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AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT PRINCIPAL PARTNER

AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT · Annual report 2016_FINAL.indd 5 11/05/2017 1:05 PM. 6 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT Shaun Lee-Chen Concertmaster

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Page 1: AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT · Annual report 2016_FINAL.indd 5 11/05/2017 1:05 PM. 6 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT Shaun Lee-Chen Concertmaster

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AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

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PRINCIPAL PARTNER

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2 AUSTRALIAN BRANDENBURG ORCHESTRA 2017 ANNUAL REPORT

Back row: Jamie Hey, Simón Gangotena, Rafael Font, Brett Page, Leanne Sullivan, Shaun Lee-Chen, Paul Dyer, Brian Nixon. Front row: Roslyn Jorgensen, Rainer Saville, Natalia Harvey, Ben Dollman, Matt Bruce, Simone Slattery, Tommie Andersson

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3AUSTRALIAN BRANDENBURG ORCHESTRA 2017 ANNUAL REPORT

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5AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

CONTENTSPage 7About the Brandenburg

Page 9Chairman’s Report

Page 11Managing Director’s Report

Page 13Artistic Director’s Report

Page 172016 Brandenburg Musicians

Page 182016 Concert Season

Page 212016 Touring and Other Events

Page 23Brandenburg Partners

Page 24Brandenburg Donors

Page 27Brandenburg Board and Staff

Page 302016 Financial Statements

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6 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTShaun Lee-ChenConcertmaster

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7AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

ABOUT USTo know the Brandenburg is to go back in time, but to view it through a modern lens. It’s to revel in the music of the well-known and explore that of the less-known. To respect the instruments of the period while celebrating the artists of today. And to sample the world’s virtuosos as you journey with the country’s biggest baroque stars.

It’s to always bring something new to the old. To create music that strikes a balance between excellence and risk-taking, art and entertainment, joy and quality. And to feel you’re a part of the energy and passion of every performance. Above all, it’s to put your faith in an Artistic Director who will take you to the soaring heights of the extraordinary and bring you back down to earth with a playful wink.

Under the charismatic leadership of Artistic Director and Co-founder Paul Dyer, we feature leading specialists in informed performance practice from around Australia. From our very first concert in the Sydney Opera House to a sold-out London BBC Proms performance that had ‘everyone roaring for more’, we continue to achieve artistic excellence at the highest level. A member of the Australia Council’s Major Performing Arts Panel, the Australian Brandenburg Orchestra has become a leader in Australia’s cultural landscape.

The Orchestra’s name pays tribute to the Brandenburg Concertos of J.S. Bach, whose musical genius was central to the Baroque era. Our concerts include both the music of well-known composers such as Mozart, Vivaldi and Handel, as well as lesser-known composers, rare works and unusual instruments.

Each year we invite some of the most spectacular artists working on the international stage today to help us bring to life the music of the 16th, 17th and 18th centuries. Guest artists from around the globe have shared the Brandenburg stage, from South America, Portugal, Italy, Germany, the USA, France, Canada, Russia, the UK, Switzerland and Japan, to name a few.

Through our annual subscription series in Sydney, Melbourne and Brisbane, we perform before a live audience of almost 54,000 people, and reach hundreds of thousands more through national broadcasts on ABC Classic FM. The Brandenburg also has a regular commitment to performing in regional Australia.

The Brandenburg’s 20 recordings with ABC Classics include five ARIA Award winners for Best Classical Album (1998, 2001, 2005, 2009 and 2010). In 2015 the Australian Brandenburg Orchestra was the recipient of the Sidney Myer Performing Arts Group Award and in 2016 the Helpmann Award for Best Chamber Concert.

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8 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTLeanne Sullivan Baroque Trumpet

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9AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

CHAIRMAN’S REPORT

The Australian Brandenburg Orchestra is a continuously innovative company, dedicated to excellence and well known for providing deeply engaging experiences that are something much more than just a shared passion between the musicians and the audiences to whom they perform. This orchestra is also recognised for challenging preconceptions of early

music and the 2016 season-opening concert series, Recorder Revolutionary, certainly did that. With not just one but a multitude of recorders, guest director Maurice Steger demonstrated with rapid-fire virtuosity that this much maligned primary school instrument is, in its original form, one of the most colourful and engaging instruments that we know.

Another highlight of the season followed: Mozart’s Requiem: 100 Voices, featuring the renowned Brandenburg Choir with the addition of Brandenburg Young Voices – school children aged between 8 and 17. This series was a new milestone in the company’s achievements not only for its artistic success and the record number of performers on stage – over 150 – but also its record single ticket sales.

As always, the annual Brandenburg season featured many of the greatest exponents of baroque and early classical music from Australia and around the world. A total of six subscription series were presented in Sydney, Melbourne and Brisbane during 2016, along with regional and community performances and private recitals. With the addition of a number of new fundraising events it was a full year of activity for the company.

Revenue for 2016 totalled $7 million reflecting ticket sales of $3.7 million and annual philanthropic and corporate support of $2.2 million, a 6% increase on the previous year. Administration expenses decreased by 21% due to non-recurring investment items and a focus on cost reduction. Total expenses were $7.06m and consequently the company ended 2016 with a small operating deficit.

The company is strongly focused on the key priorities of its current five-year strategic plan that commenced in 2016. Included on the agenda for each Board meeting is the

presentation of a key strategic topic. Emphasis on growing the philanthropic and corporate support base continues with the establishment of new programs such as the Brandenburg Orchestral Chairs and the ongoing Chairman’s 11 which supports our international and local soloists. During 2016 we welcomed artists from Switzerland, The Netherlands, Austria, USA, Israel, New Zealand, as well as soloists from within the Orchestra.

Two new directors joined the Board during 2016: Alison Harrop, Chief Financial Officer, DEXUS Property Group; and Aidan Allen, Managing Director, Head of Advisory, Citi ANZ. Melinda Conrad resigned from the Board after serving for almost nine years and we thank her for her long and valuable contribution to the company.

