Expressionism, Fantasy,

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    The most well known German expressionists are:

    Max Beckmann,

    Otto Dix,

    Lionel Feininger,George Grosz,

    Ernst Ludwig Kirchner,

    August Macke,Emil Nolde,

    Max Pechstein;

    the Austrian Oskar Kokoschka,

    the Czech Alfred Kubin and theNorwegian Edvard Munch are also related to this

    movement.

    During his stay in Germany, the Russian Kandinsky was

    also an ex ressionism addict.

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    CHARACTERISTICS

    Unconcerned with accurate depiction of

    subjects

    Rejects general ideas of beauty and harmony

    Attempts to capture the inner reality /

    emotion or psychological experience throught

    distortion, exaggeration, symbols and

    unnatural devices

    Leans toward abstraction

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    Expressionism

    Expressionism is a style of art in which the intention is

    not to reproduce a subject accurately, but instead toportray it in such a way as to express the inner state

    of the artist.

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    KEY CONCEPT

    An opposite of Impressionism: An Expressionist

    wishes, above all, to express himself

    Developed as an avant-garde style before the

    First World War.

    Such art often occurs during times of social

    upheaval, such as the Protestant Reformation,

    German Peasants War, Eight Years War, when

    the rape, pillage and disaster associated with

    periods of chaos, and oppression are presented

    in the documents of the printmaker.

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    Wassily Kandinsky(1866-1944)

    Couple Riding

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    Edvard Munch (1863-1944)

    Dead Mother

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    Gershon Iskowitz (1921-1988 ) Sky

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    Kathe Kollwitz(1867-1945 )

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    Paul Klee (1879-1940)

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    FANTASY ART

    Fantasy art is a genre ofart that depicts

    magical or other supernatural themes, ideas,

    creatures or settings.

    http://en.wikipedia.org/wiki/Arthttp://en.wikipedia.org/wiki/Magic_(paranormal)http://en.wikipedia.org/wiki/Supernaturalhttp://en.wikipedia.org/wiki/Supernaturalhttp://en.wikipedia.org/wiki/Magic_(paranormal)http://en.wikipedia.org/wiki/Art
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    KEY CONCEPT

    Depictions of ancient myths and legends, as

    well as depictions of modern day fantasy in

    the form of divine interventions and other

    magical or supernatural forces, are verycommon elements, and help distinguish

    fantasy art from other forms.

    Dragons, wizards, fairies and other fantasticaland mythical creatures are common features

    in fantasy art.

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    Fantasy art is strongly linked to fantasy fiction.

    Indeed fantasy art pieces are often intended

    to represent specific characters or scenes from

    works of fantasy literature. Such workscreated by amateur artists may be called

    fanart

    http://en.wikipedia.org/wiki/Fanarthttp://en.wikipedia.org/wiki/Fanart
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    Fantastic art explores fantasy, "space

    fantasy" (a sub-genre which incorporates

    subjects of alien mythology and/or alienreligion), imagination, the dream state, the

    grotesque, visions and the uncanny, as well

    as so-called "Goth" art. Being an inherent genre of Victorian

    Symbolism, modern fantastic art often

    shares its choice of themes such asmythology, occultism and mysticism, or lore

    and folklore, and generally seeks to depict

    the inner life nature of soul and s irit

    http://en.wikipedia.org/wiki/Grotesquehttp://en.wikipedia.org/wiki/Gothhttp://en.wikipedia.org/wiki/Mythologyhttp://en.wikipedia.org/wiki/Occultismhttp://en.wikipedia.org/wiki/Mysticismhttp://en.wikipedia.org/wiki/Mysticismhttp://en.wikipedia.org/wiki/Occultismhttp://en.wikipedia.org/wiki/Mythologyhttp://en.wikipedia.org/wiki/Gothhttp://en.wikipedia.org/wiki/Grotesque
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    Mermaid

    Syndrome

    By GeorgeGrie

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    FUTURISM

    It was an artistic and social movement that

    originated in Italy in the early 20th century.

    It emphasized and glorified themes associated

    with contemporary concepts of the future,

    including speed, technology, youth and

    violence, and objects such as the car, the

    airplane and the industrial city.

