse ofthe left hand and drag the mouse to produce the internal or outer points of the

star. Then the mouse mo!es and maes clic to create the ne"t position ofpoints.

This option is used to add the te"t to the image. Bhen the option is selected, thecursor of the !ertical line allows the position of the e"it of the te"t to e indicated,clicing in the image will unfold. Once the position of the e"it has een indicated

you can egin with the writing of the te"t.

This tool allows him that it surrounds the te"t of the !ector around a cur!e of the!ector. 6ou also can select any other !ector and can surround them around a

cur!e. #irst he selects the cur!e for the te"t, pushes the utton of the assistant ofI engage in a dialog of *rt+*. /rag the indi!idual letters around the cur!e until

you it is then contentment with the adustment and presses O to accept thechanges or To cancel to lea!e them.

This option creates the Bays of the :ector to the limits of the 0rimary +olor.

This Option allows him to mae one copy of a !ector in itmap. 9itmap producedp


8/28

This publisher contains the orders to select and to ma#e the general manipulations in ectors that or hae

been created or they hae been concerned.

The tools to create the forms of the ector will be found in %ector Toolbar.

Information can be here on the correction of detail of forms of the ector'

This tool allows him that it selects one or more !ectors as the oecti!e ofe"tensi!e operations (It transforms, 2roup, etc.)

The unitary :ector7 4elect the utton and you clic in the required !ector.The multiple :ectors7 4elect the first !ector pre!iously and in the same way itselects the additional !ectors with the held capital ey and forms a rectangle

around the required !ectors.

This utton opens the /ialogue of transformation where you can scale theselected !ectors.

This utton opens the /ialogue of transformation where you can o!e theselected !ectors.

This utton opens the /ialogue of transformation where you can Turn theselected !ectors.

This utton opens the /ialogue of transformation where you can incline theselected !ectors.

This utton opens the /ialogue of transformation where you can +opy theselected !ectors.

This utton opens a /ialogue where you can smooth the selected !ectors.

This utton reflects the !ectors selected on a !ertical line that crosses the pointof the center of the !ectors.


9/28

This utton reflects the !ectors selected on a horizontal line that crosses thepoint of the center of the !ectors.

This utton fits the edge of the left side of !ector(s) on the rin of madnessselected the left hand of the last selected !ector.

This utton fits the edge of the right hand of !ector(s) that it selected, on therin of madness the right hand of the last selected !ector.

This utton fits the edge of the top of !ector(s) that on the rin of madnessselected the top of the last selected !ector.

This utton fits the edge of the ottom of !ector(s) that on the rin of madnessselected ottom of the last selected !ector.

This utton fits the center of !ector(s) that it selected to the center in the a"is of1 of the last selected !ector.

This utton fits the center of !ector(s) that it selected to the center, in the a"is ofand the last selected !ector.

This utton fits the center of !ector(s) that it selected to the center of the lastselected !ector.

This utton fits the center of !ector(s) that it selected to the center of the :ista in/.


10/28

#oad Re!ief $utton - Doading the 9utton of *li!ioE0ulirE5elie!e - This tool allowshim that it loaded an e"isting lightening. Bhen the lightening has een chosen, a

dialogue is opened where you can choose how she will e comined with ane"isting lightening. The option a!ailale will depend on the type and size of the

lightening that it has loaded.

Save Re!ief $utton - the 5elief Ceeps - This tool allows him that it eeps a reliefto the hard dis. This is recommended to mae efore you carry out the

irre!ersile procedures lie comining or sticing the reliefs.

Paste Re!ief a!on% Vector $utton - the 5elief throughout the :ector 9eats -This tool allows him that 8/ stics *rt+* clipart throughout a !ector or group of

!ectors. +lipart can e descascarar with the direction of the !ector. This is !eryuseful to create or to repeat the effects throughout a lightening lie in the lin of a

chain 8/.art, of the group can create a long chain.

Rep!ace Re!ief $utton - the 5elief 5eplaces - This tool calculates the definitionof present 5elief and replaces any e"isting lightening.

Reset Re!ief $utton & the 5elief 5estores - *ny e"isting 5elief reco!ers To putto zero, is to say is annulled.

