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A powerpoint presentation on the life and work of the abstract expressionist Jackson Pollock.
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A PIONEER OF ABSTRACT
EXPRESSIONISM: JACKSON POLLOCK
By: Derek Walkama
American post-WWII art movement
paintings often made of shapes, lines, and forms not meant to
depict a "reality”
What is Abstract Expressionism?
Some Examples
Mark Rothko Helen Frankenthaler
Childhood and Adolescence Born Paul Jackson Pollock January 28,
1912 in Cody, Wyoming Father was a farmer and mother was an
artist Older brother took over as father figure
when father left, and also aided in Jackson’s artistic ambition
Started studying with Thomas Benton
The Great Depression Franklin D. Roosevelt started Public
Works of Art Program Program resulted in thousands of works
of contemporary art Pollock discovered Pablo Picasso's
show at the Museum of Modern Art
Love and Work Pollock became romantically involved in
1942 with a Jewish contemporary artist, Lee Krasner
Pollock was contracted by Peggy Guggenheim
Moved into a farmhouse on Long Island and converted barn into private studio
Continued to develop his “drip” technique
Drip Drip Drip Between 1947 and 1950 Pollock
produced some of his most famous paintings using his “drip technique”
Pollock became dismissive of other artists because of his overwhelming and swiftly achieved fame
He began numbering his paintings instead of giving them names
Number 4, 1950
Mommy to the Rescue Pollock gave up on his drip method and
began painting in black and white which proved unsuccessful
Depressed, Pollock began frequenting the bar where we he would fall into a drunken rage and start fights
Krasner, concerned for her husband, called upon mama Pollock to help her son out of the gutter
The Deep,1953
The End of Pollock Pollock’s marriage began to crumble
under the stress of his alcoholism He quit painting in 1956 Krasner, reluctantly, left for Paris to give
Jackson space Pollock, who had been drinking, crashed
his car killing himself and one of the passengers in 1956
Legacy Although the last years of Pollock’s life
were gloomy, he still remains one of the most influential artists of the 20th century
His art has continued to be honored on a large scale with frequent exhibitions at both the Museum of Modern Art in New York and the Tate in London
Mural, 1943
The She Wolf, 1943
Number 1, 1948
One: Number 31, 1950