180
. . . n uk Id a Bitchin' Birdhouse! ' ' t f' ' ' t 'i17! f fk t'l :1 .è3 l.fï' '? é)t t% 'J ' '. '.z PSIVP ?2 t i ?'i ? . ?. t ) s.t 'f 1 : y I at ; x . ez 4 * à z .. . . 4. # à : # * # * # # * z' , . , ' ' . y . - , , . j . ' 6' . yt . . r )2 .. 2q . y è . . . . .. ' . j . . . . . T.. : . . %7 ' '' . ' . . '. J' . t - . ? ' . ' ' ..# < . . . , 2 . j.:' . y . . . . . . . j. ' ' . ... L . f/r: ' ' 2 . .' . y.z' t.:2z- ' ' ''' 'Q - . ' , . . ' .. . e:( . . t . . j X ' V '' ' k' ' KNIT A ' ' Q ' ' . , ' . q, ,. . . . . CRIME SCENE . ?/ SCARF ' ' ' 109 . . . . . . . (7 : . . . ' i. . . . . . j ug ' ,. . . th. . t . . . O 'REILLY

Craft: Transforming Traditional Crafts, Volume 4

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Page 1: Craft: Transforming Traditional Crafts, Volume 4

. .. n u k Id a

B itchin'B irdhouse!

' ' t f ' ' ' t ''i17! f f k t'l :1 .è3 l .fï' '? é) t t % 'J' '.'.z PSIVP ?2t i?'i ? .?. t ) s .t 'f 1 : y I at ; x .

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.CRIME SCENE . ?/SCARF '' '

109 . . .

. . .. (7 :

. . . 'i . . .. . .

j u g',. . . t h. .t

. . .

O 'REILLY

Page 2: Craft: Transforming Traditional Crafts, Volume 4
Page 3: Craft: Transforming Traditional Crafts, Volume 4

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Page 4: Craft: Transforming Traditional Crafts, Volume 4
Page 5: Craft: Transforming Traditional Crafts, Volume 4

S l I S

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cleverly crafted prod ucts fromreclaim ed & recycled m ateria ls

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Page 6: Craft: Transforming Traditional Crafts, Volume 4
Page 7: Craft: Transforming Traditional Crafts, Volume 4

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-

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8ut S cna I I objects cil ra be very clifficu t to S 'aoot a nd you ca n end u p spenciinqbit) m oney tryl ng to buy tlne rlc; ht eq u I pm erlt. Tha7's ho/aere these two I ittle

bea utles corne I n. Packer.j w ith c etail ed En Structlons on hokv to ca ;)tu re the

bea uty of Sm a I I Sm a I Ief a ncl srnnal Iest oblects, a S $.A/el I ils tl pS, tricks a nd even

a Shopping ist for bu ildint) your okvn a rray of inexpensive photog ra ph Ic

tools, trnese clever I Ittle books a re creatlve a r J vaI aa ble resotl rces fo< rnost

a ny photog ra pher.

Lclo < ''ol' laese a a :j o: ile r .L'i I.g Ita I p h

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orc,g ra :E) h' ' 't tles at Sio a r fa'v.'klr I te boc) ksto 'ff or tj I rectffrorx O'ReII $' at www. oreilly.com /store

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M EN AT W O RK: M icN ''.

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Page 67: Craft: Transforming Traditional Crafts, Volume 4

BRIN G A V INTAG E G A RM ENT ..':.z.ë, ...L ' Jrgjg (

BACK TO LIFE W ITH CUSTOM f = -= '7717.ï..1)17 L

M ETA LW O RK X- -J.- -2twrw-

.

' . .

c. c,b.

.t>. .

' b there' you go to a vintage -- ''YOU Ve een . -,I I s pu.r.rl,.tuu:,, sr. aav

c 10th ing store and f i nd the u Iti m ate ufcosyw, .-aL.,.,, no. s,sto

score. But there's just one problem : it's '' 'm issing a button. Dang it! Now w hat? ' y

Rather than reach into the odd button ' 'k ,'L.