I commend my fellow directors for their support and time commitment throughout the year including their important contribution to the standing Board committees on which they serve. These groups steer policy and strategy in the areas of finance and risk management, development, government relations, and a national centre for baroque excellence. Artistic Director, Paul Dyer and Managing Director, Bruce Applebaum continue to lead the artistic and administrative operations with vision and diligence.

A dedicated chorus of concertgoers, donors, foundations and corporate partners support our mission and we are grateful to them for helping to spread the word about the outstanding work that goes on every day, both on and off the stage. I also acknowledge the support of the Major Performing Arts Panel of the Australia Council and the arts department of the NSW Government, Create NSW.

I know I speak for the full Board of Directors when I thank the entire Brandenburg team – musicians, management team and administrative staff – for their dedication to sustaining the incomparable artistry for which this company is nationally and internationally renowned.

Greg Ward Chairman

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10 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTBruce ApplebaumManaging Director

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11AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

MANAGING DIRECTOR’S REPORT

In 2016, we took time to reflect on our direction as a company, in particular on our brand and its alignment to our strategic plan and our role as Australia’s national baroque orchestra. From this, we can continue to strengthen the value of the Australian Brandenburg Orchestra in a competitive and evolving arts marketplace.

What we do know is that baroque music has to be experienced, rather than explained. And that our performances continue to have a transformative power; a raw energy and genuineness that draws people in and helps them feel connected – to the music, the composers, the artists on stage, the concertgoers around them, and to themselves.

Such themes played out throughout the 2016 season from Recorder Revolutionary, with one of the most virtuosic musicians we have ever presented, the Swiss recorder player, Maurice Steger. Maurice had enormous audience appeal, his flamboyant physical presence contrasting with the diminutive recorders he played. In Mozart Requiem: 100 Voices, Paul Dyer’s commitment to young artists took on a new significance with the inclusion of the Brandenburg Young Voices, a choir of up to 100 young people from schools across Sydney and Melbourne. Singing alongside the extraordinary Brandenburg Choir the children were completely captivating. Our third series, Blazing Baroque, put to the forefront members of the Orchestra with all their expertise, passion and personality, and audiences celebrated fine performances from our own soloists.

In a year of generous applause some of the most enthusiastic was for one of the most exceptional violin virtuosos to have performed with the Brandenburg, and certainly one of the gutsiest: Shunske Sato. The admiration our musicians had for this extraordinarily talented young man was evident as he led them into the nineteenth century before stunning everyone with his breathtaking performance of the Paganini Violin Concerto No. 4, rarely heard on gut strings.

For series five we welcomed back to Australia the brilliant mandolin player Avi Avital. Our first cable television broadcast, through our new partnership with Foxtel Arts Channel in 2016, featured Avi’s inaugural concert with us in 2014. Our second broadcast was our 2016 Noël! Noël! Christmas concert recorded at St. Francis of Assisi Church in Paddington, Sydney.

During the 2016 season the Brandenburg presented a total of 78 concerts to an audience of almost 54,000. The continuing loyalty of our subscribers is demonstrated through an industry-leading renewal rate of 86% and it was also gratifying to see single ticket sales grow by 14% across the core concert series. In particular, audience growth in Brisbane since we started regular touring there in 2015 has been very pleasing.

An increase in fundraising activities also kept the company very busy throughout the past year and included our inaugural Melbourne gala dinner with Lady Primrose Potter AC as its patron. Like our Sydney Spring Dinner at Government House, now in its 20th year, we look forward to this Melbourne dinner becoming part of our annual calendar.

I would like to thank the Chairman of the Board and the directors who continue to provide support in so many ways including philanthropy, business expertise and wise counsel. I am grateful to Macquarie Group for serving as Principal Partner and leading a group of committed corporate sponsors. We are also appreciative of the funding support provided by the Federal government, through the Australia Council, and the New South Wales government.

The commitment of the Brandenburg “family” – musicians, donors, concertgoers and staff – continues to make the difference in our ability to achieve our artistic and financial goals. The generosity of all our supporters underpins our success in presenting programs of the highest artistic quality, and we are most appreciative of their support in enabling us to take the steps – and occasional leaps – that we do.

Paul, his musical colleagues, and I are very fortunate to have the support of a dedicated and high calibre team off stage. A strong culture exists within the company through an absolute commitment to and love of the music, and we are very proud of the enormous amount we achieve every year.

Bruce Applebaum Managing Director

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12 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTPaul Dyer AOArtistic Director

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ARTISTIC DIRECTOR’S REPORT

The Australian Brandenburg Orchestra’s 2016 artistic season began with Swiss recorder player, Maurice Steger. Crowned with international awards for his many CD recordings and concerts, this recorder virtuoso and conductor plays with technical brilliance and joy. Our expectations of this small instrument of the old centuries go out the window when Maurice breathes life into baroque music from the enormous array of small recorders that he plays.

Australia has a deep connection with this tiny instrument. One of the world’s great recorder makers, Fred Morgan from Daylesford, Victoria produced the finest handcrafted instruments in the world. For this program I chose some rarely heard composers such as Gallo, Fiorenza and Rittler, alongside super virtuosic recorder pieces from Vivaldi, Geminiani and Telemann that captured Maurice’s superb musicianship. With a well-deserved reputation as a revolutionary, Maurice is an artist, a leader and a wonderful mentor for young musicians throughout the world. Audiences rose to their feet in sheer surprise at his musical acrobatics. The Orchestra provided a perfect accompaniment role and when they took centre stage they explored traditional music with brilliance and daring.

Mozart’s Requiem is at the core of Brandenburg repertoire. The poetry of the Requiem acknowledges the human soul with amazing respect and the music is poignant and powerful. For Series 2 Mozart Requiem: 100 Voices, I chose to engage four young solo singers, each of whom have a long association as choristers within the ranks of the Brandenburg Choir: Amy Moore (soprano), Max Riebl (alto), Paul Sutton (tenor) and Alexander Knight (bass). Five unusual instruments are required for this score: two basset horns and three period trombones alongside the regular period instruments of Mozart’s time. The result was some of the finest orchestral playing heard in this country as the Orchestra thoughtfully balanced the very personal elements of a requiem.

