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Protocole club jugglers collective
Protocole is the energy of 6 jugglers conju-gated with the auxiliaries dancing , act-ing and juggling based on an experiment site in a given time for non- reproducible events.And so,it is through improvisation that the collective’s identity builds itself.Protocole looks to open new acting spaces, between urban rediscovery, subterranean explorations, de-serted territories walks or forests asphyxiation…To enrich its language,Protocole likes to in-vite other background guests artists in or-der to feed their work and thoughts. Pro-tocole c’est l’énergie de 6 jongleurs conjuguée à l’aide des auxilliaires danse, jeu et jonglage en fonction du lieu d’expérimentation dans un temps donné pour des évènements non reproductibles.
TRIAL FOR A COLLECTIVE IMPROVISATION collective PROTOCOLE
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1 : Accept the dominating/ dominate rela-tionship
Je suis le «moteur» de l’improvisation, donc le dominant.Je dois accepter toutes propositions venant d’un autre qui devient à son tour le «moteur»du groupe donc le dominant.J’accepte alors de devenir le dominé.
The protocole as we understand it is quite sim-ple : one working subject is chosen based on the experiment site (playground) in order to make the listening and availability of each easier.
TRIAL FOR A COLLECTIVE IMPROVISATION PROTOCOLE
2: Explore totally any proposal
Chaque idée, chaque geste proposés doivent atteindre un but, aller jusqu’au bout de leurlogique. Cela demande une forte concentration en soi et d’être en osmose avec les autres.
3: Play with pleasure
La « massurbation collective » est un jeu dans lequel le lâcher-prise doit devenir un grandplaisir, une extrême jouissance pour le/la lanceur/se de massues. Les thèmes desmassurbations sont définis en fonction d’un lieu précis ou d’un public spécifique.Le travail sert à souder le groupe,
Protocole # 11 - Lublin (PL) - Festival Sztuk-Mistrzów - 2013photo: Agnieszka Mazusś
Ways of exhibition :
40 minutes in a fixed place5 minutes in a miniature spaceFlash urban attacksIn situ journeys50 minutes on the sunrise4 hours non stop for busy20 times 2 minutes moving by carGuided tours
.../...Non exhaustive-list
Protocole doesn’t tell any storyProtocole plays itself as an always moving collective bodyProtocole is a micro society without any hangoutProtocole guesses itself in a beech forest, a cave digged by time or a forgotten undergroungProtocole keeps creating itself, regenerates by digging its force of the surrounded space.Protocole is an animal power strength which can only be un-derstood with the hang hearted instinct.
the artistJohan SWARTVAGHER : White Henrys Pirouette club jug-gler. In 2006, he builds up and participates to the FAAAC Circus Arts self-managed training. From 2007 till2008, he became integrated into a butoh dance and juggling research team, headed by Jean-Daniel Fric-ker. In March 2007, he creates the Mars 07 perfor-mance inside the Martine à la Plage collective.In 2010, he creates his first long solo piece called « SANS TITRE ».In 2013 he creates “Ceci n’est pas un urinoir ???”.
Thomas DEQUIDT: White Henrys Pirouette club juggler. In 2006, he created the Unfinished Circus with An-toine Clee. The first performance Piste and Love is created in March 2009. In 2008, he enters in Philippe Menard’s company for the performance Restless. In 2010 he starts the cre-ation of a solo piece Go on based on «Stonedhedge» de Ten Years after.
Valentina SANTORI : White Henrys Pirouette club juggler. Promoted by the carampa in Madrid, the Cirqul The-ater in Geneva,she also participates to the FAAAC. In 2009, she created the first part of her perfor-mance Szafa during the Work in Progress ArtsMeeting in Poland from the FAAAC. This solo piece gave birth to a longer performance of objects han-dling and juggling on a stop motion video back-ground.
Christelle HERRSCHER : White Henrys Pirouette club juggler. Promoted by the Cirqul Theater in Geneva, the Center of Circus Arts and the CNAC in Chalons en Champagne, she also participates to the FAAAC. In 2009, she took up her company: Midnight 13 the Caustic. Acouple of experiences with the YK project,HVDZ, Headfeedhands companies, gandini juggling and the Pocheros circus made her work anchored into an off road juggling danced and a dance juggled.
Paul CRETIN: White Henrys Pirouette club juggler. In 2008, he creates with Mathilde Roy the Muchmuche Company, which produces Texture, duet ofexpressive circus, then a new solo dance and jug-gling project which gives birth in April 2010, to the performance 3 up pirouette, financed by the Maison des Jonglages. In 2010, he works with Jérémie Halter from the Micro Focus collective a juggling duet: Un jour par terre.
Sylvain PASCAL : White Henrys Pirouette club jug-gler. In 2005, he follows the circus training in Lyon Menival and the next year he’s in Lomme. In 2007,he goes for two years to the Lido in Toulouse where he develops his work around a physical juggling. In 2011, he creates the performance Don’t put that inyour mouth with Les dessous de Barbaracompany and performs as well a duet number with Isa-belle Dubois (the Bec à plume company).
Public presentations
To define together for each projetContact : 06 75 09 29 66 – [email protected]
Hosting in laboratory
Duration:4 to 7 days
SpaceIn situ workPlan a covered and heated rehearsing space if needed
Sound MaterialSound system adapted to the working space
MealsMeals for all the persons, from the coming to the going time
LodgingLodging for all the persons contracted from the coming time to the going time. Possibility to lodge by inhabitants or in dormitories.
Technical rider
Design: Jules Stromboni
Protocole # 12 - Louvain la neuve- Be - 2013 photo: Antoine
Contact :Johan Swartvagher06 75 09 29 [email protected]
