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Early Moder n Art Catholic Baroque Art Vs. The Protestan t Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter de

Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

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Page 1: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Early Modern Art

Catholic Baroque

ArtVs.The

Protestant Dutch

Masters“The Annunciation” – Sebastiano Mazzoni

“Courtyard of a House in Delft” – Pieter de Hooch

Page 2: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

When was the Baroque Period?

The baroque period in European art began in the late 16th century and continued through the 17th century finally ending around 1700 when it was supplanted by the rococo and later the neo-classical styles.“The Ecstasy of St. Cecilia” – Bernardo Cavallino, 1645

Page 3: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

What’s Happening in Europe?

By the start of the baroque period, the renaissance was coming to a close and the reformation was creating religious wars and divides across the continent.

The Catholic church was trying to maintain its membership and its control over much of Europe while the Lutherans and Calvinists were gaining a stronghold, particularly in parts of Northern Europe.

Page 4: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter
Page 5: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Religious Differences

Catholic leaders tried to impress the people by incorporating more and more dramatic and elaborate paintings and sculptures into their churches. Political leaders also picked up on

the ability of art to celebrate national accomplishments.

Page 6: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Cerisi Chapel, Church of Santa Maria del Popolo, Rome--Caravaggio

Page 7: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Religious Differences, cont’ Calvinist leaders believed that too

much fancy art, etc. was a distraction to worship and destroyed many statues of saints, etc. Artists in Calvinist areas, such as the

Dutch Republic, had to find new subjects and many turned to still life, portraiture, and paintings of everyday scenes. (Art of the Dutch Masters)

Page 8: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Baroque Art

The desire to evoke emotional states by appealing to the senses, often in dramatic ways, underlies Baroque Art.

Characteristics include grandeur, sensuous richness, drama, vitality, movement, tension, emotional exuberance, and often a natural background.

“The Penitent Magdalen” – Agostino Carracci

Page 9: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

“The Vision of St. Jerome” - Guercino

Page 10: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

“Daniel in the Lions’ Den” – Peter Paul Rubens

Page 11: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Baroque DetailCologne

Cathedral

Page 12: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Baroque Sculpture

“The Ecstasy of St. Theresa” Church of Santa Susannah, Rome--Bernini

Page 13: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

“Equestrian Monument to Philip IV” – Pietro Tacca

Page 14: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Baroque Art

“The Princess Margarita” -Valasquez

Page 15: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Dutch Masters Early Modern Dutch and N.

European Art was strongly influenced by the new Protestant religions—especially Calvinism.

Dutch art portrayed everyday life scenes and often showed the people wearing their normal, puritan-style clothing.

Page 16: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

The MillRembrand

t

Page 17: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

BruegelThe

Harvesters

Page 18: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Frans Hals

Willem van Heythuyzen

Page 19: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

Vermeer

Lady Writing a Letter

Page 20: Early Modern Art Catholic Baroque Art Vs. The Protestant Dutch Masters “The Annunciation” – Sebastiano Mazzoni “Courtyard of a House in Delft” – Pieter

The Baker Berckheyde