'

'u5#: qjy 'bin for a quick f ix, w hy not take this ,. '' '. '3opportunity to create a one- of-a-kind .7,-.

m asterpiece? In this project, Iearn to - . .. 'sm ith and form copper into a gorgeous

f Ioral button u nl i ke a nyth i ng else i n .,.d, .u.,e: nt..au.t.c.,a u,t.....our w ardrobe. '9

Don't need a button? Don't despair. .. -$ This project is easily adapted to cus- ' ..)

.,

p tom ize a wide array of projects f rom pj'' h) .1 accessories to jewel ry. You can take '11 $' 'cfl''1

.. .j)))t..q the skills you Iearn here to create just . b,,1 about anything you can think of

. A nd .('

.

.) cop pe r i s ju st the begi n n i ng', m eta I - . .'' '-'.)-'.', -''.'',)),-,''.-' ',')'''-',:','''smithing opens up whole new worlds ,...t.,. ;. 1,,..... ..,.... .,..,1 ' ''' .

i i n jewelry-m aking and accessories. ,..1L..-,-.-,-....I.,.....e I-, -,-!.tjg)

cl.I'. 6 5

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#

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x,. * kw'c . KN, . -

* * v , A

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Page 75: Craft: Transforming Traditional Crafts, Volume 4

''

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HOM E SW EET HOM E FO R YOUR j.

.

y yCOMMON GARDEN BIRDS.

. .' '

' l 'r/,,. ' ,' z

) . ,js . , .),1 Let's dispel a com m on m isconception: z' ''.'z'f/,. # :''birds do not need a Iittle peg below the ,..,fI..qh...o...,, ........; ,.,.1

opening of a birdhouse. I n fact, this '..,. ...,...'..., '

design feature only helps egg-thieving

predators. ''But the birds at my m other's Qhouse perch on it! '' Yes, they very well - , +'

, 3 r . q -kmay do so. Fact is, they don t need it. ' . ))t

.s. Lî'',They just zip right in and out of the .--r yjîll

opening.Ir! th e f 1. li 1t: u c i s. e' c of

T his nesti ng box is designed to '''f'''''Ht'.'''o''s.:za'''o'.'.7'êI.' E?.' uls 1' 'e L 1, .1 s .' 'c r e t ' 1. h1. 1

accom m odate a few com m on backyard H u' ar b'' uwlau Hlr e . c s ..species: chickadee, titm ouse, nuthatch,

and w ren. O f these, the chickadee .- - ..

l

is the m ost Iikely to rear its young in '

your handm ade house, w hich is a very

simple, functional design that's easy$(. to build. The big fun comes when you1 decorate it. So while vou're at it, build atq '' :5 :11, , t. 5 : .., ., , o . t, , t.r .-.., sz bunch of them , invite your friends over, ,.,.,.,1,. uy..;,.tI,.ts .,.,e

t

'

J' ' 'i d have a birdlaouse decorating party! ,

''

..

'

,

'

,

-

,,.

''

.

'-''''''''-'-'' ''.'''

a n ,;,t L'.:r...aq;j

/ '

cl.I'c. 7 3

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G' s' =s-

.à! acj '&- Ey y* . .# y ld .' %' c.* jy

. x y a y .jy2 --p

-@ .s. 'ï: # --* !'! : 'ë't; z) @: t : œ 8:8 .à kj Z k -J E 'o

z; E z: E Eî Eca a) kki -- = a. --

Arnerican robin* 7 x 8 8 - - 6- 15

E.st*rn lweste a bipeMrtl 5x5 8-E 6-10 IW 4-6 lII

Mountain bluebird 5 x EI 8-12 6-10 I1.4 4-6

cakla- 4x4 8-10 6-8 1w 4-1s i

Tifmîce 4 x 4 10- 12 6-10 11/4 5-15

Ae % - te flru:dlx 6x6 8-12 6-10 1K 5-15

Pboebe* 6x6 6 - - 8-12

.. BnngYheaa.x pygmy nuuwh.. 4x4 8-10 6- 8 1u 5-15 I'

'. Y <.blxe:yi Nwpmtfh l

Prothonotary wafblee 5 >f 5 6 4-5 1 W 4-8

% rn swallow. 6x6 6 - - a-12 I-

IPurple madin 6x6 6 1-2 214 6-20

'EA !

