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FOR IMMEDIATE RELEASE August 31, 2010 The Wilma Theater opens its 2010 – 2011 Season with Macbeth, by William Shakespeare, directed by Blanka Zizka First-ever Shakespeare production at the Wilma September 29 to November 7, 2010 PHILADELPHIA – The Wilma Theater opens its 2010 – 2011 Season with a new production of Macbeth, by William Shakespeare, directed by Blanka Zizka. After 31 seasons of groundbreaking theater, the Wilma presents its first-ever production of Shakespeare with an ambitious staging of the Bard’s final great tragedy. Macbeth begins previews on September 29, opens on October 6, and closes on November 7, 2010. Tempted by the prophecies of three mysterious witches, Macbeth’s ambition to be King of Scotland leads him into a nightmarish world of evil, deceit, and murder. Monstrous actions run rampant as he and Lady Macbeth lose themselves to unstoppable drives of savagery and political atrocity. Featuring spectacular choreography, original music, and stunning visuals, this classic tale of power and madness promises to be like nothing audiences have ever seen on the Wilma’s stage. “I was very much inspired by an anonymous diary, A Woman in Berlin,” says director Blanka Zizka. “The author captures in the most unsentimental fashion the destruction of Berlin in the last weeks of World War II. For that reason, our production starts in the moment of history when a modern civilization is crumbling, the time is moving backwards, tribal impulses come to surface, raw ambitions and desires roam free, and disorder and chaos give rise to renewed beliefs, superstitions and witchcraft.” Zizka’s approach to the play has been developed through a combination of factors. In addition to A Woman in Berlin, she intensely studied other approaches to the play through its history. Marvin Rosenberg’s encyclopedic study The Masks of Macbeth was particularly useful for his idea of looking at the play as a naïve reader or spectator and his emphasis on the play’s “polyphony” – the multiplicity of voices and images within the play. A final important influence was a workshop she attended this summer led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare Company, which reinforced Rosenberg’s intellectual appreciation of the play’s polyphony in the visceral experience of the actor. (cont.) 265 S. Broad St., Philadelphia, PA 19107 Admin. Phone: 215.893.9456 Box-Office: 215.546.7824 Press Contact: John Van Heest Public Relations Manager 215-893-9456 x102 jvanheest@wilmatheater.org

FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

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Page 1: FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

FOR IMMEDIATE RELEASE August 31, 2010

The Wilma Theater opens its 2010 – 2011 Season with Macbeth, by William Shakespeare, directed by Blanka Zizka

First-ever Shakespeare production at the Wilma September 29 to November 7, 2010

PHILADELPHIA – The Wilma Theater opens its 2010 – 2011 Season with a new production of Macbeth,

by William Shakespeare, directed by Blanka Zizka. After 31 seasons of groundbreaking theater, the

Wilma presents its first-ever production of Shakespeare with an ambitious staging of the Bard’s final great

tragedy. Macbeth begins previews on September 29, opens on October 6, and closes on November 7,

2010.

Tempted by the prophecies of three mysterious witches, Macbeth’s ambition to be King of Scotland leads

him into a nightmarish world of evil, deceit, and murder. Monstrous actions run rampant as he and Lady

Macbeth lose themselves to unstoppable drives of savagery and political atrocity. Featuring spectacular

choreography, original music, and stunning visuals, this classic tale of power and madness promises to

be like nothing audiences have ever seen on the Wilma’s stage.

“I was very much inspired by an anonymous diary, A Woman in Berlin,” says director Blanka Zizka. “The

author captures in the most unsentimental fashion the destruction of Berlin in the last weeks of World War

II. For that reason, our production starts in the moment of history when a modern civilization is crumbling,

the time is moving backwards, tribal impulses come to surface, raw ambitions and desires roam free, and

disorder and chaos give rise to renewed beliefs, superstitions and witchcraft.”

Zizka’s approach to the play has been developed through a combination of factors. In addition to A

Woman in Berlin, she intensely studied other approaches to the play through its history. Marvin

Rosenberg’s encyclopedic study The Masks of Macbeth was particularly useful for his idea of looking at

the play as a naïve reader or spectator and his emphasis on the play’s “polyphony” – the multiplicity of

voices and images within the play. A final important influence was a workshop she attended this summer

led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare Company, which

reinforced Rosenberg’s intellectual appreciation of the play’s polyphony in the visceral experience of the

actor.

(cont.)