'dd Re!ief $utton - a 5elief *dds - This tool calculates the definition of present5elief and it adds it to the e"isting 5elief.

Su(tract Re!ief $utton - the 5elief 4utracts - This tool calculates the definitionof the present relief and it reduces it of the e"isting relief.

)i%est Re!ief $utton com(ines - the Highest 5elief +omines - This toolcalculates the definition of the present relief and it comines it with the e"isting

relief, retaining the highest points of oth.

#owest Re!ief $utton com(ines - the Dowest 5elief +omines - This toolcalculates the definition of the present relief and the e"isting comination,

retaining the lowest points of oth.

Swept Profi!e E*trude - the swept 0rofile 0ushes towards a was - 2enerates a

relief ased on outside 0ushing a profile of the !ector throughout a cur!e.

Swept Profi!e Spin - the 4weeping of the 0rofile - 2enerates a relief ased onspinning a profile of the !ector, around the !ertical a"is.

Swept Profi!e Turn - the 4weeping of the 0rofile - 2enerates a relief ased onsurrounding a profile of the !ector around him, is to horizontal a"is.

Two Sweep Rai! - Two 4weepings of the profile - 2enerates a relief ased onsweeping a symmetry of the !ector throughout two cur!es of the way generating

a relief.

+eave*ttending & +i,ard of 0lot or Bea!e - a lightening ased on sweeping asection of the !ector throughout a way 2enerates or cutting itself in cur!e togenerate a relief of wo!en model.


11/28

Constant )ei%t - +onstant Height - *llows him that it creates constant relief ofheights of a game of closed !ectors. This allows him that it maes the 4ignoard

of +onstant Height.

Create Rin% & +reation of 5ing & +reates and surrounding color in 8/ of therelief of the ring to help the !isualization of the model.


12/28

The orders of the relief publisher offer an ample range of options to modify an existing relief.

Sca!e Re!ief )ei%t - To smooth the Height of the 5elief - This tool opens adialogue in which you can flatten or smooth the height of the relief.

Smoot Re!ief - the 4moothed one - This tool opens a dialogue with which youcan flatten outside y the wa!es in the lightening.

Te*ture Re!ief - the 4moothed one of the te"ture - This tool accedes a dialoguethat allows him that it adds the te"tures to the surface of the lightening.

Invert Re!ief in - - the relief in F In!ests - This tool in!ests the relief in z-a"is, isto say !ice !ersa of the male to the female or.

Invert "a!e./ema!e Re!ief - the relief of achoEHemra In!ests - This toolalong with in!ests to the relief in z-a"is a mirror image.

Offset Re!ief - the relief +ompensates - This tool creates a new relief that iscompensated of the e"isting relief y a constant amount.

-ero Re!ief Under Co!our - the 5elief =nder the +olor 0uts to zero - This toolhas the effect to put that part of the relief that is ac elow the chosen color, to

put it in the flat ase.

-ero Re!ief Not Under Co!our - the 5elief =nder the +olor does not put to zero- This tool has the effect to put that part of the relief that is not ac under the

chosen color.

Scu!pt Re!ief - the 5elief +ar!es - This tool allows you to create the alterationscar!ing to pulse the relief.


13/28

The bar of Mechani$ed contains the bellboys to accede to the Dialogues of (roperties of mechani$ed& the

assistant of I engage in a dialog of Mechani$ed )D& the accumulation and *pecialist of Dialogue

Mechani$ed of the lines of mechani$ed followed and the Dialogues of the *imulation. In these dialogues

you can prepare the parameters to mechani$e that you wish to record or guides through baryes differentstrategies of the mechani$ed one that they use the !ssistant of !rt"!M and then it simulates the generated

Toolbox and finally accepts they in a format that their "+" can recogni$e for being able to mechani$e.

Create Raised /eature - the 4alient +haracteristic +reates - This tool opens adialogue in which you can define the properties for a proection (the male).

Create Recessed /eature & +ree the Incoming +haracteristic - This tool opensa dialogue in which you can define the name and depth of a serration (the

female).

Create Recessed Centre!ine /eature - It creates Dines of +enter - This toolopens a dialogue in which you can define the name and depth of a serration (the

female). The only difference to the pre!ious utton, is that with this order theserration descries only the way of the center of the tool of the mechanized one.