As part of our ongoing commitment to youth we were proud to present one hundred young voices in both Sydney and Melbourne during this series. In Sydney sixteen schools were represented and I chose one of our leading sopranos from the Brandenburg Choir, Anna Sandström, to train and conduct the Brandenburg Young Voices. In Melbourne

the young group comprised voices from a number of organisations and school choirs conducted by Philip Carmody, Director of Music, Melbourne Grammar School. These young male and female voices performed both alone and alongside the Brandenburg Choir providing a vocal blend and an astonishing technical virtuosity for such young people. My aim was to both train and invigorate these young minds in all aspects of period performance and give them an opportunity to perform alongside one of the finest orchestras and choirs in the country.

Series 3 was a rare concert series where the Brandenburg musicians and I were able to enjoy the stage all by ourselves with no international guest artist or Brandenburg Choir. Throughout the program Shaun Lee-Chen performed some of the most extreme high register virtuosic violin playing from works by Vivaldi and Fasch – not for the faint-hearted. Assembling some of the senior members of the Orchestra – Melissa Farrow and Mikaela Oberg on baroque flute and recorder, as well as Emma Black and Kirsten Barry on baroque oboe – these four women illuminated our rehearsals and performances with cleverness, spontaneity, brilliance and determination. The musicians on stage provided a solid musical base to allow the soloists to show off their unique styles. Not surprisingly the audience reaction to this series with its local stars was enormously enthusiastic.

The Brandenburg has specialised in following a natural path from the renaissance period through baroque to classical and beyond. We have a very strong understanding of the stylistic and technical vocabulary of each of these periods and this has previously enabled a natural flow into the nineteenth century Romantic period. For Series 4, Sato and the Romantics, we peered around this corner once more, allowing the musicians to explore, collaborate and enjoy the different demands of Paganini, Grieg and Mendelssohn. For the first time in Brandenburg history we had the special opportunity to play one of the most difficult pieces ever written for the violin, Paganini’s Violin Concerto No. 4. One of the bravest musicians I have come across, Shunske Sato, took on a role that required not only technical virtuosity but emotional depth and a keen eye for nineteenth century performance practice. He delivered an unforgettable performance on every stage every night and I am especially excited that we were able to take a live recording of the final Sydney concert for CD release in 2017.

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14 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTMatt Bruce, Paul Dyer, Ben Dollman

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15AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

ARTISTIC DIRECTOR’S REPORT CONTINUED

International Grammy-award nominated superstar of the mandolin Avi Avital from Israel, returned for Series 5 after his stunning debut with the Brandenburg in 2014. In addition to its folkloric origins Avi has been able to reposition the mandolin as an instrument worthy of frontline status on the classical stage, and Avi and I jointly designed a program spotlighting the mandolin in well-known baroque pieces written for other instruments. This series was characterised by innovation, passion and engagement as we performed the music of Valentini, Tsintsadze, Paisiello and Vivaldi. Avi’s boundless energy and powerful engagement with both the orchestra and audience were tangible. This is one of the explosive artists of our generation and, along with the Orchestra’s brilliance, audiences at every performance were unrestrained in their enthusiasm.

As one of our most distinctive concert series every year, the Christmas Noël! Noël! program combines an ensemble from the Orchestra with the Brandenburg Choir and typically features a young vocal soloist. For our eighteenth Noël! Noël! series Madison Nonoa, a gorgeous young soprano from New Zealand who is at the very start of her career, made her debut in Australia and she easily charmed our audiences. A member of the Brandenburg’s artistic team, young composer and music librarian, Alex Palmer, provided an outstanding series of arrangements taking old manuscripts and carols and giving them a modern flavour.

The music in Noël! Noël! ranged from the fifteenth century to the present day. With a commitment to contemporary vocal choral music, the Brandenburg Choir explored two interesting European composers, Ola Gjeilo and Ēriks Ešenvalds, and vocally demanding for the Choir was the unaccompanied Jim Clements arrangement of the American singer/songwriter Ben Folds song, ‘The Luckiest’.

As well as the core season concerts, various small groups from the Orchestra and Choir performed in a range of concerts and recitals across Sydney, Melbourne, Canberra, and regional NSW, Victoria and Queensland. Many of these involved the musicians themselves devising the programs and researching repertoire, and I am grateful for the wonderful collaborative spirit between the Brandenburg musicians and our artistic and operations teams to bring all of our concerts together.

Thank you to Bruce Applebaum, the administration team and everyone who supports what we do to bring you the music that we love so much. Long live the rare sounds of the baroque!

Paul Dyer AO Artistic Director

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BRANDENBURG MUSICIANSArtistic Director Paul Dyer AO, Sydney

Concertmaster Shaun Lee-Chen*, Perth

Associate Concertmaster Matt Bruce*, Sydney

ViolinBen Dollman*, AdelaideAaron Brown, New YorkStephanie Eldridge, Melbourne Rafael Font, SydneyMatt Greco, SydneyNatalia Harvey, MelbourneMiranda Hutton, AucklandDavid Irving1, Melbourne Shane Lestideau, MelbourneSkye McIntosh, SydneyLorraine Moxey2, OrangeBianca Porcheddu3, CanberraCatherine Shugg, MelbourneSimone Slattery, AdelaideEmma Williams, Melbourne

ViolaMonique O’Dea4, SydneyJames Eccles, SydneySimón Gangotena, EcuadorChristian Read, MelbourneShelley Sörensen, SydneyMarianne Yeomans, Sydney

