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1 Embedding creative literacy in museum practice using Talk for Writing techniques. Renaissance South East Judy Clark NLT Talk for Writing Adviser Oct 27 th 2010 1

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Embedding creative literacy in

museum practice using Talk

for Writing techniques.

Renaissance South East

Judy Clark

NLT Talk for Writing Adviser

Oct 27th 2010

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2www.literacytrust.org.uk

Outline of the day.• Session 1:

TfW - the Big Picture

Book talk & poetry

• Session 2:

Talk for Writing....Storytelling into writing

• Session 3:

Talk for Writing Non fiction.... Talking the text type

• Session 4:

Reflection and application

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Aims• working in partnership

• embedding literacy

within cultural organisations

• supporting schools to develop

creative, stimulating and

authentic literacy teaching

• providing a positive culture where

pupils are inspired and encouraged to

think and communicate their ideas creatively3

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Session 1

• What is Talk for Writing?

• ‘Book’talk

• Poetry

Why Talk for Writing?

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The developmental exploration, through talk, of the thinking and creative processes involved in being a writer.

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TfW Overview

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Helen Cross:

“..looking and listening are at the heart of

creative writing. Like fine poets, the best

teachers start their children‟s writing journey

with careful observing and thinking and

playing, and words come later and stronger.”

TES 22nd May „09

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‘Book’ talk‘Book’ -talk is an extended opportunity to use talk to explore 'children’s personal and collective responses to a text

It involves a rich dialogue, helping children to develop and extend their own thinking.

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•Eliciting response

•Extending response

•Encouraging critique

The ‘Tell me’…Approach…

Tell me what you thought about………..

What came into your mind when…….

Have you come across this before

anywhere……..

Does this remind you of something………………..

Tell me more about…………………….

What led you to think that……………………….

What made you think of that………………….

Did anyone have a different idea……………….

Does anyone agree with this idea………………….

Raise

Questions

Make

statements

Wonder

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Techniques to support Book talk

• 3 sharings

• question game

• sentence game

• drama

Likes… Dislikes….

Puzzles… Patterns….

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>Building confidence

- >Helping extend and develop ideas

- >Develop the ability to comprehend

>Encourage the ability to think critically

and appreciatively about things

- >Using the power of collaborative thinking

- >Hints at the story behind……..

The Power of Book talk...

‘Learning is a social process and children learn

from each other as well as from adults: language

- especially spoken language - is what animates

this process;..... Robin Alexander

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Writers love words...

•concrete experience

•engage, excite, interest

•ability to generate words/ideas

Choosing words is what a writer does......

Playing about with language and ideas = poetry9

Generate Judge

Poetry... not just for Christmas

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Two Main types:

•Scaffolded - list or collage / use of a model / games

•Open

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Poetry

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The_____________ looks like………

It reminds me of…..

It makes me feel…..

It sounds like…….

It seems to…..

It can……

It will…….

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The pond looks like Cyclops’s eye.

It reminds me of cold places and summer holidays.

It makes me feel secret.

It sounds like silence or wavelets lapping.

It feels like a polished, wet mirror.

It tastes of mud.

It seems to do nothing but it is restless underneath.

It can be used as a frog’s swimming pool.

It can be used as a water skiing lake for mice.

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The_____________ looks like………

It reminds me of…..

It makes me feel…..

It sounds like…….

It seems to…..

It can……

It will…….

Owl The owl sits.

Its amber eyes glare glassily.

The beak curves

Like a butcher’s hook.

Specks of coal dust

Wreck its bleached feathers.

Gnarled talons grip.

Owl The owl sits.

Its amber eyes glare glassily.

The beak curves

Like a butcher’s hook.

Specks of coal dust

Wreck its bleached feathers.

Gnarled talons grip.

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Time to reflect..........

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Session 2

Talk for Writing

- the power of

oral storytelling

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Learning language

Why stories mattter.............

> The origins of Talk for Writing.

> Need to listen & join in with basic patterns - how we learn

language.

> Rhymes, stories and language all have basic patterns.

No longer do we have a natural bank to draw on…..

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Internalising Language

Learn language by: - Hear it, say it, read

it, explore it.

Recasting - extending.

Memorable, meaningful repetition.

Generative grammar.

Experience language deeply and

attentively. Replicate children’s repetitive desire for

stories.

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Talking the text - the missing link

‘Can you tell me a story..?’

‘Can you make up a story for me?’

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The 3 s

- This is the ability to retell a story or piece of non fiction so that

the language patterns of the writing are known so well that they have

become part of the long-term working memory, embedded and internalised.

‘Talking the text’ / Reading / Immersion

- The ability to adapt the imitation text and use the underlying

patterns and structure to create a new version collaboratively

-The ability to draw upon a storehouse of stories, language, ideas and

patterns to create your own story. Ability to transfer pattern of non-fiction

to a different context independently and across the curriculum.

Imitation

Innovation

Invention / Independent application

‘what we can do in

collaboration today,

tomorrow we can

do alone’

Imitation

Talking the Text - internalising a simple story.