Disp!ay /eature Properties - the 0roperties of mechanized unfold - This toolunfolds the properties of the mechanized one that you ha!e put pre!iously.

Remove /eature - the echanized one +lears - This tool clears the name andproperties of the proection or it fit of the delineated !ectors.

- #eve! Rou%in% +i,ard & the *ssistant of the le!el ne"t to F - the plane ofsecurity ne"t to F. the mechanized one ecomes in steps.

In!ay +i,ard - *ttending of Inlay - This page allows to create many typesdifferent from inlays and insertions. The inlay / is a strategy of the mechanized

one to mechanize the male and the females who will fit together.

Profi!in% +i,ard - the outlined *ssistant of - Outlined / creates a tool tomechanize around the interior or outside of the selected !ectors. If a conical tool(angular) *rt+* is used it will calculate the required displacement ased on the

diameter of the tool to the depth of the finished one.

2D 'rea C!earance +i,ard - the *ssistant of mechanized of *rea / & thestrategy of mechanized y areas, this cradle in the limits of the !ector at the

moment selected. 6ou specify the depth that you wish to mechanize and one ormore tools, the parameters of cut associate and options of the strategy for each

tool.

#ine Carvin%*ttending +i,ard & for the +ar!ing y Dine of center centers -the +ar!ing y the center allows to mechanize the planes using the >ose of thetool. The center of the tool follows the line of the center of the wor plan and the

depth of the cut is !aried with the wide one of the design of the tool.

Draw Dri!! )o!es - It draws the Holes of /rilled - /efines a drilled hole and to

draw it in the :ista /. This hole that Taladro uses then can e mechanized.

Dri!! )o!es - the Holes of the drill & the holes created y the maquina to drillwere made using pre!iously descried y the drawing.


14/28

"acinin% !aser - echanized y DaserEThread - the echanized one ythread is a strategy of the mechanized one, that uses the machines tools. These

machines clear the material from a side to another one y the restriction of thethread to clear the material in the layers.

Save Too!pats & 2uardar the traectory - This tool opens a dialogue in whichyou can record the traectory of the mechanized one and in the specific format

that can read its 0ost-processor.

Simu!ate Too!pat & 4imulation of the traectory - This order generates thesimulation of the traectory of the tool, lie when this one maes the mechanized

one.

Reset Simu!ation - the 4imulation 5estores & 5estores the changes made inthe present simulation to the pre!ious ones. This is not ust lie to annul the

simulation.

De!ete Simu!ation & *nula the 4imulation - It annuls all the simulations of or the

tools.

This Table of Tool contains all the orders necessary to create and to simulate a Mechani$ed one.

Setup materia! & the +onfiguration of the aterial - This tool opens a dialoguein which you can prepare the material in gross.

New Too!pat - >ew 2roup of Tools & This defines the new instruments to meof tools, then it opens to the assistant of Tools, where you can define the

parameters.


15/28

Too!pat Information - the Information of the picture of tools - Opens adialogue in which the parameters can e seen that ha!e een fi"ed for the

mechanized one.

Ca!cu!ate Too!pat & +alculo of the echanized one - This tool egins themechanized calculation of the present one.

Save Too!pats & 2raar the Tale of Tools - This opens a dialogue in whichyou can eep the mechanized one in specific format to send to 0ost-0rocesador.

Copy Too!pats & the echanized one +opies - This order allows him that itcopies mechanized the present one with a new name.

De!ete Too!pat & *nule the echanized one - the present one *nnulsmechanized.

Ca!cu!ate '!! Too!pats - *ll the echanized one +alculates - This recalcula

you order them of all the mechanized one defined (not only the present one).

Too!pat Summary - the 4ummary of the echanized one - This order opens4umaria that shows to the parameters and scenes for all the defined

mechanized one, along with the time of the considered mechanized one.

Too!pat Data(ase - the /ata ase of Tools & This order opens 9ase of data ofthe toolo" and you can maintain a list of the same ones.

Simu!ate Too!pat & 4imulation of the echanized one - This order simulatesthe mechanized one and creates a smoothness in the mechanized parts and

shows accurately how it will appear when it is mechanized.