CelloJamie Hey*, MelbourneDan Curro, BrisbaneRosemary Quinn, Sydney

Cello/Viola da GambaAnthea Cottee, Sydney

Double BassKirsty McCahon*̂ , SydneyLibby Browning, PerthRob Nairn5, Adelaide

Theorbo/Guitar/ Lute/VihuelaTommie Andersson*, Sydney

Flute/PiccoloMelissa Farrow*, Sydney

Flute/RecorderMikaela Oberg, Sydney

Oboe Kirsten Barry*, MelbourneEmma Black, Vienna

Basset Horn/ClarinetCraig Hill, MelbourneNicole van Bruggen6, Sunshine Coast

ClarinetCraig Hill, MelbourneAshley Sutherland, Melbourne

BassoonPeter Moore, PerthJoanne Littlely, Perth

HornDarryl Poulsen, PerthDorée Dixon, Perth

CornettoMatthew Manchester, Sydney

Sackbut/TromboneNigel Crocker, SydneyRoslyn Jorgensen, SydneyBrett Page, Sydney

TrumpetLeanne Sullivan, SydneyAlex Bieri, SydneyHelen Gill, CandeloRainer Saville, SydneySimon Wolnizer, Sydney

Timpani/PercussionBrian Nixon, Sydney

TimpaniRichard Gleeson, SydneyKevin Man, Sydney

PercussionMurray Parker, SydneyAlison Pratt, Sydney

Harpsichord/OrganPaul Dyer*, Sydney

HarpsichordJoanna Tondys, Sydney

Chamber OrganHeidi Jones7, Sydney

BRANDENBURG CHOIRSopranoSarah AmpilSamantha EllisWei JiangLiza LilliBelinda MontgomeryAmy MooreJennifer RollinsJosie RyanAnna SandströmLauren StephensonAdria WatkinHester Wright

AltoJonathan BorgPhil ButterworthTim ChungChris HopkinsAdam LeslieMark NowickiOscar SmithPaul Tenorio

TenorOskar AnderssonSpencer DarbyMiguel IglesiasBrendan McMullanJoshua OxleyEdmond ParkEric PetersonRichard SanchezPaul SuttonDaniel Verschuer

BassHayden BarringtonBen CaukwellCraig Everingham Nick GilbertAshley GilesSébastien MauryPhilip MurrayHugh RonzaniRodney Smith

MOZART REQUIEM: 100 VOICES

Sydney SchoolsGuest ConductorAnna Sandström

Annandale North Public SchoolBexley North Public SchoolCroydon Public SchoolDulwich Hill Public SchoolFerncourt Public SchoolHelensburgh Public SchoolHunter School of the Performing ArtsKegworth Public SchoolKensington Public SchoolLeichhardt Public SchoolNicholson Street Public SchoolPymble Ladies’ CollegeRiverside Girls HighSt Aloysius’ CollegeSummer Hill Public SchoolWaitara Public School

Melbourne School Choirs and OrganisationsGuest ConductorPhilip Carmody, Director of Music, Melbourne Grammar School

Christ Church Grammar School Chapel ChoirMelbourne Grammar School Chapel ChoirNational Boys Choir of AustraliaVictorian College of the Arts Secondary School

* Brandenburg Core Player^ Until July 2016

1 David Irving appears courtesy of Melbourne Conservatorium of Music, the University of Melbourne

2 Lorraine Moxey appears courtesy of Kinross Wolaroi School, Orange (staff)

3 Bianca Porcheddu appears courtesy of St. Francis Xavier College, Florey ACT (staff)

4 Monique O’Dea appears courtesy of Presbyterian Ladies’ College, Sydney (staff)

5 Rob Nairn appears courtesy of Penn State University Historical Performance Faculty and The Juilliard School

6 Nicole van Bruggen appears courtesy of Australian Romantic & Classical Orchestra

7 Heidi Jones appears courtesy of SCEGGS Darlinghurst (staff)

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2016 CONCERT SEASON

MAURICE STEGER: RECORDER REVOLUTIONARYFebruary 24, 26, 27, 28March 2, 4, 5City Recital Hall, SydneyMelbourne Recital CentreNo. of performances: 8Total attendance: 5,754(4,463 Sydney; 1,291 Melbourne)

Paul Dyer Artistic Director Maurice Steger (Switzerland) Guest Director, RecordersAustralian Brandenburg OrchestraVivaldi Concerto in G major, RV 443 Gallo Sonata No.12 in G minor, La FoliaTelemann Concerto for three trumpets

in D major, TWV 54:D4 Fiorenza Sinfonia in A minorHandel Overture to the oratorio

Judas Maccabeus, HWV 63 Vivaldi Concerto in D major Op. 10

No. 3 Il gardellino, RV 428 Rittler Ciaccona à 7 in C majorGeminiani Concerto No. 10 in F major

(after Corelli’s Violin Sonata, Op. 5 No. 10)

“Steger offered an almost superhuman display of virtuosity allied with an engaging physical presence… Throughout, Steger received good support from the ABO…The orchestra shone even brighter when it took centrestage... In the ensemble’s rendition of the Ciaccona a 7 in C by Philipp Jakob Rittler, the continuo section’s jazz-like opening laid down a funky rhythmic groove that increased in pace and textural complexity before gradually subsiding back to the original continuo opening. In a concert dominated by daredevil musical acrobatics, this superb performance was the highlight for me.“ The Australian 25 February 2016

MOZART REQUIEM: 100 VOICESApril 29, 30, May 4, 6, 7, 8, 11City Recital Hall, SydneyMelbourne Recital CentreNo. of performances: 8Total attendance: 7,922(6,247 Sydney; 1,675 Melbourne)

Paul Dyer Artistic Director and ConductorAustralian Brandenburg OrchestraBrandenburg ChoirBrandenburg Young VoicesGuest ConductorsAnna Sandström, Sydney Phillip Carmody, Melbourne Williams Festive AlleluiaAnon Gaudete from Piae

Cantiones 1582Anon Salva nos, stella marisPalestrina Alma Redemptoris Mater di Lasso Matona Mia CaraRutter What Sweeter MusicRutter For the Beauty of the EarthHandel Hallelujah Chorus from

