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Norway, Oslo / Oslo Atlas Summary of project intent Identifying motivations and barriers for cultural participation among non-users of performing arts in Oslo and Akershus, Norway. DIFFICULTIES MET Definition of non-users Translation of a UK-based insight and segmentation model to a Norwegian cultural context To dialogue with non-users about motives and barriers for participation in something they have no, or very low familiarity with, i.e; performative arts RESULTS 1500 people engaged in an online survey 50 people participated in focus groups 5 major performing arts institutions in Oslo took part in developing the survey and in watching a moderator dialoguing with non-users about motivations and barriers for participation

Audiences Norway - Oslo Atlas

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Identifying motivations and barriers for cultural participation among non-users of performing arts in Oslo and Akershus, Norway. This case study was written up as part of Audiences Europe Networks 2012 - 2014 Open All Areas programme.

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Page 1: Audiences Norway - Oslo Atlas

Norway, Oslo / Oslo Atlas

5,122,600 adults 12%

ACTIVEEXPERIMENTALDISCOVERYCONTEMPORARY

Summary of project intent

Identifying motivations and barriers for cultural participation among non-users

of performing arts in Oslo and Akershus, Norway.

DifficultieS met

Definition of non-users

Translation of a UK-based insight and segmentation

model to a Norwegian cultural context

To dialogue with non-users about motives and barriers

for participation in something they have no, or very low

familiarity with, i.e; performative arts

ReSultS

1500 people engaged in an online survey

50 people participated in focus groups

5 major performing arts institutions in Oslo

took part in developing the survey and in

watching a moderator dialoguing with

non-users about motivations and barriers

for participation

Page 2: Audiences Norway - Oslo Atlas

Norway, Oslo / Oslo Atlas

leARNiNgS

Non-users express fewer barriers towards participation than users.

Price is not the issue; not even among low-income-groups within the non-user segment. The fear of wasting

an evening, feeling bored or stupid and being among strangers is more acute. However, price does matter

when it comes to frequent users with low income.

Non-users do not feel excluded by the institutions, they are rather ignorant about what’s going on (due to lack

of information) and about the possible outcomes of attending (emotional, intellectual and spiritual).

The biggest challenge for the institutions would seem to be this: How can they convince non-users that they

should attend? How can we transmit the possible benefits of attending the performing arts scene to an

audience who is currently rejecting attendance?