Reset Simu!ation - the 4imulation 5estores - 5estores the pre!ious simulation.& This is not equal to that annulling the simulation.

De!ete Simu!ation - the 4imulation *nnuls - *nnuls all the simulations of theToolo".

-oom !ens In - There are three ways to enlarge a part !ertically inindi!idual of an image.

014elect the magnifying glass and you clic in the center of the area that you wish to

enlarge.

214elect the

magnifying glassand you drag to

form a o"


16/28

around the areathat you wish to

enlarge. Theo" will e maderaising !ertically

to form the

window.1

6ou also canenlarge the

particular areaof the image

mo!ing theindicator of the

mouse upon thearea of the

image. 6ou wishto mae raise

the window

drags !ertically,while she is

holding the +trley in the

eyoard andpressing the

right utton ofthe mouse.

-oom !ens out & Foom lens of reduction

Sortcut ,oom !ens & 4he maes mo!e away the image - 6ou also can mae mo!e away to aparticular part of the image, mo!ing the indicator of the mouse upon the area of the image thatyou wish to mo!e away. *lso he can do maintaining it the capital ey of the eyoard and to pressthe utton of the correct mouse.

Previous ,oom !ens - he returns at sight pre!ious.

-oom !ens 0 to 0 - the :ista will e drawn to the real size.

-oom !ens to /it - This option alters the correction factor automatically so that the completeimage simply is !isile within the window.

Vectors ,oom !ens & This maes !ertically raise the selected !ectors so that they simply are!isile within the window.

Draw.Undraw Vectors the :ectors of a drawing - Bhen the utton is clear (the gray light) theways of the !ector are !isile, when the utton is strong (dar gray) the ways of the !ector are

in!isile.

Draw.Undraw $itmaps & In the unfolded ar of commando of the it map of colors. Bhen theutton is depressed (the gray light) itmap is !isile, when the utton is strong (dar gray) itmap

is in!isile.

Undo 3 Redo (uttons - To undo or to erase the last re!ision in the order in which / wascarried out in the Image.

#in4 '!! Co!ours - This order unites all the colors, e"cept the secondary color, in the presenttrowel of colors. 4ee Co!ors & #in4 a!! co!ors

Un!in4 a!! co!ours & =nlin to all the colors - This unlins of the order of all the lins in the trowelof the colors present. SeeCo!ors & Reset a!! !in4s


17/28

#in4.Un!in4 co!ours - the linEthe colors of =nlin - the Dins of the 4econdary +olor to the0rimary +olor or unlins the 4econdary +olor of the 0rimary +olor in the present :ista /. The

DinE=nlin sees the +olor -. The same order has een created clicing in the trowel. SeeCo!our

& #in4.Un!in4.The same order has made clicing that in the trowel.

"er%e co!ours - the color #uses - This order changes all the pi"els in the secondary color in theimage to the primary color. The secondary color is remote of the trowel of the color. See "er%e 3

Co!or./usion


18/28

The ,indow in %ista -D is used to draw oints& (arts of Tools and *imulations.

,hen the %ista -D is selected you will see that there are tools by the top of the window. These bellboys

control how the objects will be drawn.

The first five controls of dynamic views.

8/*>I0=D*TIO>

This one is the predefined way that allow tomanipulate the image 8/ in 1, and and F

around a central point.

8/ 95'*/This way allows to mo!e the image around thescreen.

FOO D'>4 I>/ragging a window in the :ista 8/ this way, the:ista 8/ will mae enlarge the area defined y

the window.

FOO D'>4 O=T+licing with utton of mouse in the :ista 8/

drains the window.

FOO D'>4 O=T+licing in this utton of the :ista 8/ ecomes

to the factor of the pre!ious zoom lens.

FOO D'>4 TO #ITThis puts the factor of the zoom lens to e aleto see the drawing in the center of the window.

The next picture shows the different points of iew in which the image can be seen.

I4O'T5I+ :I'B This one is the predetermined isometric !iew.

1-*"is :I'B This one is the :ista that watches downwardsof "-a"is

*nd-*"is :I'B This one is the :ista that watches downwardsof the a"is and

F-*"is :I'B This one is the :ista that watches downwardsof F-a"is

FOO D'>4 TO #IT This opens the zoom lens to draw on thewindow.

