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Copyright ©2001 Rusty Cooley. All rights reserved. No part of this CD ROM, including interior design, cover design, text, graphics, or files may be reproduced or transmitted in any form, by any means (electronic, or otherwise) without the prior written permission of the publisher.

(Guitar Book) Rusty Cooley - Extreme Pentatonics

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Copyright ©2001 Rusty Cooley. All rights reserved. No part of this CD ROM, including interior design, coverdesign, text, graphics, or files may be reproduced or transmitted in any form, by any means (electronic, orotherwise) without the prior written permission of the publisher.

RUSTY COOLEY - EXTREME PENTATONICS

2

ContContContContContentsentsentsentsents

INTRODUCTION ...........................................................................................................................3PART ONE - 6 STRING ...............................................................................................................4TRADITIONAL E MINOR PENTATONIC PATTERNS................................................................5SINGLE STRING E MINOR PENTATONIC PATTERNS .............................................................8DOUBLE STRING E MINOR PENTATONIC PATTERNS ......................................................... 11LINEAR MINOR PENTATONIC PATTERNS .............................................................................15E MINOR PENTATONIC STRING SKIPPING GROUPS ..........................................................1715 E MINOR PENTATONIC STRING SKIPPING PATTERNS ..................................................22EXTENDED PATTERNS FOR STRING SKIPPING I .................................................................26SEQUENCED EXTENDED PATTERNS I ...................................................................................29EXTENDED PATTERNS FOR STRING SKIPPING II ...............................................................33SEQUENCED EXTENDED PATTERNS II ..................................................................................36TRADITIONAL E BLUES PATTERNS .......................................................................................40SINGLE STRING E BLUES PATTERNS .....................................................................................43DOUBLE STRING E BLUES PATTERNS ...................................................................................46LINEAR BLUES PATTERNS .......................................................................................................505 NOTE PER STRING BLUES PATTERNS ................................................................................53PART TWO - 7 STRING CONVERSIONS .............................................................................. 56TRADITIONAL E MINOR PENTATONIC PATTERNS FOR 7 STRING ..................................57SINGLE STRING E MINOR PENTATONIC PATTERNS FOR 7 STRING ................................60DOUBLE STRING E MINOR PENTATONIC PATTERNS FOR 7 STRING ..............................62LINEAR MINOR PENTATONIC PATTERNS FOR 7 STRING ..................................................64E MINOR PENTATONIC STRING SKIPPING GROUPS FOR 7 STRING ...............................66E MINOR PENTATONIC STRING SKIPPING PATTERNS FOR 7 STRING ............................68EXTENDED PATTERNS FOR STRING SKIPPING FOR 7 STRING ........................................70SEQUENCED EXTENDED PATTERNS FOR 7 STRING ..........................................................73TRADITIONAL E BLUES PATTERNS FOR 7 STRING ............................................................77SINGLE STRING E BLUES PATTERNS FOR 7 STRING..........................................................80DOUBLE STRING E BLUES PATTERNS FOR 7 STRING........................................................82LINEAR BLUES PATTERNS FOR 7 STRING ............................................................................84PART THREE - THE LICKS ....................................................................................................87

RUSTY COOLEY - EXTREME PENTATONICS

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Extreme Pentatonics is basically a workbook for the aspiring guitarist. Inside you will find many new approaches to help youbreak out of the ever so tired pentatonic cliché.

This CD Rom will present immediate technical challenges for your fret hand, so be sure to take time and warm up properly.There are also additional licks on this subject in my first CD Rom “Shred Guitar Manifesto” (also available from Chops FromHell), as well as the Legato Workout which is very beneficial when it comes to wide stretches and fret hand development.

It’s going to be up to you to do the work, I can only present the material within. One of the things I stress as a guitarist andteacher is fretboard visualization. One doesn’t want to be bound by positions or patterns, you must be able to see the fretboardas a whole to begin to truly break through, although you have to start somewhere. Good luck, and thanks.

I would like to thank the following artists for inspiration: Randy Rhoads, Yngwie Malmsteen, Paul Gilbert, Jason Becker,Shawn Lane, Allan Holdsworth, Derek Taylor, Todd Duane, Paganini, Bach, Beethoven, Mozart, Chopin, Liszt, Alkan, andjust about the entire Shrapnel collection.