1 Downy woodpecker 4x 4 8 10 6 8 11A 5 15

i' H.iey - 6x6 12-15 9-12 IW 8-20 '1.2i8 IrloIZE Lewis' x odpecker 7 x 7 16- 18 14- 16 2#'2 12-20Y1 .g Noaher, fx- 7x7 16-18 14-16 2 K 6-20l2 Red.headed woodpecker 6x6 l2-lb 9 -l2 2 10-20

â .u Yèll- bellled s- ucker 5x5 12-15 9-12 IK 10-20Y

'1 Bewick's wren, bouse Wren 4x4 6-8 4-6 I1.4 5-10

Barn @-1 1Ox18 15 -18 4 6 12-18! . - - . - I.j Sc reech owl a nd A merican 8 x 8 1 2 - l 5 9 - 12 3 10 - 3 0

kestrel (s pa rrow hawk )EE ' !.'a Mœ duck 1f)xl8 10-24 12-16 4 10-20 .''-

1l . . . ..A

. Red.tailt'd hawk. great.lerned - 1 A 24 x24 platforln / B. 48 x48 platforfnj .os B. Oser'e.k

* Use nestf/, sbelt whlch is a platlor/l y/fth tbree sides a/d an opep rrlnt.

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G ET KN O TTY W ITH

SUEDE A N D B EA DS. '' =-

1 M acram é, the art of decorating

w ith knots, can be traced back to the

13th century w hen it w as created by A'k%-at'''- e- t'''' ; t''%:

Arabs. Excess thread was knotted along ..,,-.. .(.s,yI.I.a,h-c,-,c

the edges of fabric to create fringe and ' ' '' '

decoration. Through conquest and

trade, the craft of m acram é w orked

its w ay around the w orld.

But w hat m ost people think of

w hen they hear the w ord ''m acram é'' ë'''''''''''''''''''' ''''''''

are those plant holders m ade out of

jute from the 7Os. Macram é is so m uchm ore than that! There's jewelry and j ..,' $' 7@.

Xz '.$

belts and curtains, and yes, even 't ... F.

plant holders. '

j This project uses simple knots,t. supple suede Iace, and sparkling beads

j to create a very modern macramé ':-1 beaded cu rta i n t h at w i I I m a ke a ny alnO o o,o . .,.,.1,.. ,.,

g;;l1- (::1 (Eih (:2, r- h;,s/ ëjl 2$/- (::h r- h;,z i r'l (:21 4:2, hk,v 1r (j51 i:zh t.l I (:2, t..l 115 ! 's'c' .''c' ''c /,') ''.', .', ); ',' ''..'k'.'c':'' '.-c.7 ''...'..C, .t.'c ;'s-'

:( '' ' '''' t '' :. a t o c a!t.jj . , . . . . . . , . . . . . .

c ra' 8 1

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DESIGN AND SEW ORIGINAL, a x1)CO ZY CO V ERS FO R YO UR RIDE. ' J

% C ts get dirty. Som e get filthy, :''''' 'd'-'- -'-f'''- '''ar sea . .

even . M ud , coffee, the dog s w i nter ,,. , rl,t .c.e ,....o,.o.s .s

.r' u''.. . .i ) '1 Ir I s I

.1 e

coat: they aII reduce the best car to the

w orst m ess. Fight the filth, and m ake

som ething that's clean, creative, and ,

cozy. G ive new Iife to the upholstery, ' '. .

w hile adding com fort and style. Regard- '' .

