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C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios Features D Dual Ethernet for Redundancy D MPEG 4 AAC ELD D Silent Architecture D Energy Efficient D Only 1/2 19", 1U

C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

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Page 1: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

C11 Series Audio CodecsProfessional Audio Transmission Equipment for Telcos, Broadcasters and Studios

Features

D Dual Ethernet for

Redundancy

D MPEG 4 AAC ELD

D Silent Architecture

D Energy Efficient

D Only 1/2 19", 1U

Page 2: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

Small, energy efficient, silent. The new codec generation – C11 from MAYAH

Contents

Introduction p. 1

C11 Model Overview p. 2

C11 for Telcos p. 4

C11 for Broadcasters p. 6

Compatibility p. 8

Quantity p. 9

Management p. 10

C1190/91 p. 12

C1130/31/35 p. 13

C1150/51/55 p. 14

C1140/41 p. 15

C1160/61 p. 16

C1180/81 p. 17

Flashman II p. 18

Sporty p. 19

C11 R-PSU p. 20

Milestones p. 21

"After more than 10 years supplying professional audio and audio-video transmission and recording equipment for Telecommunications, Broadcasting, Voice-overs, Studios and Event Companies we are now introducing a completely new product series for audio transmission."

"In early 2000 MAYAH introduced the CENTAURI range of hardware audio codecs, based on the successful SendIt software audio codecs from 1997. Now, with more than 6000 devices in use, it is one of the worlds leading audio codecs. The CENTAURI II from 2005 added to this increased flexibility & functional power and is now considered the most compatible codec for ISDN and the most powerful and complete codec for IP. Whether used individually or as part of a complex system, applications such as IP Gateway networking and IP with ISDN Backup networks for 24/7/365 live solutions are available as standard."

"The MAYAH team stands for technological innovation combined with profound industry expertise; providing customers with powerful tools for day-to-day audio and video transmission requirements."

"Our unprecedented support for all G.7xx, J.xx and MPEG algorithms as well as proprietary algorithms such as ADPCM4SB and apt-X / Eapt-X means we currently support more than 15 audio coding formats, the newest being MPEG 4 AAC ELD, an optimum combination of low delay and bitrate efficiency."

"Now we would like to introduce you to our newest generation of audio codecs, the C11 series. Uniquely powerful and dedicated to your Telco and Broadcast requirements, they are extremely compact (permitting greater codec densities) and environmentally friendly with very low power consumption and passive cooling – a cutting edge product for professional 24/7/365 service."

Hallbergmoos, September, 2008

Detlef Wiese, Founder and CEO

Detlef Wiese, Founder and CEO MAYAH Communications GmbH

From G.711 via Eapt-X and Linear to AAC ELD or from ISDN via IP to ASI – with their compact dimensions, extremely low power consumption and silent hardware architecture, C11 Audio Codecs set new standards in the world of telcos and broadcasters.

All C11 models offer a wide range of redundancy & monitoring/control concepts with advanced models supporting logging of outgoing & incoming signals and offering additional storage as well as optional POTS and 3G/UMTS. Full compliance to EBU N/ACIP including MAYAH’s enhanced IP features.

C11 supports the automatic adaptation of bitrate and delay in order to optimize the transmission quality.

C1130 IP Codec

C1131 IP Codec

C1135 IP Decoder

C1140 IP/ISDN Codec

C1141 IP/ISDN Codec

C1150 Advanced IP Codec

C1151 Advanced IP Codec

C1155 Advanced IP Decoder

C1160 Advanced IP/ISDN Codec

C1161 Advanced IP/ISDN Codec

C1180 ASI Codec

C1181 ASI Codec

C1190 Advanced Dual IP Codec

C1191 Advanced Dual IP Codec

C11 units are stackable and can also be integrated into standard 19” racks.

The example above shows 8 codecs and a redundant PSU installed into just 5 RU.

All audio formats supported

Bitrate LinearAES/EBU Transparent(-> 3,072MBit/s)

AAC HEv2AAC ELD(8-64kbps)

Layer 2(->384kbps)

Eapt-X(192-576kbps)

2008 Time

Bitrate

NEU!

AUDIO CODECSERIES

IP ASI ISDN

3G POTS

1

Page 3: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

32

The C11 model range

Dual IP

This allows the simultaneous streaming of the same audio signal or a separation of streaming and control.

ASI

For all types of DVB applications and interconnectivity to DVB Multiplexers

ISDN

Worldwide D-channel protocols and MAYAH’s well known FlashCast compatibility for interconnectivity to thousands of devices.

UMTS/3G

The optional 3G Card supports HSDPA, HSUPA, UMTS, EDGE, GPRS, GSM. Reception from and transmission to MAYAH’s mobile devices Sporty and Flashman II with 3G card.

POTS

For analog transmission via POTS (plain old Telephone system) with quite high quality of up o 15 kHz using AAC ELD. Reception from MAYAH’s mobile device Sporty with PSTN card.

Storage

For logging of incoming or outgoing audio signals on local USB, CF or SD Card storage media. Also for regionalization, with the insertion of local advertising, for program play back in case of transmission failure and for logging the complete program for hours, weeks or months.

14 different C11 models match any broadcastsystem solution and requirement.

IP – every major IP Streaming protocol is already built-in

The C11 supports all major IP Streaming protocols and is compatible with a broad range of receivers.

The formats supported are:

Media protocols

ISMA, Industry Streaming Media DDAlliance Protocol

RTP, Real-Time Transfer Protocol, DDRFC3550, RFC3551

RTCP, RTP Control Protocol, RFC3550DD

UDP, User Datagram-Protocol, DDRFC768

MPEG TS (DVB), Transport streamDD

Session protocols

SIP Session Initiation Protocol DDRFC3261

SDP, Session Description Protocol, DDRFC2327

SAP, Session Announcement Protocol, DDRFC2974

Management, time, file operations, error protection

FTPDD

NTPDD

SNMPDD

FEC Forward Error Correction DDRFC2733

TelnetDD

DHCPDD

Application Advanced IP/ISDN IP IP/ISDN Advanced IP/ISDN ASI Dual EthernetC11 Model C1150 C1151 C1155 C1130 C1131 C1135 C1140 C1141 C1160 C1161 C1180 C1181 C1190 C1191Model Type no disp. full decoder no disp. full decoder no disp. full no disp full no disp full no disp full

FeaturesAlgorithmsG.711 + + + + + + + + + + + +G.722 + + + + + + + + + + + +MPEG Layer2 + + + + + + + + + + + + + +MPEG Layer3 + + + + + + + + + + + + + +AAC (MPEG 2) + + + + + + + + + + + + + +AAC (MPEG 4) + + + + + + + + + + + + + +MPEG 4 HE AACv2 + + + + + + + + + + + + + +AAC ELD + + + + + + + + + + + + + +4SB ADPCM o o o oLinear (16-24 bit) + + + + + + + + + + + +DAT (linear 12 bit) + + + + + + + + + + + +apt-X/Eapt-X o o o o o o o o o o o oAES Transparent o o o o o o o o o o o oTotal Algorithms 12 12 12 12 12 12 13 13 13 13 6 6 12 12