Extra special thanks goes out to: Susan, my beautiful wife for undenying love and support; my children, Sebastian, David, andJazzmine; my family and friends back in Texas; the guys from “OutWorld” - you guys ROCK; Chris Brungardt for all the helpand support, and for tolerating my dumb computer questions; Kevin Easton at Jackson Guitars; Jack Nau with EMG pickups;Anthony Truglio with VHT Amps; all the “webzines” and magazines for the interviews and reviews; and thank you to all myfans across the globe.

Love and World Peace,

Rusty

www.rustycooley.com

[email protected]

INTRODUCTION

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RUSTY COOLEY - EXTREME PENTATONICS

PART ONE - 6 STRING

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RUSTY COOLEY - EXTREME PENTATONICS

TRADITIONAL E MINOR PENTATONIC PATTERNS

6

RUSTY COOLEY - EXTREME PENTATONICS

The five traditional minor pentatonic patterns in E

Pattern #4

Pattern #3

Pattern #2

Pattern #1

E minor pentatonic full fretboard diagram

TRADITIONAL E MINOR PENTATONIC PATTERNS

7

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5

TRADITIONAL E MINOR PENTATONIC PATTERNS

8

RUSTY COOLEY - EXTREME PENTATONICS

SINGLE STRING E MINOR PENTATONIC PATTERNS

9

RUSTY COOLEY - EXTREME PENTATONICS

Practice ascending and descending.

Ex. 1

Ex. 2

Ex. 3

Ex. 4

SINGLE STRING E MINOR PENTATONIC PATTERNS

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RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

Ex. 6

SINGLE STRING E MINOR PENTATONIC PATTERNS

11

RUSTY COOLEY - EXTREME PENTATONICS

DOUBLE STRING E MINOR PENTATONIC PATTERNS

12

RUSTY COOLEY - EXTREME PENTATONICS

Practice ascending and descending.

Ex. 1

Ex. 2

DOUBLE STRING E MINOR PENTATONIC PATTERNS

13

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 3

Ex. 4

DOUBLE STRING E MINOR PENTATONIC PATTERNS

14

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

DOUBLE STRING E MINOR PENTATONIC PATTERNS

15

RUSTY COOLEY - EXTREME PENTATONICS

LINEAR MINOR PENTATONIC PATTERNS

16

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5 - A minor pentatonic

Pattern #4 - E minor pentatonic

Pattern #3 - E minor pentatonic

Pattern #2 - E minor pentatonic

Pattern #1 - E minor pentatonic

LINEAR MINOR PENTATONIC PATTERNS

17

RUSTY COOLEY - EXTREME PENTATONICS

E MINOR PENTATONIC STRING SKIPPING GROUPS

18

RUSTY COOLEY - EXTREME PENTATONICS

String skipping group 6 & 4

E MINOR PENTATONIC STRING SKIPPING GROUPS

19

RUSTY COOLEY - EXTREME PENTATONICS

String skipping group 5 & 3

E MINOR PENTATONIC STRING SKIPPING GROUPS

20

RUSTY COOLEY - EXTREME PENTATONICS

String skipping group 4 & 2

E MINOR PENTATONIC STRING SKIPPING GROUPS

21

RUSTY COOLEY - EXTREME PENTATONICS

String skipping group 3 & 1

E MINOR PENTATONIC STRING SKIPPING GROUPS

22

RUSTY COOLEY - EXTREME PENTATONICS

15 E MINOR PENTATONIC STRING SKIPPING PATTERNS

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RUSTY COOLEY - EXTREME PENTATONICS

Patterns built off the 5th string

Shape #5

Shape #4

Shape #3

Shape #2

Shape #1

15 E MINOR PENTATONIC STRING SKIPPING PATTERNS

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RUSTY COOLEY - EXTREME PENTATONICS

These patterns follow this formula: Two skips followed by an adjacent string

Shape #5

Shape #4

Shape #3

Shape #2

Shape #1

15 E MINOR PENTATONIC STRING SKIPPING PATTERNS

25

RUSTY COOLEY - EXTREME PENTATONICS

These patterns follow this formula: Two adjacent strings followed by two skips

Shape #5

Shape #4

Shape #3

Shape #2

Shape #1

15 E MINOR PENTATONIC STRING SKIPPING PATTERNS

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RUSTY COOLEY - EXTREME PENTATONICS