Iess of w hat shape your seats are in, . .

you can spend the afternoon crafting '' ' 'O'.F.J u rrlll t.I u 4 bh Iu = u irI t

éil r'Nl Ciik r''l 115 5k/$/' 1E!, r- . k. e .. I .) .s . '.....0 .,

'

.1 u r

'

h. e ., tl s v .d t

Basic sew i ng ski I Is com bine w ith ,.),.., :I'e,,.a'.,a,.... 1,.-

Com m on -sense pattern bu i I d i ng to '.. e...c..v .c,.e,. ... ..1'

create this custom seat cover. Sim ple

m aterials are used, including stretchy

jersey, soft, f urry fleece, and big indus-

trial snaps. The resulting project has ;l e,form and function: a seat cover that . . .

't .

Iooks just right and works even better ' ' '''''' '''''''''''''' '''ë . ....,. .....a.., ...., ... .......,@ Som eone call the dog, it s time to go 1,..,1..,,1. ..;..x..,. .,.,1 ...Z r . 1. jj:. ,, e.,I( Ij s 1 I j , , . o

yjz 1L (:) 1E k-l (E) L:) (i, ësl (:2 k-l ! ,a.) 1 (-u., aa l..-r .u- . r.t.t.t e .

)cl.I.c Ek 9

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D ESIG N FA BRIC W ITH

INTER LO C KIN G SHA PES

A N D PATTER N S.

Tessellations are am ong the oldest

and sim plest form s of decorationDu ('n ..I.I' t 3.' C E' : L ('r 'ka'

ever invented and can be extrem ely ''' ''''' ''' ''''''''''''''' ''' ''' h'o. ' 'I...htr ul I't rcl.: c' (:f

beautif u 1. The w ord describes the art .. ,, s,d ,,., u. ,.,,,s

of dividing a surface into a pattern

that repeats itself w ithout Ieaving any

gaps. Exam ples occur everyw here C 6)f ofrom stained glass w indows to m osaic Cp jr.-yC'

z '-k.otiling to the interlocking patio bricks pcoo tthat yo u f i nd at Home De pot. Eve n the 'YWOYj

; --à---kLL2;s--î'squares on a checkerboard constitute oj-

-

'

.g a tessel Iatio n . .'. '-ocs occyccml. sa nof. ct

j The graphic artist M.C. Escher used) tessellations to depict interlocking1 silhouettes of animals

, insects, and Ne

l im aginary creatures. Despite their q@ ing com plexity

, even his most + YFV A

j. am az? am bitious w orks were still based on an '''eq'''mr''c'.'''

Z underlying geom etrical grid - and so 'e''e''a''''''''''''' '''c 'e

t this is where we start. mn be ...,1.,

cla'c. 9 7

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. - ' ' '

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I rti Stre r S

BY STIZO W ITH REV ISE CM W AN D OM EN S

he beglnnlngs of m odern graffitl can be traced back

to the Iate 6Os w hen graff ItI artlsts Ilke TAKI 183 and

Jullo 204 used m aglc m arker and spray paI nt to tag

thelr nam es In the boroughs of New York Clty By the m ld-7os,

graffltl artlsts m oved to subway cars. palnt, ng them from top

to bottom . Som e people looked at It as vandallsm and a slgn of

urban decay. but as tlm e passed, graffltl becam e accepted by

m any as a true art form .i Today

. m any buslness ow ners ask graff ItI w rlters to use thelrt5

.I' bulldlngs as canvases for thelr Im aglnatlons. REVISE CM W andV OM ENS iet me document thelr collaboratlon on a recent wall1 t on the West Slde of Chlcago

