JEAN RHYS: A BIBLIOGRAPHY

1995-2002 Lizabeth Paravisini-Gebert

Vassar College

Selected Reprints of Jean Rhys's Work:

"A Spiritualist." In Nightshade: 20 Century Ghost Stories. Edited by Robert S. Phillips. New York: Carroll & Graf Publishers, 1999.

"First Steps" [1979]. In Extravagant Strangers: A Literature of Belonging. Edited by Caryl Phillips. New York: Vintage International, 1997.

"Goodnight Marcus, Goodnight Rose." In Nothing but You: Love Stories from the New Yorker. Edited by Roger AngeU. New York: Random House, 1997.

"Pioneers, Oh, Pioneers." In The Oxford Book of Caribbean Short Stories. Edited

by Stewart Brown and John Wickham. Oxford: Oxford University Press, 1999.

"Pioneers. Oh, Pioneers." In Rhythm & Revolt: Tales of the Antilles. Edited by Marcela Breton. New York: Plume, 1995.

Smile, Please: An Unfínished Autobiography. Large Print Ed. Oxford: Isis Publishing Ltd., 1996.

Smile, Please. Audio Recording. Oxford: Isis Audio Books, 1996.

Wide Sargasso Sea [excerpt]. In The Whistling Bird: Women Writers of the

Caribbean. Edited by Elaine Campbell and Pierrette M. Frickey. Boulder, Co. and Kingston, Jamaica: Lynne Rienner Publishers, 1998.

Books

Bender, Todd K. Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Bronte. New York: Garland, 1997.

Bloom, Harold. British Women Fiction Writers, 1900-1960. Philadelphia: Chelsea House Publishers, 1999.

• Caribbean Women Writers. Philadelphia: Chelsea House, 2000.

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Booker, M. Keith and Dubravka Juraga. The Caríbbean Novel in English: An

Introduction. Portsmouth, NH: Heinemann, 2001.

Carr, Helen. Jean Rhys. Plymouth, U.K.: Northcote House, 1996.

Freeman, Barbara Claire. The Feminine Sublime: Gender and Excess in Women's Fiction. Berkeley: University of California Press, 1997.

Garcia Rayego, Rosa. Jean Rhys (1890-1979). Vulnerabilidad y dependencia. Madrid: Del Orto, 1999. [In Spanish]

Gomick, Vivian. The End of the Novel of Love. Boston: Beacon Press, 1997.

Gregg, Veronica Marie. Jean Rhys's Historical Imagination: Reading and Writing the Creole. Chapel Hill: University of North Carolina Press, 1995.

Fung, Kit-ting. Decolonizing Fictions: The Subversion of 19 Century Realist Fiction. Hong Kong: University of Hong Kong, 2001.

Handley, George B. Postslavery Literatures in the Americas. Charlottesville: University Press of Virginia, 2000.

Heywood, Leslie. Dedication to Hunger: The Anorexic Aesthetic in Modem

Culture. Berkeley: University of California Press, 1996. [World Wide Web

version available under the same title from NetLibrary in Boulder, Colorado:

http :///www.netlibrary .com/ summary. asp?ID=4562. ]

Huhne, Peter. Remnants of Conquest: The Island Caribs and their Visitors, 1877-1998. New York: Oxford University Press, 2000.

Ingman, Heather. Women's Fiction between the Wars: Mothers, Daughters, and Writing. New York: St. Martin's Press, 1998.

Ippolito, Emilia. Caribbean Women Writers and the Formation of Female Subjectivity. Rochester, NY: Candem House, 1999.

Jordis, Christine. Jean Rhys, la prisonnière. Paris: Stock, 1996. [In French]

Joubert, Claire. Lire le Féminin: Dorothy Richardson, Katherine Mansfìeld, Jean Rhys. Paris: Editions Messene, 1997. [In French]

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Konzett, Delia Caparoso. Ethnic Modernisms: Amia Yezierska, Zora Neale Hurston, Jean Rhys, and the Aesthetics of Dislocation. New York:

Palgrave; 2002. »

Malcolm,- Cheryl Alexander. Jean Rhys: A Study of the Short Fiction. New York and London: Twayne Publishers, 1996.