Messiah, HWV 56Mozart Requiem Mass in D minor,

K. 626

“The rendition by the expanded AustralianBrandenburg Choir would be enough make even the most strident atheist drop to their knees and beg forgiveness from whatever deity their faith had been at least temporarily restored in. It was quite simply sublime—the kind of musical experience that sends shivers up your spine and leaves you in slack-jawed disbelief.” ArtsHub 10 May 2016

“Sundays nights performance was one of the best nights I have shared with the Brandenburg. No words really good enough to describe the experience............. AWESOME! All of it, from start to standing finish. Thank you Paul and the Brandenburg ( and the students) for making my life so wonderful at every concert. Love you all to the moon and back.” Audience member

BLAZING BAROQUEJuly 27, 29, 30, 31, August 3, 5, 6, 8City Recital Hall, SydneyMelbourne Recital CentreQueensland Performing Arts CentreNo. of performances: 9Total attendance: 6,629(4,756 Sydney; 1,254 Melbourne; 619 Brisbane)

Paul Dyer Artistic Director and ConductorShaun Lee-Chen Baroque ViolinAustralian Brandenburg OrchestraSammartini Overture to the opera

Memet, J-C 88 Vivaldi Concerto for violin in D major,

RV 208 , Grosso mogulTelemann Grand Concerto in D major,

TWV deest Vivaldi Concerto for several

instruments in F major, RV 569Telemann Concerto for flute & recorder

in E minor, TWV 52:e1Fasch Concerto in D major, FWV

L:D4a

“The Orchestra breathed and pulsated as one and Lee- Chen interrupted the polite musical conversation and took over dominating the conversation in between musical flurries and skirmishes. The Recitativo: Grave began as a conversation between Dyer on keyboard and Lee-Chen, the violin singing languorously in a soulful delicate and passionate duet, that develops into a full discussion with the orchestra. The third movement another Allegro featured another extremely difficult and blisteringly fast solo for Lee Chen, the violin almost birdlike with its astonishing swoops and swirls.(The audience went crazy at the end ).” News Local

“The duet work of flautist Melissa Farrow and Michaela Oberg’s recorder in Telemann’s E minor double concerto provided this concert’s high point; their shapely phrasing, down to mutually agreed breathing points, exemplary in both largo and fast movements. Also impressive was the dynamic equity of the partnership, vital in a score like this with so much dovetailing, imitation and stretches of parallel 3rds. In fact, the performance kept on getting better…it would be worth listening to the broadcast, most particularly for this excellent, piercingly fine-spun reading.“ O’Connell The Music

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SATO AND THE ROMANTICSSeptember 7, 9, 10, 11, 14, 16, 17City Recital Hall, SydneyMelbourne Recital CentreNo. of performances: 8Total attendance: 5,264(4,235 Sydney; 1,029 Melbourne)

Paul Dyer Artistic Director and ConductorShunske Sato (The Netherlands) Guest Director, ViolinAustralian Brandenburg OrchestraMendelssohn String Symphony No.3 in

E minor, MWV N 3Grieg Holberg Suite, Op. 40Paganini Violin Concerto No. 4 in

D Minor, MS 60

“Paganini’s challenges held no terrors for guest violinist Shunske Sato, who gave a spectacular display of thrilling highwire musical acrobatics.” The Australian

“Paganini with a punch” The Daily Telegraph

“Stunning playing from Sato and from the orchestra. Great cadenza in the Paganini first movement – sparks flying from the strings! And a beautiful Bach encore too.” Audience member

“Have just returned home after another sensational ABO concert! First Mendelssohn, then Grieg, followed by an extraordinary performance of Paganini’s Violin Concerto No. 4 in D minor....the virtuosity of Shunske Sato is incredible! Certainly a night to remember!” Audience member

AVI AVITALOctober 26, 28, 29, November 2, 4, 5, 6, 8City Recital Hall, SydneyMelbourne Recital CentreQueensland Performing Arts CentreNo. of performances: 9Total attendance: 7,276(4,817 Sydney; 1,590 Melbourne; 869 Brisbane)

Paul Dyer Artistic Director Avi Avital (Israel) MandolinAustralian Brandenburg OrchestraVivaldi Concerto for Strings in

C major, RV 110 Vivaldi Concerto in A minor, RV 356 Valentini Concerto Grosso in A minor,

Op. 7, No. 11 Tsintsadze Six Miniatures on Georgian

Folk Themes for Mandolin and Strings

Vivaldi Mandolin Concerto in C major, RV 425

Paisiello Mandolin Concerto in E-flat major

Vivaldi Concerto in G minor, RV 315, Summer

“Capping off the concert was Vivaldi’s Summer from The Four Seasons, another of Avital’s arrangements…The slow, haunting introduction had an improvisatory feel, the stage lit red, before Avital launched into the heat-haze scrubbing of strings with gusto. His tremolos sustained the melodies of the Adagio while his technique was more than equal to the demands of the stunning descending runs of the finale, headbanging along to the dramatic passages. Overall this was a stunning concert by an incredible musician.” Limelight

“Went to the matinee today... Avi Avital is better than ever. Performance on each piece a stand-out; and loved loved, loved the Georgian Folk Themes, especially Suliko. So beautiful it brought tears! Thank you ABO for another outstanding concert!!” Audience member

“Post-@AustBrandenburg raptures! @aviavital you made the world perfect for 2 hours. Thank you, thank you, thank you The @AustBrandenburg and mandolinist Avi Avital were spectacular.” Audience member

NOËL! NOËL!City Recital Hall, Sydney, December 14, 17Melbourne Recital Centre, December 10Mosman, St Clement’s Anglican Church, December 9Paddington, St Francis of Assisi Church, December 12, 13Wollongong, St Francis Xavier’s Cathedral, December 15Parramatta, St Patrick’s Cathedral, December 19Newtown, St Stephen’s Anglican Church, December 20No. of performances: 12Total attendance: 7,120 (3,752 Sydney; 1,182 Melbourne; Churches 2,186)

