GFEbDCBb

EbDCBbAbG

CBbAbGFEb

2 sec.

2 sec.

2 sec.

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

F

2

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p

p

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e

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violin

viola

cello

Bel Canto - Score B violin, viola, cello

Two scores:Ensembles A (alto flute, clarinet, guitar, mezzo-soprano) and B (violin, viola, cello) read from two separatescores (scores A and B) and proceed alongside each other without relation, for the duration of the piece, asif two pieces played simultaneously. Both ensembles begin at the same moment. Ensemble B begins with onemeasure of rest, and will therefore begin to sound a couple of seconds after Ensemble A. This does not need tobe precise.

Tempo:Each "measure" represents a variable amount of seconds, as written above the staff. It is not necessary that thistiming be precise, rather the barlines function to keep the group together. The violist should cue each barline asdiscretely as possible.

Repeated material, phrasing and acting:When material repeats, every detail of inflection, articulation, dynamic, and indeed also the physical motions of the performer - all should strive to mimic the first instance as precisely as possible. This remains the case even when the tempo changes between iterations.

Pitch notation:Wavy lines indicate width and speed of vibrato/oscillation. As the tempo slows down, also this oscillation slows down proportionately.

Noteheads indicate that a bow change must be made, however bow changes are also welcome between noteheads, at the liberty of the performer.

(under the cello)

(under the cello)

singing, romantic, molto espress. (senza sordino)

warm, gentle, con sordino (practice mute), sul D

warm, gentle, con sordino (practice mute), sul D

Section I “Vissi d'arte”

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

F

8 3 sec.

3 sec.

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3 sec.

p

p

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e

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GFEbDCBb

EbDCBbAbG

CBbAbGFEb

13

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p

p

F

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p

p

F

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4 sec.

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4 sec.

œ

œ

4 sec.

e

e

e

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

18œ

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p

p

F

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5 sec.

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5 sec.

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5 sec.

œ

œ

œ

2 Bel Canto - Score B

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

23œ

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p

p

F

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6 sec.

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6 sec.

œ

6 sec.

e

e

e

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

29

p

p

F

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GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

34œ

7 sec.

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7 sec.

œ œ

7 sec.

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p

p

F

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œœ

œ

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3 Bel Canto - Score B

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

39

œ

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œ

p

p

F

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œ œ

œ

œ

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

44

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œ

p

p

F

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8 sec.

œ œ

8 sec.

œ

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8 sec.

œ

œ

œ

e

e

e

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

49œ

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œ œ

œœ

œœ

9 sec.

œ œ

9 sec.

œœ

9 sec.

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œ

œ

œ

œ

œ

4 Bel Canto - Score B

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

54œ œ

œ œ

œ œ

œ œ

10 sec.

œ œ

10 sec.

œ œ

10 sec.

œ

œ

œ

œ

œ

œ

e

e

e

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

60œ

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GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

65

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œ

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5 Bel Canto - Score B

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

70

œ

œ

œ

œ

11 sec.

œ

11 sec.

œ

11 sec.

œ

œ

œ

œ

œ

œ

œ

œ

œ

e

(An)

e

(F#)

e

(Dn)

GFEbDCBb

EbDCBbAbG

CBbAbGFEb

p

p

F

76

œ

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œ

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12 sec.

œ

12 sec.

œ

12 sec.

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e

e

e

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6 Bel Canto - Score B

attacca

7 Bel Canto - Score B

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EbDCBbAbG

BbAbGFEbD

BbAbGFEbD

F

82

4 sec.

open G string:

sul D:

(con sord.)

œ

œ

senza sord 4 sec.

con sord (practice mute) 4 sec.

p

p

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w

3x

3x

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3x

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w

3x

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3x

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3x

e

w

3x

e

3x

3x

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w

3x

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3x

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EbDCBbAbG

BbAbGFEbD

BbAbGFEbD

87

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w

3x

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3x

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3x

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w

3x

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3x

3x

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w

3x

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3x

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3x

p

F

p

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w

5 sec. 3x

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5 sec. 3x

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5 sec. 3x

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w

3x

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3x

3x

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w

3x

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3x

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3x

8 Bel Canto - Score B

Section II “non feci mai male”

still, austere

FEbDC

F

^^^^^^^^^^^^ ^^^^^^ ^^^^^^^^^^^^

^^^^^^ ^̂ ^93

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f

œ

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5 sec.senza sord

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FEbDC

F

^^^ ^^^^^^ ^^^^^^^^^^^^ ^^^^^^ ^^^^^^

97

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œ

œ œ

œ

œ

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6 sec.

œ

œ

œ

œ

FEbDC

F

CBbAbG

C

AbGFEb

Ab

^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^

^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^

^^^^^^^^^^

^^^^^^^^^

^^^

101

œ

f

œ

9 sec.

œ

f

9 sec.

œ

f

9 sec.

senza sord

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œ

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œ

e

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œe

œ

œ

e

œ

9 Bel Canto - Score B

Section III “quante miserie”Wait 20 seconds, or if ensemble A becomes silent during this time, begin immediately:

violin

violin

violin

viola

cello

very agressive, with heat, with intensity

FEbDC

F

CBbAbG

C

AbGFEb

Ab

^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^

^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^

105

œ

8 sec.

œ

8 sec.

œ

8 sec.

œ

œ

œ

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œ

œ

F

œ

F

œ

F

œ

œ

œ

CBbAbGF

GFEbDC

EbDCBbAb

^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^

^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^ ^^^^^^^^^^^^^^^^^^^^^^^^^^^^

110

œ

œ

œ

œ

œ

œ

œ

œ

œ

(Bn)

œ

(G)

10 Bel Canto - Score B