Communication Interfaces IP/Ethernet (RJ45, 10/100 Mbit/s) + + + + + + + + + + + + + +2nd IP/Ethernet (RJ45, 10/100Mbit/s) + +4x ISDN (RJ45, S0) + + + +ASI Out (BNC) + +

SlotsPC Card Slot for 3G, POTS or CF-Card + + + + + + +SD Card Slot + + + + + + +

Extended InterfacesUMTS / 3G Card (HSUPA, EDGE, GPRS) o o o o o o oPOTS Card (PSTN) o o o o o o o

Recording/Logging capabilitieson USB Stick + + + + + + +on SD Card + + + + + + +on CF Card + + + + + + +

Audio InAES/EBU (D-Sub 9) + + + + + + + + + + + +2x Line In (XLR) + + + + + +2x switch. Line In / Mic (XLR) + + + + + +

Audio OutAES/EBU (D-Sub 9) + + + + + + + + + + + + + +2x Line Out (XLR) + + + + + + + + + + + + + +1x Headphones 1/4" Jack + + + + + + + + + + + + + +

Other Interfaces4x Opto/Relay (D-Sub 15) + + + + + + + + + + + + + +

Front Panel InterfaceLCD + Keyboard + + + + + +4 LED Meters (IN/OUT) + + + + + + + + + + + +2 LED Meters (OUT only) + +

NEU!

IP ASI ISDN

3G POTS

NEU!

IP ASI ISDN

3G POTS

NEU!

IP ASI ISDN

3G POTS

NEU!

IP ASI ISDN

3G POTS

NEU!

IP ASI ISDN

3G POTS

NEU!

IP ASI ISDN

3G POTS

Page 4: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

54

Redundancy Concepts for IP and Power with C11 productsGo for 24/7/365 in Telco applications

C11 for Telcos

Audio Formats

Telcos need to transmit in transparent quality. Therefore C11 codecs/decoders support AES/EBU transparent, linear as well as apt-X/Eapt-X. For economic transmissions also MPEG 4 HE AACv2 and for compatibility MPEG 1/2 Layer 2 and 3 are supported.

Space reduction

The C11 model is the most efficiently packaged audio codec device in the world. The combination of just ½ 19” / 1RU rackmount with the variety of functions depending on the used model is unique and offers Telcos the most efficient packing for installations.

Power reduction

All C11 models have very low power consumption. In view to the environmental requirments as well as to the resulting cost, an average power consumption of 8 W, 12 V per stereo channel without the need of cooling without the need for cooling fans fans is another unique feature of the C11 series.

Flexible devices to match broadcasters needs

Depending on the application the Telco operator may need an IP, an ASI or an IP/ASI solution which provides the necessary standards in terms of interfaces and formats. Although many broadcasters may require transparent AES/EBU or Layer 2 transmission formats, the C11 devices fulfill also almost all other requirements, e.g. the full MPEG 4 AAC ELD and HE range including even proprietary formats, such as apt-X/Eapt-X.

24/7/365 operation with redundant power supply concept

A Telco cannot afford any loss of signal by network, power or unit failure. Therefore it is necessary to offer the matching redundancy concepts:

two identical configured C11 for 1:1 DDredundancy

power redundancy with external DDredundant PSU unit for maximum of 8 C11 units

n+1 redundancy concept in connection DDwith Network Management System NetMon

NetMon SNMP Management

With direct system status monitoring and network overview, NetMon from Euromedia is a complete NMS solution for Broadcast, Broadband and Telco applications. It is a platform independent JAVA SE 6 application with JDBC data base access. The XML driver integration and scripting allows easy integration of additional devices.

Support Kits

The C11 audio codec devices can be installed in different situations matching different local requirements:

Single C11 audio codec device installation

½ 19” Racks: two short ears, each with DDtwo holes for installation in ½ 19” Racks

19” Racks: one short and one long ear, DDeach with two holes for installation in 19” Racks

Dual C11 audio codec device installation

19” Racks: two short ears, each with two DDholes for installation in 19” Racks plus an efficient middle metal set for com-bining two C11 models side by side

Cables

DB9 – 3 XLR (AES/EBU In, Out, SyncIn) DD

USB -> RS232DD

8 RedundantStreams

Integrated Storage for program Playout or Logging

Playback via VLC, QuickTime, Media Player

Optional Monitoringof Transmitter signals

8 Streams

8x stereoAudio IN/OUT

Site 1

2x stereoAudio IN/OUT

Site 2

Site n

6x stereoAudio IN/OUT

8x stereoAudio IN/OUT

Redundant PSUC1190 C1190C1190 C1190C1190 C1190C1190 C1190

Redundant PSUC1190 C1190C1190 C1190C1190 C1190

Redundant PSUC1191 C1191C1191 C1191C1190C1190 C1190

C1190

Redundant PSUC1190 C1190

SD SD

NetMonManagement

Telecommunication organization need to provide Service to the Broadcasters. Typical applications are contribution and distribution solutions as well as head-ends for a variety of existing or upcoming digital radio systems, such as DMB, DVB, ipTV and others. The requirements are typically for:

flexible devices to match the DDbroadcasters needs

24/7/365 operationDD

redundant power supply conceptDD

redundant device concept, n+1, n+mDD

minimal space requirementsDD

low power consumption DD

appropriate Audio Formats DD

SNMP for integration in existing DDmanagement software

NetMon SNMP Management Software for DDlarger installations

support kits for mechanical and electrical DDinstallation

email and telephone support from the DDvendor

The C11 models are tailored to fullfill the Telco requirements one by one.

Depending on the application the Telco operator may need an IP, an ASI or an IP/ASI solution, all of which are provided by the models of the C11 series. For the reason of extendability ISDN, 3G, POTS and Recording are available in different C11 models.

Flexible Installationpossibilities

Page 5: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

76

Master

Control Room

Redundant PSU

Redundant PSU

C1130C1131

C1130C1131

C1130C1131

C1160C1161

C1160C1161

C1160C1161

Redundant PSUC1140

C1141C1140

C1141C1140

C1141C1140

C1141

SPORTY

SPORTY

FLASH

MA

N II

Also oth

er, 3rdp

arty codecs

Outsid

e Broad

castU

MTS

Reporter

UM

TS

24x stereoAudio IN

/OU

T

8x stereoAudio IN

/OU

T

Optional logging of incom

ingaudio signals

SDSD

Line Disposition

e.g. MD

C.net

CENTA

URI II

2x Mics

Headphones

SD-Card

SD

Headphones

2x Mics

International SoundInternational Sound

SD-Card

SD

2x Mics

International SoundInternational Sound

SD-Card

SD Headphones

Optimum solution for the IP/ISDN migration process – N/ACIP and FlashCast for economic integration.

