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A compilation of various work completed during my under-graduate study at Iowa State University. My portfolio contains work from architectural studios, photography studies, and full-scale built work. Please enjoy!
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T A B L E O F C O N T E N T S
ARCHITECTURE
INTRODUCTION 5
30-51
6-29
52-61
62-63
& MEDIA METHODSPHOTOGRAPHY
FULL-SCALE DESIGN
RESUMÉ
Boston Center for Experimental MusicMusicians ResidencyInnovative Objects Museum
Architectural PhotographyStudy AbroadAnalytical DrawingBathroom Redesign
Sustainable Furniture DesignFALLOW: topography
Work ExperienceReferences
Design
TABLE OF CONTENTS
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5INTRODUCTION
How can design better the world?
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7ARCHITECTURE
A R C H I T E C T U R E“I tell my students: you must put into your work first effort, second love, and third suffering,” - Glen Murcutt
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The Center for Experimental Music project maximizes its unique and rather difficult site condition by incorporating context into the design. By embracing the specific qualities the program had to offer, the proposal became a true benefactor of its surrounding neighborhood.
A macro-to-micro scale approach enabled us to take into account the urban fabric patterns and cultural distinction that is Boston. A scheme of formal to informal spaces allows for the building to be known as a landmark of the city, but still encourages the very pedestrian-oriented culture that encompasses the area.
ARCH 403 STUDIO FALL 2012
PROFESSOR MITCHELL SQUIRE
PARTNERSHIPJASMINE SINGH
BOSTON CENTEREXPERIMENTAL MUSIC
forCSI of CENTRAL IOWA DESIGN COMPETITION PRIZE WINNER
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HISTORIC PLACES,CIVIC BUILDINGS,
VENUES FOR VISITING PERFORMERS, &
PERFORMANCE VENUES
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15.16.17.18.19.20.21.
15.16.23.26.
1.2.5.9.
10.13.
1.3.4.5.
6.7.
10.12.13.14.
John Hurd House Edward Everett House Deacon Larkin House Charlestown Five Cent Savings Bank Austin Block Wang Center Quong Kow School Josiah Quincy School Jacob Wirth BuildingsHayden Building Boston Floating Hospital for Children
Boston Children’s MuseumBoston Fire Museum City of BostonMIT List Virtual Arts Center
Boston Center for the ArtsCharles PlayhouseColonial TheatreCutler Majestic Theatre at Emerson CollegeLyric Stage Company TheatreMarine Industrial Park ShubertWang CenterStuart Street PlayhouseWilbur Theatre
Berklee College of MusicEmmanuel ChurchHuntington TheatreMary Baker Eddy LibraryMuseum of ScienceThe Shops at the Prudential Center
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20,000 ft. altitude1” = 1075’
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HISTORIC PLACES,CIVIC BUILDINGS,
VENUES FOR VISITING PERFORMERS, &
PERFORMANCE VENUES
9.12.13.14.
15.16.17.18.19.20.21.
15.16.23.26.
1.2.5.9.
10.13.
1.3.4.5.
6.7.
10.12.13.14.
John Hurd House Edward Everett House Deacon Larkin House Charlestown Five Cent Savings Bank Austin Block Wang Center Quong Kow School Josiah Quincy School Jacob Wirth BuildingsHayden Building Boston Floating Hospital for Children
Boston Children’s MuseumBoston Fire Museum City of BostonMIT List Virtual Arts Center
Boston Center for the ArtsCharles PlayhouseColonial TheatreCutler Majestic Theatre at Emerson CollegeLyric Stage Company TheatreMarine Industrial Park ShubertWang CenterStuart Street PlayhouseWilbur Theatre
Berklee College of MusicEmmanuel ChurchHuntington TheatreMary Baker Eddy LibraryMuseum of ScienceThe Shops at the Prudential Center
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23.
16.
1.
2.
10.
13.
20,000 ft. altitude1” = 1075’
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ARCHITECTURE
detail section: material detailing, spacial configuration, and circulation understanding
context research: zoom studies of various types of city public gathering and performing spaces
SUBWAY STOPS,PARKING,
& WAlKING TOURSP
20,000 ft. altitude1” = 1075’
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diagraming
Diagrams indicating program locations and access availability
access diagram
micro city scale
A defined connection to the micro-level of Boston was the direct link to the neighboring nursing home
general public
paying admission
collaborating wellness facility
preformers
administration
f loor 1 & theater f loor 1
f loor 3 & theater f loor 3
f loor 4
f loor 2 & theater f loor 2
FLOOR 2
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1. cafe
2. library
3. reading room
4. wellness facility lobby
5. wellness facility lounge
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2 3 4 5
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“Although apparently simple, this project demonstrates the type of thoughtful restraint found in well-regarded built works and serves as a fitting and sensitive addition to their site,” - Josh Ridgely, AIA, CSI, LEED AP, Competition Juror
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ARCH 302 STUDIOSPRING 2011
PROFESSORPETER GOCHÉ
PARTNERSHIPYASMINE SEPEHRI
NEW YORK CITYMUSICIANS RESIDENCYBWBR DESIGN COMPETITION FINALIST
The development of the musicians residency, condo complex, and performance stage was to embrace the ideal lifestyle and rituals of musicians. A variety of studies preceded the program design to get a better understanding of life as a musician.
