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i - EARLY CHRISTIAN i.6 The Good Shepherd, 5th C, Galla Placidia, Ravenna, Mosaic (p.173) i.1 Constantine makes Christianity state religion 330 (pre and post toleration of 313) - See handout Early Christian and Byzantine Art i.2 Architecture - components of Basilica Old St Peters (pg. 171) i.3 Sculpture - ambiguous - drawn from Classical world and given Christian context i.3.1 Shepherd, anchors, sheep, Chi-Rho I .4 4 Evangelists and their symbols: Mathew - Angel Mark - Lion Luke - Ox John - Eagle i.5 Painting: murals in catacombs and Mosaics Just a few quick notes: The numbers for each entry are just for organization. If it has two decimal points, is a sub-set item that you don’t need to memorize. Page numbers are for where in the text you can get more info on that specific piece Not all the images look exactly like the ones from the text, particularly those for architecture. Bold, grey titles indicate the start of a new artistic period I found all these pictures with good ol’ Google Images. I a search will probably turn up the same results that I used. Good luck with the exam, and have a great winter break! f you want a larger/clearer version of an image, I accept cash, tips, bribes, cake and baked goods, cheques, gift cards, complimentary lunches, sports cars (preferably Italian), stock options, political power or a simple spoken “Thank you”.

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Page 1: i - EARLY CHRISTIAN · i - EARLY CHRISTIAN ... - See handout Early Christian and Byzantine Art i.2 Architecture ... 2 - EARLY MEDIEVAL & ROMANESQUE ART (NORTHERN)

i - EARLY CHRISTIAN

i.6 The Good Shepherd, 5th C, Galla Placidia, Ravenna, Mosaic (p.173)

i.1 Constantine makes Christianity state religion 330 (pre and post toleration of 313) - See handout Early Christian and Byzantine Art

i.2 Architecture - components of Basilica Old St Peters (pg. 171)

i.3 Sculpture - ambiguous - drawn from Classical world and given Christian context

i.3.1 Shepherd, anchors, sheep, Chi-Rho

I .4 4 Evangelists and their symbols: Mathew - AngelMark - LionLuke - OxJohn - Eagle

i.5 Painting: murals in catacombs and Mosaics

Just a few quick notes:�The numbers for each entry are just for organization. If it has two decimal points, is a sub-set item that you don’t need to memorize.�Page numbers are for where in the text you can get more info on that specific piece�Not all the images look exactly like the ones from the text, particularly those for architecture.�Bold, grey titles indicate the start of a new artistic period�I found all these pictures with good ol’ Google Images. I

a search will probably turn up the same results that I used.

Good luck with the exam, and have a great winter break!

f you want a larger/clearer version of an image, �I accept cash, tips, bribes, cake and baked goods, cheques, gift cards, complimentary lunches, sports cars (preferably Italian), stock options, political power or a simple spoken “Thank you”.

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1.2 Theodora and her Attendants, 6th C, mosaic in apse of S. Vitale, Ravenna (p.179)

1.3 Justinian and his Retinue, Vitale, Ravenna (p.178)

1.3.1 Iconography of Jesus Christ (p.168)

6th C, mosaic in apse of S.

1.4 Hagia Sophia, (Byzantium) (p.175)

1.4.1 Christian Symbols (p.182)

6th C, Constantinople

1.5 Church of St. Vitale, Ravenna 6th C (p.177)1.5.1 Christ enthroned with St Vitalis and Bishop Exxlesius, from Chruch of St. Vitale (p.177)

1 - BYZINTINE ART

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1.6 Virgin and child with Saints and Angels, icon, Monastery of St. Catherine, Egypt, 6th C, encaustic on wood, medium (p.181)

1.6.1 Archangel Michael, icon. 10th C, silver gilt and enamel, medium, Venice (p.183)

1.6.2 Interior of Cathedral of Santa Sophia, Kiev, Ukraine, 11th C (p.186)

2.1 Purse Cover from the Sutton Hoo Burial Ship, England, Cloisonne plaques of gold, garnet and millefiore enamel, Medieval Celtic, Early 7th C (p.244)