C11 for Broadcasters

Radio and TV Stations focus on specific functions, interfaces and formats as well as stability and robustness when dealing with live transmissions. Compatibility between different manufacturers devices, line disposition management and intuitive operation are the main requirements when selecting audio codecs.

Migration from ISDN/E1 to IP

It is known that worldwide, announcements by Telcos have indicated the end of synchronous network offers such as E1 and ISDN. Although they might still be on offer, the reality is that the backbones transporting E1 and ISDN already, partly use IP packets. The move towards IP is an important issue and broadcasters need appropriate solutions. The efforts of the EBU N/ACIP group have resulted in an approved document describing the necessary standards to be implemented for compatibility between different vendors. As one of the founding members of the audio-via-IP Experts Group, MAYAH has implemented the EBU N/ACIP from the beginning in its devices and moved even further by supporting RFCs and standards that go far beyond this. This extended N/ACIP implementation allows even further applications.

Broadcasters are considered to need:

Flexible devices to match the broadcast-DDers needs

24/7/365 operationDD

Compatibility via ISDN to stationary and DDportable solutions

Compatibility via IP following EBU N/DDACIP to stationary and portable solutions

Redundant power supply conceptDD

As less space consuming as possible for DDOB-Vans and remote vans

Disposition Software for line manage-DDment

Support kits or mechanical and electri-DDcal installation

Email and telephone support DD

The C11 models are tailored to fulfill broadcasters requirements one by one. Compatibility is a given, due to FlashCast via ISDN and full support of the N/ACIP standard. Integration into existing management systems is possible due to the co-operation with many 3rd party software solutions.

Depending on the application, the broadcast operator may need an IP, an IP/ISDN or now more often a Dual IP solution, all of which are provided by the models of the C11 series. For reasons of scalability, ASI, 3G, POTS and Recording are available in different C11 models.

Line Disposition Software MDC.net

MDC.net Codec and Router Management System V3 supports all types of ISDN and IP codec connections. Settings such as "transport", "packet-size" & "quality-of-service" have been implemented and also the ability to 'dial' IP addresses with port numbers or SIP addresses. The IP connections are visualized in the same way as ISDN connections and the software supports CENTAURI and C11 audio codec models.

MasterControl Room

Redundant PSU

Redundant PSU

C1130 C1131C1130 C1131C1130 C1131C1160 C1161

C1160 C1161C1160 C1161

Redundant PSUC1140 C1141C1140 C1141C1140 C1141C1140 C1141

SPORTY

SPORTY

FLASHMAN II

Also other, 3rdparty codecs

Outside BroadcastUMTS

ReporterUMTS

24x stereoAudio IN/OUT

8x stereoAudio IN/OUT

Optional logging of incoming

audio signals

SD SD

Line Dispositione.g. MDC.net

CENTAURI II

2x Mics

Headphones

SD-Card SD

Headphones

2x Mics

International SoundInternational Sound

SD-Card SD

2x Mics

International SoundInternational Sound

SD-Card SD

Headphones

Page 6: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

8

MAYAH’s 10 year IP know how and EBU N/ACIP support means huge compatibilty.CENTAURI FlashCast based C11 even talks to ISDN codecs.

The variety of Audio Coding Formats results in a broader field ofapplications for Telcos and Broadcasters

C11 Compatibility C11 Quality

When considering the integration of new audio codecs it is important that they are compatible via the supported network interfaces and audio formats as well as integratable from the network management point of view. In the last decade MAYAH has been recognized as a technology leader when it comes to compatibility; as documented with the famous FlashCast feature for connecting to ISDN codecs from 3rd parties as well as with the support of EBU N/ACIP and beyond, IP features and standards.

MAYAH not only supports the Telco and Broadcast Backbone applications, meaning hardware-to-hardware, codec-to-codec connections, but can be received also by STBs and software media players, such as VLC, Quicktime, Windows Media Player and others.

Many different aspects are considered within the N/ACIP standard to ensure a degree of interoperability between IP audio codecs of different vendors

Audio coding: including coding algorithm, DDbitrate, delay and error resilience

Transport protocols: including DDencapsulation of audio frames, loss recovery mechanisms and delay

Signaling: including session control, DDconnection setup and codec negotiation

Network profiles: including the definition DDof a number of of user defined profiles for different types of managed IP networks and for public Internet connections

The interoperability standard of N/ACIP, Audio Contribution

Over IP, see also www.ebu-acip.org, which is based on open IETF standards such as RTP and SIP is fully supported by the C11 model range.

Audio-via-IP Experts Group

At the end of 2006, MAYAH Communications (Germany) and AETA Audio Systems (France) founded the international Audio-via-IP Experts Group to coordinate the joint technical efforts in order to achieve a true interoperability of audio codec products of different manufacturers.

The partners have joined this Experts Group and featured Audio-via-IP compatibility yet before the EBU working group N/ACIP issued the first recommendation paper on professional Audio-via-IP in October 2007.

There is a logo program which allows to be identified as a supporter of this Audio-via-IP Experts Group and to be recognized as compatible with other partners of this group.

The motivation is to offer a friendly operational environment for users and to minimize the threshold of going "Audio-via-IP" for any broadcaster or any codec user of the world.

Current active members of the Audio-via-IP Experts Group are:

MAYAH Communications (DE)DD

AETA Audio Systems (FR)DD

Orban crl (US)DD

Tieline Technology (AU)DD

Field proven: FlashCast

A very popular feature, already used to great effect in the CENTAURI: the MAYAH developed FlashCast Techno logy.

Calling or dialed codecs are automatically recognized by analysis of the coding format and defined. It is unimportant whether the other codec is a CDQPRIMA, RoadRunner, Zephyr, OptiCodec or MusicTaxi. As long as the C11 recognizes the proprietary algorithm

and inverse multiplexing of the other audio codec, it can automatically receive a mono or stereo signal, even with multiple B channels.

Impressive is also the extremely short synchronization time. A C11 can often synchronize quicker than two identical codecs can with each other.

Where previously several codecs were needed, today one C11 can do the same job.

MAYAH is known to support a wide range of audio codec formats in its realtime broadcasting devices. Besides the well known formats, such as G.711, G.722, Layer 2 & 3, we also look at all standards of interest. Two main trends are considered: In corporate networks the bit rate requirements result in linear audio and transparent AES/EBU transmission (3,072 Mbit/s) while in mobile environments the bit rates are very low in order to guarantee a live transmission (HE AACv2 and ELD with 24/32 kbps). C11 models support this full range as well as audio formats which are in-between, such as Layer 2, 3, Eapt-X and others.

AAC

As part of MPEG 2 and 4, it provides transparent audio quality starting at a bit rate of 128 kbps stereo.

HE AACv2

As a further development of AAC by adding Spectral Band Replication, the so called SBR technology, much lower bit rates are achieved. In a range of 32 – 64 kbps stereo very efficient HE AAC coding allows very high quality for audio transmission and storage. "v2" adds the additional parametric stereo coding for bit rates even lower at 16 – 32 kbps stereo.