Questioning the line of privacy and exploring the journey to the place of residence were the key components pushed throughout the design. Using circulation, degrees of transparency, and separation of program, a foreground was laid out to allow for the exploring of a life on display.
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“Alone time is the most special part of the day. I get to escape from school, daily worries, and outside noise. It’s time to just be,” - Javier Adnres, student musician
separation of time and space
An assemblage to represent Javiers need for a distiction of space between his music and outside stresses
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unit layout
Side-by-side units show the distint but coherent unit styles
soho residency
Varying perspectives show the quality of space and circulation running along the units
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NORTH GROUND FLOOR 1/16” = 1’
ARCHITECTURE
floor plans
Over-layed images begin to depict and explain the complex circulation
unit details
Varying perspectives show the quality of space and circulation running along the units
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The Columbus Museum for Innovative Objects of Design was greatly inspired by is intended content and the city’s appreciation for innovative thinking. Using the spaces to push the limits of what is expected into the unexpected allowed for new perspectives, the backbone of innovation
An understanding of section was extremely important in the development of the design and the idea of using anticipation as a driver in circulating and viewing. Using different kinds of sectional spaces allowed for a variety of display spaces, viewing opportunities, and continuity of the space as not only a holder of innovation but as inspiration.
ARCH 401 STUDIOFALL 2011
PROFESSORROBERT WHITEHEAD
INIVIDUAL
INNOVATIVE OBJECTS COLUMBUS MUSEUM for
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project proposal
Prior to schematic design, a group designed project proposal book was individualized to the innovation inspired essence of the project
CIRCULATION
UTILITIES
LO
BB
YSTREET
GATHERING SPACE PRESENTATION
ADITORIUM
STUDIOSTUDIOSTUDIO
CLEAN -UP SPACE
STORAGE
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underground museum
An underground museum design allowed for unique opportunities of spatial and lighting qualities
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P H O T O G R A P H Y& M E D I A M E T H O D S
PHOTOGRAPHY & MEDIA METHODS
“ Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph,” – Matt Hardy
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One aspect to architecture that has always been personally intriguing is the use of light and the development of different kinds of lighting conditions. As a way of studying that phenomenon, photographing existing works at varying times of day begins to explain how light effects a space.
As a class study, Jasper Winery became the object of inquiry. Documenting the interior and exterior at different time intervals of the day brought to life the variety of spaces the building had to offer.
ARCH 437 ARCHITECTURAL
PHOTOGRAPHYFALL 2012
PROFESSOR:CAMERON CAMPBELL
BUILDING DESIGN:substance ARCHITECTURE
PHOTOGRAPHYARCHITECTURAL
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exterior exterior shot peeking into the reception hall; night lighting study
reception hall main receptional space adjacent to outdoor patio; daytime and mixed lighting study
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A semester abroad is a photographer’s dream come true. During the 5 months stay in Italy, explorations of color, black and white, contrast, depth of field, composition, and lighting styles were prevalently available.
The variety of techniques were applied to places among and around the city of Rome, as well as, throughout the continent of Europe. This collection includes images from Budapest, Hungary, Lysefjord fiord, Norway, Paris, France, and Tivoli and Rome, Italy.
EXPLORITORYPHOTOGRAPHY
SPRING 2012
SELF-TAUGHT
PLACE OF STAYROME, ITALY
EUROPEAN TRAVELSSTUDY ABROADPHOTOGRAPHERS’S FORUM COLLEGE PHOTOGRAPHY CONTEST FINALIST
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via ettore rolli
view of Roman street scape; photostitch study
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city rooftop
view from top of Palatine Hill, study of depth of field
forum detail column capital of temple ruin; contrast and color study
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roman kitchen
classic layout; lighting and depth-of-field study
villa de este
view over Tivoli; study of exposure layering
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norway
view of Lysefjord fiord from Preikestolen (The Pulpit Rock); landscape study
hungary
Magyard Museum of the Vajdahunyad Castle in Budapest; detail and contrast study
next page:france
Louvre courtyard in Paris,black/white and contrast study
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Sketching is a vital tool in design and communication. The study aboard programs includes an exhausted course of sketching and drawing exercises, including an independent study.
The fifty piece series of sketches is an experimental drawing project exploring the effects of time and repetition on quality of figure drawing. The intention was to gain strength in ability to sketch more quickly by starting with longer set periods of time and progressively shortening the allowed time length to sketch. As the length of the drawing period decreased, the number of drawings done at that set period of time increased to encourage practice.
ANALYTICAL DRAWINGSPRING 2012
PROFESSORSKAREN BERMAN
CALVIN LEWIS
FRANCESCO MANCINI
ANALITICAL DRAWINGSTUDY ABROAD
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The bathroom model and redesign project was an opportunity to use Cinema 4D for a project of choice. The bathroom design was chosen as a chance to give a little back to my parents and renovate one of the rooms in their home.