Maurel, Sylvie. Jean Rhys. New York: St. Martin's Press, 1998; London: Macmillan Press, 1998.

Meech, Deborah. Contradictions and Ambiguity: Characterization and Identities

in Jean Rhys's Novels. Hong Kong: University of Hong Kong, 2001. Raiskin, Judith L. Snow on the Cane Fields: Women's Wjiting and Creole

Subjectivity. Minneapolis: University of Minnesota Press, 1996. Saunders, Max. Ford Madox Ford:'A Dual Life, The Añer-War World. Vol. 2.

New York: Oxford University Press, 1996.

Savory, Elaine. Jean Rhys. Cambridge and New^ York: Cambridge University Press,,1998.

Sternlicht, Sandford.V. Jean Rhys. New York and London: Twayne/Prentice Hall International, 1997.

Thomas, Sue. The Worldling 'of Jean Rhys. Westport, CT: Greenwoôd Press, 1999.

Todd, Loreto. Jean Rhys, Wide Sargasso Sea. Harlow, England: Longman/York Press, 1995.

Book Chapters

Barnes, Fiona R. "Dismantling the' Master's House: Jean Rhys and Wèst Indian Identity " In International Women's Writing: New- Landscapes of Identity. " Edited by Anne B. Brown and Marjanne E. Gooze. Westport, CT.: Greenwood, 1995, pp. 16P-161.

Bessiere, Jean. "Écriture du droit, fiction, représentation: Jean Rhysj Mohamed

Dib, Edouard Glissant, André Brink." In Littératures pöstcoloniales et représentations de Tailleurs: Afrique, Caraïbe, Canada. Edited by Jean

67

Bessiere and Jean-Marc Moura. Paris; Champion, 1999, pp. 153-171. [In

French] Carotenuto, S. L'A-topos di un'interrogazione; Wide Sargasso Sea di Jean Rhys."

Ivilntreccì e contaminazioni: 14 Congrèsso Nazionale, Associazione Italiana di Anglistica. Venice: Supernova,»1991. [In ItaHan.]

Carrera Suárez^ Isabel. "La locura heredada: Ancbo.mar de los Sargazos de Jean

Rhys." In Como mujeres: releyendo a escritoras del XIXy XX. Edited by Isabel Carrera Suárez y María Socorro Suárez Lafiiente. Oviedo, Spain;

Principado de Asturias, Consejería de Educación, Cultura, Deportes y

Juventud, 1994.'[In Spanish.'] Covi, Giovanna. "Family Connections: Mother and Mother Country in the

Fiction of Jean Rhys and Jamaica Kincaid." In Jamaica Kincaid. Edited by Harold Bloom. Philadelphia; Chelsea Hquse, 1998.

Diamond, Marie-Josephine. "Remenfbering Differently: The Madwoman, the Hysteric, and the Witch in Jean Rhys's Wide Sargasso Sea, IJéléne

Cixous's Portrait de Dora, and Maryse Condé's Tituba." Volume 4 of the Proceedings of the XVth Congress of the International Comparative Literature Association-, Literature as Cultural Memory. Edited by John Neubauer et al. Amsterdam: Rodopi, 2000, pp. 9-20.

Flora, Luisa María Rodrigues. "Jean Rhys: Composition in Shadows and Surfaces."

In Recharting the Thirties. Edited by Patrick J. Quinn. London:

Susquehanna University Press, 1996.

Foster, Jason. "Individuation and the Creative Self in Wide Sargasso Sea and The Lover." In Selected Papers, 2000 Conference, Society for the Interdisciplinary Study of Socialjmagery. Colorado Springs: University of

Southern Colorado, 2000, pp. 467-473.