+ext the six bellboys of control show the detail of the drawn connection.


19/28

DOB /'T*ID Only G of the reference lines are drawn.

'/I= /'T*ID Only G% of the reference lines are drawn.

HI2H /'T*ID *ll the reference lines are drawn.

/5*B F'5O 0D*>' The drawing this in the wor plane. *nd one!isualizes ne"t to the origin.

/5*B 1 and and If It draws in planes 1 and and, the lines y therelief in the top of the image will e deduced.

O5I2I> The origin is mared in the :ista 8/.

The three next controls are used in the iews -D.

O93'+T4 TO /5*B

This option unfolds a list of all the tools ofcalculations and of the simulation, it allows to

select which of all the parts this !isile one andas happens to e in!isile. The selected oects

are mared in the lue color.

+ODO=5 4H*/I>2 If the +olor /arens the :ista, selects the fillingof the simulation of the parts to replace with a

clear color ut.

/5*BI>2 O0TIO>4 8/ of the drawing puts the :ista to generateetter graphs.

The dar# "olor is particularly useful to ealuate the smoothness of the joint. ou can see the waes and

other irregularities of the surface that are not isible with lines of normal drawing& een though are

dragged in the high details. The best way to ealuate the 0uality of the mechani$ed one is to carry out a

simulation and to obsere joints.

The control of the dynamic iews. In addition to the directions fixed to the iews preiously you

decipher& you can hae moements of iews -D with the mouse in dynamic form.

In this example we will leae from an obtained image of one bottom of screen for (". ,hich is the

following one'


20/28

In the image 1%iew'o2 a bottom of white color can be obsered& the bric#s and the cement of color

lila. To which we are going to them to place the corresponding properties according to the respectie

colors.

,e clic# double with mouse on the part of the bottom of the image 1white color2 and we gie the

following properties him.

!s it can be obsered in the picture of I engage in a dialog& one is a planar area& which is on the

datum leel& and has a height of 3mm.

,e added& we saed and we #ept the changes in the file.

,e clic# double with mouse on one of bric#s of the image1brown color2 and we granted a height to him of 4mm. This is

on relief.


21/28

,hen we applied the

changes& we can obsere

that in the %ista -D the

bric#s with their

respectie height hae

been generated already.If we are in agreement

with ls entered data& ,e

applied and ,e #ept

changed the model to

them.


22/28

+ow theonly thing

which it

would

reduce is to

gie the

thic#ness

him

corresponding to the glue& which goes has to be of ).5mm.

6ere we hae an extension of a sector of the image.


23/28

7f this form it is demonstrated as from a

simple image geometric forms in images can be

obtained -D and in solid surfaces.

In the following example we are going to obsere as of one it cures and a predefined profile we obtain asurface.

Cross-section' it is the section that we are going to generate on the cure.

Drive curves' cure by which we are going to deelop the generated

section.

!s we see is deeloped the section by all the cure generated in the

plane.

6ere down we can obsere in the diagram in -D the deelopment of the cure.


24/28

Example' The Bear.

,e left from the image in gray scale& which is exported of any drawing program. The images that can

be raised can be of the following extensions. Tiff& ("8& 9I:& and (E9.

,ith this option we projected all the points of the drawing in gray scale to the plane& soon to be

able to obtain its image -D and to treat it li#e so.

7nce we hae projected the image we obtain the model -D. ,hich is to us

useful to mechani$e it.


25/28

The following step is to classify the tools of mechani$ed using& this tal#s about the characteristics

of the tools' type& if she is round& conical& etc.


26/28

In these pictures the steps can be obsered to follow

for the configuration of the tools for the mechani$ed


27/28

one' it forms gies the tool& the last one& the depth of roughdressing& adance of the strawberry& speed of

cut& tolerance& etc.

6ere we put to see in different iews the mechani$ed one obtained.

The next example will be treated in a following deliery the deelopment that means the treatment

of an image and its respectie characteristics& soon to be mechani$ed yet.

7f the same one an example but in format appears ai.

Example' The ;ight.


28/28

Documents

ArtCAM Pro - Manual