2.2 Chi Rho Iota page from Book of Matthew, Book of Kells, Scotland, late 8thC, 33x24cm (p.245)

2.3 Lorsch Gateway, Lorsch, Germany, Early 9th C.

2.4 Palace Chapel of Charlemagne, Aachen, German, Early 9th C (p.247) 2.5 Saint John from

Coronation Gospels, late 8th C, pigment on parchment, 32.4x24.9cm

2.6 Saint Matthew from Ebbow Gospels, early 9th C, pigment on parchment, 25.4x20.3cm (p.250)

2 - EARLY MEDIEVAL & ROMANESQUE ART (NORTHERN)

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2.7 Bronze doors of Bishop Bernward, Hildesheim, early 11th C, (p.253)

2.8 Reliquary Statue of St Foy (St Faith), early 10thC, gold repousse and gemstones over wood core, 85cm high (p.257)

2.9 Bayeux Tapestry, Battle of 1066, England, wool embroidery on linen, 50.8cm high (p.256, 268, class handout)

2.9.1 Dream of Henry I, Worcester Chronicle, illuminated manuscript, tempera on vellum, 32x23cm, self portrait of un Guda, Book of Homile, early 12th C, Germany (p.268)

2.10 The Last Judgement by Gislebertus. West portal cathedral of St. Lazare (orig. abbey church) Burgundy, France early 12th C (p.265)

2.10.1 The Magi Asleep by Gislebertus, cathedral of St. Lazare, early 12th C (p.266)

3.1 Chartres Cathedral of Notre Dame, and details, West façade 12th C (North Spire c1510) (p.277)

3.2.1 Tree of Jesse, mid 12th C stained glass (p.280)

3.2 Rose window, north transept, Chartres Cathedral, stained glass c. mid 13th C 13 m across (p.280)

3 - GOTHIC ART

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3.3 Cathedral of Notre Dame Paris (flying buttresses) begun 12th C (p.276)

3.4 Pages with Betrayal and Arrest of Christ and Annunciation Petites Heures of Jeanne d'Evreux by Jean Pucelle, Paris. Early 14th C grisaille and color on vellum 8.2 x 5.6 cm (ea page) (p.268) 3.5 Virgin and Child from Abbey

Church of St. Denis mid14th C silver gilt and enamel 27” (69cm) (p.289)

3.6 Salisbury Cathedral, England 13th C (Nave - perpendicular style) (p.290)

3.7 Life of Virgin (Chasuble embroidered in opus anglicanum), S. England red velvet with silk and metallic threads. mid 14th C (p.294)

3.7.1 Life of John the Baptist by Andrea Pisano, South Baptistery Doors, early 14th C. Gilded bronze

3.8 Pulpit by , Baptistery, Pisa mid 13th C. 4.6m (p. 296)

Nicola Pisano

3.9 Allegory of Good Government in the City by Ambrogio Lorenzetti. Fresco, Pisa mid 14th C (p. 296)

3.10 Virgin and Child Enthroned in Majesty by Duccio, early14th C, tempera and gold on panel, 2.13 x 3.96 m (p.298)

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3.10.1 St Francis Altarpiece by Bonaventura Berlinghieri, early 13th C (Byzantine style)

3.11 Madonna Enthroned with Angels and Prophets by Cimabue, c. late 13th C t/p. 3.84x2.24m tempera and gold on panel (p.299)

3.12 Virgin and Child Enthroned in Majesty by Giotto, early 14th C 10'8” x 6'8” (3.25 x 2m) tempera and gold on panel (p.300)

3.13 Arena (Scrovegni) Chapel and details by Giotto, c. early 14th C. Fresco (p.301)

3.14 The Annunciation by Simone Martini, early 14th C tempera on wood, 2.65 x 3.05m (International Gothic, not in text)

(sample fresco)

