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SuccessfulLiterature CircleStrategies for All
Lee Ann Spillane * www.laspillane.org * [email protected]
List Group Label
1. You will have _____ minutes toLIST all the words you canthink of related to_______________________________________.
2. In groups, GROUP the wordsinto categories on chart paper.
3. LABEL your categories.
4. Share and discuss.
Taba, H. (1967). Teacher’s Handbook for Elementary Social Studies. Reading, MA: Addison-Wesley.
When students putlanguage to workfor them incontent classrooms,it helps them to
• discover• organize• retrieve, and• elaborate
on what they are learning.
~ Richard Vaca
as cited by Allen, Janet. 2004. Tools for Teaching Content Literacy.
• Literature circlesare a method forteaching studentshow to talk aboutbooks together• Literature circles . . .
are cooperative learning groups.contain 3 - 5 students per group.are peer supported text study.
• Students are in charge of their text choices,and reading/discussion assignments.• Students rotate through given roles during thecourse of the circle.
• Teach comprehension.- visualizing - connecting
- predicting - inferring
- questioning - determining importance
• Teach many aspects of comprehension at once.• Allow students to learn from each other.• Naturally motivational.• Promote effective discussion.
Day, J. P. (2002). Moving Forward With Literature Circles: How to Plan, Manage,and Evaluate Literature Circles That Deepen Understanding and Foster a Love ofReading (Theory and practice). Scholastic Professional Books. New York.
• Build interest.
• Select books.
• Model each roll.
• Model the literature circle.
• Assign/create groups.
• Set a schedule.
• Assign/choose roles.
• Explain evaulation.
• Be the “Guide on theSide.”
How to . . . Run Literature Circles
You will have _____ minutes for this activity.
Examine the student samples.
What do you notice about how studentscompleted the role sheets?
What do they know? What are they able todo?
What would you teach next?
Inner Circle:Students/Literature Circle
Outer Circle:Teachers/Observers
1. Read and annotate the text.2. Complete your role sheet.
3. Inner circle discuss the text.Outer circle note what happens.
4. Debrief with the outer circle.5. Switch circles and repeat.
1. EVERYONE: First, read and annotate the text. Complete your role sheet. (3-5 minutes)
2. “Students” : Discuss the textin your literature circle. (5 minutes)
4. “Teachers”: Observe the students and notewhat you hear and see happening in the circles.
5. Debrief. What was easy? What was difficult ascircle members and/or as teachers?(5-7 minutes)
Group1:Teachers/Observers
Group 2:Students/Literature
Circle
BOOK CHOICE SHEET
Directions: Tell me what book you would like to read for literature circles. Support yourchoice with at least three reasons. Be sure to completely fill out the selection sheet as youmay not be able to get your first choice every time.
My first choice is__________________________________________________because
1.
2.
3.
My second choice is__________________________________________________because
1.
2.
3.
My third choice is__________________________________________________because
1.
2.
3.
Name:
Date:
Re
ad
er
Re
sp
on
se
Jo
ur
na
l P
ro
mp
ts!
Ea
ch
we
ek
yo
u’l
l w
rit
e
a r
es
po
ns
e t
o y
ou
r r
ea
din
gto
pr
ep
ar
e f
or
yo
ur
lit
er
atu
re
cir
cle
me
eti
ng
. B
eg
ine
ac
h r
es
po
ns
e w
ith
th
e b
oo
k t
itle
, a
uth
or
an
d d
ate
of
yo
ur
en
try
.
