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Grade 6 Unit 6: Poetry Table of Contents Introduction 2 Unit Objectives 2 Lesson 1: Poetic Structure: Rhythm and Form 3 Warm-up! 3 Learn About It! 3 Check Your Understanding 6 Let’s Step Up! 6 Lesson 2: Elements of Poetry 7 Warm-up! 7 Learn About It! 7 Check Your Understanding 13 Let’s Step Up! 13 Lesson 3: Figures of Speech in Poetry 14 Warm-up! 14 Learn About It! 15 Check Your Understanding 19 Let’s Step Up! 20 Performance Task 21 Self-Check: How Well Did I Learn? 22 Wrap Up 23 Bibliography 23

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Page 1: Grade 6 Unit 6: Poetry

Grade 6 Unit 6: Poetry  

Table of Contents    

Introduction 2 

Unit Objectives 2 

Lesson 1: Poetic Structure: Rhythm and Form 3 Warm-up! 3 Learn About It! 3 Check Your Understanding 6 Let’s Step Up! 6 

Lesson 2: Elements of Poetry 7 Warm-up! 7 Learn About It! 7 Check Your Understanding 13 Let’s Step Up! 13 

Lesson 3: Figures of Speech in Poetry 14 Warm-up! 14 Learn About It! 15 Check Your Understanding 19 Let’s Step Up! 20 

Performance Task 21 

Self-Check: How Well Did I Learn? 22 

Wrap Up 23 

Bibliography 23     

Page 2: Grade 6 Unit 6: Poetry

  

GRADE 6 |English  

UNIT 6    

Poetry  Most of the stories in newspapers and magazine are told in prose, a type of writing similar to                                   speech. Some of the oldest stories, however, are told in poetry. Ancient storytellers created                           special literary techniques to make their language beautiful and interesting. In this way, the                           forms that came to be known as poetry emerged.    

Unit Objectives   

In this unit, you should be able to:  

● analyze a poem with four or more stanzas in terms of its elements (rhyme, sound devices, imagery, and figurative language); 

● analyze figures of speech (simile, metaphor, hyperbole, irony); and  ● infer the speaker’s tone, mood, and purpose. 

             

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Lesson 1: Poetic Structure: Rhythm and Form 

  

The earliest poems, and many poems written today, are                 narratives that tell stories. Many poems, however, are lyric                 poems that tell the emotions of a speaker and do not tell a                         story.    

 

Warm-up!   

 Think-Pair-Share When the word poem comes to mind, what does it make you think about? What structure do                                 you expect a poem to have? Think about it for a minute then                         share your thoughts with a partner.  

 Learn About It!    

Poets choose words carefully to create certain effects. More                 often, the meaning can be revealed through the emotions                 the sound invokes.   1. Rhythm - is the pattern of beats, or stresses, in a poem.   

a. Stress/Accent – the emphasis given to a syllable. The                 pattern of stresses determines its rhythm. Thus, this               serves as guidelines in reading a  

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 poem. In the following lines from “The Pied Piper of Hamelin” by Robert Browning, the                             strongly stressed syllables are marked with a slash mark. Try to read aloud these lines. 

 

/   Rats!   / / / /  They fought the dogs and killed the cats,   / / /  And bit the babies in the cradles,   / / / /  And ate the cheeses out of the vats   / / /   And licked the soup from the cooks’ own   / ladles. 

  

b. Stanza – is a group of lines in a poem. Stanzas are usually separated by spaces from                                   other groups of lines. 

 couplet   two-line stanza tercet  three-line stanza quatrain  four-line stanza quintet  five-line stanza sestet  six-line stanza septet  seven-line stanza octave  eight-line stanza 

       

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Emily Dickinson’s poem “The Brain—is wider than the Sky—” is divided into four-line stanzas, or quatrains: 

 

The Brain—is wider than the Sky—  For—put them side by side—  The one the other will contain  With ease—and You—beside—  The Brain is deeper than the sea—  For—hold them—Blue to Blue—  The one the other will absorb—  As Sponges—Buckets—do—   The Brain is just the weight of God—  For—Heft them—Pound for Pound—  And they will differ—if they do—  As Syllable from Sound—  

 2. Form  What we mean by form when it comes to poetry is the physical structure of a poem and what it looks like on a page. Poetry has several forms. A limerick and haiku are examples of forms each with distinct number of lines and stanzas. On the other hand, when poetry does not use regular rhyme, rhythm, or division into stanzas, it is called a free verse.            

