All I feel's an endless data streamI see the eyes in the computer screenMisinformation is surrounding me It breaks me down, I'm on my knees

I need to get on higher frequenciesI want to live inside the mysteryI need your silence to hide in the night To understand and never wonder why

The crowd goes …Beep Beep BeepMy phone goes …Beep Beep BeepThe whole world goes …Beep Beep BeepBut you go:Oh La LaOh La La

My car goes …Beep Beep BeepThe Time goes …Beep Beep BeepThe whole world goes …Beep Beep BeepBut you go:Oh La LaOh La La

I see a shadow in the datasphere I feel a change in the atmosphereI hear the calling and it's crystal clearTime to disengage, to disappear

The jury's out and the reports are inI crunched the numbers and they fell withinThe range of danger for a foreign mind A foreign body falling out of time

The crowd goes …Beep Beep BeepMy phone goes …Beep Beep BeepThe whole world goes …Beep Beep BeepBut you go:Oh La LaOh La La

My car goes …Beep Beep BeepThe Time goes …Beep Beep BeepThe whole world goes …Beep Beep BeepBut you go:Oh La LaOh La La

Beep Beep BeepTiga Sontag, David Dewaele, Stephan Deweale

01Beep Beep Beep

Written by Tiga Sontag, David Dewaele, Stephen DewaeleProduced by Soulwax and TigaRecorded at Soulwax Studios GentLive percussion by Stephy D.Mixed by SoulwaxPublished by Bert Songs, Curse of the Dove, Strictly Confidential, We’ll Sue You

02Mind Dimension 2

Written by Tiga Sontag and Jesper DahlbackProduced by Jesper Dahlback, Tiga and SoulwaxRecorded at Globe Studios Stockholm, modified at Soulwax Studios GentLive 303 manipulation by Jesper DahlbackMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, Universal Music Publishing

Every time I look into your eyes I see the future

Mind Dimension Mind Dimension Mind Dimension Mind DimensionMind Dimension Mind Dimension Mind Dimension Mind DimensionMind Dimension Mind Dimension Mind Dimension Mind DimensionMind Dimension Mind Dimension Mind Dimension Mind Dimension

Every time I look into your eyes I see the future

The House is mineThe House is mine

Every time I look into your eyes I see the future

Every time I look into your eyes I see the future (slow)Every time I look into your eyes I see the future (fast)

Mind Dimension 2Tiga Sontag, Jesper Dahlback

Mind Dimension Mind Dimension Mind Dimension Mind DimensionMind Dimension Mind Dimension Mind Dimension Mind DimensionMind Dimension Mind Dimension Mind Dimension Mind DimensionMind Dimension Mind Dimension Mind Dimension Mind Dimension

I'd love to comb your hairYour hair is such a messJust take off that dressI'd love to comb your hair

I don't like my hair neat I don't like my hair neat I don't like my hair neat I don't like my hair neat

Just take off your shoesJust take off your shoesYou've nothing left to loseJust take off your shoes

These shoes stay on my feet (on my feet)These shoes stay on my feet (on my feet)These shoes stay on my feetThese shoes stay on my feet

What's that soundI like that soundI love that sound!It's the sound of my shoes

I'd like to hold your handWearing my brand new glovesThis must be real loveI'd love to hold your hand

Those gloves don't touch my skinThose gloves don't touch my skinThose gloves don't touch my skinThose gloves don't touch my skin

I'd love to do your nailsBefore someone gets hurtDon't be such a flirtI'd love to do those nails

These nails have served me wellThese nails have served me wellThese nails have served me wellThese nails have served me well

What's that soundI like that soundI love that sound!It's the sound of my shoes

Repeat

Shoes Tiga Sontag, Jesper Dahlback, Jason ‘Gonzales’ Beck

03 Shoes

Written by Tiga Sontag, Jesper Dahlback and Jason ‘Gonzales’ BeckProduced by Tiga, Jesper Dahlback, SoulwaxRecorded at Globe Studios Stockholm and Soulwax Studios Gent‘Heels’ and backup vocals by Christopher ScarfMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, EMI Music Publishing, Universal Music Publishing

