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Bac 2016 mahmoud fahmy

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  • After the resaerch phase we concluded what does the place need in the 6 elds we surveyd about , Turned out to be the seating, the shading, and the seating area were the physi-cal object that can cover up whats needed, in order to full the needs we also had to nd a solution to make the design without major changes, so our way in making this project was through using the slope of the site in our favor ,the main concept of the design was through extruding trian-guler shapes from the slopes ground to form raiht planes available for seating areas , and linking between these plains by a paved route comliting the shape of the design to pre-serve the consiency of the design

  • The form of the design through the urban surrounding across the sreet facing the site , we took some of the land marks in the urban context and began to link be-tween them and Dahab island across the nile to form the lines and the intersectionsthe e was shaped and the zone planeed to be seatings appeared At this point the seating and the pavment solution were applied but ill the secondry problems arent solved yet which were the lighting, the shading and hats after the sferry opour solution were for the lighting we dcided to make the extrusions also a light source beneath the seating area not only to give light for the site but to give the fer-ry indication that there is users in need for a lift so the light had to be attractive and thats our way in making it acting as an attention getters for the ferriesfor the shading we decided to remove any excavation works from the project plans in order to keep the site with its naturel shading unharmed ,and the seating areas are planned to be on the sides of the sit not the middle in order to get this natural shadingfor what afer the site the survey showed us that the pederien need a bridge to cross the main reet after the site , we couldnt design the bridge they needed but what we could do was extending the site through the links we formed with the land marks to leave a bas for this bridge to be built in the future

  • e project was to build a restoration center in the fustat old city in Cairo, concept began by studying the wind and the solar eects in the site and letting both factors to form the building.e form was very tricky as it had the outer factor shaping it and yet it had to cmplete the main point of the concept which was making the building have its own modern theme in the old city but yet not sperated from the site ,-e building is oval , thats due to the solar eect and the sun path-e building has a variable height roof ,thats due to the wind eect-e building has a court yard, thats to preseve the privacy and solidatiry of the building-e building is covered by curtain wall only , thats to keep it connected to the urban context visually

  • The ructure of the buildingthe building is a eel ructure syem consiing of 34 frames varies at heights depending on the roofs height

    We chose the eel ructure in particular for two reasons1- to form the curvature of the building and maintain the oval shape2- to be easier to assemble the covering curtain wall for the buildingThe ructure of the connecting brigdge between the two sides of the building was made by forming a mesh of wide beams

  • The Dessert Site (NUT)

    NUT is the goddes of heaven,the technique to resemble the heavens was through making a va courtyard and revolving the building around it.In the middle of the court yard there is a traditional wind catcher, this nubian wind catcher is the link between NUT and SHU god of the wind as it is the la one in the wind route from the nile site to the dessert site.

    the court yard had two purposes the spirtual one , its opennes to the sky is what making it representing the goddes NUTthe technical one , it serve as a heat bath that allow the turbilance in the wind balance makingthe buildng is also designed with wind techniques their main purpose is to diurb thwe wind balance to generate a wind ow helping the building keep cooler in the very hot climate of nubiaevery opening is deisgned to be wide from the side collectin the wind and narrow on the side throwing the windthe building seating area on the right of the wind mill is specialy designed to make the wind ow in the court direction

  • The Nile Site (GEB)

    GEB is the earth god, the technique to represent the earth was through the toography of the nile site, the design is made of dirent level on the slope of the nile bank the journy of the wind resmblence toward the dessert site begins at the edn of the nile site as the easie route through the 50 meters height hill is visible from this pointthe building doesn't need the same wind add on like the dessert site as the nile water always giving a good breeze to the site the building consi of the spa and the reaurant for the ecolodge so the main aspect in the building focuses on the view to the nile

  • The Wind Journey (SHU)

    SHU is the wind god, this resemblance is the key element in the concept of the design , its not a building more than it is ju a beacon to show the easie route to climb the 5o meters hill. the beacons are the traditional nubian air catcher each one represent a node and each node have a small tablet beneath it lookin at the nile to guide the perfect view and written on it a piec of the methodolgy to describe the journey in this promenade architecture the nodes are assembeld to give the eaisie as they were place after an analysis on the hill to see where is the lea sloped part to make the route over it

  • The M20 Museumthis design udio we had a dirent design process not like any previous design udio,in every udio we focus more on the building function and typology and form the concept based on itbut on tis one we had the concept r as the bas that form the building and mobilize its function.

    We were asked to build a museum infront of Mies Van Der rohe maer piece " the neu national gallerie"the museum was for modern art exhibitions we didn't art by analysing the design ,however we had three phases to form the design

    1- Designing a space based on an art piece 2- adding a sculpture to the Neu National gallerie

    3- trials for the physical modelsafter these three phases only did we begin to form our building based on what we had learned during these phases.

    The project was supervised by Dr.Bernard BessThe working team was :

    Mahmoud FahmyLavinia SawiresSarah MorcosMaria Joseph

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  • "If i am trying to impress i will fail.... If i am showing my true self i will automaticaly succeed"