Gibson, Andrew. "SensibiHty and Suffering in Rhys and Nin." In The Ethics in Literature. Edited by Andrew Hadfield and Dominic Rainsford.

HoundmiUs, England: Macmillan, 1998.

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Jain, Veena. "Jean Rhys's Wide Sargasso Sßa: .K Re-Writing of History." In

Women's Writing: Text and Context. Edited by Jasbir Jain. Jaipur, India:

Rawat, 1996, pp. llA-lTit.

Lonsdale, Thorunn. "Literary. Allusion in the Fiction of Jean Rhys." In Caribbean Women Writers: Fiction in English. Edited by Maryse Condé and

Thorunn Lonsdale. New York: St. Martin's, 1999. "'One of the Most Beautiful Islands in the World and One of the

Unluckiest': j€;an Rhys and Dominican Identity." In Framing the Word: Gender and Genre in Caribbean Women's Writing. Edited by Joan Anim-

Addo. Londons Whiting and Birch, 1996, pp. 199-209. Madden, Deanna. "Wild Child, Tropical Flower, Mad Wife: Female Identity in

Jean Rhys's Wide Sargasso Sea." In International Women's Writihg: New Landscapes of Ideptity. " Edited by Anne E. Brown ^nd Marjanne E.

Gooze. Westport, CT.: Greenwood, 1995, pp. 162-174. Melaney, William D, "Semiotic Mythologies: Jean Rhys and the Postcolonial

Novel." In Proceedings of the Twentieth Annual Meeting of the Semiótic Society of America. Edited by C.W. Spinks and John Deely. New York: Peter Lang, 1996, pp. 31-40.

Neumeier, Beate. "Crossing Boundaries: Joan Riley's No/Mad Women." In Engendering Realism and Postn^odemism. Edited by Beate Neumeier. Amsterdam: Rodopi, 2001, pp. 303-316.

Paravisini-Gebert, Lizabeth. "The Alienation of Power: Planter Heroines in Caribbean. Novels by Women." In The Woman,, the Writer, and Caribbean Society, edited by Helen Pyne-Timothy. Los Angeles: UCLA,' 1998.

Savory, Elaine. "Jean Rhys and the Novel as Obeah." In SacredPossesßions: Vpdou, Santería, Obeah, and the Caríbbean. Edited by Margarite Fernández Olmos

and Lizabeth Paravisini-Gebert. New Brunswick, NJ: Rutgers University Press; 1997.

Spivak, Gayatri Chakravorty. "Three Women's Texts and a Critique of

Imperialism." In The Post-Colonial Studies Reader. Edited by Bill

69

Ashcroft, Gareth Griffiths, and Helen Tiffin. London: Routledge, .1995; pp.

269-272. Rprt. in Feminisnls: An Anthology of Literary Theory and Criticism. Edited by Robyn R. Wharhol and* Diana Price Herndl. New

Brunswick, NJ: Rutgers University Press, 1997.

"Una Critica all'imperialismo: Tre testi feminüi." In Critiche femministe e teorie letterarie. Edited by R. Baccohni, M. Giulia Fabi, V.

Fortunati, and R. Monticelli. Bologna, Italy: CLUEB, 1997,- pp. 105-133. Terrien, Nicole. "Connais-tu le pays...? L'Oeuvre de Jean Rhys comme perception

antillaise de la viUe." In La Ville plurielle dans la fìction Anglophone: Images de ïinterculturel. Edited by Corinne Duboin and Eric Tabuteau. Toulouse, France: PU du Mirail, 2000, pp. 270-.

Thomas, Sue. "Jean Rhys and Dominican Autoethnography." In Victorian Journalism: Exotic and Domestic. Edited by Barbara Garlick and Margaret

Harris. Queensland,- Australia: University of Queensland Presâ, 1998, pp. 171-196.