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Check Your Understanding   

 1. _________________ is the pattern of beats, or stresses, in a poem.  2. _________________ is the emphasis given to a syllable. 3. The group of lines in a poem is called a/an _________________. 4. A four-line stanza is called a/an _________________. 5. The physical structure of a poem is also called _________________.   

 

 Let’s Step Up!   

                     

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Lesson 2: Elements of Poetry  

 Have you ever wondered about the difference between               the terms poem and poetry? Well, poetry is the process                   of creating a literary piece using poetic techniques, while                 a poem is the end result of this process. Poetry is also                       used to refer to poems collectively or as a genre of                     literature. So what are the other things that make a                   piece of literature a poem?   

 

Warm-up!   

Chalkboard Splash  Along with your classmates, write down on the blackboard what you think are the elements of poetry. Discuss and share your thoughts in class.   

 Learn About It!   

Among the different elements of poetry are rhyme, sound                 devices, figurative language, imagery, and theme.  1. Rhyme  Rhyme is the repetition of sounds at the end of words. Here                       is an example:  

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Once upon a midnight dreary,  while I pondered, weak and weary, 

- from “The Raven” by Edgar Allan Poe 

 We can work out the rhyming pattern by listening to the rhyming words in our head and                                 giving each rhyme a letter.   

And what shoulder and what art A  Could twist the sinews of thy heart? A  And when thy heart began to beat, B  What dread hand and what dread feet? B 

- from “The Tyger” by William Blake 

 In the example, the first and the second lines would be A, since art and heart rhyme. But the third line is a different rhyme, B, and the fourth line rhymes with it since beat and feet rhyme. This poem is an example of an AABB rhyming pattern.   2. Sound Devices  Authors also use sound devices to reinforce meaning and for other intended effects such as to appeal to the sense of hearing of the readers.    

a. Onomatopoeia   This refers to the use of words that imitate the sound they describe (such as hiss, buzz,                                 smack, hum, murmur, and crack). Using onomatopoeia in poetry adds depth to writing. A                           poem has greater impact when added with onomatopoeia. Sound and noise can tell a                           story through onomatopoeia that expresses actions like or slurp or crunch. In this simple                           onomatopoeic poem, Sandburg uses sounds and noises to describe the scenery of a honky                           tonk bar.    

 

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   It’s a jazz affair, drum crashes and cornet razzes.  The trombone pony neighs and the tuba jackass snorts.  The banjo tickles and titters too awful 

- from “Honky Tonk in Cleveland, Ohio” by Carl Sandburg 

  

b. Alliteration   This is the repetition of similar sounds at the beginning of words. Alliteration is often used                               to emphasize specific words. In his poem “The Raven,” Poe repeats the /w/ sounds and /d/                               sounds to draw attention to words such as weary, deep, darkness, and doubting, highlighting                           the hopelessness the persona feels in the poem. Overall, alliteration creates musicality and                         makes the poem easier to remember.  

 

Once upon a midnight dreary while I pondered weak and weary (1);  For the rare and radiant maiden whom the angels name Lenore (11);  And the silken sad uncertain rustling of each purple curtain (13);  Deep into that darkness peering, long I stood there wondering, fearing, (19) Doubting, dreaming dreams no mortal ever dared to dream before (20). 

- from “The Raven” by Edgar Allan Poe 

 c. Assonance   Assonance is the repetition of similar vowel sounds in a sentence or a line of poetry; it creates a musical effect by creating internal rhyme.  

 

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I wandered lonely as a cloud  That floats on high o‘er vales and hills,  When all at once I saw a crowd,  A host, of golden daffodils;  Beside the lake, beneath the trees,  Fluttering and dancing in the breeze  

- from “Daffodils” by William Wordsworth 

 “Daffodils” is a lyric poem. It uses both alliteration and assonance to create rhyme and                             natural flow in the poem. These poetic devices enhance the reader’s pleasure of reading                           and develops the mood, particularly the appreciation of the beauty of nature.  