Learn to break the beats cuz I'm hardcore

Who was in your dream baby?I was in your dream babyWho was in your dream baby?Dream on, Dream onI was in your dream babyDream on, Dream on

I got what you need, babyI got what you need, babyI got what you need, baby

Learn to break the beats cuz I'm hardcore

I got what you need, babyI got what you need, baby

What You NeedTiga Sontag, Jesper Dahlback, David Deweale, Stephan Deweale

04What You Need

Written by Tiga Sontag, Jesper Dahlback, David Dewaele, Stephen DewaeleProduced by Soulwax and TigaRecorded at Soulwax Studios Gent Back up Vocals by Jake Shears, recorded in NYCKorg Monopoly synth recorded at Globe Studios StockholmBells played and envisioned by Gonzales808 Live programming by The DoveMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, Universal Music Publishing, Strictly Confidential, We’ll Sue You

LuxuryAh Ah AhGivin' meAh Ah AhPeace of MindAh Ah AhPeace of Mind

Luxury Ah Ah AhIs all I seeAh Ah AhWhen I close my eyesAh Ah AhWhen I close my eyes

Repeat

Harry WinstonCartierBoucheronMauboussinVan Cleef & Arpels

Audemars PiguetPatekBreguetRolex, vintage Daytona

This is my realityBut for you it's still called …

LuxuryAh Ah AhGivin' meAh Ah AhPeace of MindAh Ah AhPeace of Mind

Luxury Ah Ah AhIs all I seeAh Ah AhWhen I close my eyesAh Ah AhWhen I close my eyes

Repeat

White ValextraGoyardBottega VanettaAnd Louis V.

Lambo CountachJalpaBoraEspada68 Miura

This is my realityBut for you it's still called …

LuxuryAh Ah AhGivin' meAh Ah AhPeace of MindAh Ah AhPeace of Mind

Luxury Ah Ah AhIs all I seeAh Ah AhWhen I close my eyesAh Ah AhWhen I close my eyes

Repeat

This is my realityBut for you it's just a dream You dream in secret that's called …

Luxury

LuxuryTiga Sontag, Jason ‘Gonzales’ Beck

05Luxury

Written by Tiga Sontag and Jason ‘Gonzales’ BeckProduced by Soulwax and TigaBass synth solo played by GonzalesBack up vocals by GonzalesRecorded at Soulwax Studios GentMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, EMI Music Publishing

06Sex O’Clock

Written by Tiga Sontag and Jori HulkkonenProduced by James Murphy for the DFA, Tiga, Jori HulkkonenRecorded at Plantain, DFA Studios, and AlppIVhouz, TurkuMixed by James Murphy for the DFA at the DFAPublished by Bert Songs, Curse of the Dove, Class Action Publishing

It's sex o'clockYou need the timeI got the timeIt's sex o'clock

Tick-tock tick-tockTick-tock tick-tock

I got two handsI got your numberIt's sex o'clockYour time is up

Tick-tock tick-tockTick-tock tick-tock

Its sex o'clockOn the dotTick-tockYour time is up

Its sex o'clockDon't wind me upTick-tockI'll never stop

Tick-tock tick-tockTick-tock tick-tock

I'll never stop

Sex O'ClockTiga Sontag, Jori Hulkkonen

07Overtime

Written by Tiga Sontag, David Dewaele, Stephen DewaeleProduced by Soulwax and TigaRecorded at Soulwax Studios GentBacking vocals by Jake ShearsMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, Strictly Confidential, We’ll Sue You

I need your body I'm in ectasyI need your body baby can't you seeYou got me working for it day and nightYou got me working doing overtimeI need your loving baby can't you seeI need your loving you can count on meMonday morning at your feetSunday night we get no sleepEvery day of every week