AAC ELD

This is simply a combination of AAC LD and HE AAC. For broadcasters a good combination because the focus is low delay while maintaining the efficient coding. Encode/decode delay of less than 50 ms allows the use of bit rates in the range of AAC HEv2 plus, appr. 30 %. e.g:

AAC ELD @ 32 kb/s = HE AAC @ 24 kb/sDD

AAC ELD @ 48 kb/s > HE AAC @ 32 kb/sDD

Linear Audio and AES/EBU transparent

The increasing availability of higher bandwidth means the use of linear audio and "AES/EBU Transparent" is a realistic alternative. The bit rate of AES/EBU signals is 3,072 Mbit/s.

Interoperability of MAYAH Codecs

The number of MAYAH audio codec products has grown to a mature range of solutions for various applications.

The interoperability includes audio coding formats for mono, stereo and multichannel, data transmission, e.g. for RDS, as well as contact closure Information.

The differences between the products enhance their suitability for specific applications without limiting interoperability. Except for certain small differences in terms of network interface support, protocols,

audio algorithms, etc., there is a rich set of common formats and functions which support combinations such as:

MERK II D CENTAURI® II and Ganymed CENTAURI II D Ganymed and MERK II Ganymed D CENTAURI II and MERK II Sporty D C11 and CENTAURI II C11 D CENTAURI II and Ganymed Flashman II D C11 and CENTAURI II

The MAYAH world is a flexible one

Our 100 % support of open, international standards and a model range with an unsurpassed depth of common features, MAYAH is able to provide elegant, flexible solutions for even the most complex transmission problems. And thanks to our enlightened upgrade policy, your network can continue to grow and develop in the years to come.

C11 is compatible with:

MAYAH CENTAURI and CENTAURI II DD

Dialog4 VP, VP-Pro, Slimline with DDG.711, G.722, L2, L3 at up to 64 and/or 128 kBit/s

Telos Zephyr with G.711, G.722, L2, DDL3 at up to 64 and/or 128 kBit

CCS CDQPRIMA, RoadRunner, DDCDQ1000 with G.722, L2, L3 at up to 384 kBit/s

AEQ and Glennsound with G.711, DDG.722, L2 at up to 64 and/or 128 kBit/s

AVT (formerly PKI) 7 kHz Telephone DDand MAGIC

RE 660/661 Audio and Anc. DataDD

and many moreDD

The compatibility is restricted to algorithms, bit-rates, sampling rates, inverse multiplexing algorithms and audio codecs already recognised by the C11. Specific software and/or firmware versions can adversely affect compatibility.

C11

SPORTYCENTAURI®

II4000/4001

ISDN X.21/V.35

IP

Audio

Data,e.g. RDS

ContactClosures

MERK II

FLASHMAN IIganymed 1102

9

Page 7: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

10

MAYAH works with high quality knowledgeable partners

C11 Management

Management: manual or via network

C11 can be remotely controlled by any standard Internet Browser, regard less of Platform: whether PC, Mac or any other. Depending on the working environ ment, Telnet and SNMP are also possible with SNMP used to connect to more complex Manage ment & Control Software. The delivered remote application allows full access to all parameters of the C11 models and have an intuitive look and feel.

The C11*1models have a front panel with Signal Level indicators, an LCD Display and a Keyboard. Using the front panel controls the operator can com pletely configure and control the device, and establish network connections.

There is also a wide range of third party products available:

NetMon SNMP Management System, DDEuromedia

MCD.net Line Disposition System, RalexDD

DataMiner, SkylineDD

ISDN CommanderDD

Diamant, DimetisDD

Codec Control Center, MKHDD

othersDD

The NetMon SNMP Management System

from Euromedia NetMon is a SNMP Network Management System for monitoring services, complete networks and devices. With an open system architecture it offers the appropriate solution for many applications in Radio and TV, like CATV Headend, TV-Playout and Backbone-networks as well as in IT systems. The modular architecture allows future extensions easily – an advantage with fast growing numbers of services and devices.

The solid polling engine of NetMon is the means to present the status information graphically. System maps describe the connections between devices with inputs and outputs showing the logical relation between services. Due to the flexible NetMon NMS concept, Client-Server- or Desktop-Systems can be applied. With the Desktop version, Server and Client function are combined in one application.

Additionally, the NetMon Mobile Client supports monitoring via mobile phone, iPhone or PDA. NetMon is platform independent which means that the NetMon JAVA Client can run in all known operating systems, such as Windows, Linux, MAC OSx and Solaris. Multiple NetMon Clients can be connected to one Server. Also, one client can monitor several servers. The intuitive GUI of the NetMon Client applications shows the network structure, status information as well as alarm logs.

The access to the device paramter menus is given by the devices Web-GUI or context menus. Very impressive is the XML driver integration and scripting which allows easy integration of additional devices. Even further, NetMon standard function allows automation, event-correlation and scheduling with the scripting interface. Redundancy concepts can be implemented in NetMon as well as measurement concepts which increase the benefit for telcos and broadcasters to a maximum.

Line Disposition Management Software MDC.net from Ralex

The MDC.net system is used to control and manage ISDN and IP codecs, hybrids and routers from one or more workstations within a Radio/TV station. The codecs can be located in one Master Control Room or they can be spread to different local and remote locations. MDC.net supports a variety of codecs and routers that are available on the market. The MDC.net system is used to establish ISDN and IP connections and manages all devices involved, such as ISDN terminal adapters, audio codecs and routers.

The user-friendly and efficient line overview window shows the status of all ISDN connections. The information provided includes:

Codec availability DD

Who is using which codec DD

Selected protocol or codec algorithm DD

ISDN connections DD

IP connectionsDD

Name of the remote siteDD

duration of connectionDD

clear error messagesDD

The activities cover a wide range such as dialling, redialling of the last connected destination, disconnect, automatic selection of a suitable codec, accepting incoming calls, reserving of codecs, preparing connections and others.

New settings like "transport", "packet-size" and "quality-of-service" have been implemented along with the possibility to 'dial' IP-addresses with port numbers or SIP addresses. The IP-connections are made and visualized in the same way as ISDN connections in order to provide the best overview to the operators.

Combined support of IP & ISDN connections is implemented for CENTAURI I & II as well as for the C11 model range.

Screenshots

11

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The C1190/91 models have been designed to answer the need for more redundancy and functionality on the IP side. They are bi-directional, support the full range of audio coding formats and offer two Ethernet interfaces to either simultaneously stream audio identical on both interfaces or to split control and audio to two different interfaces.

In addition the 90/91 devices support extended slots on the rear panel for optional available plug-in cards, such as POTS, UMTS/3G or storage cards for USB or SD.

The C1130/31/35 models have been designed as the entry category to the C11 audio codec world. They are powerfull, fully scalable devices with the most modern Audio-via-IP architecture and audio coding formats but provide an efficient economic solution for broadcasters and telcos. RTP and SIP, as the basic technology for corporate and public networks, offer the flexibility needed.