Vijayshree, C. "Writing Postcoloniality and Feminism: A Reading of Jean Rhys's Wide Sargasso Sea." In Women's Writing: Text and Context. Edited by Jasbir Jain. Jaipur, India: Rawat, 1996, pp. 124-133.

Articles *

Adjarian, M.M. "Between and Beyond Boundaries in Wide Sargasso Sea." College Literature!! (February 1995): 202-209.

Aizenberg, Edna. "'I Walked with a Zombie': The Pleasures and Perils of Postcolonial -Hybridity." World Literature Today 73:3 (Summer 1999): 461-466.

Barnes, Fiona R. "Dismantling the Master's Houses: Jean Rhys and West Indian Identity." Contributions in Women's Studies 1^1 (1995).

Berry, Betsy. "'Between Dog and Wolf: Jean Rhys's Version of Naturalism in Añer Leaving Mr Mackenzie." Studies in the Novel 27:4 (Winter 1995): 544-562.

70

" Voyage in the Dark, Esther Waters, and the Naturalistic Tradition."

Jean Rhys Review 7:\-2 (1996): 17-25.

Capíes, Garrett. "White Noise: Vocal Frequencies in Jean Rhys's Good Morning, Midnight." Jean Rhys Review %:\-2 (1997): 5-11.

Castro, Joy. "Jean Rhys." Review of Contemporary Fiction 20:2 (2000): 8-45.

Chang, Kenny. "Feminist Revision and the Recentering of a Colonial Subject: Jean Rhys's Wide Sargasso Sea." Studies in Language and Literature 8 (December 1998): 103-118.

Choudhury, Romita. "'Is There a Ghost, A Zombie There?': Postcolonial

Intertextuality and Jean Rhys's Wide Sargasso Sea." Textual Practice 10:2 (Summer 1996): 315-327.

Ciolkpwski, Laura E. "Navigating the Wide Sargasso Sea: Colonial History, Enghsh Fiction, and British Empire." Twentieth Century Literature 43:3 (Fall 1997): 339-359.

Davis, Todd and Kenneth Womack. "Reclaiming the Particular: The Ethics of Self

and Sexuahty in Wide Sargasso Sea." Jean Rhys Review 11:1 (Autumn 1999): 63-78.

Dearlove, Judith E. "The Failure of the Bildungsroman: Jean Rhys and Voyage in the Dark." Jean Rhys Review S:l-2 (1997): 24-30.

Dessart, Jamie Thomas. "'Surrounded by a Gilt Frame': Mirrors and Reflection of Self in Jane Eyre, Mill on the Floss, and Wide Sargasso Sea." Jean Rhys Review%:\-2- (1997): 16-24.

Diaz Fernández, José Ramón. "Jean Rhys y Wide Sargasso Sea." Atlantis: Revista de la Asociación Española de Estudios Anglo-Americanos 12:1 (June 1990): 77-102.

Emery, Mary Lou. "Refiguring the Postcolonial Imagination: Tropes of Visuality

in Writing by Rhys, Kincaid, and Cliff." Tulsa Studies in Women's Literature 16:2 (Fall 1997): 259-280.

Finley, Robert. "Why Sailors Can Believe Anything." Jean Rhys Review 10:1-2 (1999): 59-47.

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Flockemann, Miki. "Breakdown or Breakthrough? The Madness of Resistance in

Wide Sargasso Sea and A Question of Power" Ma Coipère 2 (1999): 65-79.

Flora, Luisa María Rodrigues. "'Feeding the Lake': Bitter Drops That Matter: The

Short Fiction of Jean Rhys." BELLS: Barcelona English Language and Literature Studies 1 (1996): 125-132.

Ganner, Heidi. "Literature from the; EngHsh-Speaking World in the Classroom:

Short Prose from the New English Literatures." Jean Rhys Review (1997): 11-16.

Gaines, Nora. "Continuing Bibliography: 7^^ Installment."/eau Rhys Review l:\-2 (1996): 53-58,

. "Continuing Bibliography: 8'^' Installment." Jean Rhys Review 8: 1-2 (1997): 39-49.