EXTENDED PATTERNS FOR STRING SKIPPING I

27

RUSTY COOLEY - EXTREME PENTATONICS

These patterns follow the formula of two skips followed by an adjacent string

Ex. 4

Ex. 3

Ex. 2

Ex. 1

EXTENDED PATTERNS FOR STRING SKIPPING I

28

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

EXTENDED PATTERNS FOR STRING SKIPPING I

29

RUSTY COOLEY - EXTREME PENTATONICS

SEQUENCED EXTENDED PATTERNS I

30

RUSTY COOLEY - EXTREME PENTATONICS

These patterns follow the formula of two skips followed by an adjacent string

Ex. 1

Ex. 2

SEQUENCED EXTENDED PATTERNS I

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RUSTY COOLEY - EXTREME PENTATONICS

Ex. 4

Ex. 3

SEQUENCED EXTENDED PATTERNS I

32

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

SEQUENCED EXTENDED PATTERNS I

33

RUSTY COOLEY - EXTREME PENTATONICS

EXTENDED PATTERNS FOR STRING SKIPPING II

34

RUSTY COOLEY - EXTREME PENTATONICS

These patterns follow the formula of two adjacent strings followed by two skips

Ex. 4

Ex. 3

Ex. 2

Ex. 1

EXTENDED PATTERNS FOR STRING SKIPPING II

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RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

EXTENDED PATTERNS FOR STRING SKIPPING II

36

RUSTY COOLEY - EXTREME PENTATONICS

SEQUENCED EXTENDED PATTERNS II

37

RUSTY COOLEY - EXTREME PENTATONICS

These patterns follow the formula of two adjacent strings followed by two skips

Ex. 1

Ex. 2

SEQUENCED EXTENDED PATTERNS II

38

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 3

Ex. 4

SEQUENCED EXTENDED PATTERNS II

39

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

SEQUENCED EXTENDED PATTERNS II

40

RUSTY COOLEY - EXTREME PENTATONICS

TRADITIONAL E BLUES PATTERNS

41

RUSTY COOLEY - EXTREME PENTATONICS

The five traditional minor blues patterns in E

Pattern #4

Pattern #3

Pattern #2

Pattern #1

E minor blues full fretboard diagram

TRADITIONAL E BLUES PATTERNS

42

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5

TRADITIONAL E BLUES PATTERNS

43

RUSTY COOLEY - EXTREME PENTATONICS

SINGLE STRING E BLUES PATTERNS

44

RUSTY COOLEY - EXTREME PENTATONICS

Practice ascending and descending.

Ex. 1

Ex. 2

Ex. 3

Ex. 4

SINGLE STRING E BLUES PATTERNS

45

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 6

Ex. 5

SINGLE STRING E BLUES PATTERNS

46

RUSTY COOLEY - EXTREME PENTATONICS

DOUBLE STRING E BLUES PATTERNS

47

RUSTY COOLEY - EXTREME PENTATONICS

Practice ascending and descending.

Ex. 1

Ex. 2

DOUBLE STRING E BLUES PATTERNS

48

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 4

Ex. 3

DOUBLE STRING E BLUES PATTERNS

49

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

DOUBLE STRING E BLUES PATTERNS

50

RUSTY COOLEY - EXTREME PENTATONICS

LINEAR BLUES PATTERNS

51

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5

Pattern #4

Pattern #3

Pattern #2

Pattern #1

LINEAR BLUES PATTERNS

52

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #6

LINEAR BLUES PATTERNS

53

RUSTY COOLEY - EXTREME PENTATONICS

5 NOTE PER STRING BLUES PATTERNS

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RUSTY COOLEY - EXTREME PENTATONICS

“T2” and “T3” indicate taps with the pickhand 2nd and 3rd fingers, respectively.