265 S. Broad St., Philadelphia, PA 19107 Admin. Phone: 215.893.9456

Box-Office: 215.546.7824

Press Contact: John Van Heest Public Relations Manager 215-893-9456 x102 [email protected]

Page 2: FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

Zizka’s approach to the play is being further realized by her artistic collaborators. Mimi Lien, a frequent

collaborator, designed the set with strong dichotomies of space - dark and light, open and closed, real

and imagined. Since the set is abstract and poetic, costume designer Oana Botez-Ban’s costumes

suggest time, space, and mood. Choreographer Brian Sanders, whose new work Sanctuary will be part

of the 2010 Live Arts Festival, will help develop and define the elusive characters of Shakespeare’s Weird

Sisters. Sanders’ work has an athleticism and acrobatic fearlessness that will bring out the kinetic energy

in the characters of the sisters. Czech percussionist and composer Pavel Fajt’s original music

complements Sanders’s work. A leading figure in Czech rock and alternative music for nearly 20 years,

Fajt’s music exhibits a primal drive, that when coupled with strong visual presentation and movement, will

propel the dramatic rhythm embedded in the script, while also evoking the strong and deep desires that

are underlying the play’s action.

About the Cast

The title roles of Macbeth and Lady Macbeth are played by CJ Wilson and Jacqueline Antaramian, This

is Mr. Wilson’s debut on the Wilma stage. His acting credits also include A Steady Rain, Festen, Henry IV,

Long Day's Journey into Night, and The Best Man on Broadway. Off-Broadway credits include Happy

Now? at Primary Stages, OFFICES and The Voysey Inheritance at Atlantic Theatre, and Race at the

Classic Stage Company.

Jacqueline Antaramian returns to the Wilma stage as Lady Macbeth. Antaramian has been seen at the

Wilma in 9 Parts of Desire, for which she won a Barrymore Award for Best Actress (2006), and she was

also nominated for Best Supporting Role for her portrayal of Jihane and Nawal (age 40-45) in the Wilma’s

2009 production of Scorched.

Macbeth’s 20-member cast includes Ames Adamson as Ross/Porter, Nako Adodoadji as Weird Sister,

Krista Apple (previous Wilma credits: Leaving, 2010, The Life of Galileo, 2007) as Weird Sister and Lady

Macduff, Robert DaPonte as Donalbain, John Jarboe as Bloody Sergeant, Rachael Joffred as Weird

Sister, Albert Jones as Macduff, Kevin Meehan as Lennox, Michael Rudko (previous Wilma credit:

Night and Day, 2004) as Duncan, Lindsay Smiling (previous Wilma credits: Jesus Hopped the A Train,

2004, Resurrection Blues, 2003) as Banquo, Luigi Sottile (previous Wilma credit: Leaving, 2010) as

Malcolm, Ed Swidey as Angus.

The ensemble includes Mark Cairns, John Greenbaum, Ian Sullivan, Joshua Dingle and young actors

Antonio J. Dandridge (previous Wilma credit: Coming Home, 2009), and Avery Garlic.

About the Director

Blanka Zizka has been the Artistic Director of The Wilma Theater since 1981. Her most recent production

was the World Premiere production of Yussef El Guindi’s Language Rooms; her productions of Wajdi

Mouawad’s Scorched and Tom Stoppard’s Rock ’n’ Roll garnered 17 Barrymore nominations last season.

She recently directed Leoš Janáček’s opera Kát’a Kabanová for the Academy of Vocal Arts, as well as

Ariel Dorfman’s The Other Side, starring Rosemary Harris and John Cullum at Manhattan Theatre Club.

(cont.)

Page 3: FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

At the Wilma, her credits include the U.S. Premiere of Linda Griffiths’s Age of Arousal, Althol Fugard’s

Coming Home and My Children! My Africa!, Doug Wright’s I Am My Own Wife, the World Premiere of

Raw Boys by Dael Orlandersmith, Jesus Hopped the 'A' Train by Stephen Adly Guirgis (Barrymore

Winner, Best Overall Production and Best Director), the World Premiere of Embarrassments by Laurence

Klavan and Polly Pen, and the Philadelphia Premieres of Lillian Groag's The Magic Fire and Chay Yew's

Red. In 2002 she directed the World Premiere of Dael Orlandersmith’s Yellowman at Manhattan Theatre

Club, McCarter Theatre Center, Long Wharf Theatre, ACT in Seattle, and at The Wilma Theater. She was

awarded the first Barrymore Award for Best Direction of a Play for Cartwright’s Road.

Special Events

A number of special, behind-the-scenes Onstage Conversations will accompany the production and

provide audiences with the opportunity to engage with the artistic staff of the Wilma.

Onstage Conversation

Thursday, October 7, 2010 - 10:00pm

Stay after the performance to discuss the play with a member of the Wilma's artistic staff.

Onstage Conversation

Thursday, October 14, 2010 - 10:00pm

Stay after the performance for an informal chat with the cast.