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Unpicking the process....

• What did I do to help you learn the story?

• What helped you remember it?

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Key Elements

•Choose a good story / create an engaging

text – museum stimulus/subject matter perfect

......any text type!

•Repetition

•Visual Learning – story maps, images

•Kinaesthetic Learning – actions, walk the

story/text

•Meaningful Learning – immersion, vocabulary ,

drama & role play

•Memorable – props, video, audience

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Story mapping

• In groups /pairs / mirrors.

• Walk the map

• Create the map - use

artefacts/images/drama...

• moving on from communal - embellish

own maps

• great planning tool

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Greek Myths & legends...

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Martha’s Story

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Potential.........

> existing narrative

workshops

> story from collections -

archives, paintings,

objects - personal stories

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Building a bridge to writing....

.....Innovation

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Innovation

•Additions

•Substitutions

•Alterations

•Recycling the plot / using

the underlying structure

•Change of viewpoint.

3673

Humpty

Dumpty sitting

on a wall

Main character

in dangerous

position

Mitch is sitting

at the edge of

a canal fishing

Humpty

Dumpty has a

great fall

Main character

- disaster

Mitch falls in

the canal

Along came

kings horses

and men

Help arrives A couple of

fishermen

arrive

Attempt to put

him back

together fails

Attempts to

help fail

They try to

help but

cannot

3774

Little Miss

Muffet sat on

her tuffet

Eating her

curds and

whey

Along came a

spider who sat

down beside

her

And frightened

Miss M away

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Boxing up... a key strategy

re using the

structure

Internalising key

plot patterns

Hero set a task..

Goes on a journey

Hero meets a

helper......

Hero v

‘monster’

Task complete

Celebration /

reward

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Martha’s Story

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Intro Martha

Martha meets

overseer

Martha escapes to

Longton

Martha escapes to

..........

Martha escapes to

..........

PC helps / rescues

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Story Invention

• 3 Ps..

• Story mountain

• Genre & theme

• Draw and tell - mapping again!

• Drama / artefact

• Oral versions - written back at school...

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Session 3

Talking the Text Text

.....Non Fiction

The 3 s

- This is the ability to retell a story or piece of non fiction so that

the language patterns of the writing are known so well that they have

become part of the long-term working memory, embedded and internalised.

‘Talking the text’ / Reading / Immersion

- The ability to adapt the imitation text and use the underlying

patterns and structure to create a new version collaboratively

-The ability to draw upon a storehouse of stories, language, ideas and

patterns to create your own story. Ability to transfer pattern of non-fiction

to a different context independently and across the curriculum.

Imitation

Innovation

Invention / Independent application

‘what we can do in

collaboration today,

tomorrow we can

do alone’

Non fiction

• ‘We write best about what we know and what matters….’

• The best writing is written to engage the reader

• Audience + Purpose = style + organisation.

+

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The Language of Non- fiction

47 © Pie Corbett & Julia Strong

RU

R

Y x HRFP

C W X !

5 CU!

HRFP

Paradise Island in Perilous Plight.

It’s hard to imagine a world without the island of Odin. Sadly the island is under immediate threat and without your help, the consequences could be catastrophic! Will you do your duty and rise to the challenge?

The famous Flower of Odin has been pushed to the brink of extinction by illegal harvesting. As a result, the Odinian people are losing their staple diet and worryingly a sacred part of their culture is at risk.

In addition, the paradise island is under threat of pollution.Habitats are being trampled and rivers poisoned.

No one but a fool would allow this situation to continue unchallenged. I would urge you to join our fight to save this unique island.

Take immediate steps and call our campaign line or visit our website -see details below. Remember, you can make a difference!

© Pie Corbett & Julia Strong

Yesterday JS 32

palace

medal

© Pie Corbett & Julia Strong

Local Wood Cutter Wins Medal

Yesterday, local lumber-jack hero Jim Stevenson, 32 years old, was

awarded a medal at a special ceremony in the palace for his bravery in rescuing Little Red Riding Hood from the jaws of a terrifying Wolf.

In December last year, sharp-witted Jim put his lumber-jackskills to great use by tracking a vicious wolf he saw following a little girl in a red hood. He arrived at her grandmother’s cottage just in time to save the little girl and her granny. Jim heroically fought off the wolf with his axe.

Jim told ‘The Informer’ that he was feeling very chipper about being awarded a medal. ‘I never expected that. I only did what any ordinary person would have done. It was the proudest moment of my life,’ he said.

© Julia Strong & Pie Corbett

Last week

First

Next

After that

Our Trip

1.

2.

Finally School great

© Julia Strong & Pie Corbett

Our trip to the Country Museum

Last week, we all went to the Country Museum.

First, we looked at the tractors. They had enormous

wheels.

Next, we sat on the farm trailer and went for a bumpy

ride.

After that, the farmer showed us the animals. We saw

two different types.

1. The cows had sharp horns. They were waiting to be milked.

2. The sheep were with their baby lambs.

Finally, we walked back to school. It was a great day

out.