Techniques were highly focused on lighting proficiency and quality or render. Use of texturing, composition, and modeling were also under consideration.
ARCH 432 DIGITAL CINEMA 4D
FALL 2011
PROFESSORANSON CALL
MODEL & REDESIGNBATHROOM
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before
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F U L L - S C A L E D E S I G N
FULL-SCALE DESIGN
“To say that something is designed means it has intentions that go beyond its function. Otherwise it’s just planning.” - Ayse Birsel
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An avid interest in furniture design, stainability, and re-use projects led to a course in Sustainable Furniture Design. An open-ended project allowed for the study of re-purposed materials and lighting design.
The lamp was made from several recycled materials including two pieces of scrap plywood, 66 baby food jars, and one old holiday light set. The steel, sheet metal frame was customized around the size of the plywood and room needed for the wiring. CNC cut openings were used to allow the jars to be screwed in and out for bulb replacement and cleaning.
ART IS 360 SUSTAINABLE
FURNITURESPRING 2013
PROFESSORCHRIS MARTIN
INDIVIDUAL
FURNITURE DESIGNSUSTAINABLE FEATURED IN IOWA STATE UNIVERSITY STAINABILITY SYMPOSIUM
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The shelf fills the once desolated structure. New and foreign activity begin to fill the void. The act of eating in a seemingly unsanitary condition opens eyes to a new way of viewing how the void can function.
As each person lays out their own table setting, and sits in their own distinct way, they are presenting their own culture in the environment Similar to how the building sits in the landscape, the table is seemingly disconnected to its context, but upon examination, the connection begins to clarify itself. By placing people in balance of one another at the table, there is reciprocity similar to the exchange between humans and the building. At the table, each person is responsible for the other.
ARCH 404OPTION STUDIO
SPRING 2013
PROFESSORPETER GOCHÉ
PARTNERSHIPYASMINE SEPEHRI
TABLE TALKFALLOW: topography
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INTERN ARCHITECT Architecture intern for OPN Architects; Formats and constructs various models for use of client presentation and sketch work; Participates in design charrettes for competition schematic design
PHOTOGRAPHER/GRAPHIC DESIGNER Iowa State University’s Office of Pre-collegiate Programs for Talented and Gifted activities photographer; Creates promotional material through means of various prints and digital work
PHOTOGRAPHER ASSISTANTAssistant to the photographer for Integrated Studio; Assists with photograph compositions, lighting setups, clean-up, and studio/space set up; Studies professional techniques
DETASSELING CREW LEADER Crew leader and day-to-day manager for Steuben Detasselling with crews up to 50 workers; Contacts employees and assists with enrollment forms and training; Organizes workers, paperwork, and workers’ hours
BACHELOR OF ARCHITECTURE Iowa State University, Ames, IAMinor in Digital Media, Magna Cum Laude, Rome Study Abroad Program
HIGH SCHOOL DEGREE Jesup Community Schools, Jesup, IAValedictorian, IHSAA Berni Saggua Award, Iowa Governor’s Scholarship Recognition, Class President
H A N N A H S T E U B E N
WORK EXPERIENCE
EDUCATION
[email protected] (319) 230-8629
FALL 2008 - SPRING 2013
FALL 2004 - SPRING 2008
WINTER 2012 - SPRING 2013
SUMMER 2012 - SPRING 2013
SUMMER 2012
SUMMER 2004 - FALL 2012
Mary Steubencontractor (319) 827-1509
Carmen Flaggesenior admissions counselor(515) 294-5689
David Sorg, AIAprincipal (319) 363-6018
Cameron Campbellphotographer (515) 451-3730
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AIAS Iowa State University Chapter Member and prior Vice PresidentHabitat for Humanity MemberTrack 1 Mentor Program Mentor & MenteeIowa State University Design Career Days Committee MemberJesup Community Arts in the Park MemberDestination Iowa State: Team Leader
Photography Forum College Division FinalistDean’s List MemberCSI of Central Iowa Design Competition Prize Winner BWBR Design Competition FinalistISU Architectural Program”8-4-2-1” Design Finalist Masonry Design Contest Prize Winner ISU President’s Leadership Class
SPRING 2013
FALL 2008 - SPRING 2013
FALL 2012
SPRING 2011
FALL 2009
FALL 2009
FALL 2008 - SPRING 2009
INVOLVEMENT
AWARDS
REFERENCES CALVIN LEWIS , FAIA PETER GOCHÉ, AIA ROB WHITEHEAD, AIA
Iowa State Faculty599 DesignAmes, IA 50011p. 515-294-2665e. [email protected]
Iowa State Faculty156 DesignAmes, IA 50011p. 515-294-4717e. [email protected]
Iowa State Faculty156 DesignAmes, IA 50011p. 515-294-4717e. [email protected]
STRONG BACKGROUND
Adobe SuiteMicrosoft Office SuiteAutoCAD
MODERATE BACKGROUND
AutoCAD RevitCinema4DRhino 3D
EQUIPMENT
Laser cutter printerWood shop equipmentCNC router
TECHNOLOGY
