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Creative Europe : a new approach to European cultural and creative funding Fabien Miclet European Music Office

Creative Europe : a new approach to European cultural and creative funding

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Creative Europe : a new approach to European cultural and creative funding. Fabien Miclet European Music Office. The European Music Office. Brussels-based non-profit association working for the music sector at European level, 16 members in 11 countries (Ex: ICEC) - PowerPoint PPT Presentation

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Page 1: Creative Europe : a new approach to European cultural and creative funding

Creative Europe : a new approach to European cultural and creative funding

Fabien Miclet European Music Office

Page 2: Creative Europe : a new approach to European cultural and creative funding

Brussels-based non-profit association working for the music sector at European level, 16 members in 11 countries (Ex: ICEC)

Key missions: foster circulation of European music artists and repertoires, information on music in EU policies, development of professional organisations in the European music sector.

Secretariat of the European Platform on the Potential of Cultural and Creative Industries.

The European Music Office

Page 3: Creative Europe : a new approach to European cultural and creative funding

New structure: Merging 3 existing Programmes (Culture, MEDIA, MEDIA Mundus) and creating new tools.

New objectives : Strengthening the competitiveness of the cultural and creative sectors ‘with a view to promoting smart,

sustainable and inclusive growth’ (+linguistic and cultural diversity).

A larger proposed financial envelope : EC suggests budget of € 1.8 billion for 7 years (37% increase compared to 2007-

2013 funding).

Creative Europe: The European Commission’s proposal (11/2011)

Page 4: Creative Europe : a new approach to European cultural and creative funding

Role of the political context

EU 2020 strategy: smart, sustainable and inclusive growth

Budget negotiations: tough climate, focus on priorities

Choice to move focus from citizenship and intercultural dialogue to more ‘cost-efficient’ topics such as strengthening the competitiveness of the cultural and creative sectors. ‘Priority to results’.

‘European added value’

Why this new Creative Europe Programme?

Page 5: Creative Europe : a new approach to European cultural and creative funding

New challenges identified by the European Commission

Fragmentation of the EU market for cultural works

Digital economy: necessity to adapt to new consumer practices

Financing gap for cultural and creative businesses and organisations

Lack of figures to clearly identify the problems

‘Culture Programme’ not adapted to all sectors

Why this new Creative Europe Programme?

Page 6: Creative Europe : a new approach to European cultural and creative funding

New architecture: an ‘umbrella’ Programme

3 ‘Strands’ : Culture (30%) / Media (55%) / New ‘Cross Sectoral’ Strand (15%)

Brings together MEDIA and Culture contact points

Simplification of calls and procedures

What are the main features of the Programme?

Page 7: Creative Europe : a new approach to European cultural and creative funding

Priorities in the legal basis:

‘Promote the transnational circulation of cultural and creative works and operators and reach new audiences in Europe and Beyond’

‘Strengthen the financial capacity of CCS, in particular SMEs’

‘Support transnational policy cooperation in order to foster policy development, innovation, audience building and new business models’

What are the main features of the Programme?

Page 8: Creative Europe : a new approach to European cultural and creative funding

New tools and measures:

• Cross-sectoral Strand Financial guarantee for small operators Data collection funding

• Culture Strand European ‘Platforms’ Support to international touring

• MEDIA Strand Increased support to cross-border distribution of films, co-

productions Support to new business models and capacity-building

What are the main features of the Programme?

Page 9: Creative Europe : a new approach to European cultural and creative funding

Objectives: Creating a guarantee fund for banks in order for cultural and

creative SMEs to have an easier access to credit, to take risks and innovate.

Providing capacity building (knowledge on CCIs) to the banks

Increasing the geographical spread of banks willing to work with cultural and creative SMEs

EC projection: € 200 m of guarantee could trigger more than € 1 billion worth of loans

Long term objective : a permanent change of mentality among banks towards cultural and creative industries

The Cultural and Creative Sectors Guarantee facility

Page 10: Creative Europe : a new approach to European cultural and creative funding

How will it work? Managed by European Investment Fund (EIF)

A network of banks in all 27 countries working with the instrument

Banks will propose portfolios of guaranteed loans directly to operators willing to access credit (up to 1 million euros)

The fund would cover potential bank losses up to 70% per loan (max. 25% per portfolio)

The banks will receive training to understand the ‘risk profile’ of the sectors (intangible assets, market gaps)

Accessible to cultural and creative SMEs and not-for-profit organisations fulfilling the objectives of Creative Europe

Complementary to grants

The Cultural and Creative Sectors Guarantee facility

Page 11: Creative Europe : a new approach to European cultural and creative funding

Proposed: + 37%, 1.8 billion

Budget summit February 2013: transversal cuts ( +18 %?)

1st semester 2013: ‘Trilogue’

Objective: agreement before the end of the Irish presidency

Calls: September/October 2013

Eligibility period: from 1st January 2014 onwards

Next steps for the adoption of the Programme

Page 12: Creative Europe : a new approach to European cultural and creative funding

Culture Strand: European ‘Platforms’ Network of concert venues in Europe (ex:

Sala Apolo) Objectives: reward risk-taking, increase

visibility and cross-border mobility of European music talents

Europa Cinemas model: ‘bonus’ system, ‘label’

Long-lasting effects Panel at Primaverapro on 24/05

Example of potentially eligible project: E.A.R (European Artists on

the Rise)