. Followlng Is an explanatlonprqec ,!ki of the process they go through to create thelr pleces

w 5

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r I I

BY H ELEN N ODDIN G

he posspblllty of growpng m oss graff ItI occurred to

m e durlng one of those dull days at work when your

thoughts wander. A qulck Internet search showed m e

that I wasn 't the f Irst person to ask the question . '' H ow does

)y moss grow? '' ln fact many genlus gardeners had even come up:8 w lth a reclpe for a m oss m ilkshaker Next I wondered If you could#.j use thls reclpe to grow your own deslgns and create a klnd ofE'! m oss graffitl

. and It would appear that you can..ù'

: . .k, I llt' %l$)s s f ;I'a II; ki rt't'i )i' %& a s )Ix'& i$)u sl y ulllisilt'll iII Illîivrllltlt $Itl alflc l s s ui' 2 iIII1II E ) I 8N ' 't!l ( 'r'l t/p r 1' ;() , t, çl i t t! ( l Ep )' ' l's i gL (J kl 1. b ( 1 z1 l I kl r g1 t, r ( 2 f ) 1 I i I l b ï! ( 3 ( )t i.

c..Iki 1 11

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lW . '! s :. p k . t. . . r'3î à k I 'D

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.!; '! .7.. $ . 1.. s . ': . ..1 r 't . fkisvj '? ''' 5 ' '.5 '&>.z . . . . . . .. . ,. . . t z ... . )4(j, .,. . .:.;.wt . ' 47 ' 'J 2 ' àb J. . $ .. tj,s .!? 'k

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j:/6 .1 ri . A.P .

I

BY DORA RENEI W ILKERSON

ost anyone who has llvestock w lll have tw lne f rom

thel r hay or straw bales Thls twlne - com m only

called hay or baler tw lne - usually gets throw n out

or burned Instead of tosslng It. why not m ake a hay twlne rug?

g Hay twlne that's m ade of plastlc can be used to m ake wonderful

J o utd oo r rugs . An d yo u d o n ' t h ave to ow n 1 Ivesto c k to get th rsff plastlc ''yarn

.'' lf you're not close to a Tractor Supply Co. or m eat.

b packlng supply store. you can purchase It onllne at a packlngt! supply outlet such as kulckar lqlsear cor I )

.ù' A Ioom -knlt tw lne rug grabs dlrt rlght off the bottom of your-V' hoes

. The dlrt falls between the knlts and under the rug. W henî. S

# the rug gets dlrty. you just hose lt off. You' 11 feel good about yourS because It's functlonal and great for the envlronm enta. rug

cralt: 1!3

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I I e n ceac a

BY M ATT M A RAN IA N

Ithough thls bench Isn't actually m ade f rom beach

balls, It Is evocatlve of the classlc sum m er standard.

Add a dash of m odernlsm and a plnch of bowllng alley

utI Ilta rranlsm , and you 've got a stu rdy plece of upholstered

f urn Iture for less effort than you'd expend rolllng 3 fram es.

If you f I nd upholstery dauntlng. rest assured that there Is no

li tuft.and.fold trlckery here; If you can passably wrap a blrthday glft.1 conslder yourself pre.quallf Ied

. As far as assembly goes. a staplelgun and a drlll are about as compllcated as thlngs are gonna get.<.

.ù' Foam rubber ca n be had at m any fabrlc or f uton stores, a ndV the plpe Iegs and flanges can be purchased, cut-to.slze. at any% hardware store worth Its welght In cheap goods

.!f

c .. ,c 1 :1;

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..z?'! (. N . . . i.. r;?.'

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t 1 s u t f r uBY ERIC SM ILLIE

y heart sank as I stared at the dark. defiated crust.

hardly the Ioaf 1 had hoped to bake uslng wlld yeast

f rom a hom e-ferm ented starter. 1 needed help.