While the C1130/31 are bi-directional, the C1135 is designed as a higher volume product for reception-only sites, e.g. transmitters.

C1130/31/35 IP Codec/Decoder

C1190/91 Advanced Dual IP Codec

Application 1 – Audio Distribution over IP with redundant streaming via additional Ethernet Interface of C1190/91.

Application 1 – Audio Reporting from Sporty to C1130/31.

Fully redundant power supply concept allows 8 independent bi-directional stereo audio codecs in 5 Uhigh.

Application 2 – Separation of control data and audio signal to two different Ethernet interfaces.

Application 2 – Distribution via IP with highest quality and redundancy.

stereo digitalAES/EBU

Audio

Audio

#1

#n

C1190/91

stereo digitalAES/EBU

RedundantStreaming

Transparent AES/EBU3,072 MBit/s

Transparent AES/EBU3,072 MBit/s

Redundant PSUC1190 C1190C1190 C1190C1190 C1190C1190 C1190

Redundant PSUC1190 C1190C1190 C1190C1190 C1190C1190 C1190

SPORTY

stereo analogue or digital AES/EBU

2x Line In

2xLine Out

2x Mic

UMTS/3G/3.5GMPEG-4 HE AACv2, 48 kbps2x Head-

phones

C1131

C1131

C1130

stereo digitalAES/EBU

AudioC1190/91

stereo digitalAES/EBU

EthernetInterface II

EthernetInterface I

Audio Signal

Control Data

Redundant PSUC1190 C1190C1190 C1190C1190 C1190C1190 C1190

DAB/DRMFM/AM

Redundant PSUC1131 C1131C1131 C1131C1131 C1131C1131 C1131

Redundant PSUC1135 C1135C1135 C1135C1135 C1135C1135 C1135

8 x stereo digital AES/EBU

8 x stereo digital AES/EBU

Eapt-Xstereo

Order DataC1190 Audio Codec with 2 Ethernet interfacesC1191 Audio Codec with 2 Ethernet interfaces, Display and KeypadC11FX optional optical Ethernet interface FXC11APT apt-X and Eapt-X via IP C11AES Transparent AES/EBUvia IPC113G UMTS/3G card C11POTS Pots cardC11GAT Gateway Package C11BKP Backup Package

C11RED 19" redundant PSU for 8 C11 C11KIT Mounting kit for two 1/2 19"

Order DataC1130 Audio Codec with 1 Ethernet interfaceC1131 Audio Codec with 1 Ethernet interface, Display and KeypadC1135 Audio Decoder with 1 Ethernet interfaceC11APT Audio Formats apt-X and Eapt-X via IPC11AES Audio Format Transparent AES/EBU via IPC11RED 1U, 19" redundant PSU for max. 8 C11 modelsC11KIT Complete HW kit for mounting two 1/2 19" C11 devices in a 19" rack

Technical Data

AD / DA converter 24 bit

Frequency range < = 10 Hz to 21.4 kHz (48 kHz, -3 dB)

Signal-to-Noise ratio > = 100 dB (linear PCM)

Line In (18dBu) / Mic In impedance 100 / 10 kOhm

Line Out (18dBu max.) impedance 50 Ohm

Audio interfacesAnalog Line/Mic Input (2x XLR bal., 48 V), Analog Output (2x XLR bal.), AES/EBU In/Out/Sync In (1x DB9), 1x Headph. Output (1x 1/4" jack)

Communication interfaces 2x Ethernet 10/100 (RJ45), 3G/UMTS (optional via PC card)

Storage SD card, USB, CF card (via PC card)

Miscellaneous interfaces 4x Opto In / Relay Out (1x DB15), 1x USB TypeA, 1x USB mini

AlgorithmsG.711, G.722, MPEG L2/L3, MPEG 2/4 AAC, MPEG 4 HE AACv2, AAC ELD, Linear (16 - 24 bit), DAT (Lin.12 bit), apt-X/Eaptx (optional), AES transp. (optional)

C1190 User Interface 4x LED level meters, status LEDs, Web Remote

C1191 User Interface 4x LED level meters, status LEDs, LCD display + keypad, Web Remote

Power supply / consumption 100 to 240 VAC, 50 to 60 Hz, +12V Out / 8 – 12 W

Width / Depth / Height / Net weight 219 mm (8.6") / 278 mm (10.9") / 44,5 mm (1U, 1.7") / approx. 2,55 kg

Technical Data

AD / DA converter 24 bit

Frequency range < = 10 Hz to 21.4 kHz (48 kHz, -3 dB)

Signal-to-Noise ratio > = 100 dB (linear PCM)

Line In (18 dBu) 100 kOhm

Line Out (18dBu max.) impedance 50 Ohm

C1130 / 31 audio interfacesAnalog Input / Output (4x XLR bal.), AES/EBU In/Out/Sync In (1x DB9), 1x Headph. Output (1x 1/4" jack)

C1135 audio interfacesAnalog Output (2x XLR bal.), AES/EBU Out (1x DB9), 1x Headph. Output (1x 1/4" jack)

Communication interfaces 1x Ethernet 10/100 (RJ45)

Miscellaneous interfaces 4x Opto In / Relay Out (1x DB15), 1x USB TypeA, 1x USB mini

AlgorithmsG.711, G.722, MPEG L2/L3, MPEG 2/4 AAC, MPEG 4 HE AACv2, AAC ELD, Linear (16 – 24 bit), DAT (Lin.12 bit), apt-X/Eaptx (optional), AES transp. (optional)

C1130 User Interface 4x LED level meters, status LEDs, Web Remote

C1131 User Interface 4x LED level meters, status LEDs, LCD display + keypad, Web Remote

C1135 User Interface 2x LED level meters,Web Remote

Power supply / consumption 100 to 240 VAC, 50 to 60 Hz, +12V Out / 8 – 12 W

Width / Depth / Height / Net weight 219 mm (8.6") / 278 mm (10.9") / 44,5 mm (1U, 1.7") / approx. 2,55 kg

C1130/31 interfaces

C1130 Audio Codec

C1190/91 interfaces

C1191 Audio Codec

C1135 Audio Codec

C1135 interfaces

C1131 Audio CodecC1190 Audio Codec

13

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14

The C1150/51/55 models are part of the C11 Advanced Codec series. Based on the C1130 they however offer additional storage interfaces and extension slots for POTS, UMTS/3G and other expansion cards. These capabilities make them the ideal companions for Sporty and Flashman II in a studio environment and with additional storage they are perfectly equipped for many new, hardware codec uses, e.g. in-codec logging or regional advertising insertion and many other possible uses.

While the C1150/51 are bi-directional, the C1155 is designed as a higher volume product for reception-only sites, e.g. for use with transmitters.