Rom
iett
e an
d Ju
lio b
y Sh
aron
Dra
per
4/6
/04
Yo
u c
an
ch
oo
se
to
:
• co
py a
thou
ghtf
ul q
uota
tion
from
the
book
and
wri
te a
par
agra
phab
out w
hat i
t mea
ns to
you
• di
scus
s w
hat c
onfu
ses
you
abou
t the
boo
k
• dis
cuss
wha
t you
wou
ld d
o di
ffer
ently
from
one
of t
he c
hara
cter
s in
the
book
s
• cr
eate
a V
enn
diag
ram
to c
ompa
re th
e bo
ok to
oth
er b
ooks
you
hav
ere
ad
• com
pare
the
char
acte
rs in
the
book
to p
eopl
e yo
u kn
ow
• pr
edic
t wha
t will
hap
pen
next
in th
e bo
ok
• dr
aw a
pic
ture
in re
spon
se to
wha
t you
read
and
wri
te a
des
crip
tion/
expl
anat
ion
of y
our p
ictu
re; l
abel
you
pic
ture
with
det
ails
from
the
text
• fi
nd a
poe
m th
at re
min
ds y
ou o
f som
ethi
ng fr
om th
e no
vel,
copy
the
poem
into
you
r jou
rnal
and
wri
te a
par
agra
ph e
xpla
inin
g ho
w it
conn
ects
to th
e bo
ok
•wri
te a
par
agra
ph e
xpla
inin
g ho
w e
vent
s in
the
book
con
nect
toev
ents
in y
our o
wn
life
or e
vent
s th
at h
ave
happ
ened
or a
re h
appe
ning
in th
e w
orld
____
_ S
crib
bler
of D
ream
s by
Mar
y Pe
arso
n
____
_ R
omie
tte
& J
ulio
by
Shar
on D
rape
r
____
_ If
You
Com
e So
ftly
by
Jacq
ulyn
Woo
dson
____
_ S
on o
f the
Mob
by
Gor
don
Kor
man
BO
OK
CH
OIC
E S
HE
ET
Dir
ecti
ons:
Num
ber
your
boo
k ch
oice
s fr
om 1
to4,
with
1 b
eing
you
r to
p ch
oice
. If
ther
e is
asp
ecia
l rea
son
for
your
cho
ice
plea
se jo
t a n
ote
unde
r you
r sel
ectio
n.
Nam
e:D
ate:
Ada
pted
fro
m J
anet
Lop
ez A
dapt
ed f
rom
Jan
et L
opez
LITERATURE CIRCLE MEETING EVALUATION
Literature Circles: To be evaluated by the ________________________
Daily Participation Scoring Guide for reading: _______________________________
Attendance
Were members prepared for day’sdiscussion? Yes No Comments
Discussion Director/Task Master: Yes No Comments
Literary Luminary/Passage Master: Yes No Comments
Character Captain: Yes No Comments
Connector: Yes No Comments
Artful Artist: Yes No Comments
Word Wizard: Yes No Comments
Role: _____________________ Yes NoComments
As a group, assess your work habits for today. Discuss and circle the standards your group met for today on theLiterature Circle Evaluation Rubric. If your group fell into the lowest categories, explain what didn’t work, andmake a plan for what you’ll do differently at your next meeting.
Comments:
Adapted from Janet Lopez
Name:
Date:
IndicatorA
ExceedsExpectations
BMeets
Expectations
CWorking towards
Expectations
DBelow
Expectations
FDisregardedExpectations
GroupTalk
BeingPrepared
Doing theWork
SettingGoals
WorkedCooperatively
group memberslistened to each otherand if disagreements
arose membersdiscussed themrespectfully by
letting all membersgive suggestions andagree with solutions
group memberslistened to each
other and ifdisagreementsarose membersdiscussed themrespectfully by
listening toeveryone
group memberslistened to each
other and ifdisagreementsarose membersdiscussed them
but not everyoneparticipated or
was heard
group memberssometimes listened
to each other; ifdisagreements arosemembers sometimes
ignored them,ignored some groupmembers or let one
person take over
group membersdid not listened to
each other; ifdisagreementsarose argued,
sometimes raisingtheir voices ortalking overothers; not
everyone partici-pated or was heard
clearly set readinggoals, roles andplanned for next
meeting
set reading goals,roles and plannedfor next meeting
did not set clearreading goals, orreading goals are
revised as thegroups meet ;
there may be someconfusion about
roles; planned fornext meeting
ran out of timebefore group couldfinish planning forthe next meeting;may set reading
and roles but bothor either are notmet by meeting
time
did not set goalsor plan for next
meeting
more than two groupmembers did not
stayed on task (or wereabsent )even when theteacher stepped in or
was near; somemembers did not evenknow what their role
was
some groupmembers stayed ontask only when theteacher stepped inor was near ; somemembers did not
try to act according
to their role
some groupmember stayed on
task only whenthe someone
reminded them todo so; members
tried to actaccording to their
role
most groupmembers stayedon task most of
the time andacted according
to their role
each group memberstayed on task andacted according to
their role
several of themembers tried todo the prep work
(reading andcompleting the
role sheets)DURING the circle
meeting ORseveral of the
members did notread or participate
several of themembers did notprepare for the
circle ahead of timeby doing the
reading or complet-ing the writing/role
sheets
some of themembers preparedfor the circle aheadof time by doing thereading or complet-ing the writing/role
sheets; otherscompleted the rolesheets during the
circle’s meeting time
most of themembers preparedfor the circle ahead
of time by doingthe reading andcompleting the
writing/role sheets
all the membersprepared for the
circle ahead of timeby doing the readingand completing thewriting/role sheets
most of the groupmembers
talked socially andNOT about the book;
group membersargued disrespect-fully about each
other’s views and didnot meet the goals of
the circle
few of the groupmembers
talked about thebook the entire
time; most talkedsocially; group
members argueddisrespectfully
about each other’sviews
some of the groupmembers
talked about thebook the entire
time; others talkedsocially; some of
the group memberswere supportive ofeach other’s views
most of the groupmembers
talked about thebook the entire time
and most weresupportive of each
other’s views
all of the groupmembers
talked about the bookthe entire time andwere supportive of
one another’s views
Adapted from Janet Lopez
LITERATURE CIRCLE EVALUATION RUBRIC
How to . . . CREATE LITERATURE CIRCLE TOOLS
MINI- READER RESPONSE JOURNALS . . .Print the Reader Response Journal Cover on card stock. Or print on white paper and have
students glue it onto construction paper. Use blank interior pages, or print lined pages, or artboxed pages front to back. Fold the cover in half and staple the journal “guts” into the booklet
using a long reach stapler!