  

d. Consonance   This is the use of different vowel sounds followed by the same consonant sound, as in flim flam. Below is an excerpt from a poem that uses consonance: 

 

In the still, star-lit night, By the full fountain and the willow-tree, I walked, and not alone-- A spirit walked with me!  

- From “In the Still, Star-Lit Night” by Elizabeth Drew Stoddard 

  3. Figurative Language  Figurative language is the nonliteral way of describing things, which aims to invoke feelings                           and even create imagery that appeals to all our senses. They are rarely used in conversations                               but most often appear as literary devices in a poem. Oftentimes, poems are not easily                             understood because it contains figures of speech. A figure of speech is a statement that has                               more than a straightforward, literal meaning. Some of the common figures of speech are:                           

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simile, metaphor, hyperbole, irony, and euphemism.   4. Imagery   Taken together, the images in a poem or passage are called its imagery. An image is language                                 that describes something that can be seen, heard, touched, tasted, or smelled. The following                           poem contains images of sight and sound.  

It keeps eternal whisperings around  Desolate shores, and with its mighty swell  Gluts twice ten thousand caverns, till the spell  Of Hecate leaves them their old shadowy sound.  Often 'tis in such gentle temper found,  That scarcely will the very smallest shell  Be moved for days from whence it sometime fell,  When last the winds of heaven were unbound.  Oh ye! who have your eye-balls vexed and tired,  Feast them upon the wideness of the Sea;  Oh ye! whose ears are dinned with uproar rude,  Or fed too much with cloying melody, -  Sit ye near some old cavern's mouth, and brood  Until ye start, as if the sea-nymphs choired!  

- From “On the Sea” by John Keats 

  5. Theme  A theme is a central idea in a literary work. It is often the rich and varied underlying idea of the                                         action. In the poem below, the theme is faith and love. It gives the message that if one has                                     faith and love, and waits and works on oneself, he or she will be able to find or make his or                                         her own luck in life.  

I know a place where the sun is like gold, 

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And the cherry blooms burst with snow, And down underneath is the loveliest nook, Where the four-leaf clovers grow.  One leaf is for hope, and one is for faith, And one is for love, you know, And God put another in for luck-- If you search, you will find where they grow.  But you must have hope, and you must have faith,  You must love and be strong--and so-- If you work, if you wait, you will find the place Where the four-leaf clovers grow. 

- From “Four-Leaf Clover” by Ella Higginson 

                     

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Check Your Understanding   

1. What sound device is used when a poem has words such as pop, buzz, and swoosh? 2. Which of the following is not a sound device? 

a. consonance b. alliteration c. imagery d. onomatopoeia 

3. The central idea in a literary work is called the _____________. 4. The words far, flailing, and feathery, when placed together in a line, show _____________. 5. The line “I stood on a bad bench and had to hunch when my head nearly hit a shelf” 

makes use of _____________. 

 Let’s Step Up!  

                  

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Lesson 3: Figures of Speech in Poetry  

When you analyze something, you break it down into                 parts and then study the parts carefully to see how they                     are related to one another and to the whole. An analysis                     of a poem, for example, considers the poem’s theme, or                   main idea, and how the poet has conveyed this main idea                     using the elements of poetry.  As such, by understanding how figures of speech work in poems, we can decode the message                               that the author is trying to say and thus have a better understanding of the poem.   

 

Warm-up!   

Think-Pair-Share   Her grief was so great that her eyes turned to waterfalls.   What do you think this statement means? Think about it for a minute then share your thoughts with a partner. 

    

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 Learn About It!   

There are many figures of speech used in literature. Among                   those commonly used in poetry are simile, metaphor,               personification, hyperbole, and irony.   1. Simile  Simile is a figure of speech that uses words such as as or like                           to compare a characteristic of one thing to another. Authors                   use them to give vivid descriptions. Compare the examples                 below. Notice how instead of using really to describe how red                     her lips were or how black her hair was, you can use simile to                           compare it to another thing that is also red or black (cherry                       and ebony).   

