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Creative Environment and Situation Blocks and More

Creative Environment and Situation

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Creative Environment and Situation. Blocks and More. Researchers say creativity should be taken out of the art room and put in the homeroom. . Do Schools Kill Creativity? -Sir Ken Robinson. Do Schools Kill Creativity? -Sir Ken Robinson. Culture of Convergent Thinking. - PowerPoint PPT Presentation

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Page 1: Creative Environment and Situation

Creative Environment and Situation

Blocks and More

Page 2: Creative Environment and Situation

Researchers say creativity should be taken out of the art room and put in the homeroom.

Page 3: Creative Environment and Situation

Do Schools Kill Creativity? -Sir Ken Robinson

Page 4: Creative Environment and Situation

Do Schools Kill Creativity? -Sir Ken Robinson

Page 5: Creative Environment and Situation

Culture of Convergent Thinking

• High stakes testing• Focus on one right answer vs. process• Need for control• Disregard for play or messing about• Need for practical applications

Page 6: Creative Environment and Situation

“It is in fact nothing short of a miracle that the modern methods of instruction have not yet entirely strangled the holy curiosity of inquiry--for this delicate little plant aside from stimulation stands mostly in need of freedom; without this it goes to wreck and ruin without fail.” (Einstein)

Page 7: Creative Environment and Situation

MacKinnon’s research on biographical influences

• Parents have respect for child and confidence in her ability to do what is appropriate.

• Role models• Clear standards of conduct leading to personal

code of ethics• Frequent moves• Freedom to roam and explore.

Page 8: Creative Environment and Situation

• Family has cultural, artistic, and intellectual interests.

• Family modeled introspection• Early interests in drawing recognized but

not pushed; rather it was nurtured.• Lack of strong pressure by parents to

choose a career.

Page 9: Creative Environment and Situation

• When people are inspired by their own interests and enjoyment there is a better chance that they will explore unlikely paths, take risks, and in the end produce something unique and useful (Amabile, 1986).

• It is a very grave mistake to think that the enjoyment of seeing and searching can be promoted by coercion and a sense of duty (Einstein).

Page 10: Creative Environment and Situation

Factors affecting creative productivity

• Expected evaluation• Surveillance• Reward• Competition• Restricted choice– “how to approach the

work”• Extrinsic motivation

Page 11: Creative Environment and Situation

Joshua in a box….

Page 12: Creative Environment and Situation

Joshua in a box….

Page 13: Creative Environment and Situation

CREATIVITY: A MULTI FACETED CONSTRUCT

• Person/ PERSONALITY TYPES• Process• Product • Press/environment

Page 14: Creative Environment and Situation

Blocks to Creativity

• Perceptual• Intellectual• Cultural • Environmental• Emotional

Page 15: Creative Environment and Situation

Emotional BlocksFear of making a mistake or of making a fool of oneself. This is particularly the case if the individual is new to the group.

2. Fear of taking a risk. In this instance the

individual is seeking preservation of the status quo. (It may manifest itself as a pathological desire for security.)

3. Rigidity of thinking, or functional fixedness. Everyone possesses opinions, prejudices, and preferences for certain methods, processes, and materials.

4. Over motivated to succeed quickly. When the individual does not immediately see a solution to a problem, he may become frustrated and either give up or continue to pound his head against a stone wall.

5. Fear of authority. This may often manifest itself in the form of a fear of supervisors and a distrust for colleagues and subordinates. Often the causes of such are the result of a lack of individual self—confidence or a fear of authority.

6. Lack of drive. This may take two different forms. The individual may lack drive in carrying a problem through to completion and testing it or in putting the solution to work.

7. Reality and fantasy. The individual needs to be able to control imagination and have complete access to it. Creativity requires the manipulation and recombination of experience; otherwise it is limiting.

Page 16: Creative Environment and Situation

Let’s be children.

Page 17: Creative Environment and Situation

Creative drama

Page 18: Creative Environment and Situation

Let’s try a little improv!!!

Page 19: Creative Environment and Situation

Crash!It does not just happen by ACCIDENT!

1959 Chevy vs. 2009 Chevy

Page 20: Creative Environment and Situation

Crash!It does not just happen by ACCIDENT!

1959 Chevy vs. 2009 Chevy

Page 21: Creative Environment and Situation

Overcoming blocksBarron and Eisner

• Challenge assumptions• See patterns• Take advantage of chance• Seeing things in new ways• Risk taking

Page 22: Creative Environment and Situation

Re arrange these shapes to form a single shape easily described.

Page 23: Creative Environment and Situation
Page 24: Creative Environment and Situation

Tennis Tournament

1 There are 111 entrants in a tennis tournament.

2 It is a single knock out tournament. (You have to lose a match to be eliminated.)

3 You have to arrange the matches.

4 What is the minimum number of matches you would have to arrange.

Page 25: Creative Environment and Situation

Connect the dots using the fewest possible straight lines.

Page 26: Creative Environment and Situation

Connect the dots using the fewest possible straight lines.Could you do it in 4 lines?

Page 27: Creative Environment and Situation

Connect the dots using the fewest possible straight lines

Page 28: Creative Environment and Situation

Connect the dots using the fewest possible straight lines.Could you do it in 3 lines?

Page 29: Creative Environment and Situation

Connect the dots using the fewest possible straight lines

Page 30: Creative Environment and Situation

Connect the dots using the fewest possible straight lines.Could you do it with 1 line?

Page 31: Creative Environment and Situation

Connect the dots using the fewest possible straight lines

Page 32: Creative Environment and Situation

How many ways can you divide this square into 4 equal shapes?

Page 33: Creative Environment and Situation

How many ways can you divide this square into 4 equal shapes? Like this for instance.

Page 34: Creative Environment and Situation

Here is another way. Can you think of others?

Page 35: Creative Environment and Situation

Did you consider this one?

Page 36: Creative Environment and Situation

How many ways can you divide this square into 4 equal shapes?An infinite number of ways?

Page 37: Creative Environment and Situation

Which line is longer? A-B or B-C

Page 38: Creative Environment and Situation

Read the sign.

Page 39: Creative Environment and Situation

When you read the chart say the color not the word.

Page 40: Creative Environment and Situation

Is this possible?

Page 41: Creative Environment and Situation

???

Page 42: Creative Environment and Situation

Which line is longer?L or R?

Page 43: Creative Environment and Situation

Intellectual Blocks

• Limited language to conceptualize the problem

• Focus on verbal explanations for problem solutions.

Page 44: Creative Environment and Situation

• Exactly at sunrise one morning, a Buddhist monk set out to climb a tall mountain. The narrow path was not more than a foot or two wide, and it wound around the mountain to a beautiful glittering temple at the mountain peak. The monk climbed the path at varying rates of speed. He stopped many times along the way to rest and to eat the fruit he carried with him. He reached the temple just before sunset. At the temple, he fasted and meditated for several days.

Page 45: Creative Environment and Situation

• Then he began his journey back along the same path, starting at sunrise and walking, as before, at variable speeds with many stops along the way. However his average speed going down the hill was greater than his average climbing speed. Prove that there must be a spot along the path that the monk will pass on both trips at exactly the same time of day.

• • •

Page 46: Creative Environment and Situation

Rescue the prisoner.

P

Page 47: Creative Environment and Situation

Rescue the prisoner, but you need to avoid the lasers.

P

Page 48: Creative Environment and Situation

Now design a prison. Place the prisoner & 4 lasers.

Page 49: Creative Environment and Situation

Now design a communications system using no words to rescue a prisoner.

Page 50: Creative Environment and Situation
Page 51: Creative Environment and Situation

Let the Games Begin!