Gering, August. "The Celtic Creole in Jean Rhys's Wide Sargasso Sea." Jean Rhys Review\\:\ (Autumn 1999): 35-61.

Graham, Jean E. "'Trying to Give the Girl a Chance': Gaps and Silences in the

Novels of Jean Rhys." Jean Rhys Review 10:1-2 (1999): 1-12.

Goldblatt, Patricia. "Finding a Voice for the Victimized." Multicultural Review 9:3 (2000): 40-47.

• "The Implausibility of Marriage." Multicultural Review \0-Ji (2001): 42-48, 73.

Gutiérrez Mouat, Ricardo. "La 'loca del desván' y otros intertextos de Maldito amor." MÍAT 109:2 (March 1994): 283-306. [In Spanish]

Helgesson, Stefan. "Spraket och sprakets skugga: Om qmojligheten I att atervanda

till en plats." Bonniers Litterara Magasin (Stockholm, Sweden) 65:3 (1996): 26-28. [In Swedish]

Holden, Kate. "Formations of Discipline and Manliness: Culture, Politics, and

1930s Women's Writing." Journal of Gender Studies %:2 (July 1999): 141-157.

HoUis, Catherine. "The Third Mrs. Rochester: Jean Rhys and the Selma Vaz Dias Affair." Women's Studies 29:5 (2000): 651-679.

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Kamel, Rose. "'Before I Was Free': The Creole Wife in fane Eyre and Wide

Sargasso Sea." Journal of Narrative Technique 25:1 (Winter 1995): 1-22. Kappers, Martien. "Commentary in Reply -to Elaine Savory's Review of Critical

Perspectives on Jean Rhys." Jean Rhys RevieW 8:1-2 (1997)i 35-36. Kineke, Sheila. "'Like a Hook Fits an Eye': -Jean. Rhys. Ford ]^adox Fox, and the

Imperial Operations of Modernist Mentoring." Tulsa Studies in Women's

Literature 16:2 (Fall 1997): 281-301. Lewis, Andrea. "Immigrants, Prostitutes, and Chorus Girls: National Identity in

the Early Novels of Jean Rhys." Journal of Commonwealth and

Postcolonial Studies 6:1 (1999): 82-95. Little, Judy. "Signifying Nothing: A Shakespearean Deconstruction of Rhys's

'"íioáieíStex." Jean RhysReviewl:\-2 (1996): 39-46. Lock, Helen. "Rhys's Epistemological Battleground." Journal of Commonwealth

and Postcolonial Studiês 6:1 (1999): 96-103. Louvel, Libane. "Jean Rhys, Wide Sargasso Sear. The Locket and the Shamrock."

Études Anglaises (April-June 1995): 16-172. Mardorossian, Carine Melkom. "Double (De)colonization and the Feminist

Criticism of Wide Sargasso Séa." College Literature 26:2 (Spring 1999): 79-

95. . "Shutting Uf» "the Sulbaltem: Silences, Stereotypes, and Double-

Entendre in Jean Rhys's Wide Sargasso Sea." Callaloo'22:4 (1999): 1017-

1090. Narain, Denise deCaires. "English Gardens and West Indian Yards: The Politics of

Location (One More Time)." Wasaßri2% (Autumn 1998): 37-38. O'Callaghan, Evelyn. "'Jumping into the Big Ups' -Quarrels': The

Hulme/Brathwaite Exchange." Wasafín2% (Autumn 1998): 34-36.

Paravisini-Gebert, Lizab'eth. "A Forgotten Outpost of Empife: Social History in Dominica and the Creative Imagination." Jean Rhyé Revie}^ 10:1-2 (1999):

1-24.