OvertimeTiga Sontag, David Dewaele, Stephan Dewaele

You called and so I cameTo turn the night onSo turn the lights offMy work is never done

I guess I'll take the blameFor turning the night onYou can let your guard downToe to toe and one on one

So many choices in the world So many boys so many girlsSo many choices in this world So many boys so many girls

Repeat

It ain't easy, it ain't easyIt ain't easy …It's harder than it looks

It's my claim to fameTurning the night onGetting your mind offMaking you come undone

Well it looks like you're having funSince I turned the night onYou can get your feet wetYou gotta walk before you run

So many choices in the world So many boys so many girlsSo many choices in this world So many boys so many girls

Repeat

It ain't easy, it ain't easyIt ain't easy …It's harder than it looks

It's the story of my lifeI been turning the night onYou'll never forget meWhen the morning comes

So many choices in the world So many boys so many girlsSo many choices in this world So many boys so many girls

It ain't easy, it ain't easyIt ain't easy …When the morning comes

When the morning When the morning comes

Repeat

Turn The Night OnTiga Sontag, Jason ‘Gonzales’ Beck, David Deweale, Stephan Deweale

08Turn The Night On

Written by Tiga Sontag, Jason ‘Gonzales’ Beck, David Dewaele, Stephen DewaeleProduced by Soulwax and TigaPiano by GonzalesRecorded at Soulwax Studios GentMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, EMI Music Publishing, Strictly Confidential, We’ll Sue You

I was young not long agoIt was like a picture showI just thought of no-one elseI was playing by myself

I was young not long agoI was small but I would growInto the man I am todayI always knew I'd find a way

Fade in and out of dreamsAnd as short as it all seemsWhen you whisperI will listen …Speak, memory

Fade in and out of dreamsAnd as short as it all seemsWhen you wisperI will listen …Speak, memory

I was young not long agoI had music in my bonesI learned the words to my favorite songsI never thought of right or wrong

I was young not long agoI kissed you in the winter snowI smile all the way back homeI creep behind my parents door

Fade in and out of dreamsAnd as short as it all seemsWhen you whisperI will listen …Speak, memory

At 4-am I'm on the phoneYou tell me that the nights still youngHanging on your every wordI swear one day I'll see the world

Open up my diaryAnd it's diagrams of all the things I'll beAll the people I will meetAll my future memories

Speak, MemoryTiga Sontag, Jori Hulkkonen

09Speak, Memory

Written by Tiga Sontag and Jori HulkkonenProduced by Jori Hulkkonen and TigaRecorded at AlppIVhouz TurkuMixed by Zdar at Motorbass Paris Assisted by Fabien Courtois and Julien NaudinPublished by Bert Songs, Curse of the Dove, Class Action Publishing

Youth don't fail me nowI need you more than everYou see the change in meAnd nothing's new forever

One step and a little touchCan change the way you feel tonightOh oh ohOne word can break your heartBut one kiss can make it rightOh oh oh

To dream my dreams without a traceOf all the broken thingsIs what I need tonightWhat I need tonightWhat I need tonightWhat I need tonight

Cuz anyone can be replacedAnd any fool can tell youIt will be alright It will be alrightIt will be alright It will be alright

Youth don't fail me nowI need just one last favorOne song and another danceTo let me feel in love tonightOh oh oh

To dream my dreams without a traceOf all the broken thingsIs what I need tonightWhat I need tonightWhat I need tonightWhat I need tonight

Cuz any one can be replacedAnd any fool can tell youIt'll be alright It'll be alright It'll be alright It'll be alright

Don't wake mePlease don't wake meDon't wake mePlease don't wake

Repeat

Youth don't fail me nowYour needed more than everI feel the change in youAnd nothing lasts forever …