4.1 February by Limbour Brothers, from the Tres Riches Heures du Duc de Berry, early 15th C. France, Ink and colours on Parchment. 22 x 18cm (p. 307)

4.2 Merode Altarpiece by Campin and assistants, early 15th C oil on panel (o/p) 64 x 63 cm (centre panel) (p.308)

Robert

4.2.1 The Annunciation by Jan van Eyck, mid 15thC oil on canvas (originally on panel!) 90 x 34 cm (p.309)

4 - EARLY RENAISSANCE ART

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4.2.2 Arnolfini Portrait by Jan van Eyck, c mid 15th C o/p 84 x 57 cm (p.311)

4.2.3 The Deposition / Lamentation of Christ by Rogier Van der Weyden, mid 15th C Louvain Belgium, o/p 2.2 x 2.6 m (p.312)

4.2.4 A Goldsmith in his shop by Petrus Christus, (St. Eligius) mid 15th C o/p 98 x 55 cm (p.313)

4.2.5 Portinari Altarpiece by der Goes, late 15th C, oil on panel. Total size: 2.53 x 5.86 m (p.314)

Hugo van 4.2.5.1 Page with Thamyris from Concerning Famous Women by Boccaccio. Early 15th C ink and tempera on vellum (p.310)

4.2.6 The Unicorn is Found (Unicorn Tapestries) late 15th C wool, silk and metal threads (13-21 warps per inch) 3.68-3.78 m (p.315)

4.2.6.1 The Buxheim St. Christopher early 15th C woodcut (hand coloured) (p.316)

4.2.6.2 Temptation of St. Antony by Martin Schongauer, Germany late 15th C Engraving 31 x 23 cm (p.316)

4.2.7 Battle of Ten Nudes by . Italy late 15th C Engraving 38 x 59cm (p.318)

Antonio del Pollaiuolo

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4.2.8 Dome of the Florence Cathedral by Filippo Brunelleschi, Early 15th C (p.319)

4.2.8.1 Foundling Hospital Florence early 15th C 4.2.8.2 View of an Ideal City by

late 15th C O/p 77 x 2.17 m (p.323)Anonymous,

4.2.9 David by . mid 15th C Bronze 1.6m (p.324)

Donatello 4.2.9.1 St. George by Donatello, mid 15th C

4.2.10 Porta del Paradiso (Gates of Paradise) by mid 15th C. Bronze parcel gilt. 4.5.m (p.326)

Lorenzo Ghiberti,

4.2.11 Holy Trinity by Masaccio, early 15th C Fresco 6.7 x 3.2m (p.327)

4.2.12 Delivery of Keys to St. Peter by Pietro Perugino, fresco Sistine Chapel, Rome late 15th C. 3.5 x 5.7m (p.329)

4.2.13 Tribute Money by Masaccio, (Brancacci Chapel), early 15th C. Fresco. 2.54x5.9 m Expulsion (p.330)

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4.2.14 Annunciation by Angelico. Fresco, Florence c mid 15th C 2.2 x 3.2 m (p.332)

Fra 4.2.15 The Battle of San Romano by Ucello, Tempera/panel. Florence mid 15th C 1.8 x 3.2m (p.333)

4.2.16 Birth of Venus by Botticelli, c. late 15th C. tempera on panel. 2.03 x 3.15 m (p.334)

Sandro

4.2.17 Portraits of Battista Sforza (1472) and Federico da Montefeltro (1473) by Piero della Francesca, o/p. Late 15th C Each 47 x 33 cm (p335)

4.2.18 The Camera Picta by mid 15th C (p.336)Andrea Mantegna,

4.2.18.1 The Dead Christ Andrea Mantegna, late 15th C

by

4.2.19 Saint Francis in Ecstasy by Bellini, late 15th C oil and tempera on panel 50 x 56” (125 x 142cm), (p.304)

Giovanni