The C1140/41 models are designed specifically for ISDN and IP. As an ISDN codec with IP Control for management or as a codec for both ISDN and IP. The ISDN stack is based on MAYAH's long experience in this field, with many d-channel protocols and international connectivity. IP support is the same as other C11 models. They can connect to portable devices such as Sporty and Flashman II as well as other, third party vendors and can talk to RTP and SIP; the basic technology for corporate and public networks.

The C1140 and the C1141 are bi-directional codecs, able to encode and decode simultaneously.

Application 1 – Sportys deliver high quality audio via ISDN to C1140/C1141 devices

Application – Studio-Transmitter-Link via IP with audio storage in the decoder devices for logging and/or playback Application 2 – Flashman IIs deliver live audio via

IP into the studio or transmitter to C1140/41 devices

SPORTY

2x Mics

International SoundInternational Sound

SD-Card SD

Headphones

SPORTY

2x Mics

International SoundInternational Sound

SD-Card SD

Headphones

stereo digitalAES/EBU

Redundant PSUC1140 C1140C1140 C1140C1140 C1140C1140 C1140

DAB/DRMFM/AM

Redundant PSUC1151 C1151C1151 C1151

Redundant PSUC1155 C1155

C1155C1155

4 stereo digitalAES/EBU

„Audio Logging or Play Out“

Site 1

DAB/DRMFM/AM

Site n

4 stereo digitalAES/EBU

AES/EBU Transparent3,072 Mbit/s

SD-Card SD SD

Redundant PSUC1155 C1155

C1155C1155

4 stereo digitalAES/EBU

„Audio Logging or Play Out“

SD-Card SD SD

Headphones

FLASHMAN II

2x Mics

Headphones

SD-Card SD

FLASHMAN II

2x Mics

Headphones

SD-Card SD

stereo digitalAES/EBU

Redundant PSUC1140 C1140C1140 C1140C1140 C1140C1140 C1140

Order DataC1140 Audio Codec with 1 Ethernet interface and 4 ISDN BRIC1141 Audio Codec with 1 Ethernet interface and 4 ISDN BRI, Display and KeypadC11APT Audio Formats apt-X and Eapt-X via IP/ISDNC114SB Audio Format ADPCM4SB / Micda via ISDNC11AES Audio Format Transparent AES/EBU via IPC11GAT Gateway PackageC11BKP Backup PackageC11RED 1U, 19" redundant PSU for max. 8 C11 modelsC11KIT Complete HW kit for mounting two 1/2 19" C11 devices in a 19" rack

Order DataC1150 Audio Codec with 1 Ethernet interfaceC1151 Audio Codec with 1 Ethernet interface, Display and KeypadC1155 Audio Decoder with 1 Ethernet interfaceC11APT Audio Formats apt-X and Eapt-X via IPC11AES Audio Format Transparent AES/EBU via IPC113G UMTS/3G card for mobile networksC11POTS Pots cardC11GAT Gateway PackageC11BKP Backup PackageC11RED 1U, 19" redundant PSU for max. 8 C11 modelsC11KIT Complete HW kit for mounting two 1/2 19" C11 devices in a 19" rack

C1140/41 interfaces

C1140 Audio Codec

C1155 interfacesC1150/51 interfaces

C1151 Audio Codec

C1141 Audio CodecC1155 Audio CodecC1150 Audio Codec

C1140/41IP/ISDN Codec

C1150/51/55Advanced IP Codec/Decoder

15

Fully redundant power supply concept allows 8 independent bi-directional stereo audio codecs in 5 Uhigh.

Technical Data

C1150 / 51 / 55 Identical to C1130/31/35, but in addition

C1150 / 51 audio interfacesAnalog Line/Mic Input (2x XLR bal., 48V)

Communication interfaces1x Ethernet 10/100 (RJ45), 3G/UMTS (optional via PC card)

StorageSD card, USB, CF card (via PC card)

Technical Data

C1140 / 41 audio interfaces

Analog Input / Output (4x XLR bal.), AES/EBU In/Out/Sync In (1x DB9), 1x Headph. Output (1x 1/4" jack)

Communication interfaces 1x Ethernet 10/100 (RJ45), 4x ISDN BRI

Miscellaneous interfaces 4x Opto In / Relay Out (1x DB15), 1x USB TypeA, 1x USB mini

AlgorithmsG.711, G.722, MPEG L2/L3, MPEG 2/4 AAC, MPEG 4 HE AACv2, AAC ELD, Linear (16 – 24 bit), DAT (Lin.12 bit), 4SB ADPCM (optional), apt-X/Eaptx (opt.), AES Tr. (opt.)

AlgorithmsG.711, G.722, MPEG L2/L3, MPEG 2/4 AAC, MPEG 4 HE AACv2, AAC ELD, Linear (16 – 24 bit), DAT (Lin.12 bit), 4SB ADPCM (optional), apt-X/Eaptx (opt.), AES Tr. (opt.)

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16

C1160/61Advanced IP/ISDN Codec

C1180/81ASI Codec

C1160/61 models are designed specifically for ISDN and IP. As an ISDN codec with IP Control for management or as a codec for both ISDN and IP. The ISDN stack draws on MAYAH's long experience in this field, with many d-channel protocols and international connectivity. Its IP support is the same as other C11 models. C1160/61 can connect to Sporty, Flashman II and portable devices from third party vendors as well as RTP and SIP; the basic technology for corporate and public networks.

Instead of the delete C1140/41s analog Line In, the C1160/61 uses a switchable Mic/Line In at its two XLR Inputs. In addition the 60/61 models have expansion slots for a UMTS/3G card or a POTS (PSTN) card.

The C1180/81 models with ASI interface as the main communications interface are optimally suited for DVB applications. Designed as system encoders with decoding capabilities the C1180/81 matches the requirements of all type of DVB headends, whether for DVB-C, DVB-S, DVB-T or DVB-H.

The support of the appropriate audio formats, such as MPEG 1 Layer 2 and MPEG 4 AAC HE and HEv2 reaches millions of STBs, mobile phones or other playback devices. Application 1 – OB-Vab delivers high quality audio via UMTS/3G to the studio

C1160/61

Application 1 – Four C1181 audio codecs deliver high quality audio to the DVB Mux

Application 2 – OB-Vab delivers high quality audio via ISDN to the studio C1160/61

OB Van

OB Van

IPC1161 C1160

Audio1x stereo

ISDNC1161 C1160

Audio1x stereo

OB Van

OB Van

IPC1161 C1160

Audio1x stereo

ISDNC1161 C1160

Audio1x stereo

C1181 C1181C1181

STB DVB–S

C1181DVBMUX MOD

DVB-HPDA/Phone

ASI

ASI

ASI

ASI

Order DataC1160 Audio Codec with 1 Ethernet interface and 4 ISDN BRIC1161 Audio Codec with 1 Ethernet interface and 4 ISDN BRI, Display and KeypadC11APT Audio Formats apt-X and Eapt-X via IP/ISDNC114SB Audio Format ADPCM4SB / Micda via ISDNC11AES Audio Format Transparent AES/EBU via IPC113G UMTS/3G card for mobile networksC11POTS Pots cardC11GAT Gateway PackageC11BKP Backup PackageC11RED 1U, 19" redundant PSU for max. 8 C11 modelsC11KIT Complete HW kit for mounting two 1/2 19" C11 devices in a 19" rack