Gentle GiantTiga Sontag, James Murphy

10Gentle Giant

Written by Tiga Sontag and James MurphyProduced by James Murphy for the DFA and TigaRecorded at Plantain, DFA Studios Additional vocals by James Murphy and Jake ShearsMixed by James Murphy for the DFA at the DFAPublished by Bert Songs, Curse of the Dove, Guy With Head And Arms Music (ASCAP)

As the last record playsAs the last record fadesAt the end of the nightAnd it used to feel like homeBut now I'm on my ownAs they turn on the lights

Love don't dance here anymoreNo more magic on the floorFound a new place to goLove don't dance here anynmore

Posters on the wallFrom a time I had it allBut we don't play those songs anymoreNeedle in the grooveI used to love to watch you moveI know you liked to watch me too

Love don't dance here anymoreNo more magic on the floorFound a new place to goLove don't dance here anynmore

Oooh tables are turningLove turning the tablesOooh tables are turningLove turning the tables

Oooh tables are turningLove turning the tablesOooh tables are turningLove turning the tables

Love Don't Dance Here AnymoreTiga Sontag, Jason ‘Gonzales’ Beck

11Love Don’t Dance Here Anymore

Written by Tiga Sontag and Jason ‘Gonzales’ BeckProduced by Soulwax and TigaRecorded at Soulwax Studios GentPiano played by GonzalesLive drums played with love by Bent Van Looy from Das Pop, who appears courtesy of RCABacking Vocals by Jake Shears, Stephen Deweale and GonzalesMixed by SoulwaxPublished by Bert Songs, Curse of the Dove, EMI Music Publishing

contribute to these collabora-tions?

A: To Soulwax, I am The Ravenaïf Whose Eyes Will Not Stop Gleaming. To Jesper Dahlback, I bring vision and viscera to the Funky Picture Show. To Gonzales, I am The Man with the Toggle-Switch Eyebrows. To Jori Hulkkonen, I am Futureface. To James Murphy, I am the Off-the-Wall Montrealer.

I have always felt that playing instruments and touching equipment is beneath me, so I am forced to communicate all my ideas with my voice. Around the studio, they call me The Vibesayer. To my face.

Q: So this is the best way for you to work?

A: It is infinitely preferable to my prior experiences working in band settings. Projects like Tiga Genesis and the New Believers and Tiga McCool and Wrong Side O’ The Traxx started off

The following is a transcript of the world’s first-ever non-interactive CD-ROM— “Funksta 2 Funksta: Tiga Unleashed”.

Q: What do you think sets this new album apart from your past work?

A: Writing songs before I record them. It thought this would primarily entail aging sheet music with teabags, but I quickly learned otherwise. It’s ultimately a matter of trusting yourself, of having the courage to say, “These are the times, and these are the rhymes.”

Having now been through the process, I feel I have become exactly what Leonard Cohen would be if he owned a jetski with a detachable sidecar. Or a bicycle built for two where the riders face each other. I call it a Spicycle.

Q: You work largely within a group of friends who are all established, respected musicians. What are the most important things you

with nothing but the highest of ideals, but would quickly and inevitably devolve into who peed on whose drum pads. I pride myself on my false humility, but pretending that you actually value a keyboardist’s opinion is not worth all the CD singles in Japantown.

I will admit, though, that the breakup of Tiga Culprit and the Plainclothes Policemen was probably my fault. You can mace a bandmate to a point, but when his eyes begin to melt, then maybe it’s time to step back and take a deep breath.

Q: What is it to sing?

A: (Singing) “My friend, I never dreamed that / I would get to sing / Never knew the fun and passion / That my voice would bring.”

I have learned that the voice can lift what muscles mustn’t. I’m talking about the human spirit, jerk. Do you sing people over cliffs, or down from ledges?

A: My role is to descend from above, sprinkling the crowd with unimaginable spices, leaving them at the brink of Tex-Mexstacy. There is a real sense of community, the kind of community where demigods walk incarnate amongst the scum.