LITERATURE CIRCLE ROLE SHEETS . . .Photocopy the role sheets and hand them out to students. It might be helpful to keep file
folders of extra sheets in your classroom. You might also consider copying the different roles ontodifferent colors of paper to make management of roles per group easier. If your students useacademic journals or some other type of journal, you might consider making small size role sheetsthat they could paste into their journal. Once you want to start weaning students away from therole sheets, consider taping them to card stock or construction paper and laminating them. Ifstudents use full sized laminated role sheets they can write on with dry erase markers or transpar-ency markers. Finally, you can make quarter sheet sized role cards, sort of like literature circletrading cards, that students can hold in their hands to keep them focused.
Passage #1Book____________________________________ Page _____Paragraph ___
Reason for choosing the passage1.
2.
3.
Passage PickerAs the Passage Picker, it is your job to read aloud parts of the story to your group in order to helpyour group members remember some interesting, powerful, puzzling, or important sections of thetext. You decide which passages or paragraphs are worth reading aloud, and justify your reasonsfor selecting them. Write the page numbers and paragraph numbers on this form along with thereason you chose each passage. You must choose a minimum of 2 passages.
Some reasons for choosing passages to share might include:* Pivotal events * Informative * Descriptive * Surprising * Scary *Famous scene *Sad* Thought-provoking * Funny * Controversial * Confusing * Personally meaningful
Passage #2Book____________________________________ Page _____Paragraph ___
Reason for choosing the passage1.
2.
3.
Passage #3Book____________________________________ Page _____Paragraph ___
Reason for choosing the passage1.
2.
3.
Adapted from Janet Lopez
Name:
Date of Meeting:
Discussion DirectorName:
Date of Meeting:
As the Discussion Director, it is your job to get the conversation about the book going and tokeep it going (about the book). To generate some good book talk write down five or morequestions after you read the selection. Avoid yes and no questions by beginning your questionswith: why? what if . . .? how . . . ? which . . . would be best? which scene was . . . ?
1.
2.
3.
4.
5.
Adapted from Janet Lopez
Amazing Artist Name:
Date of Meeting:
As the Amazing Artist, your job is to capture one of the scenes. Don’t worry about yourartistic abilities! What’s important is that your group members “see” a movie in theirmind as they read the book. You will draw at least one scene (item, setting, character, orother element of the reading) and note at least two more. During your literature circlemeeting you will read these scenes or bits aloud to your group and discuss what wordsthe author used that helped you form mental pictures.
I can visualize_______________________________________________ on page _____.
I can visualize_______________________________________________ on page _____.
Details that help me “see” the words include:
I can visualize_______________________________________________ on page _____.Details that help me “see” the words include:
Remember to label your artwork with details from the text!
Word Wizard Name:
Date of Meeting:
As the Word Wizard, it is your job to log cool vocabulary words from the book yourgroup is reading. You will create a personal dictionary for the group!
Words chosen can be:*Spectacular * Important * Unfamiliar * Different * Puzzling
* Curious *Favorites * Funny * Used in an unusual way * Interesting
List a minimum of 5 interesting words!
Word Page # Definition Reason for Choosing
Adapted from Janet Lopez
Creative Connector Name:
Date of Meeting:
As the Creative Connector, your job is to make connections to deepen your groupsunderstanding of the story. Your goal is to make text to self, text to text, or text toworld connections that help you and your group better understand the story! Come upwith one to three connections. Describe the scene, the connection and the “so what” ofhow they deepen your understanding below.
Original Scene My Connection So What?It helps me understand. . .
Curious Questioner Name:
Date of Meeting:
I wondered. . .When I read . . .