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. «Jean Rhys and Phyllis Shand Allfrey: The Tale of a friendship." The

fean Rhys Review(1998): 1-24. . "La mujer y el poder en la historiografía de la plantación caribeña,"

Revista Mexicana del Caribe 1:1 (July-August 1996). 22pp. [In Spanish] Paschetto, Anna. "Anna Morgan, la straniera: Soggetto e silejizio in Voyage in the

Dark di Jean Rhys." Confronto Letterario 12:23 .(May 1995): 327-344. [In

Italian] Rosenberg, Leah. "The Rope, Of Course, Being Covered with Flowers':

Metropolitan Discourses and the Construction of Creole Identity iû Jean Rhys's 'Black Exercise Book.'" Jean Rhys Review 11:1 (Autìjmn 1999): 5-

33. Sarvan, Charles. "Flight, Entrapment, and Madness in Jean Rhys's Wide Sargasso

Sea." International Fiction Review 26ú-<2 (1999): 58-65.

Savory, Elaine. "'Another Poor Pevil of a Human Being...'':Jean Rhys and the Novel as Obeah." fean Rhys Review 7:1-2 (1996): 26-38.

. "Connections: Jean Rhys, Jamaica Kincaid, and Robert Antoni." Jean

Rhys ReviewXQ:i-2 (1999): 27-38. , "From Barbados to Dominica: On the Love of Small Islands, and in

Search of Jean Rhys." Jean Rhys Review 9:1-2 (1998): 25-35. . "Jean Rhys, Race and Caribbean/English Criticism." Wasafìri 28

Autumn 1998): 33-34. _ "Recent Locations on the Map of Rhys Studies: A Review Essay." Jean

Rhys.Review9:\-2 (1998):-44-48. Sellei, Nora. "Poses, Gazes and Losses: Rhetorical Strategy in Jean Rhys's Smile

Please: An Unfínished Autobiography." B.A.S.: British and American

Stu^ies/Revista de StudiiBritanice si Ajnericane 2 (1999): 59-65. Smith, R. McCLure. "'I .Don'ç Dream About It Anymore': The Textual

Unconscious in Jean Rhys's Wide Sargasso Sea." Journal of Narrative

Technique 26:2 (Spring 1996): 113-136.

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Snyder, Carey. "Imperial Travesty: Wide Sargasso Sea" Jump Cut: A Review of Contemporary Media 40 (1996): 21-23.

Stouck, Jordan. "Alternative Narratives of Race, Time, and Gender: Jean Rhys'

Voyage in the Dark." Journal of Commonwealth and Postcolonial Studies 3:1 (FaU 1995): 53-59.

"Locating Other Subjectivities in Jean Rhys's 'Again the Antilles.'"/eau Rhys Review %\\-2 (1997): 1-5.

Streip, Katharine. '"Just a Celebrale': Jean Rhys, Women's Humor, and Ressentiment." Representations A5 (Winter 1994).

Thomas, Sue. "James Potter Lockhart and the 'Letter of the Law.'" Jean Rhys Review9-.l-l (1998): 36-43.

"Revisionary (Post)Modemist Plausibihties? Paul Monaghan's Staging of Obeah Night and the Film of Wide Sargasso Sea." Jean Rhys Review 8:1-2 (1997): 30-35.

"WiUiam Rees Williams in Dominica!" Jean Rhys Reviewl:\-2 (1996): 3-14.

Thum, Angela M. " Wide Sargasso Sea: A Rereading of Coloniahsm." Michigan Academician 30:3 (May 1998): 147-162.

Tong, Q,S. and Jane Roberts. "Diachrony and Synchrony: A Comparative Study of the Opening Paragraphs of Jane Eyre and Wide Sargasso Sea." Anglistik 6:2 (Sept. 1995): 64-74.

Uraizee, Joya. "'She Walked Away Without Looking Back": Christophine and the

Enigma of History in Jean Rhys's Wide Sargasso Sea." Clio 28:3 (Spring 1999): 261-277.

Van Neck-Yoder, Hilda. "Colonial Desires, Silence, and Metonymy: 'All Things

Considered" in Wide Sargasso Sea." Texas Studies in Literature and Language A0:2 (Summer 1998): 184-208.