Ex. 1

Ex. 2

Ex. 3

Ex. 4

5 NOTE PER STRING BLUES PATTERNS

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RUSTY COOLEY - EXTREME PENTATONICS

Ex. 5

Ex. 6

5 NOTE PER STRING BLUES PATTERNS

56

RUSTY COOLEY - EXTREME PENTATONICS

PART TWO - 7 STRING CONVERSIONS

57

RUSTY COOLEY - EXTREME PENTATONICS

TRADITIONAL E MINOR PENTATONIC PATTERNS FOR 7STRING

58

RUSTY COOLEY - EXTREME PENTATONICSTRADITIONAL E MINOR PENTATONIC PATTERNS FOR 7 STRING

Pattern #4

E minor pentatonic full fretboard diagram

Pattern #1

Pattern #2

Pattern #3

59

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5

TRADITIONAL E MINOR PENTATONIC PATTERNS FOR 7 STRING

60

RUSTY COOLEY - EXTREME PENTATONICS

SINGLE STRING E MINOR PENTATONIC PATTERNS FOR 7STRING

61

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 1

The rest of the single string E minor pentatonic patterns for 7 string are the same as those for 6 string, of course.

SINGLE STRING E MINOR PENTATONIC PATTERNS FOR 7 STRING

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RUSTY COOLEY - EXTREME PENTATONICS

DOUBLE STRING E MINOR PENTATONIC PATTERNS FOR 7STRING

63

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 1

The rest of the double string E minor pentatonic patterns for 7 string are the same as those for 6 string, of course.

DOUBLE STRING E MINOR PENTATONIC PATTERNS FOR 7 STRING

64

RUSTY COOLEY - EXTREME PENTATONICS

LINEAR MINOR PENTATONIC PATTERNS FOR 7 STRING

65

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5 - E minor pentatonic

Pattern #4 - A minor pentatonic

Pattern #3 - A minor pentatonic

Pattern #2 - A minor pentatonic

Pattern #1 - E minor Pentatonic

Because of the amount of fretboard these patterns take up, you will only get a couple to each key

LINEAR E MINOR PENTATONIC PATTERNS FOR 7 STRING

66

RUSTY COOLEY - EXTREME PENTATONICS

E MINOR PENTATONIC STRING SKIPPING GROUPS FOR 7STRING

67

RUSTY COOLEY - EXTREME PENTATONICSE MINOR PENTATONIC STRING SKIPPING GROUPSFOR 7 STRING

The rest of the string skipping groups for 7 string are the same as those for 6 string, of course.

String skipping group 7 & 5

68

RUSTY COOLEY - EXTREME PENTATONICS

E MINOR PENTATONIC STRING SKIPPING PATTERNS FOR7 STRING

69

RUSTY COOLEY - EXTREME PENTATONICS

Pattern #5

Pattern #4

Pattern #3

Pattern #2

E MINOR PENTATONIC STRING SKIPPING PATTERNS FOR 7 STRING

Pattern #1

70

RUSTY COOLEY - EXTREME PENTATONICS

EXTENDED PATTERNS FOR STRING SKIPPING FOR 7STRING

71

RUSTY COOLEY - EXTREME PENTATONICSEXTENDED PATTERNS FOR STRING SKIPPING FOR 7 STRING

Ex. 4

Ex. 3

Ex. 2

Ex. 1

72

RUSTY COOLEY - EXTREME PENTATONICSEXTENDED PATTERNS FOR STRING SKIPPING FOR 7 STRING

Ex. 5

73

RUSTY COOLEY - EXTREME PENTATONICS

SEQUENCED EXTENDED PATTERNS FOR 7 STRING

74

RUSTY COOLEY - EXTREME PENTATONICSSEQUENCED EXTENDED PATTERNS FOR 7 STRING

Ex. 1

Ex. 2

75

RUSTY COOLEY - EXTREME PENTATONICSSEQUENCED EXTENDED PATTERNS FOR 7 STRING

Ex. 3

Ex. 4

76

RUSTY COOLEY - EXTREME PENTATONICSSEQUENCED EXTENDED PATTERNS FOR 7 STRING

Ex. 5

77

RUSTY COOLEY - EXTREME PENTATONICS

TRADITIONAL E BLUES PATTERNS FOR 7 STRING

78

RUSTY COOLEY - EXTREME PENTATONICSTRADITIONAL E BLUES PATTERNS FOR 7 STRING

Pattern #4

E minor pentatonic full fretboard diagram

Pattern #1

Pattern #2

Pattern #3

79

RUSTY COOLEY - EXTREME PENTATONICSTRADITIONAL E BLUES PATTERNS FOR 7 STRING

Pattern #5

80

RUSTY COOLEY - EXTREME PENTATONICS

SINGLE STRING E BLUES PATTERNS FOR 7 STRING

81

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 1

The rest of the single string E blues patterns for 7 string are the same as those for 6 string, of course.