As the curious questioner, your job is to be inquisitive. You need to make the wonderingthat good readers do explicit for your group! That means that you have to record yourquestioning thinking as you read! As you read, listen for the questions you ask of the text.Record five or more questions you asked of the text below.
Share at least three of your wonderings with you group during yourliterature circle! If your group members come up with
their own wonderings, add them to your list!
Metaphor Maker Name:
Date of Meeting:
As the Metaphor Maker, your job is to think outside the box! If Forest Gump can come upwith the simile, “life is like a box of chocolates” you can come up with creative compari-sons too! Whether similes (using like or as) or metaphors (life is a box of chocolates),create three to five creative comparisons that help you deepen your understanding of thereading. You might compare a setting, a character, a scene, a moment, or any other item tosomething interesting and unexpected!
The Text Is like . . . Because. . .
HamletfromShakepeare’splay, Ham-let
a worn out tennis ball
he’s been bouncing around a lot --he can’t make up his mind andkeeps bouncing from one sideofthe tennis court (action) to theother (inaction).
Metaphor MakerAs the Metaphor Maker, your job is to
think outside the box! If Forest Gump cancome up with the simile, “life is like a box
of chocolates” you can come up withcreative comparisons too! Whether
similes (using like or as) or metaphors(life is a box of chocolates), create three to
five creative comparisons that help youdeepen your understanding of the reading.You might compare a setting, a character,a scene, a moment, or any other item tosomething interesting and unexpected!
The text. . . is like . . . because. . .
Creative ConnectorAs the Creative Connector, your job is tomake connections to deepen your groups
understanding of the story. Your goal is tomake text to self, text to text, or text to world
connections that help you and your groupbetter understand the story! Come up with
one to three connections. Describe the scene,the connection and the “so what” of how they
deepen your understanding below.
Curious QuestionerAs the curious questioner, your job is to be
inquisitive. You need to make the wonderingthat good readers do explicit for your group!
That means that you have to record yourquestioning thinking as you read! As you
read, listen for the questions you ask of thetext. Record five or more questions you
asked of the text below.
Share at least three of your wonderingswith you group during your
literature circle!
If your group members come up withtheir own wonderings, add them to your list!
Original Scene . . .
My Connection . . .
So What?It helps me under-
stand. . .
Word WizardAs the Word Wizard, it is your job to log coolvocabulary words from the book your group isreading. You will create a personal dictionary
for the group!
Words chosen can be:*Spectacular * Important * Unfamiliar *
Different * Puzzling * Curious *Favorites *Funny * Used in an unusual way * Interesting
List a minimum of 5 interesting words!
Word page # ___
Definition:
Reason for Choosing:
Amazing ArtistAs the Amazing Artist your job is to captureone of the scenes. Don’t worry about yourartistic abilities! What’s important is thatyour group members “see” a movie in theirmind as they read the book. You will draw atleast one scene (item, setting, character, orother element of the reading) and note at
least two more. During your literature circlemeeting you will read these scenes or bitsaloud to your group and discuss how theauthor helped you form mental pictures.
I can visualize:on page _____
Details that help me “see” the words include:
Discussion DirectorAs the Discussion Director, it is your job to getthe conversation about the book going and tokeep it going (about the book). To generatesome good book talk write down five or morequestions after you read the selection. Avoidyes and no questions by beginning yourquestions with: why? what if . . .? how . . . ?which . . . would be best? which scene was . .. ?
1.
2.
3.
4.
5.
Passage PickerAs the Passage Picker, it is your job to read aloud
parts of the story to your group in order to helpyour group members remember some interesting,powerful, puzzling, or important sections of the
text. You decide which passages or paragraphs areworth reading aloud, and justify your reasons for
selecting them. Write the page numbers andparagraph numbers on this form along with the
reason you chose each passage. You must choosea minimum of 2 passages.
Some reasons for choosing passages to sharemight include:
* Pivotal events * Informative * Descriptive *Surprising * Scary *Famous scene *Sad
* Thought-provoking * Funny * Controversial *Confusing * Personally meaningful
Passage Page _____ Paragraph ___
Reason for choosing the passage
Wild CardChoose your own role! You may be the
artful artist, the passage picker, theword wizard, the discussion director,the curious questioner, or the creativeconnector! You decide what role you
will play today!
• Use role sheets.• Use role cards.• Use response journals.• Use a tape recorder.• Use nothing.
• Use role sheets.• Use role cards.• Use response journals.• Use a tape recorder.• Use nothing.
Professional Reading List: Literature Circles
Books
Allen, Janet. (2003). On the Same Page: Shared Reading Beyond the Primary Grades.York, ME: Stenhouse.