I f ound cIa rlty I n La u ra M cNal I , a baker for 22 years w lth the

Cheese Board Collectlve. a worker.ow ned cheese shop and bakery

In Berkeley, Callf . that uses m ore than a dozen lzl.pound buckets

of sourdough starter every day. ''W hen you're deallng wlth ferm en.

tatlonq'' consoles McNal I . '' It's al Ive and It's got a Ilfe of Its own .. '(Som etlm es It doesn't work out.'' Eventual Iy, however. It dld. Now è2

m y only problem Is keeplng m y tangy sourdough Ioaves out of the .:

hands of nny ravenous roommates. -1'!

1J Ej c rnft s oluru. 0...

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. 1.I...x.u .. S.J 2. .

. <if ' J . : .*.:. ). ' ..;'1i . $ '?. . ..

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I u I It r t

BY CHRISTY CAN IDA

quld are wonderful creatures. They're avallable pn slzes

sm all to glant. taste great. and are a fabulous source of

natural Ink. Squld use the Ink to cornfuse predators. but

you can use kt for cooking or prlntlng. Learn how to harvest your

own fresh squld Ink, so w hen you're stranded on a desert Island,

you'll have the best SOS m essages around!'J To get started, catch or buy your squid. If you buy. make sureJ- they are stlll whoie'. If they're pre-cleaned. arI of that wonderful Ink1 wlll be gone If the f Iesh has started to turn plnk (Enstead of cream.4' or whlte) or smell buy your squld elsewhere. Boxes of frozen squld-1 shou Id be solld. wlthout evldence of leakage or thawl ng Smal I1 d are tastler and easler to cook

, but they have Iess I n k.1 SQ U Iâi lf you 're golng to be prlntlng, get Iots of the Ilttle guys

c rast. 1 2 l

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1

à?.îf..(). ' .. o' J

.. %b; ' c . .

tb /' k 'Is

' t $.

* ;: ' j

I s f r r t

BY LEAH PETERSON

ou don't need expenslve equlpm ent to m ake your ow n

candles at hom e. You can use a varlety of contalners

w lth sm 00th sldes for m olds, Includlng thlck plastlc or

m etal m easurpng cups and m uff In tlns. An oId pancake hot plate

and cleaned food cans m ake a great double boller Just rem em ber

that w hatever you use wdll m ost Ilkely be covered In wax and not

a good candldate for food use afterw ards Paraffln wax can be

purchased at craft stores In Iarge blocks. but you can also use oId

candle Ieftovers.

11? dI clnn kolurue a'.

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.% . ..

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t. !

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BY JASON TORCHINSKY AND SALLY MYERS

t's both a blesslng and a curse. seelng value qn crap. On the

plus slde, you can get a1I sorts of am azlng thlngs alm ost for

free; on the m lnus you can get al I sorts of am azlng thlngs

aim ost for f ree. O nce you 've tralned your keen eye to Iook past

prosalc notkons of w hat's w orthy, you'll end up swam ped w lth

am azlng thlngs you have no Idea w hat to do w lth.

For my fiancée and myself, those amazlng thlngs were vintage!& and unusual soda bottles They come In a dazzl Ing varlety of'V shapes and styles, and they often have wonderful sllk.screened.4' or prlnted graphlcs. The vlntage ones can be found abundantly-V' I and Southern antlque stores (our famllles are b0th from@ 'S CUCZ

.4 the South). and the new ones even come wlth the bonus of 122 f dellclous soda

.x or so ounces o

c ra !t. 11! 7

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BY JIM PRICE

y dream In I Ife slnce m y dad dled In 1953 was to

own our oId property on Deadman Creek (we say''

cnck'') In Eastern Washrngton Happlly. In Octoberof 2000 we were able to buy back 30 acres of the place. Now I 'm

dolng what I can to bulld a cabln to replace our house, whlch Is no

Ionger there. One thlng I 'm dolng to ralse f unds for the bul Idlng

prq ect Is hand.carvlng wooden crochet hooks out of branch wood .7

I collect from the ranch. (oGot a sharp pocketknlfe? A stlck? A Ilttle saw and sandpaper? E

That's about aI1 you need to m ake a crochet hook wlth the feel and 1warm th that you Just can't buy at W ally W orld. So Iet's m ake one. 'F.