How to survive as an evacuee.....

How to survive as an evacuee.....Are you about to leave the big city for safer fields?

Worried about getting the perfect new family? Have no fear. Help is at

hand. Follow these simple steps and you too will survive as an evacuee!

First, always make sure your nails and hands are clean - no grime

allowed!

Next, always check your head for lice. If you’re itching, find a friend to

help - you don’t want to have a shaved head!

Whatever you do remember to have your evacuation label clearly

visible, make sure it can be read. We don’t want you lost!

Keep your ID card safe at all times

Last but not least, NEVER leave home without your gas mask. An air

raid can happen at any time.

Top Tip:

If all else fails remember to smile sweetly and you too will complete your

stay in the country in safe and happy hands.

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What to do in an air raid.....

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Imitation in practice...

•Mummification process - cornwall

•Recount -Wales

•Instructional - Sheffield

•Persuasion- Brighton

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Bring the text alive..........

• mapping

• act out

• role play

• interviews

• hot seat

• first lines

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Building a bridge to writing....

.....Innovation

62 © Pie Corbett & Julia Strong

RU

R

Y x HRFP

C W X !

5 CU!

HRFP

63 © Pie Corbett & Julia Strong

Hawk’s Ridge Farm ParkAre you ever bored at the weekend? Are

the kids driving you crazy? Why not head

straight to Hawk’s Ridge Farm Park and

enter a world of wonder? See eagles fly. Wonder at the bats’ cave. Don’t miss Butterfly world.

There is ample parking, a cool café and

a great shop.

Only 5 minutes from junction 25 of the

motorway! See you there!

64 © Pie Corbett & Julia Strong

Innovation. All create leaflet selling museum as a local

weekend attraction.

1. Box up text

2. Decide on ‘headings’

3. Work and talk together

4. Create new version

.....again and again...

Independent Application:

Create your own leaflet promoting ‘your’ trip to the

museum or a particular workshop......

© Julia Strong & Pie Corbett

Initial sample – yr 1 report

Bats Han up side down.

Bats like new homes.

Bats like to eat inses.

© Julia Strong & Pie Corbett

End of unit Hedgehog Facs.Hedgehogs are not pets.

What are they like. They have sharp spins on ther bakes

but undernif they are soft.

What do they eat? They eat slipuriy slugs crushey bittls

tickley spids and juciy catppl. They like frat too. They

gring wort. Badgers are the alle anmls that eat hedgehogs.

Did you now.

Hedgehogs are nkctnl that mens they come out at nit. Hedgehogs hibnat that mens they

sleep in the winter. Their nest is called a hibnacl. Ther babys are coled hogllos.

And ……

they can

sime!

© Julia Strong & Pie Corbett

Year 3 ba Boy

• Do you like writing – score: 1. Because ‘it is

not fun’.

• What is hard about writing – ‘I am not good

at writing’.

• ‘Are you a good writer? How do you know?

‘No because I am not good at sbeling’.

© Julia Strong & Pie Corbett

3 weeks later…

• Do you like writing – score: 10. Because ‘it is

cool’.

• What is hard about writing – ‘nufing’.

• ‘Are you a good writer? – ‘YES’

© Julia Strong & Pie Corbett

Y3 – initial sample – report

Hasds are riley sofd.

Thay slep in the day.

They hav shap tef.

They sutums clum up and down.

They eaten nus and druy bnuns.

© Julia Strong & Pie Corbett

End of unit sampleA lion is a type of cat with a lonig taol.

They all look the same. They have a bodey of a cat and long

her. Most lions are yellow.

Lions usually live in loing grass in hot cutres like Africa and

Asia.

They eat all sizes of animals and sometimes kill cubs.

If you want to see a lion you could sday buy loing grass where

there are lions foot pris.

When lions walk their heels don’t touch the ground. They can

run at speed of 30 miles an hour. The males roar and can be

heard over five miles away. Males eat first.

The most amazing thing a bault lion is that they are Excellent

swimmers.

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BOX UP TEXT• Introduction

A lion is a type of cat with a lonig taol.

Appearance They all look the same. They have a bodey of a cat and

long her. Most lions are yellow.

• Diet•Habitat

They eat all sizes of animals and sometimes kill cubs.

Lions usually live in loing grass in hot cutres like Africa

and Asia.

Habits When lions walk their heels don’t touch the ground. They

can run at speed of 30 miles an hour. The males roar and

can be heard over five miles away. Males eat first.

Interesting ending

The most amazing thing abault lion is that they are

excellent swimmers.

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• Imitation - gas mask drill ( instructional)

• Innovation - how to build an Anderson

Shelter..... how to please a billeting officer

...

• Independent application...... across the

curriculum

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Session 4

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Reflection... application....

76www.literacytrust.org.uk

National Literacy Trust

• One in six people in the UK struggle to read,

write and communicate

• We believe that society will only be fair when

everyone can communicate as well as they need

• We deliver projects, campaign, investigate and

innovate, share knowledge and work in

partnership to transform lives through literacy

• We are an independent charity

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