Interoperability in Digital Camera Capture 2020-03-20آ  delta penelope, mirror-reflex digital camera,

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  • Interoperability in Digital Camera Capture

    The CinemaDNG Initiative

    April 12, 2011 NAB 2011, Las Vegas

  • Welcome

      Introductions

      Today’s program

      Background for the CinemaDNG Initiative

      Leading vendors supporting CinemaDNG

      Q & A

    2

  • Lars Borg | Principal Scientist, Adobe borg@adobe.com

    The CinemaDNG File Format

  • From sensor data to final image

    “Digital Inverse” Bayer matrix

    Final image Still or Video

    When processed in camera: - Original is lost - JPEG or Video workflow

    When processed in post: - Original is preserved - RAW workflow

    Raw digital sensor data

    (magnified 100x) Image processing

    pipeline

    Most steps are “lossy”!

  • The RAW image

      … captures the digital camera’s sensor data with no processing in the camera

      Opportunity for better final quality

      Excellent for green-screen work

      70 % of professional photographers shoot RAW

      But…

      Proprietary image formats come and go – now at 200+

    ➜ The DNG format for still photography, CinemaDNG for motion

  • How do you stay fully connected with proprietary

    formats?

    Cinematography Workflows with Multiple RAW Formats

    Vendor RAW

    Formats

    Each application must read many file formats

    avi

    mov

    dpx

    r3d

    ari

    siv

    cine

    pgm

    wcr

    fhg…

  • Adding CinemaDNG to Cinematography Workflows

    Connect all products through one file format

    Capture in Vendor RAW or

    CinemaDNG

    Ingest CinemaDNG

    directly

    Deliver in CinemaDNG

    format

  • CinemaDNG Objectives

      Define a universal, high-quality RAW motion picture camera file format

      Using an open, documented format for digital RAW image data

      Leveraging existing standards (DNG, MXF)

      Unrestricted use

      No patents, no intellectual property rights encumbrances

      No license fees

      No non-disclosure agreements

      Free source code, software kits, tools

      64 companies participating, including 21 camera vendors

      The only open alternative to proprietary RAW format

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  • Example Workflow - Camera to Academy IIF

    Capture RAW data Ingest to IIF

    Deliver in CinemaDNG

    Edit in RGB

    Grade in CinemaDNG

  • The Promise of The CinemaDNG File Format

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      An open, unified RAW image format for motion picture capture   Retains the user benefits found in proprietary RAW formats   Adds Interoperability, Metadata, Longevity

    What’s not to like about this?

  • Introducing Leading CinemaDNG Sponsors

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  • Pascal Grillére | Senior Software Engineer Booth C6744

    Aaton

    We Love CinemaDNG!

  • delta penelope, mirror-reflex digital camera,

    internal CinemaDNG recorder

    1 obsolescence-free mirror-reflex head, with interchangeable digibacks. 2 simultaneous recording of uncompressed RAW and edit-ready proxies. 3 less than 4 seconds boot-up, low power (

  • delta pack internal CinemaDNG

    SSD recorder

    1 four SSD in RAID-0. 2 up to 600MBytes/sec. 3 40min/TB CinemaDNG RAW recording. 4 universal non proprietary disk format (FAT32). 5 small and lightweight: 350 grams. 6 slides in one standard 3.5” HD dock.

    14

  • ergon ®

    CinemaDNG

    playback

    1 backups Aaton delta packs.

    2 debayers CinemaDNG 4K in realtime.

    3 handles high speed clip searching.

    4 applies delta-penelope embedded 3DLUTs.

    5 generates color ‘best-light’ proxies.

    6 runs within any GPU equipped PCs.

    15

  • Peter Gustafsson Booth C9545

    Ikonoskop

    We Love CinemaDNG!

  • A-Cam dll - Small and light - CCD sensor with global shutter - Uncompressed RAW in CinemaDNG in full HD - Onboard recording to a 160 GB flashcard - Onboard viewfinder and battery - PL, IMS, C & Leica M mount.

    - See us in booth #C9545

    We Love CinemaDNG!