    It was largely an Italian phenomenon, though

    there were parallel movements in Russia,

    England and elsewhere.

    http://en.wikipedia.org/wiki/Italyhttp://en.wikipedia.org/wiki/Italianshttp://en.wikipedia.org/wiki/Russiahttp://en.wikipedia.org/wiki/Englandhttp://en.wikipedia.org/wiki/Englandhttp://en.wikipedia.org/wiki/Russiahttp://en.wikipedia.org/wiki/Italianshttp://en.wikipedia.org/wiki/Italy
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    Key figures of the movement include

    the Italians Filippo Tommaso Marinetti,

    Umberto Boccioni, Carlo Carr, Gino

    Severini, Giacomo Balla, Antonio

    Sant'Elia, Tullio Crali and Luigi Russolo,

    and the Russians Natalia Goncharova,

    Velimir Khlebnikov, and Vladimir

    Mayakovsky, as well as the PortugueseAlmada Negreiros.

    http://en.wikipedia.org/wiki/Filippo_Tommaso_Marinettihttp://en.wikipedia.org/wiki/Umberto_Boccionihttp://en.wikipedia.org/wiki/Carlo_Carr%C3%A0http://en.wikipedia.org/wiki/Gino_Severinihttp://en.wikipedia.org/wiki/Gino_Severinihttp://en.wikipedia.org/wiki/Giacomo_Ballahttp://en.wikipedia.org/wiki/Antonio_Sant%27Eliahttp://en.wikipedia.org/wiki/Antonio_Sant%27Eliahttp://en.wikipedia.org/wiki/Tullio_Cralihttp://en.wikipedia.org/wiki/Luigi_Russolohttp://en.wikipedia.org/wiki/Natalia_Goncharovahttp://en.wikipedia.org/wiki/Velimir_Khlebnikovhttp://en.wikipedia.org/wiki/Vladimir_Mayakovskyhttp://en.wikipedia.org/wiki/Vladimir_Mayakovskyhttp://en.wikipedia.org/wiki/Almada_Negreiroshttp://en.wikipedia.org/wiki/Almada_Negreiroshttp://en.wikipedia.org/wiki/Vladimir_Mayakovskyhttp://en.wikipedia.org/wiki/Vladimir_Mayakovskyhttp://en.wikipedia.org/wiki/Velimir_Khlebnikovhttp://en.wikipedia.org/wiki/Natalia_Goncharovahttp://en.wikipedia.org/wiki/Luigi_Russolohttp://en.wikipedia.org/wiki/Tullio_Cralihttp://en.wikipedia.org/wiki/Antonio_Sant%27Eliahttp://en.wikipedia.org/wiki/Antonio_Sant%27Eliahttp://en.wikipedia.org/wiki/Giacomo_Ballahttp://en.wikipedia.org/wiki/Gino_Severinihttp://en.wikipedia.org/wiki/Gino_Severinihttp://en.wikipedia.org/wiki/Carlo_Carr%C3%A0http://en.wikipedia.org/wiki/Umberto_Boccionihttp://en.wikipedia.org/wiki/Filippo_Tommaso_Marinetti
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    Giacomo Balla, Abstract Speed +Sound, 19131914

    http://en.wikipedia.org/wiki/Giacomo_Ballahttp://en.wikipedia.org/wiki/Giacomo_Balla
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    Futurism influenced art movements

    such as Art Deco, Constructivism,

    Surrealism, Dada, and to a greaterdegree, Rayonism and Vorticism.

    http://en.wikipedia.org/wiki/Art_Decohttp://en.wikipedia.org/wiki/Constructivism_(art)http://en.wikipedia.org/wiki/Surrealismhttp://en.wikipedia.org/wiki/Dadahttp://en.wikipedia.org/wiki/Rayonismhttp://en.wikipedia.org/wiki/Vorticismhttp://en.wikipedia.org/wiki/Vorticismhttp://en.wikipedia.org/wiki/Rayonismhttp://en.wikipedia.org/wiki/Dadahttp://en.wikipedia.org/wiki/Surrealismhttp://en.wikipedia.org/wiki/Constructivism_(art)http://en.wikipedia.org/wiki/Art_Deco
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    The Futurist Manifesto, written by the Italian

    poet Filippo Tommaso Marinetti, was

    published in the Italian newspaper Gazzettadell'Emilia in Bologna on 5 February 1909,

    then in French as "Manifeste du futurisme" in

    the newspaper Le Figaro on 20 February 1909.