SINGLE STRING E BLUES PATTERNS FOR 7 STRING

82

RUSTY COOLEY - EXTREME PENTATONICS

DOUBLE STRING E BLUES PATTERNS FOR 7 STRING

83

RUSTY COOLEY - EXTREME PENTATONICS

Ex. 1

The rest of the double string E blues patterns for 7 string are the same as those for 6 string, of course.

DOUBLE STRING E BLUES PATTERNS FOR 7 STRING

84

RUSTY COOLEY - EXTREME PENTATONICS

LINEAR BLUES PATTERNS FOR 7 STRING

85

RUSTY COOLEY - EXTREME PENTATONICSLINEAR BLUES PATTERNS FOR 7 STRING

Pattern #5

Pattern #1

Pattern #2

Pattern #3

Pattern #4

86

RUSTY COOLEY - EXTREME PENTATONICSLINEAR BLUES PATTERNS FOR 7 STRING

Pattern #6

87

RUSTY COOLEY - EXTREME PENTATONICS

PART THREE - THE LICKS

88

RUSTY COOLEY - EXTREME PENTATONICS

Lick 1 - B minor pentatonic / blues (CD track 5)

THE LICKS

Lick 2 - B minor pentatonic / blues (CD track 6)

89

RUSTY COOLEY - EXTREME PENTATONICSTHE LICKS

Lick 5 - E minor pentatonic (CD track 9)

Lick 4 - E minor pentatonic / blues (CD track 8)

Lick 3 - B minor pentatonic / blues (CD track 7)

90

RUSTY COOLEY - EXTREME PENTATONICS

Lick 6 - E blues (CD track 10)

Lick 7 - E minor pentatonic (CD track 11)

THE LICKS

91

RUSTY COOLEY - EXTREME PENTATONICS

Lick 8 - C# blues (CD track 12)

THE LICKS

Lick 9 - C# minor pentatonic (CD track 13)

92

RUSTY COOLEY - EXTREME PENTATONICSTHE LICKS

Lick 11 - G minor pentatonic (CD track 15)

Lick 10 - C# minor pentatonic (CD track 14)

93

RUSTY COOLEY - EXTREME PENTATONICS

Lick 12 - E blues (CD track 16)

Lick 13 - A minor pentatonic / blues (CD track 17)

THE LICKS

94

RUSTY COOLEY - EXTREME PENTATONICS

Lick 14 - D minor pentatonic / blues (CD track 18)

Lick 15 - A minor pentatonic (CD track 19)

THE LICKS

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RUSTY COOLEY - EXTREME PENTATONICS

Lick 16 - C# blues (CD track 20)

Lick 17 - A minor pentatonic (CD track 21)

Lick 18 - E minor pentatonic (CD track 22)

THE LICKS

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RUSTY COOLEY - EXTREME PENTATONICS

Lick 19 - A minor pentatonic (CD track 23)

Lick 20 - C major pentatonic (CD track 24)

THE LICKS

Lick 21 - E minor pentatonic (CD track 25)

97

RUSTY COOLEY - EXTREME PENTATONICS

Lick 22 - F# minor pentatonic / blues (CD track 26)

Lick 23 - F# minor pentatonic (CD track 27)

THE LICKS

98

RUSTY COOLEY - EXTREME PENTATONICS

Lick 24 - E minor pentatonic (CD track 28)

Lick 25 - E minor pentatonic (CD track 29)

Lick 26 - E minor pentatonic (CD track 30)

99

RUSTY COOLEY - EXTREME PENTATONICS

Lick 27 - C# minor pentatonic (CD track 31)

THE LICKS

Lick 28 - E minor pentatonic (CD track 32)

100

RUSTY COOLEY - EXTREME PENTATONICS

Lick 30 - A minor pentatonic...no picking (CD track 34)

THE LICKS

Lick 29 - F# minor pentatonic (CD track 33)