Daniels, Harvey. (2002). Literature Circles: Voice and Choice in the Student –CenteredClassroom. York, ME: Stenhouse.
Day, Jeni Pollack, Spiegal, Dixie Lee, McLellan, Janet, and Valerie Brown. (2002).Moving Forward With LItearture Circles: How to Plan, Manage, and EvaluateLiterature Circles That Deepen Understanding and Foster a Love of Reading.New York, NY: Scholastic.
Hill, Bonnie Campbell; Johnson, Nancy; and Katherine Schlick Noe (Eds.). (1995).Literature Circles and Response. Norwood, MA: Christopher-Gordon Publishers, Inc.
Hill, Bonnie Campbell; Noe, Katherine, and Nancy Johnson. (2001). Literature CirclesResource Guide. Norwood, MA: Christopher-Gordon Publishers, Inc.
Hill, Bonnie Campbell; Noe, Katherine, and Janine King. (2003). Literature Circlesin Middle School: One Teacher’s Journey. Norwood, MA: Christopher-Gordon Publishers,Inc.
Noe, Katherine. (1999). Getting Started with Literature Circles. Norwood, MA: Christopher-Gordon Publishers, Inc.
Rief, Linda. (1998). Vision & Voice: Extending the Literacy Spectrum. Portsmouth, NH:Heinemann.
Routman, Regie. (2000). Conversations: Strategies for Teaching, Learning andEvaluating. Portsmuth, NH: Heinemann.
Samway, Katharine Davies, and Gail Whang. (1995). Literature Study Circles in a MulticulturalClassroom. York, ME: Stenhouse.
Articles
Brabham, Edna Greene; Villaume, Susan Kidd. (Nov 2000). “Continuing Conversations aboutLiterature Circles.” Reading Teacher, 54 (3), 278-80.
Burns, Bonnie. (Oct 1998). “Changing the Classroom Climate with Literature Circles.” Journal ofAdolescent and Adult Literacy, 42 (2), 124-29.
Camacho, Alexa; Davis Barbara; Davis, Laura, and Virginia Resta. (Spr 2001). “Novice TeachersLearn About Literature Circles through Collaborative Action Research.” Journal of ReadingEducation, 26 (3), 1-6.
Daniels, Harvey. (May 2002). “Expository Text in Literature Circles.” Voices From theMiddle, 9 (4), 7-14.
Holly, Johnson. (Fall 2000). “To Stand Up and Say Something: ‘Girls Only’ Literature Circles at theMiddle Level. New Advocate, 13 (4), 375-389.
Martin, Jan. (Aug 1998). “Literature Circles.” Thresholds in Education, 24 (3), 15-19.
Noll, Elizabeth. (Oct 1994). “Social Issues and Literature Circles with Adolescents.” Journal ofReading, 38 (2), 88-93.
Short, Kathy; Kaufman, Gloria; Kaser, Sandy; Kahn, Leslie; and Kathleen Crawford.(May 1999). “Teacher-Watching”: Examining Teacher Talk in Literature Circles.Language Arts, 76 (5), 377-85.
Websites
Bertram, Gilliam (2002). “The Importance of Oral Language in the School Curriculum.”English Online. [Online] Available:http://english.unitecnology.ac.nz/resources/resources/effective_communication.html
Brown, Mary Daniels. (Jan 2004). “Literature Circles Build Excitement for Books!”Education World: Curriculum: Literature Circles Build Excitement for Books![Online] Available: http://www.education-world.com/a_curr/
Candler, Laura. (Nov 2003). “Literary Lessons.” Teaching Resources. [Online]Available: http://home.att.net/~teaching/litcircles.htm
Lamb, Annette. (Jan 2004). Literature Learning Ladders. [Online]Available: http://eduscapes.com/ladders/
Lopez, Janet. “Literature Circles.” Lit Site Alaska. [Online] Available:http://litsite.alaska.edu/uaa/workbooks/circlereading.html
Noe, Katharine Schlick. Literature Circles Resource Center. [Online] Available:http://fac-staff.seattleu.edu/kschlnoe/LitCircles/
Walters, Johnny. (Summer 2003). “Virtual Circles: Using Technology to EnhanceLiterature Circles & Socratic Seminars.” Meridian: A Middle School ComputerTechnologies Journal, 6 (2) [Online] Available:http://www.ncsu.edu/meridian/sum2003/circles/index.html
• Work.• Circulate.• Cruise with a clipboard.• Take anecdotal notes.• Listen in to each small group.• Prasise good group talk/behavior.• Redirect off task behavior.• Evalute and assess students.