Young Friends Evening

Friday, October 15, 2010 – 7:00pm

Complimentary pre-show reception for audience members age 35 and under.

Onstage Conversation

Sunday, October 17, 2010 - 4:30pm

Join Dramaturg Walter Bilderback and three distinguished guests for a wide-ranging conversation on the

Wilma's production of Macbeth and the attractiveness of evil. Taking part will be Shakespeare Scholar

Alice Dailey, Assistant Professor of English at Villanova University and author of "Finding Romance

under Constraint: Three Late Plays," in Borrowers and Lenders: A Journal of Shakespeare and

Appropriation 4.2 (Summer 2009). Rabbi Arthur Waskow from Philadelphia's Shalom Center, and

evolutionary pyschologist Laurie Santos, Associate Professor of Psychology at Yale, will also be

participating in the discussion.

Tria Pre-Show Wine Tasting

Friday, October 29, 2010 - 7:00pm

Join us for a complimentary, pre-show wine tasting in our lobby from 7 - 8 PM sponsored by Tria.

(cont.)

Page 4: FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

Tickets

Tickets range from $40 to $69, and are available at the Wilma’s Box Office by calling (215) 546-7824,

visiting wilmatheater.org, or coming to the theater, located at 265 South Broad Street in Philadelphia.

Macbeth has been supported by The Pew Center for Arts & Heritage through the Philadelphia Theatre

Initiative. Daniel Berger is the Honorary Producer of Macbeth. PECO is the Macbeth Building the

Audiences of Tomorrow Production Sponsor.

The Doubletree Hotel, Ruth’s Chris Steakhouse, and The Sporting Club at the Bellevue are the Season

Sponsors for The Wilma Theater’s 2010 – 2011 Season.

Page 5: FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

What: Macbeth. Written by William Shakespeare, Directed by Blanka Zizka. Where: The Wilma Theater 265 South Broad Street Philadelphia, PA 19107 When: September 29 – November 7, 2010 Preview Performances: September 29 – October 5, 2010 Opening Night: October 6, 2010 Reviewing members of the press are invited to attend opening night and may reserve tickets by contacting John Van Heest, Public Relations Manager at [email protected] Summary: The Wilma Theater opens its 2010 – 2011 Season with a new production of Macbeth, by William Shakespeare, directed by Blanka Zizka. After 31 seasons of groundbreaking theater, the Wilma presents its first-ever production of Shakespeare with an ambitious staging of the Bard’s final great tragedy. Tickets range from $40 to $69, and are available at the Wilma’s Box Office by calling (215) 546-7824, visiting wilmatheater.org, or coming to the theater, located at 265 South Broad Street in Philadelphia. Cast: Ames Adamson (resident of Philadelphia, PA) as Ross/PorterWitch Nako Adodoadji (resident of Philadelphia, PA) as Weird Sister Jacqueline Antaramian (resident of New York, NY) as Lady Macbeth Krista Apple (resident of Philadelphia, PA) as Weird Sister and Lady Macduff Robert DaPonte (resident of Philadelphia, PA) as Donalbain John Jarboe (resident of Philadelphia, PA) as Bloody Sergeant Rachael Joffred (resident of Philadelphia, PA) as Weird Sister Albert Jone (resident of New York, NY) as Macduff Kevin Meehan (resident of Philadelphia, PA) as Lennox Michael Rudko (resident of New York, NY) as Duncan Lindsay Smiling (resident of New York, NY) as Banquo Luigi Sottile (resident of Philadelphia, PA) as Malcolm Ed Swidey as Angus CJ Wilson (resident of New York, NY) as Macbeth Ensemble Mark Cairns, John Greenbaum, Ian Sullivan, Joshua Dingle Antonio J. Dandridge, and Avery Garlic Artistic Staff: Director - Blanka Zizka Choreographer - Brian Sanders Composer - Pavel Fajt Set Designer - Mimi Lien Costume Designer - Oana Botez-Ban Lighting Designer - Tyler Micoleau Sound Designer - Daniel Perelstein Fight Director - J. Alex Cordaro Voice and Text Consultant - Andrew Wade Stage Manager - Patreshettarlini Adams Contact: John Van Heest, Public Relations Manager 215-893-9456x102 [email protected]

###

Page 6: FOR IMMEDIATE RELEASE - Wilma Theater Word - Macbeth...FOR IMMEDIATE RELEASE August 31, 2010 ... led by legendary Shakespearean voice teacher Cicely Berry of the Royal Shakespeare

Press Photos Available High Res Photos are Available by contacting John Van Heest, Public Relations Manager 215-893-9456x102 [email protected]

Photo Credit: Photo By Christopher Gabello

Jacqueline Antaramian as Lady Macbeth, CJ Wilson as Macbeth