  • Johann Horvat Booth C11540

    Indiecam

    We Love CinemaDNG!

  • Digital Film Cameras

      Indiecam builds modular digital camera systems

      Camera-heads, recorders, monitoring devices and accessories

      Lightweight handheld configurations

      Detached configuration for SFX and POV production

      Great for 3D: Native support for 2 channels

      We use DNG since 2005 for recording digital film!

  •   Introducing new Camera-Head at NAB Show 2011

      Global Shutter CMOS in 2k

      3G HD-SDI output

      RAW

      4:2:2

      Up to 120 fps

      HDR

      Tiny housing

      Lightweight

      Connectors, Communication Protocol (RS 485) and Housing stays the same with our current camera

    indiePOV

  • indieSHUTTLE

      3D Dual Channel 3G HD-SDI recorder

      CinemaDNG Sequences

      CinemaDNG MXF (upgrade)

      Uncompressed 4:2:2

      RGB 4:4:4 (upgrade)

      2 SSD drives (no RAID, FAT32) 180 MB/s each, one for each channel

      Not only a recorder, but all camera-controls integrated

      Integrated 3D workflow functions (calibration, previewing)

      Lightweight 2.5 kg

  • Lars Borg | Principal Scientist borg@adobe.com Booth SL3320

    Adobe

    We Love CinemaDNG!

  • Adobe Supports CinemaDNG

      Adobe products include CinemaDNG support

      Single images (Photoshop and Lightroom)

      Image sequences and MXF (After Effects and Premiere)

    23

  • Adobe Supports CinemaDNG

    For use with full-screen images or diagrams that look good on gray

    24

  • Ron Wallace | Senior Consulting Engineer, Office of the CTO Booth SU902

    Avid

    We Love CinemaDNG!

  • Avid Supports The CinemaDNG Initiative

      Avid’s goal is to be file format agnostic and open

      Offer flexible support for file formats and codecs based on customer demand

      Offer open interfaces for integration

      Support standardization

      Reasons we like CinemaDNG

      It’s an open standard

      It’s based on other open standards

      A common format allows us to support more capture devices and applications

      We are exploring how to best support CinemaDNG in Media Composer

      One possibility is via Avid Media Access

    26

  • Peter Chamberlain | DaVinci Resolve Product Manager Booth SL220

    Blackmagic Design

    We Love CinemaDNG!

    Adding to the long list of supported native camera and file formats as of NAB 2011 DaVinci Resolve now decodes CinemaDNG files. Using a GPU debayer developed by Blackmagic Design, Cinema DNG images can be previewed, played and graded in real time on a MacPro or Linux single GPU system. Live demonstrations can be seen at the Blackmagic Design stand, SL220.

  • Blackmagic Design

    28

  • Patrick Palmer Booth SL7927

    Patrick offered $1000 for anyone who could tell where the split was between ARRIRAW and CinemaDNG, clips shown in split-screen mode in Iridas SpeedGrade NX. No takers!

    IRIDAS

    We Love CinemaDNG!

  • Gregor Zander Booth SL1414

    MXF4mac

    We Love CinemaDNG!

  • MXF4mac Supports CinemaDNG

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  • MXF4mac Supports CinemaDNG

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  • MXF4mac Supports CinemaDNG

    Slide template for use with full-screen images or diagrams that look good on gray

    Product shot? Screen shot? CinemaDNG support in product

    New, launched at NAB 2011! Visit booth SX1999!

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  • CinemaDNG at NAB 2011

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      Meet vendor representatives here   Visit the following booths for demos and more information

      Aaton Booth C6744   Adobe Booth SL3320   Avid Booth SU902   Blackmagic Design Booth SL220   Ikonoskop Booth C9545   INDIECAM Booth C11540   IRIDAS Booth SL7927   MXF4mac Booth SL1414

      Look for the CinemaDNG logo

      Thanks for attending!

  •   Demo of clips from various CinemaDNG sources on same time line   Time lapse from Canon camera, shot in RAW, converted to DNG sequence

      Clips from INDIECAM

      Clips from Ikonoskop

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