Order DataC1180 Audio Codec with 1 Ethernet interface and ASI OutputC1181 Audio Codec with 1 Ethernet and ASI OutputC11RED 1U, 19" redundant PSU for max. 8 C11 modelsC11KIT Complete HW Kit for mounting two ½ 19” C11xx devices in a 19” rack

Technical Data

AD / DA converter 24 bit

Frequency range < = 10 Hz to 21.4 kHz (48 kHz, -3 dB)

Signal-to-Noise ratio > = 100 dB

Line In (18 dBu) 100 kOhm

Line Out (18 dBu max.) impedance 50 Ohm

C1180 / 81 audio interfaces Analog Input / Output (4x XLR bal.), AES/EBU In/Out/Sync In (1x DB9), 1x Headph. Output (1x 1/4" jack)

Communication interfaces 1x Ethernet 10/100 (RJ45), 2x ASI Out (BNC)

Miscellaneous interfaces 4x Opto In / Relay Out (1x DB15), 1x USB TypeA, 1x USB mini

Algorithms MPEG L2/L3, MPEG 2/4 AAC, MPEG 4 HE AACv2, AAC ELD

C1180 User Interface 4x LED level meters, status LEDs, Web Remote

C1181 User Interface 4x LED level meters, status LEDs, LCD display + keypad, Web Remote

Power supply / consumption 100 to 240 VAC, 50 to 60 Hz, +12V Out / 8 – 12 W

Technical Data

C1160 / 61 audio interfaces

Analog Line/Mic Input (2x XLR bal., 48V), Analog Output (2x XLR bal.), AES/EBU In/Out/Sync In (1x DB9), 1x Headph. Output (1x 1/4" jack)

Communication interfaces

1x Ethernet 10/100 (RJ45), 4x ISDN BRI, 3G/UMTS & POTS (optional via PC card)

Storage SD card, USB, CF card (via PC card)

Miscellaneous interfaces 4x Opto In / Relay Out (1x DB15), 1x USB TypeA, 1x USB mini

AlgorithmsG.711, G.722, MPEG L2/L3, MPEG 2/4 AAC, MPEG 4 HE AACv2, AAC ELD, Linear (16 – 24 bit), DAT (Lin.12 bit), 4SB ADPCM (optional), apt-X/Eaptx (opt.), AES Tr. (opt.)

C1180/81 interfaces

C1180 Audio Codec

C1160/61 interfaces

C1161 Audio Codec

C1181 Audio CodecC1160 Audio Codec

17

Fully redundant power supply concept allows 8 independent bi-directional stereo audio codecs in 5 Uhigh.

Page 11: C11 Series Audio Codecs - MAYAH · C11 Series Audio Codecs Professional Audio Transmission Equipment for Telcos, Broadcasters and Studios s D y D D D e D D U AUDIO VIA IPEXPERTSGROUP

Next Generation Portable Recorder Codec

Now, after 5 years unparalleled success, MAYAH introduces its’ 2nd generation Portable Recorder Codec, the Flashman II. The original Flashman was a pure, high quality digital recorder; Flashman II adds the ability to simultaneously record while transmitting the audio back to the studio.

Flashman II records to SD Cards & USB sticks, supports most modern networks and interfaces – WLAN, UMTS/3G and Ethernet – and provides a wide range of the most modern coding algorithms, including two new, state-of-the-art audio formats, MPEG 4 HEv2 and MPEG 4 AAC ELD; for “High Quality” and “Low Latency” respectively.

The exciting new ability to Record locally, while feeding Live gives reporters total control over their material and the ability to edit it further after transmission, for subsequent re-use.

And thanks to MAYAH’s still unique FlashCast technology, Flashman II is able to automatically recognize, and connect worldwide to almost any audio codec, in any format. Ideal for on-location situations where the destination codec is not known.

With Flashman II, MAYAH has built a portable studio for the palm of your hand!

Sporty is about to revolutionize reporting. Connect via LAN, WLAN, UMTS/3G, ISDN or PSTN using the most powerful audio coding formats available.

With AAC HE & AAC ELD, Flashman II offers todays most efficient codingformats for any IP transmission and recording

SportyFLASHMAN II

SPORTY – Portable Reporter Codec

Extremely small & light, the SPORTY Portable Reporter Codec can transmit from anywhere, to anywhere and simultaneously log the audio to the optional USB Sticks or SD Cards. SPORTY is the ideal device for ‘live reporting’; pairing ease-of-use with enormous flexibility, it is able to master many different & difficult interview and reporting situations.

In addition to its new “Easy-Interface” – providing intuitive control of all important parameters – SPORTY also goes beyond state-of-the-art network support. While offering both traditional PSTN and ISDN support, SPORTY opens the way to a whole new world of network connectivity with Audio-over-IP by adding WLAN, UMTS/3G/3.5G and even 4G when it will be necessary, as well as Ethernet to its’ extensive repertoire.

SPORTY is a robust, portable studio supporting two most advanced audio formats, MPEG 4 HE AACv2 and MPEG 4 AAC ELD; providing one touch “High Quality” & “Low Latency”. And thanks to MAYAH’s still unique FlashCast technology, SPORTY is able to automatically recognize, and connect to almost any audio codec & format available. Ideal for situations where the destination codec is not known. Automation of the IP-connections is secured by a standards-based SIP/RTP implementation.

A comfortable listening environment for journalists and commentators is attainable using SPORTY’s comprehensive internal audio routing functionality.

Now you really can easily transmit reports home from almost anywhere in the world!

Audio interfaces

- 2x XLR (48V phantom power) switchable Mic or Line In

- 2x Line In

- 2x Line Out/Headphone Out

Transmission/Storage Interfaces

- Ethernet built in

- ISDN 1x S0, RJ45, built in

- PCMCIA slot for optional UMTS/ 3G/3.5G/4G or WLAN/Wi-Fi card

- USB slot for optional memory stick

- SD slot for optional memory card

Communication Protocols

- SIP/RTP and other advanced IP protocols for Audio-over-IP, incl. wireless communication over WLAN or UMTS

- ISDN (multiple formats for worldwide communication)

- PSTN (analogue telephone)

Advanced Codec Formats for live transmission

- MPEG 4 HE AACv2 (high quality, very low bit rates)

- MPEG 4 AAC ELD* (high quality, low bit rates, very low delay)

Conventional Broadcasting Formats

- MAYAH’s FlashCast, including: G.711, G.722, Layer 2, Layer 3 with automatic codec recognition

- 4SB ADPCM / MICDA and apt-X (optional)

Recording Formats

- Linear Audio (PCM WAV, BWF)

- MPEG Layer 2 (Musifile), Layer 3

- MPEG 4 HE AACv2

Optic & Usability

- easily readable monochrome LCD graphic display with backlight

- 4 context-sensitive rotary controls, 4 function keys, joystick button & 12 button alphanumeric keypad

- long-life, rechargeable Li-Ion battery

- waterproof nylon sleeve (optional)

Extra features

- Automation of the Audio-over-IP connections with SIP/RTP

- Automatic recognition of nearly all ISDN codecs with MAYAH FlashCast technology

- Easy mixing & transmission setup

- Remote control via IP

- Comprehensive audio routing capabilities

- Download the recorded material directly to a PC via USB

- Transmit pre-recorded material as a live-stream

- User management for restricted access to particular settings

The audio interfaces include all connectors necessary for mono and stereo operation: two professional XLRs for microphone or line input with switchable 48V phantom power, meet all demands for outdoor reporting and broadcasting.