Her lips are really red. (does not use simile) Her lips were as red as a freshly picked cherry. (uses simile)  Her hair is really black. (does not use simile) Her hair was as black as ebony. (uses simile) 

  2. Metaphor  The term metaphor was derived from the Greek word metaphora, which means “to transfer” or                             “to carry over.” Metaphor is a figure of speech in which one thing is spoken or written as if it                                       were another.  

He’s been in the house all day doing nothing; my brother is such a couch potato.  He is a raging bull when fighting. 

 

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WHY USE SIMILES AND METAPHORS IN POETRY?   ✓ Poets use similes and metaphors not just to add flavor to writing but also to                               describe unfamiliar things by comparing them to something that is familiar.  ✓ Similes and metaphors give maximum meaning while using as few words as                         possible, which is key in writing poems that are meant to be short and vague.  ✓ Most of the time, these figures of speech are used to offer some new perspective to                                 the subject of the poem.  

  3. Personification   This is a figure of speech in which animals and/or inanimate objects are assigned with human                               characteristics and sensibilities. The following stanza from Edgar Allan Poe’s “The Raven”                       shows one of the several instances that personification is used in the said poem.  

Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven, though,” I said, “art sure no craven, Ghastly grim and ancient Raven wandering from the Nightly shore-- Tell me what thy lordly name is on the Night’s Plutonian shore!” Quoth the Raven “Nevermore.” 

  “The Raven” by Edgar Allan Poe is a poem about the despair a man feels out of lost love. While                                       trying to distract himself from his lost love Lenore, the persona heard a gentle tapping in his                                 chamber. Although freaked out, he opened his window and inside flew the Raven. It settled in                               a statue above his door. His first instinct was to talk to it and surprisingly it answered                                 “nevermore.”       

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WHY USE PERSONIFICATION IN POETRY?   ✓ Personification as a literary device is common in children’s poems. This is used to                             make children appreciate and understand otherwise difficult concepts or ideas.  ✓ Personification establishes mood and creates better imagery.  ✓ Personification connects the reader with the object being described for the reader                         to feel stronger emotions. 

  4. Hyperbole   This is an intended exaggeration used for emphasis or for some other specific effect. In the following excerpt from Elizabeth Drew Stoddard’s “A Summer Night,” the words “and a thousand creatures” denotes hyperbole.  

The white moths flutter about the lamp,  Enamoured with light; And a thousand creatures softly sing A song to the night! 

  

WHY USE HYPERBOLE IN POETRY?   ✓ Hyperbole can be used for extra, and more entertaining effect.  ✓ Hyperboles give descriptions more emphasis. 

 5. Irony   Irony uses words that mean the opposite of what they appear to be saying, to create a                                 humorous effect. In poetry, there are three types: verbal, situational, and dramatic irony.   

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 a. Verbal Irony  “I will not marry yet; and, when I do, I swear it shall be Romeo, whom you know I hate,                                       rather than Paris.” - William Shakespeare, in Romeo and Juliet 

 In verbal irony, the author manipulates the tone to say something that is opposite to the                               intention to develop funny and dramatic situations. Juliet’s father wants her to marry                         Paris. But she hates him and we all know that it is Romeo that she loves. She tells this to                                       her mother ironically by saying she dislikes Romeo more than Paris. This made her                           mother confused. But we get the irony in Juliet’s tone.   b. Situational Irony  The whole story of Wizard of Oz by L. Frank Baum is an example of situational irony. The                                   story is all about the journey of Dorothy to the Emerald City to seek help from the great                                   Wizard of Oz in finding her way back home only to find out she can do it herself from the                                       beginning. The same is true with her friends whom she met in her journey. The scarecrow                               wanting to have brains later finds out he is a genius. The tin woodman who is not capable                                   of love finds out later he has a good heart. And the cowardly lion turns out to be most                                     courageous and fearless.  c. Dramatic Irony  This type of irony is common in dramatic plays, theater, and sometimes in poetry. In this                               type, it is the readers that are aware of the irony instead of the characters. Dramatic irony                                 also permeates in Romeo and Juliet when the two star-crossed lovers end up being                           dead. Romeo thought Juliet was dead. But we as audience know that Juliet is only in deep                                 slumber. We get anxious in our seats while watching Romeo ignorantly kill himself, Juliet                           awakening from deep sleep, and seeing her Romeo already dead.  

