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CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

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Page 1: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

CLASS #3THE BAROQUE, PART 2

CD #1, TRACKS 9 AND 10

Music AppreciationMUSI 115

Page 2: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Georg Philipp Telemann

1681-1767

Page 3: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Biographical facts

Self-taught

Perhaps the most prolific* composer of all

More respected than Bach at the time

Innovative composer Concerti* for unusual combinations of insturments

Page 4: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

TVW numbers

Telemann-Werke-Verzeichnis*

Page 5: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Trumpet Concerto, CD #1, Track 9

Listen for… Rhythm* is steady and predictable Virtuoso* soloists

Extended breath phrases Mordents* and trills*

Page 6: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Period Instruments -- Baroque Trumpet

Page 7: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Limitations and Advantages

Only 12 notesDifficult to play in tuneDifficult to play consistentlyWarm, rich sound

Page 8: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Modern Trumpet (B-flat trumpet)

Page 9: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Limitations and Advantages

Over two octave* rangePrecise intonation*Fairly easy to learnHarsh, thin sound

Page 10: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

BAROQUE MASTER

Johann Sebastian Bach

Page 11: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Johann Sebastian Bach, 1685-1750

Page 12: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Johann Sebastian Bach (1685–1750)

German Composer, Organist, Educator

Culminating figure of the Baroque style

Career in Northern Germany Musical family Organist and composer Devout Lutheran Secular and church patrons during

career

Page 13: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Personality

20 children!

Only five major appointments.

Musical goals and objectives?

Work ethic.

Page 14: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

JS Bach Society Web Sites

http://www.jsbach.org/

http://www.baroquemusic.org/bqxjsbach.html

Page 15: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Examples of Contrapuntal* Music

Little Fugue in G minor*

Mühlausen 31 years old Pietist

Page 16: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Basic Theme

Page 17: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

The Fugue and Its Devices

FugaContrapuntal, based on imitationSubject unifies the workChoral or instrumentalMelodic lines are referred to as

voices

Page 18: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Contrapuntal* devices

Inversion* Retrograde* Augmentation* Diminution*

Combinations

Page 19: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Jail!

Much-desired position of Kapellmeister* in Weimar Coffeehouse crowd Subordination

Page 20: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Well-Tempered Clavier*, Books 1&2

Intended as only instructional and experimental pieces

Dedication “for the use and profit of young musicians”

Page 21: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

The Well-Tempered Clavier*, Books 1 & 2

New technique!

Equal temperament = tuning

Two pieces each in every new 24 Major and Minor keys 24 X 2 = 48 per book

Glenn Gould

Page 22: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Bach and the Sacred Cantata

Sacred cantatas Composed for

the Lutheran church

Multi-movement works

One unifying theme

Page 23: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

The Lutheran Chorale

Battle hymns of the Reformation

Early hymns: in unison

Later hymns: 4-part harmony, soprano melody

Unifying thread of the Protestant cantatas*

Page 24: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Typical Work Week

Monday Meeting with clergy

Tuesday Composing, teaching

Wednesday Church services 2-4 hours

Thursday First rehearsal

Friday Editing, rehearsing

Saturday Final dress rehearsal

Sunday 6-8 hours in church

Page 25: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Typical Sunday Services

7 AM Motet*, hymns*, organ solo.

8 AM Cantata* and/or Chorale*

9 AM Sermon, at least one hour

10 AM – 12 Noon Cantata* and/or Chorale*, Communion*

Page 26: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Weekday Services

Daily Church 6 AM

HospitalsJailsFuneralsSpecial events

Page 27: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Additional Duties

Church

Teaching 9 AM – Noon

Latin, singing, composition

University collegium musicum*

Page 28: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Sacred Vocal Music

Over 200 church cantatas*

Four Passions*

One Catholic Mass Why?

Page 29: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Bach’s Cantatas *

Typically have 5–8 movements

Many movements based on chorale* tune

Several choral* numbers

Solosrecitatives *arias *

Page 30: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Ein Feste Burg*

A mighty fortress is our God, a bulwark never failing;Our helper He, amid the flood of mortal ills prevailing:

For still our ancient foe doth seek to work us woe;His craft and power are great, and, armed with cruel hate,

On earth is not his equal.

Page 31: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Martin Luther* A Mighty Fortress Is Our God*

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Cantata No. 80, A Mighty Fortress Is Our God, No. 8

Page 33: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Bach: Chorale prelude on A Mighty Fortress Is Our God*

Composed 140-plus organ chorales* Organ with three keyboards and a pedal

keyboard Based on chorale tune Ein feste Burg ist

unser Gott Varied texture

Page 34: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

J. S. Bach and the Late Baroque Concerto*

Cöthen period (1717–23)

Instrumental chamber works

Margrave Christian of Brandenburg*

Page 35: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

But first….

Why was Bach in Berlin?

Page 36: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Brandenburg Concertos* 1721, BWV 1046–1051

Three movements each:

I: Allegro, ritornello form, contrapuntal

II: Andante, Slower, quieter, continuous imitation

III: Allegro assai, four-voiced fugue

Page 37: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Brandenburg Concerto* #1

1st Movement

2nd Movement

3rd Movement

Page 38: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Cello Suite* #1

Yo-Yo Ma playing the Prelude (MTV-ish)

Yo-Yo Ma playing the Sarabande

Page 39: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

The Goldberg Variations*, 1741, BWV 988

30 variationsHarpsichord

Count Kaiserling Johann Gottlieb Goldberg

You know how I feel about Wikipedia, but….

Page 40: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Contrapuntal Master

Musical Offering* (1747) 'Gentlemen, old Bach is here'

The Art of Fugue * Incomplete Encyclopedia of counterpoint Methodical predictability

Page 41: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Air On The G String*

CD #1, track 10Air* = aria* or songPlayed on one string only, the last (or G)

string

Page 42: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Transpositions

German violinist August Wilhelmj (1845 – 1908)

Almost every instrument and vocalist Julian Lloyd Webber with piano

Page 43: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

Listen for…

Steady, predictable rhythm*Sustained melody*Intertwining voices between the string and

keyboard

Page 44: CLASS #3 THE BAROQUE, PART 2 CD #1, TRACKS 9 AND 10 Music Appreciation MUSI 115

BWV Numbers*

Bach-Werke-Verzeichnis Bach – Works – Numbers

Wolfgang Schmieder (1901-1990)

Genre listing Choral Organ Other keyboard