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Running head: Brain-Targeted Teaching Model and Creativity 1  Brain-Targeted Teaching Model and Creativity A Pathway to Good Ideas Loretta Cooper Azusa Pacific University

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Page 1: EDTC572 Good Ideas LCooper

7/27/2019 EDTC572 Good Ideas LCooper

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Running head: Brain-Targeted Teaching Model and Creativity 1

 

Brain-Targeted Teaching Model and Creativity

A Pathway to Good Ideas

Loretta Cooper 

Azusa Pacific University

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Brain-Targeted Teaching Model and Creativity 2

Brain-Targeted Teaching Model and Creativity

A Pathway to Good Ideas

Good ideas and creativity walk hand in hand. Can we teach kids to be creative?

According to Hardiman (2010), “Most descriptions of creativity include the ability to produce

novel ideas or products after acquiring a certain proficiency of content knowledge” (p.230).

Hardiman believes that integrating the arts into teaching methodologies is a powerful way to

foster creative, divergent thinking. Mariale Hardiman of John Hopkins University has come up

with a teaching model informed by cognitive theory and research from the neurological and 

cognitive sciences.

When it comes to teaching creativity, Dr. Mariale Hardiman recommends starting at the

top with the brain. According to Hardiman (2010), “It seems rather obvious -- after all, learning

does occur in the brain, but all teaching does not result in learning, so while all learning is brain-

 based, all teaching is not” (p. 233).

This learning process also includes integrating the arts, the arts being used as a portal to

creativity. A study conducted by Winner and Hetland (2007) revealed;

For students living in a rapidly changing world, the arts teach vital modes of seeing,

imagining, inventing, and thinking. If our primary demand of students is that they recall

established facts, the children we educate today will find themselves ill-equipped to deal

with problems like global warming, terrorism, and pandemics. Those who have learned 

the lessons of the arts, however - how to see new patterns, how to learn from mistakes,

and how to envision solutions - are the ones likely to come up with the novel answers

needed most for the future (para.6).

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Brain-Targeted Teaching Model and Creativity 3

 

The Brain-Targeted Teaching Model (2010) outlines six stages of the teaching and 

learning process.

•  Brain Target One: Setting the Emotional Climate for Learning: Supportive

climate in the classroom; routines, rituals, positive communication. Establishing

a safe classroom environment.

•  Brain Target Two: Creating the Physical Learning Environment: A physical

learning environment to enhance creativity and artful learning. How a space

makes us feel matters.

•  Brain Target Three: Designing the Learning Experience: Big Picture Map of the

Unit leads to deeper understanding and retention.

• Cognitive processes of holistic and visual thinking.

• Brain Target Four: Teaching for Mastery of Skills, Content, and Concepts: Use

of art based activities to promote mastery of content (stimulates long term

learning).

• Brain Target Five: Teaching for Extension and Application of Knowledge: Apply

knowledge to a task that requires students to solve problems. Place activities in

the context of the real world.

• Brain Target Six: Evaluating Learning: Give students relevant feedback about

 performance. Move from teach, test, and move on method to teach, revisit, and 

test (Hardiman, 2010, pgs. 237-243).

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Brain-Targeted Teaching Model and Creativity 4

 

This is quite an interesting framework. I can see how using this framework could lead to

deeper thinking. The integration of arts allows for student creativity that could certainly lead to

good ideas. I would love to try the Brain Targeted Teaching model. The connection of 

neurology and education is very intriguing. I have an inherent bias; I was a theatre arts major.

My undergraduate major has given me an innate ability to infuse the arts into the curriculum; a

 perfect pathway for good ideas.

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Brain-Targeted Teaching Model and Creativity 5

 

References

Hardiman, M. M. (2010). The creative-artistic brain (D. A. Sousa, Ed.). In Mind, brain, &

education: Neuroscience implications for the classroom (pp. 227-247). Bloomington, IN:

Solution Tree Press.

Hetland, L., & Winner, E. (2007, September 02). Art for our sake school arts classes matter more

than ever - but not for the reasons you think [Editorial]. Retrieved from

http://www.boston.com/news/globe/ideas/articles/2007/09/02/art_for_our_sake/?page=fu

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