      

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WHY USE IRONY IN POETRY?   ✓ Irony provokes the readers to think more deeply and more creatively.  ✓ The author may use verbal irony to express bitter messages in a non-bitter way.  ✓ Situational irony may be used to lay emphasis on important situations.  ✓ Dramatic irony is considered by many writers as a tool for sustaining the interest of                               readers. The author puts audience above the characters by being aware of the                         situation and encourages them to anticipate what is going to happen ahead of time. 

         

 

Check Your Understanding   

Identify the figures of speech used in each of the following sentences.  

1. He sweats like a pig.  2. The mother’s voice was a melody that sang her baby to sleep.  3. Her brain is the size of a pea.  4. His pen wrote beautiful poems.  5. He’s got nothing to do on this busy day. 

     

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 Let’s Step Up!   

                               

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Performance Task   

Poetry Writing  

Goal: Your task is to create your own poem that you will recite at a poetry contest. Role: You are a student who has been selected to represent your class at a poetry contest. Audience: Your audience are your teachers, classmates, and other students in your batch. Situation: The challenge involves coming up with at least a four-stanza poem (with four lines in each stanza) that will stir the emotions of the audience. Product/Performance and Purpose: You need to come up with your own original poem to present in front of everyone. Standards and criteria for success: Your work will be judged based on the following rubric: 

 

   

Criteria  Beginning (0-12 points) 

Developing (13-16 points) 

Accomplished (17-20 points) 

Score 

 

 

Content (clear subject/topic) 

       

Organization (use of stanzas with at least four lines each) 

       

Language (spelling, mechanics, grammar, and usage) 

       

  Use of figures of speech (at least three figures of speech) 

No figure of speech used 

3 figures of speech used 

More than 3 figures of speech used 

 

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Number of stanzas (at least four stanzas) 

Less than 4 stanzas 

4 stanzas  More than 4 stanzas 

 

Delivery (ability to express emotions and display confidence) 

Delivery is lacking emotion and confidence 

  Delivery of emotion and confidence is very evident 

 

TOTAL SCORE   

 

Self-Check: How Well Did I Learn?  

Do a self-check on how well you learned the lessons in this unit. Place a checkmark in the                                   appropriate box. 

Skills I think I need more 

practice and assistance 

I am familiar and can perform well 

with minimal assistance 

I am confident that I can perform this on 

my own 

I can analyze a poem with four or more stanzas in terms of its elements (rhymes, sound devices, imagery, and figurative language). 

     

I can analyze figures of speech (simile, metaphor, hyperbole, irony).  

     

I can infer the speaker’s tone, mood and purpose. 

     

 

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Wrap Up  

Form and Structure of Poetry Stress/Accent – the amount of emphasis given to a syllable; serves as guidelines in reading a poem Line – smallest unit into which poems are divided Stanza – a group of lines within a poem 

Sound Devices Rhyme - the repetition of sounds at the ends of words Onomatopoeia - the use of words that imitate the sound they describe Alliteration - the repetition of consonant sounds at the beginning of words Assonance - the repetition of similar vowel sounds in a sentence or a line of poetry Consonance - the use of different vowel sounds followed by the same consonant sound  

Figures of Speech Simile - uses as or like for comparison; the subject is said to be similar to another subject Metaphor - one thing is spoken or written as if it were another. Personification - the attribution of human characteristics or actions to animals and/or inanimate objects  Hyperbole - an intended exaggeration made for emphasis or for some other specific effect Irony - the use of words to mean the opposite of what they appear to be saying 

 

Bibliography  

 Barker, Geoff. 2014. What Is a Poem?. New York, NY: Britannica Educational Publishing. Barry, Peter. 2016. Reading Poetry. USA: Oxford University Press. Janeczko, Paul B. 2014. Teaching Literary Elements Using Poetry. USA: Scholastic, Incorporated Keyworth, Suzanne, and Cassandra Robison. 2015. Writing and Understanding Poetry for 

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Teachers and Students: A Heart’s Craft. New York, NY: Rowman & Littlefield. Scholes, Robert, Nancy R. Comley, Carl H. Klaus, and David Staines. 2015. Elements of 

Literature: Poetry, Fiction, Drama. USA: Oxford University Press. What is Poetry?. 2014. The Open University.

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