Paul Dyer Artistic Director and ConductorMadison Nonoa (New Zealand) SopranoBrandenburg ChoirAustralian Brandenburg OrchestraNicolai Wachet auf! (1599) (arr. Praetorius) Anonymous Sonata à 9Gauntlett Once, in Royal David’s CityVivaldi Concerto for Two Trumpets

in C major, RV 537 AllegroVavilov Ave Maria(arr. A. Palmer)Traditional O Little Town of Bethlehem(arr. A. Palmer)Ola Gjeilo The Spheres from Sunrise MassTraditional Coventry Carol(arr. A. Palmer)Luys de Narváez Con qué la lavare(arr. T. Coelho)Traditional God Rest Ye Merry Gentlemen(arr. A. Palmer)Rittler Ciaccona à 7 in C majorĒriks Ešenvalds O Salutaris HostiaMendelssohn Hark! the Herald Angels SingBen Folds The Luckiest(arr. Jim Clements)Adolphe Adam Cantique de Noël(arr. A. Palmer)Traditional Amazing Grace(arr. A. Palmer)Gruber Stille NachtAnonymous O Come, All Ye Faithful(arr. Willcocks)

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20 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTRoslyn JorgensonSackbut

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21AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

2016 TOURING AND OTHER EVENTS

2016 BEYOND SYDNEYWollongongNoël! Noël!December 15St Francis Xavier’s Cathedral

Refer Noël! Noël! program on previous page

Brandenburg at BowralNovember 12St Jude’s Anglican Church

Arcadia Musical RecitalsNovember 13Chapel of St Benedict’s Monastery

Vivaldi Concerto for strings in C major, RV 110

Dowland/Coprario Two lute songsBiber Violin sonata No. 8 C

145 in A majorHandel Gloria HWV deest

in B-flat major (3 mov’ts)

Vivaldi Concerto for Lute RV 93 in D major

Bach Sonata in G major BWV 1027 (2 mov’ts)

Corelli Trio Sonata Op. 4 No. 2 in G minor

Vivaldi Motet “Ostro picta” RV 642 in D major

2016 OTHER EVENTSSydney Festival, Anima Eterna Brugge with the Brandenburg ChoirBeethoven’s Symphony 9January 25, Sydney Opera House

Art Gallery of New South WalesUp Late with The GreatsJanuary 8, 15, 22, 29AGNSW, Sydney

Australian Unity RecitalsNSWJuly 18, Mt Eymard, BowralJuly 19, Constitution Hill, NorthmeadJuly 20, The Governor’s, Port Macquarie July 22, Elderslee, Bateau Bay

VICAugust 31, Rathdowne Place, CarltonSeptember 1, Peninsula Grange, MorningtonSeptember 1, Morven Manor Retirement Village, Mornington September 2, Victoria Grange, Vermont South

Toowoomba Concert for APA GroupAugust 9, Empire Church Theatre, Toowoomba, QLD

Cancer Council Pink Ribbon BreakfastOctober 24, Macquarie Group, Sydney

Access ABONovember 15, Redfern Community Centre

National Gallery of AustraliaVersailles: Treasures from the Palace The King Who Loved MusicDecember 11NGA, Canberra

2016 DEVELOPMENT EVENTSBrandenburg Orchestral Chairs LaunchApril 14Private residence, Sydney

Melbourne Gala DinnerMay 12The George Ballroom, Melbourne

Macquarie SalonAugust 1Macquarie Group, Melbourne

Melbourne Donor DinnerSeptember 12Sofitel Melbourne on Collins, Melbourne

Chairman’s 11 Cocktail Party with Shunske SatoSeptember 13Private residence, Sydney

Sydney Spring Dinner October 15Government House

Sunset Soirée with Avi AvitalOctober 27AMP Foundation, Sydney

Chairman’s 11 Cocktail Party with Avi AvitalOctober 31Private residence, Sydney

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22 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTTommie AnderssonTheorbo/Baroque Guitar

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23AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

OUR PARTNERSBrandenburg applauds our wonderful partners who proudly support us.

PRINCIPAL

GOVERNMENT

MAJOR

PRESENTING

SUPPORTING

MEDIA TRUSTS AND FOUNDATIONS

To find out more about becoming a partner for the Australian Brandenburg Orchestra please contact our Development team on 1300 782 856 or [email protected]

Australian Brandenburg Orchestra is assisted by the Australian Government through the Australia Council,

its ar ts funding and advisory body

Australian Brandenburg Orchestra is suppor ted by the NSW Government through Create NSW

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24 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORT

BRANDENBURG DONORSANNUAL GIVING DONORSEach year we must raise over one million dollars in donations to maintain the breadth and quality of our work. We rely on our audiences to respond to our annual donation campaigns, support our planned giving program and attend our fundraising events. Their generosity enables us to keep our position as Australia’s leading presenter of baroque and early music.

ORCHESTRAL CHAIRSConcertmaster Chair supported by Jacqui and John Mullen

Theorbo/ Baroque Guitar Chair supported by The Alexandra and Lloyd Martin Family Foundation and friends, in memory of Lloyd Martin AM

CHAIRMAN’S 11Dedicated to the memory of James Strong AO.Chairman’s 11 supports our international and local artists.