The phenomenon reminds me of that Nitzer Ebb song, “Join in the Fun.” Revel, but at a respectful distance. I am all for inclusion so long as it doesn’t involve me personally at any level.

I do, however, select a particularly spirited dancer from each of my shows and keep them in my under-ground Bestiary, or Mutant Zoo. It’s the happiest existence they could possibly hope for – dancing for food, dancing for toothpaste, dancing for eye contact. And dance they do!

What people need to understand is that I’ve earned it. I got my start opening for Claude Clothès. Dancing behind dining room

Q: Talk about your lyrics for a moment. What about you do they reveal?

A: I think my lyrics mainly reveal how interesting I am. How wonderful it would be if I were ever to deign to speak to you directly. But the process has evolved, as I continue to refine my sinuses as an idea-delivery system.

“Sex O’clock”, for instance, started out as a more straightforward song called “It’s Six O’clock!” But then I caught a glimpse of my reflection in a clock face, and the idea hit me like a ton of lightning.

There are songs, though, that are too deeply personal to ever release. I’m talking about “Love, ASAP”, “Summertime Soda”, “Crestfallin’”, “Magazine Shop Lover”, “Come On Share Quebec Right Now” and “VIP (That Ain’t Me)”.

Q: How would you describe your relationship with your fans?

tables, working for a chunk of change and a chance at the hottest meal. The meal of respect.

Q: Are you happy with what you’ve been able to achieve?

A: Once you realize you have the power to rent a limo anytime you please, you know in your heart that you’re not like other men. To hear 10,000 people chant your name and then have them locked inside the venue until you have had a chance to learn all of theirs. My goal has always been to become the most famous man in the world by the time I am 50. Failing that, I will assume the identity of a respected physician. My album’s success will determine whether the world will ever come to know Dr. Timothy Tiga.

I wrote liner notes, and then I deleted them. They were mediocre.

This album would have been shit and/or nonexistant without the talent and generosity of my friends James, Gonzales, Jori, Jesper, Dave and Steph. I'm not sure what I did to deserve the honor, but it means the world to me. Without you I would just be another extremely funny guy who is amazing at football. Speaking of football I would like to present the Ciao! FC, the greatest team the world has ever known:

The starting eleven: Stephy D and Qarim as Strikers, with Heatwave Dave and Pawel K providing the creativity in midfield, while BJ and Jake Shears act as holding ‘water-carriers’. Thomas Von Party anchoring the center defense paired up with Gonzales, Jori and Jesper the flying Scandi fullbacks. And James Murphy in nets.The super subs: my dad, Zdar, Bassface, Erol, Henry, Damian, Justice, So-Me, Pedro, Alex BN, and Matt Walsh.The managers: Oliver as head manager, Cris as PR/marketing, Eric and Ryan as fitness trainers.The board of directors: my dad and WillieGoldenballs.

And a few thanks that did not fit into my air-tight football analogy: Kenny and JM, Darwin, Nabokov, Toby, the whole village of Gent, and Spaceman, and God, and Vassili for my mac.Oh and, the love of my life: Tiala.And Winter. There are no words, except maybe ‘stunning’ and ‘cool’ and ‘greatest’ and ‘sweet’.

First thought, best thoughtlove,

The DoveTokyo, march 2009Adios

Ciao! mastered by Mike Marsh for The Exchange

Design: PKPhotos: Qarim BrownStylist: Tiala BrownSet Design: Olivier LabergeHair: Richard HansenMake-up: Leslie-Ann ThomsonSet Producer: Nicolas Comeau for 1976 Productions

1-Beep Beep Beep2-Mind Dimension

3-Shoes4-What You Need

5-Luxury6-Sex O'Clock

7-Overtime8-Turn the Night On

9-Speak, Memory10-Gentle Giant

11-Love Don’t Dance Here Anymore

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