    It initiated an artistic philosophy, Futurism,

    that was a rejection of the past, and a

    celebration of speed, machinery, violence,

    youth and industry; it was also an advocation

    of the modernisation and cultural

    rejuvenation ofItaly.

    http://en.wikipedia.org/wiki/Filippo_Tommaso_Marinettihttp://en.wikipedia.org/wiki/Le_Figarohttp://en.wikipedia.org/wiki/Philosophyhttp://en.wikipedia.org/wiki/Futurismhttp://en.wikipedia.org/wiki/Italyhttp://en.wikipedia.org/wiki/Italyhttp://en.wikipedia.org/wiki/Futurismhttp://en.wikipedia.org/wiki/Philosophyhttp://en.wikipedia.org/wiki/Le_Figarohttp://en.wikipedia.org/wiki/Filippo_Tommaso_Marinetti
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    The Futurist painters were slow to

    develop a distinctive style andsubject matter. In 1910 and 1911

    they used the techniques of

    Divisionism, breaking light and colordown into a field of stippled dots and

    stripes, which had been originally

    created by Giovanni Segantini and

    others

    http://en.wikipedia.org/wiki/Divisionismhttp://en.wikipedia.org/wiki/Giovanni_Segantinihttp://en.wikipedia.org/wiki/Giovanni_Segantinihttp://en.wikipedia.org/wiki/Divisionism
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    separation of

    colors intoindividual dots

    or patches

    which

    interactedoptically.[

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    ABSTRACTION

    Abstract art uses a visual language of form,

    color and line to create a composition which

    may exist with a degree of independence from

    visual references in the world. Western arthad been, from the Renaissance up to the

    middle of the 19th century, underpinned by

    the logic ofperspective and an attempt toreproduce an illusion of visible reality.

    Robert Delaunay (12 April

    http://en.wikipedia.org/wiki/Visual_languagehttp://en.wikipedia.org/wiki/Western_arthttp://en.wikipedia.org/wiki/Renaissancehttp://en.wikipedia.org/wiki/Perspective_(visual)http://en.wikipedia.org/wiki/Perspective_(visual)http://en.wikipedia.org/wiki/Renaissancehttp://en.wikipedia.org/wiki/Western_arthttp://en.wikipedia.org/wiki/Visual_language
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    Robert Delaunay (12 April

    1885 25 October 1941) was

    a French artist who, with his

    wife Sonia Delaunay andothers, cofounded the

    Orphism art movement, noted

    for its use of strong colours

    and geometric shapes. His

    later works were more

    abstract, reminiscent ofPaul

    Klee. His key influence relatedto bold use of colour, and a

    clear love of experimentation

    of both depth and tone. Simultaneous Windows on the City,

    1912, by Robert Delaunay,Hamburger Kunsthalle

    http://en.wikipedia.org/wiki/Sonia_Delaunayhttp://en.wikipedia.org/wiki/Orphism_(art)http://en.wikipedia.org/wiki/Abstract_arthttp://en.wikipedia.org/wiki/Paul_Kleehttp://en.wikipedia.org/wiki/Paul_Kleehttp://en.wikipedia.org/wiki/Lightness_(color)http://en.wikipedia.org/wiki/Lightness_(color)http://en.wikipedia.org/wiki/Paul_Kleehttp://en.wikipedia.org/wiki/Paul_Kleehttp://en.wikipedia.org/wiki/Abstract_arthttp://en.wikipedia.org/wiki/Orphism_(art)http://en.wikipedia.org/wiki/Sonia_Delaunay
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    KEY CONCEPT

    Three art movements which contributed to

    the development of abstract art were

    Romanticism, Impressionism and

    Expressionism.

    Artistic independence for artists was advanced

    during the 19th century. Patronage from the

    church diminished and private patronage fromthe public became more capable of providing

    a livelihood for artists.

    http://en.wikipedia.org/wiki/Art_movementhttp://en.wikipedia.org/wiki/Romanticismhttp://en.wikipedia.org/wiki/Impressionismhttp://en.wikipedia.org/wiki/Expressionismhttp://en.wikipedia.org/wiki/Expressionismhttp://en.wikipedia.org/wiki/Impressionismhttp://en.wikipedia.org/wiki/Romanticismhttp://en.wikipedia.org/wiki/Art_movement
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    Abstraction indicates a departure from

    reality in depiction ofimagery in art. This

    departure from accurate representation

    can be only slight, or it can be partial, or

    it can be complete. Abstraction exists

    along a continuum

    http://en.wikipedia.org/wiki/Imagehttp://en.wikipedia.org/wiki/Image
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