Jillian Broadbent AO Louise Christie Jan and Frank ConroyJamieson Coote BondsRichard Fisher AM and Diana FisherRichard Grellman AMChris and Gina Grubb Carol Haynes and Skipp WilliamsonIn memory of a first class cricketer (UK), W G KeighleyGrant and Jennifer KingSusan Maple-Brown AMMs Gretel Packer Anonymous

LIFE PATRONSMary Holt and the late Dr John Holt

CHRISTINA $10,000 or above Anthony Adair and Karen McLeod AdairAidan AllenStephen and Sophie AllenGraham Bradley AM and Charlene BradleyThe Clayton FamilyJane and David DuncanMichael Ebeid and Roland HowlettMary Holt and the late Dr John HoltMrs W G Keighley in memory of GeoffreyJ and R MacLeodSusan Maple-Brown AM and the late Robert Maple-BrownNick and Caroline MinogueLady Potter AC CMRIThe Rodwell FoundationRowan Ross AM and Annie RossJeanne-Claude Strong in memory of James StrongCameron WilliamsAnonymous x 2

RUSPOLI $5,000 - $9,999Antoinette Albert John Almgren AM and Yvonne AlmgrenAndrew and Melanie BaigentGlenn BarnesMrs Ros Bracher AMVirginia Braden OAM and the late Ken Woolley AMDavid and Leith Bruce-SteerWayne Burns and Kean Onn SeeRick and Sue Coles*Mrs Janet CookeDon and Deirdre Faithfull in memory of Harold and Edna JohnstonIn memory of Darrel FraserAnn Gordon*Iphygenia KallinikosKatie Lahey AM and Robert MarriottVicki and Adam LibermanE S MorganAlison Park in loving memory of Richard ParkThe Suich FamilyVictoria TaylorDr Jason WenderothRay Wilson OAM in memory of James Agapitos OAMAnonymous

DURAZZO $1,000 – $4,999Paula AdamovichJanet AllenJ M AlroeBrett Andersen and Brad BowenJohn and Robyn ArmstrongCathy AstonSusan Astor-SmithIan Baker and Cheryl SaundersPeter Barclay and Victoria Le GallaisFrederic Baudry and Paul BaileyJeanette BeaumontMarc Besen AC and Eva Besen AOKay BuckeridgeJenny and Henry BurgerHenry Burmester and Peter MasonElizabeth Butcher AMDr Annette E CarruthersDr Beverley and Mr Alan CastlemanMr Peter Clark and Mrs Jan ClarkRebecca and Craig ClarkeMargaret and Bernard ColesPhillip Cornwell and Cecilia RiceDom Cottam and Kanako ImamuraJim Cousins AO and Libby CousinsToula and Nicholas CowellTim and Bryony CoxA L CrottyDavid Davies and Paul PresaMs Emmanuelle DelannoyEmeritus Professor Dexter Dunphy AMNita DurhamRalph and Maria EvansRosemary FarrowWendy and Ron FeinerNancy Fox and Bruce ArnoldBrian and Philippa FranceCarrillo and Ziyin GantnerJustin and Anne Gardener

Bill and Julie GooldMs Lesley GrantKen Groves and Yun-sik JangH L HanksAlison HarropAudrey HawkinsJane HemstritchDr Ailsa Hocking and Dr Bernard WilliamsJ Holden Family FoundationJenny and Peter HordernJ L HossackIn Loving Memory of Dean HuddlestoneJill and David HuntDr Alastair JacksonMary JonesNicholas KornerArthur and Vicky KoumoukelisAnn and James LahoreMr John Lamble AOAirdrie LloydRichard and Elizabeth LongesAggie Maisano*Dr Diana Marks and Dennis BluthBarrie MartinCarina MartinRobyn Martin-WeberJoanna B MaxwellMora MaxwellWendy E McCarthy AORichard and Rowena McDonaldPeter McGrath*Judith McKernanJohn Milhinch OAMDr David Millons AM and Mrs Barbara MillonsGlenn MossJohn and Susan MyattDr Paul Nisselle AM and Mrs Sue NissellePaul O’DonnellFaye ParkerTrevor J ParkinProfessor David PeningtonDr John PercyJim and Rosmarie PoateJim and Chris PollittKevin Powell and Alison DeansTed and Jean RadfordPatricia H Reid Endowment Pty LtdDr David and Dr Gillian RitchieLois RoffeyJustice Ronald Sackville AO and Mrs Pamela SackvilleJohn ScottDr Celina SeetoDr Gideon and Mrs Barbara ShawPaul Sheehan and Susan WyndhamMr Charlie Shuetrim AM and Mrs Sandra ShuetrimDr Agnes SinclairRobyn SmilesAlan and Jennifer SmithChris and Bea SochanBrendan SowryDr Murray and Mrs Joy StapletonMrs Suzy and Dr Mark SussAnnalise FairfaxMr Mike ThompsonMs Janet Torney

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PD and CM Vaughan-ReidStephen and Ruth WalshDr Catherine Brown-Watt PSM and Mr Derek WattSally and Geoffrey WhiteIn memory of Dr Ron WhiteYanina WhiteJudith Williams Richard WillisGregory W WonK A WrattenAnonymous x 15

SUPPORTER I $500 –$999Jaci ArmstrongProfessor David BryantAnnette and Kevin BurgesPatricia Glanville-MillerEmeritus Professor Martin Comte OAMDr John Dale AO and Mrs Joan DaleDeborah DebnamCarol des CognetsMargaret DobbinJane Edmanson OAMElisabeth and Grahame ElderAnton Enus and Roger HenningPeter Fletcher AM and Kate FletcherMalcolm and Barbara FranceLeigh GarvanChristine GeorgePhilip and Anabel GossePeter and Deirdre GrahamRichard and Anna GreenPeter HalesSandra HaslamArmon Hicks and Dr Karin SowadaGeoff HogbinGeoff HowardMichael JonesHarvey and Janette LewisPaul LindwallGreg LivingstoneBetty LynchElizabeth Mackenzie and Michael BremnerRichard MasiulanisKate McCueRoss McNair and Robin RichardsonFrank and Susan MorganMrs June Musgrove in memory of Dr Peter MusgroveB P O’ConnellIn memory of Jenny ParramoreDr Kevin PedemontChristina PenderHelen PerlenBeverly and Ian PryerMicheal L RattiganSusan Dixon and Stephen RixAlexander and Rosemary RocheDaniela ShannonJeannette SharpeDr Gideon and Mrs Barbara ShawJann SkinnerMargot SmithFrank Tisher OAM and Dr Miriam TisherM TittertonDr J and A Whaite