Audio

- 2x XLR (48V Phantom Power) Mic or Line In

- 2x Line Out/Headphone Out

Recording Formats

- Linear Audio (PCM WAV, BWF)

- MPEG Layer 2 (Musifile), Layer 3

- MPEG 4 HE AACv2

Transmission/Storage Interfaces

- Ethernet built in

- PCMCIA slot for optional UMTS/ 3G/3.5G/4G or WLAN/Wi-Fi card

- USB slot for optional memory stick

- SD slot for optional memory card

Communication Protocols

- SIP/RTP and other advanced IP protocols for Audio-over-IP

Advanced Codec Formats for live transmission

- MPEG 4 HE AACv2 (high quality, very low bit rates)

- MPEG 4 AAC ELD* (high quality, low bit rates, very low delay)

Conventional Broadcasting Formats

- MAYAH’s FlashCast, including: G.711, G.722, Layer 2, Layer 3 with automatic codec recognition

- 4SB ADPCM / MICDA and apt-X (optional)

Optics & Usability

- robust aluminum body

- easy readable monochrome LCD graphic display with backlight

- comfortable controls including joystick button

- long-life rechargeable Li-Ion battery

- nylon carrying case (optional)

Extra features

- Download recorded material directly to a PC via USB

- Transmission of pre-recorded material as a live-stream

- Automation of Audio-over-IP connections with SIP/RTP

- Remote control via IP

- User management for restricted access to particular settings.

Sporty's audio interfaces are designed to exactly match a reporters requirements.

Whether in mono or stereo, with just the interview partners or using an additional line feed, Sporty can handle it. And two headphone outputs with send & receive volume controls permit individual mixing for each listener, allowing the reporter to hear a different mix, e.g. including information from the studio, than the interview partner.

19

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24/7/365 operation with modern concept such as a redundant PSU for 8 devices – better than the modular approach

C11 R-PSU Power Supply Unit MAYAH – Milestones

The C11 R-PSU power supply device supports two hot pluggable AC 90-250V interfaces and eight connectors, each for one C11 model. This way, eight C11 Audio Codecs can be provided with fully redundant power in a very economical manner.

Additionally, the C11 R-PSU device supports Relay connection with the C11 to report any failures or the condition of the two PSUs.

Order DataC11RED 19" redundant power supply unit for up to 8 C11 devices, hot-swappable.

Technical Data

Input: 90 – 264 V / 50 – 60 Hz (47 – 63)

8x Hirose DC interfaces for connection of up to 8x C11s

Power Consumption: 70 – 95 W, depending on number of installed C11 devices

Temperature controlled fan for cooling

Status Control (SNMP, TelNet) via C11

Status LEDs for each PSU

Our Objectives

MAYAH® Communications’ main objective is the development and distribution of innovative, hiqh quality solutions for audio and audio/video communications in broadcast and corporate networks. With particular importance given to conforming with international standardized formats, such as MPEG 4 for applications in DVB-H, UMTS, SNG, ipTV, reporting, distribution and contribution. Our audio codec family CENTAURI® is the standard audio codec in the broadcast industry, whether for ISDN, dedicated line or IP environments.

Client driven Development

We place great importance on continuously adapting to our customers needs. As a core develop ment company it is important for us to regularly touch base with clients, in particular those planning their own networks and oper ating equipment. All MAYAH audio and audio/video codecs are the result of such co-operation.

The Founders

Our founders Joerg Rimkus and Detlef Wiese are well known motors in the broad-cast and telecommunications industry. Their backgrounds cover algorithm de ve lop-ment, system design and pro duction which have resulted in a variety of patents and successful products.

In recent years we have expanded our operations in the Internet, Corporate and Conventional Broadcasting markets with a variety of audio and audio-video encoders / decoders which can be adapted and customized for sales, OEM and licensing.

Our Location

MAYAH is located in a modern office park just a few minutes drive from Munich Airport and a short distance from our Radio and TV customers in the media metropole Munich.

MAYAH Milestones1997 Founded by Jörg Rimkus & Detlef Wiese

1998 SendIt: Worlds first Software Audio Codec

for live applications

1999 EditPro: Worlds first mp3 Editor

2000 CENTAURI®: Worlds first IP/ISDN

Audio Codec

2001 CENTAURI® 24 Channel Program

Concentrator for Athens Olympics

2002 CENTAURI® StreamingServer with

over 14 audio codec algorithms

Flashman: Digital Audio Recorder

OEM Agreement with APT

2003 Ganymed 1102, IP only Codec

DRM 2010: 2G DRM Receiver

2004 MERK II: Portable Codec/Mixer

2005 IO A/V Codec for DVB-H, ipTV, SNG

2005 CENTAURI® II: 2nd generation codec

for all audio applications ganymed 1002

IP Audio Decoder for Broadcast and PoS

applications

2005 UMTS/3G with MERK II & CENTAURI II

5.1/7.1 Multichannel CENTAURI II

2006 IO [io] 8000/8001: H.264/AVC with full

D1 resolution & low latency

2006 Extended MERK II Desktop Codec

CENTAURI II: 4x AES/EBU

Transparent MPEG 4 HE AACv2 in all

CENTAURI II products

2007 Sporty Reporter Codec for WLAN/

UMTS/ISDN/PSTN and Recording

Flashman II Recorder/Codec for

WLAN/UMTS

2008 The next audio codec generation with 14

different C11 models: Small, energy efficient

and silent

2120

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© Copyright MAYAH Communications GmbH, 2008. All rights reserved. CENTAURI®, MAYAH, Flashman and FlashCast are registered trademarks. Patents pending. aacPlus is a trademark of coding technologies. apt-X is a trademark of APT. Product information and technical specifications are subject to change without notice.

MAYAH Communications Am Soeldnermoos 1785399 Hallbergmoos, GermanyTel.: +49 8115517-0, Fax: -55E-Mail: [email protected]

www.mayah.com

Layer 2 licensed from Audio MPEG, Dolby DeutschlandLayer 3 licensed from Thomson/FraunhoferADPCM4SB licensed from France Telekomapt-X/Eapt-X licensed from APTAAC / AAC HE licensed from Dolby Deutschland, Via