130 ' ' I a.:

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BY KYLE TH OM PSON

f the slght of your ow n blood m akes you nauseous, your

frlends and fam IIy fear for thelr Ilves w hen you plck u p a

sha rp oblect, or you' re a hand m odel for soap ads, thls

prq ect m ay not be the rlght craft for you. On the other hand, lf you

enloy a challenge. want to try som ethlng new , and are good w ith

j Band-Alds, thls mlght be the answer to you r next obsesslon./ I became hooked on woodcarvlng when 1 was lust a kld. I Ioved1 watchlng my Dad carve faces out of wood from the camphor tree! In my Grandma's backyard

. and longed to have hIs skllls. At theJq

a;!s end of hIs Ilfe. woodcarvlng was hIs m edltatlon ancl hIs hope fori a future durlng hIs bout wlth a termlnal dlsease. Any talent I may1. have as a woodcarver

. I ow e to hIm Thls prolect Is dedlcated to

f hIs m em ory.

c ra qt. 1:3 Ck

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BY M OXIE

can't stop needle feltlng The addlctlon m etaphor Is spooklly

approprlate w hen you conslder that thls craft Involves dan.

gerous needles. lt's am azlng w hat you can do wlth the tlnlest

am ou nt of w ool flber: uslng a bIt of f Iuff the slze of som ethlng

a frlend m lght plck off your sw eater, you can m ake art. It's al I qn

the relatlonshlp between the needle and the f Iber.

But creatlng a large plece of fabrlc w lth a sqngle needle can

take a long tlm e, delayrng the f u n . decoratlve detal Is. It's llke7 belng on your way to a bIg party

. but havlng to stop to have your

.ù' teeth cleaned on the way. lf you use m ultl pIe needles, It's easler'U to satlsfy the Im m edlate.gratlf Icatlon baby that Ilves w lth In

#. us aiI The necessary tools can be prlcey to buy, but they' re2 Ip spm pie to m ake

.a. rea y

c r2. r t. l37

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BY D IAN E GILLELAN D

hese cards m ay Iook expenslve, but they' re actually

m ade w sth ordlnary aIu m l num foll - the klnd at your

grocery store Just a few doI Iars buys you enough foll

'i! to m ake dozens of cards and the process of em bosslng Is qultej 'addlctlve and f un.

@ Your Iunk drawer Is probably Ioaded wlth em bosslng tools -2 baI Ipol nt pens wlth no I nk Ieft

, chopstlcks. dull penclls. You can.ù'.r even m ake Im prl nts w lth your sm al Ier plastlc crochet hooksj. 'and kn Ittlng needles. And w hen you ' re done em bosslng, you*2 can add som e color to your work w lth perm anent m arkers2a' or alcohol inks.

c!2.f! 111 9

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M aker Faire

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CRA FTY G OO DS W E A DO RE. Compiled by Natalie Zee Drieu

Susan Todd Designs Recycled Bag Collection

These room y recycled-sw eater tote bags by Susan Todd Designs are so cute,

you'll find yourself using them every day to tote around your latest craft

projects and daily essentials. Todd rescues sweaters from the salvage shopand creates fun bags in a variety of sw eater colors and patterns. The bags'

signature fastener is a vintage button that sits on top of a colorful felted

w ool flow er. M ultiple interior pockets circle the inside and keep contents in

order. Snatch them up in a variety of sizes and styles!

l 5 (h c rark soI I .. .'

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Craft: M arketplace

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Craft: M arket Iace

> M w = Ix a* M w a x e q'a

M n M E E A H Y M M A X N E Y BFun and funky,

w.- . . retycled and. fl

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gx ds for you,' =. Dkscs. Rods Gubes Plates Spheres./ 9 and your petsl ' '

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Experlmental designs just for you! ' . ' .. . .- . . ; . . . ' ' .',' '

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