Bruce WilliamsSally P YoungSusan YoungAnonymous x 18

FUNDRAISING EVENTSINAUGURAL GALA DINNER, MELBOURNEAnthony Adair and Karen McLeod AdairJenny and Henry BurgerRobin CampbellTony CardamoneMr Peter Clark and Mrs Jan ClarkJulian CouzinsJim Cousins AO and Libby CousinsMargaret and Chris de GuingandJohn and Jenny FastCharles and Cornelia GoodeDr Drew HewsonThe Hon Rod Kemp and Mrs Daniele KempLiana KestelmanKPMGKatie Lahey AM and Robert MarriottMacquarie GroupRichard and Rowena McDonaldRohan MeadKatrina MolinoJulie Ann MorrisonAlison Park in loving memory of Richard ParkLady Potter AC CMRIQantas LoyaltyRuth RossDr Murray and Mrs Joy StapletonAnonymous x 3

INAUGURAL ORCHESTRAL CHAIR In memory of Lloyd Martin AMThe following donors supported the establishment of the Theorbo/ Baroque Guitar Chair.

The Alexandra and Lloyd Martin Family FoundationGraham Bradley AM and Charlene BradleyElizabeth Butcher AMKen Groves and Yun-sik JangJennifer HershonCynthia Jackson AMBrian and Jocelyn NebenzaalFaye ParkerJudy Soper and James SullivanNoel StauntonVictoria TaylorKim Williams

CORPORATE DONORS AccentureAPA GroupBain & CompanyLink GroupPacific Equity PartnersQantas Loyalty

PLANNED GIVING BEQUESTThe Australian Brandenburg Orchestra warmly acknowledges the bequest it has received from the Estate of Valda Astrida Siksna.

PLAY ON: A LASTING LEGACYWe are hugely appreciative to all those who have pledged a bequest to the Brandenburg.

Janet DoustThe Faithfull Family Brian and Leonie FisherR J IrwinPeter McGrathPenelope OerlemansJoan and Lloyd PoultonArt and Cynthia RaicheAnonymous x 6

BRANDENBURG FOUNDATION DONORS AMATI $250,000 – $500,000The Eileen Marie Dyer AM FundAnonymous

STRADIVARI $100,000 – $249,999Cary and Rob GillespieAnonymous

GUARNERI $50,000 – $99,999Macquarie Group FoundationThe Martin Family in memory of Lloyd Martin AMChristine Yip and Paul BradyAnonymous

MAESTRI $25,000 – $49,999John and Robyn ArmstrongChris and Kathy HarropGreg Hutchinson AM and Lynda HutchinsonNick and Caroline MinogueRowan Ross AM and Annie Ross

ARCANGELI $15,000 – $24,999Melinda Conrad and David JonesGlenn Moss and the late Dr Ken Moss AMDavid and Rachel Zehner

CAMERATA $10,000 – $14,999Mr David Baffsky AO and Mrs Helen BaffskyGraham Bradley AM and Charlene BradleyThe Clayton FamilyNorman GillespieRohan Mead

To find out more, or to make a donation please get in touch: T: 1300 782 856 E: [email protected] W: donations.brandenburg.com.au

*Donors to the Brandenburg International Baroque Study Program. Supporter II and Supporter III gifts are gratefully received and are acknowledged in our concert programs and on the Brandenburg website.

This donor list is for 1 January 2016 – 31 December 2016.

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26 AUSTRALIAN BRANDENBURG ORCHESTRA 2016 ANNUAL REPORTNick Gilbert, Richard Sanchez, Anna Sandström, Hester Wright (seated)

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BRANDENBURG BOARD AND STAFF

PATRONSHis Excellency General the Honourable Sir Peter Cosgrove AK MC (Retd) Governor-General of Australia

His Excellency General the Honourable David Hurley AC DSC (Retd) Governor of New South Wales

ARTISTIC DIRECTORPaul Dyer AO

MANAGING DIRECTORBruce Applebaum

THE BRANDENBURG COUNCILJillian Broadbent AO Greg Hutchinson AM Max Suich

THE BOARDGreg Ward, ChairmanAidan AllenBruce Applebaum Cathy Aston David Baffsky AO Richard Boyce Paul Dyer AO John C Fast Lesley Grant Alison Harrop Katie Lahey AM Rohan Mead David ZehnerBridget O’Brien, Company Secretary

CORE MUSICIANSPaul Dyer AO, Artistic DirectorShaun Lee-Chen, ConcertmasterMatt Bruce, Associate ConcertmasterBen Dollman, Principal second violinJamie Hey, Principal celloKirsten Barry, Principal oboeMelissa Farrow, Principal fluteTommie Andersson, Principal lute & theorbo

Deputy General ManagerBridget O’Brien

Executive AssistantSusan Duffy

Orchestra ManagerRob Dyball

Assistant to Artistic Director Joanna Tondys

LibrarianAlex Palmer

Production CoordinatorShannon O’Hara

Head of DevelopmentKirsty Divehall Philanthropy ManagerRebecca Warren

Corporate Partnerships ManagerMatthew Higgins

Marketing ManagerTom Morgan

Marketing Manager, DigitalTina Semple

Marketing ExecutiveAishlinn McCarthy

Systems ConsultantDavid Joyce

PublicistSteven Godbee Publicity

Box Office ManagerKateryna Collier

Assistant Box Office Manager Thomas Chiu

Receptionist/Ticketing AssistantChris Goebel AccountantJohn Scott

Accounts AssistantIan Creevey

AuditorsKPMG

Repertoire Advisors (honorary) Charles Gwynn Andrew O’Connor Christopher Price

Pre-Concert TalksDr Alan Maddox

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Standing: Jonathan Borg, Belinda Montgomery, Hester Wright, Hayden Barrington, Richard SanchezSeated: Nick Gilbert, Spencer Darby, Anna Sandström, Lauren Stephenson, Oskar Andersson

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