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HOLLYWOOD HOLLYWOOD Stars & Studios

HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

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Page 1: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

HOLLYWOODHOLLYWOOD

Stars & Studios

Page 2: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

THE HOLLYWOOD STUDIOS

• 1915-25: transition from Trust to STUDIO SYSTEM

• “Studio Era” typified by:– Picture palaces– Movie audience that included all classes– Standardized production of feature-

length films (1½ hrs)– Concentration of production in

Hollywood– OLIGOPOLY & VERTICAL INTEGRATION

Page 3: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

OLIGOPOLY

• A few large firms control an entire industry

• Due to high cost of film production– Feature-length films were

expensive– Salaries increased, esp. for stars– Production values increased– Sound added to costs of equipment

& production

Page 4: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

OLIGOPOLY

• Costs of distribution, picture palaces & converting to sound

• Small companies began to merge in order to compete

• By late 1920s, 8 companies controlled 91% of box-office

• These companies known as 8 Majors

Page 5: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

VERTICAL INTEGRATION

• Company controls product from production to retail sale

• BIG 5– MGM, PARAMOUNT, FOX,

WARNER BROS., & RKO– Vertically integrated: production,

distribution & exhibition

Page 6: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

VERTICAL INTEGRATION

• LITTLE 3– COLUMBIA, UNIVERSAL, & UNITED

ARTISTS– Not totally vertically integrated– Columbia & Universal in production

& distribution, but no theaters– United Artists only distributed films

Page 7: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

“THE DREAM FACTORY”

• DIVISION OF LABOR – Labor highly specialized & efficient,

becoming highly unionized– THE CONTRACT SYSTEM

•Most workers under contract for 5-7 years

•Renewable by studio every 6 months• Studios maintained prop & costume depts• Filmed on own lots

Page 8: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

“THE DREAM FACTORY”

• THE “STUDIO LOOK”– Consistent labor, props, settings

resulted in "Studio Look“– Studios tended to build their

films around their stars

Page 9: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience
Page 10: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Marlene Dietrich

Paramount Stars

Page 11: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Paramount Stars

The Marx Bros

Mae West

Page 12: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Bing Crosby, Dorothy Lamour & Bob Hope

Paramount Stars

Page 13: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Fleischer Bros. Studio

Popeye

Page 14: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Fleischer Bros. Studio

Superman

Page 15: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Fleischer Bros. Studio

Betty Boop

Page 16: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Metro-Goldwyn-Meyer

Page 17: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

MGM Stars

Greta Garbo

Page 18: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

MGM Stars

Clark Gable Spencer Tracy

Page 19: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

MGM Movies

Tarzan the Ape Man (1932)

Page 20: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

MGM Movies

Love Finds Andy Hardy (1938)

Page 21: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Hal Roach Studio

Laurel & Hardy

Page 22: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Hal Roach Studio

Our Gang

Page 23: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

MGM Animation

Page 24: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

MGM Animation

Tex Avery’s Wolfie and Red

Page 25: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

20th Century-Fox

Page 26: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

20th Century-Fox Stars

Sonja Henie Shirley Temple

Page 27: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

20th Century-Fox Stars

Betty Grable Tyrone Power

Page 28: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

20th-Century Fox Movies

Charlie Chan at the Olympics (1937)

Page 29: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Warner Bros.

Page 30: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Warner Bros. Stars

Humphrey

Bogart

Page 31: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Warner Bros. Stars

Bette Davis

Page 32: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Warner Bros. Animation

Page 33: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

RKO Movies

Page 34: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Disney Animation

Mickey Mouse Donald Duck

Page 35: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Disney Animation

Snow White (1937)

Page 36: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Universal

Page 37: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Universal Serials

Page 38: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Walter Lantz Studio

Woody Woodpecker Chilly Willy

Page 39: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Universal Movies

Abbott & Costello

Page 40: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Universal Horror Movies

Page 41: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Universal Horror Movies

Page 42: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Columbia

Page 43: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Columbia Movies

Claudette Colbert Clark Gable

Frank Capra’s It Happened One Night (1934)

Page 44: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Columbia Movies

Batman & Robin

Page 45: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Columbia Shorts

The Three Stooges

Page 46: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

United Artists

Douglas Fairbanks, Mary Pickford, Charlie Chaplin & DW Griffith

Page 47: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Monogram Movies

Federal Bullets (1937)

Page 48: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Monogram Stars

The Bowery Boys

Page 49: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Republic

Page 50: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

Republic Movies

Page 51: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

ADAPTING TO NEW TECHNOLOGIES

• SOUND– Help define space– Offscreen sound creates sense of

3-dimensional world– Onscreen sound defines space it

comes from• DIALOGUE: sound a way of

developing characters & defining character traits

Page 52: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

ADAPTING TO NEW TECHNOLOGIES

• MUSIC– Nondiegetic music reinforces

“proper” emotional responses– Helps define & identify characters– Both outgrowths of live music in

silent film exhibition– Market for records of film music

Page 53: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

ADAPTING TO NEW TECHNOLOGIES

• SOUND DEVICES FOR CONTINUITY– Work with continuity editing

•Create smooth transitions between shots & scenes

•Keeping attention on narrative– SOUND BRIDGE– DIALOGUE HOOK

Page 54: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

ADAPTING TO NEW TECHNOLOGIES

• DEEP FOCUS– By late 1930s, trend toward deep

focus– New film stocks & lenses– Adapted to CHC narrative style

•Establish relationships among characters in a number of planes

– Takes became longer

Page 55: HOLLYWOOD Stars & Studios THE HOLLYWOOD STUDIOS 1915-25: transition from Trust to STUDIO SYSTEM “Studio Era” typified by: –Picture palaces –Movie audience

ADAPTING TO NEW TECHNOLOGIES

• COLOR– HAND-COLORING (1896-1910) & TINTING

& TONING (1910-27)– TECHNICOLOR

•TECHNICOLOR, INC. (1915) •2-COLOR TECHNICOLOR (1920s)

–Red & blue•3-COLOR TECHNICOLOR (1932)

–Red, green, & blue–3 rolls exposed simultaneously