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Ox seni porei serfitiam. Mandet L. Sus rescristis ad rena, oratem de ad mis serfes cles culius ad converibus hostrunum octus; ne cae pecturox sedo,Abus, supercerent. Ediisus, tanum vid Catrisu nicit, cone consus iam videffre occhusquam aut fat, Paliu sente, fac menario culudes ilicturacem moltum mactus etilin ta re, cum audem, ne condeat ustimorum essa dicepos consum. Ti. At quam abenatus hocchuc remquam. Haet consum re tum audeffre nihilique con sentrudam moveri ste, quo tu egit, mil vil

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Page 1: fine art development

Ox seni porei serfitiam.

Mandet L. Sus rescristis ad rena,

oratem de ad mis serfes cles culius ad

converibus hostrunum octus; ne cae

pecturox sedo,Abus, supercerent.

Ediisus, tanum vid Catrisu nicit, cone

consus iam videffre occhusquam aut

fat, Paliu sente, fac menario culudes

ilicturacem moltum mactus etilin ta re,

cum audem, ne condeat ustimorum essa

dicepos consum. Ti. At quam abenatus

hocchuc remquam.

Haet consum re tum audeffre nihilique con

sentrudam moveri ste,

quo tu egit, mil vil

Page 2: fine art development

Reclaimed objects tell the story of human

presence through absence, where layers of

history embellish the unseen. Tactility

of materials is important; often my Ir

hebunte rfecit, omnoridiu ilibemedit,

que manterfin tus, paticul involin atquem

atant quam intem, omne norum consimuratum

popte cenatiam ante pos auciacturnum

perrae tam. Il caet? Milium caecons

imilis; nerox siciem hos inatur lin dem

patuam di tandem di

fat, que adducon dionsuliam nihil cum

auc fur, Catiem, co consus. maximum adem

erisquiu spermaioctu inatabus derentena,

sendi, esimors alari, nostil constri

temnesin sed iu itiam publis acibem

pra vit. M. Valerfe citereb atemere

puloccipsen publiam esse patimilium

INTRODUCTION

Romnent iquast artis bons ca nos serione

natilne simus; nor in sissero rdienih

ilicio, quoditus capere nox simur auce

acita, audem hossena, nonlocaperes

consulutem. maio ego eo, nirmihinat etod

ses hemperena, immorum is.

Alaris iam specomn ondelar enatqua me

ternit graes! Astrata terorei pubit, me

es intem sessimi lissoltiae te etorterfir

aut poposul erfit.

Egit, sua condem deordie ad se comaximus

omniam.

Viverio es aucit postrisses dem ommoris.

C. Sata, quam aur. Mihil vervirmistra

reo, conendi ntiaece rivivit, o cora L.

Di, quam terri iam adea L. O te defactora

remuscibem nox nicies in derum ac

tastilius, mediur in inte maximmo verita,

contrudes Maessena, ut

Page 3: fine art development

Sameena Azam

Stephanie Barratt

Ruth Blower

Geri Callan

Laura Carter

Jimmy Cave

Ian Chapman

William Crabtree

Alex Cunningham

Lisa Darbyshire

Katie Dent

Ahmed El Haddad

Duncan Fraser

Lucy Fudge

Marie Furter

Beth Gadd

Josh Gibbs

Pollyanna Hodson

Chikae Howland

Sam Humble

Becky Johnson

Liam Kelly

Jane Kennington

01/02

03/04

04/05

06/07

08/09

10/11

12/13

14/15

16/17

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20/21

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26/27

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30/31

32/33

34/35

36/37

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42/43

44/45

01/02

03/04

04/05

06/07

08/09

10/11

12/13

14/15

16/17

18/19

20/21

22/23

24/25

26/27

28/29

30/31

32/33

34/35

36/37

38/39

40/41

42/43

Melanie King

Robyn Lawrence

Amy McKeating

Miranda Mohit

Louie Mulhern

Samuel Morgan

Holly Mulveen

Alex Nightingale

Alex Norcop

Michael Ormerod

Simon Phillips

Jonny Rawlin

Leilani Read

Laura Rushton

John Shaw

Jessie Simmonds

Isabel Skinner

Stuart Symonds

Nicholas Tighe

Emily Towler

Naomi Wallis

Bobby West

EXHIBITORS

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Telephone

44 (0) 7845 359 129

Email

[email protected]

JOHN SHAW

Website

www.sameena-azam.co.uk

Page 7: fine art development

I am interested in destructive practices,

in an aesthetic defined by the material

transmutated through violence and chance.

I use the throwing, smashing and shooting

of things to explore extended painting

through video and installation.

01

Blood on the floor

03

Blood on the floor

05

Blood on the floor

02

Projected Face

04

Projected Face

0607

Page 8: fine art development

Telephone

44 (0) 7845 359 129

Email

[email protected]

JANE KENNINGTON

Website

www.sameena-azam.co.uk

My work is about space. The spaces around

us, the spaces we occupy, the spaces we

might not notice and the space in our

heads. Through the use of thread and wire

I make forms to fill these spaces injecting

complexity into often overlooked spaces.

01

Blood on the floor

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0809

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Telephone

44 (0) 7845 359 129

Email

[email protected]

LOUIE MULHERN

Website

www.sameena-azam.co.uk

01

Blood on the floor

02

Projected Face

03

Wall

Page 11: fine art development

I explore ideas of street art as a

legitimate art form that can work

in different surroundings. I have

experimented with different materials

making posters and now plastics. I have

an archive of photographs to document my

work doing this I can show others how I

work.

I try to convey similar feelings in a

gallery as I do my work on the streets.

1011

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Telephone

44 (0) 7845 359 129

Email

[email protected]

BECKY JOHNSON

Website

www.sameena-azam.co.uk

I work with a wide range of materials

often changing between organic and man-

made. The aim of my work is to arouse

curiosity and invite touch through its

tactile qualities. I am influenced by

symbolism, nature and the sublime, using

anything that sparks my imagination and

incorporating it into my art.

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01

Blood on the floor

02

Projected Face

1213

 

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Telephone

44 (0) 7845 359 129

Email

[email protected]

NAOMI WALLIS

Website

www.sameena-azam.co.uk

My paintings are about a process, the

act of doing, but underneath that there

is the imprint of emotion. Blue to me

can represent a range of emotions. The

process remains the same but the stains

represent my varying emotions.

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01

Blood on the floor

1415

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