Walker, Joseph S. "When Texts CoUide: The Re-Visioning Power of the Margin." Colby Quarterly'iS:! (March 1999): 35-48.

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Wickramagamage, Carmen. "An/Other Side to Antoinette/Bertha: Reading 'Race'

into Wide Sargasso Sea." Journal of Commonwealth Literature 35:1 (2000): 27-42.

Yoon, Junggil. "'Madness' of the Oppressed: Jean Rhys's Wide Sargasso Sea." The Journal of English Language and Literature 42:1 (1996): 119-139. [In

Korean with English summary].

Zimring, Rishona. "The Make-Up of Jean Rhys's Fiction." Novel'Ò'Ò:2 (2000): 212-234.

Dissertations

Benton, Patricia Laidlaw. "Childhood's Ghost: The Haunted World of Jean Rhys." Ph.D. diss., University of Colorado, 1997.

Bhana, Hershini. "Diasporic Conversations: Reconceptualizing Black Identity in African and Caribbean Women's Novels." Ph.D. diss., University of California at Berkeley, 1999. [Z14/60-05A, pl553 (1999)].

Castro, Joy Elizabeth. "Splitting Open the World: Modernism, Feminism, and the

Work of Margery Latimer." Ph.D. diss., Texas A & M University, 1997. [ÌM/58-07A, p2649 (1997)].

Chen, Shu-Ching. "Women in Translation: Politics of Cultural Translation in Three Women's Texts in Diaspora." Ph.D. diss., Rutgers University, 1998. [ÌM/59-12A, p4434 (1998)].

Cilano, Clara N. "Place-ing Postcolonial Identity in Contemporary Literature by Women." Ph.D. diss., Dusquene University, 2000. [IM/61:11 (2001), p. 4380.]

Comfort, Susan Marguerite. "Memory, Identity, and Exile in Postcolonial

Caribbean Fiction." Ph.D. diss., University of Texas at Austin, 1994.

Emanuel-George, Juliet A. "The Quieted Voice in Multiculturalism: A Study of

the Shifted Self in the Works of the Post-Colonial Writers Rhys, Riley,

Emecheta, and Cliff." Ph.D. diss., St. John's University, 1998. [iM/58-12A, p4660 (1998)].

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Flanagan, Joseph. "The Psychic Life of the Nation: Literature, Culture, and the

Critique of Ideology (Enoch PoweU, Charlotte Bronte, Jean Rhys, and J.M. Coetzee)." Ph.D. diss.. University of Delaware, 1999. [ZM/60-08A, p2916

(1999)]. Gale, Marilyn Kravitz. "Lilith's Garden: A NoveUa and a Contextual Essay on the

Development of 'Lilith's Garden.'" Ph.D. diss.. Union Institute, 1998. [DAI 59-08A, p3243 (1998)].

Galehouse, Margaret Ann. "Leaving Home: Uncontainable Women in Twentieth-Century Texts." Temple University, 1997. [IM/58-06A, p2196 (1997)].

Gilson, Annette Marie. "Female Discipleship and Male Literary Authority: The

Literary Pairings of Charlotte Mew and Henry James, Djuna Barnes and

James Joyce, and Jean Rhys and Ford Madox Ford." Ph.D. diss., Washington University, 1997. [Z7/4/58-09A, p3518 (March 1998)].

Gott, Patricia Ann. "Jean Rhys and the Feminine Mask of-Betrayal." Ph.D. diss.. Southern Illinois University at Carbondale, 2000.

Henneberger, Sandra Cecelie Boyle. "Figuring the Paradox: Dialogic Identities in

fane Eyre by Charlotte Bronte, Wide Sargasso Sea by Jean Rhys, and Belovedhy Toni Morrison." Ph.D. diss.. University of Georgia, 1995. [DAI 50-05A, pl702 (1995)].

Hung, Min-hsiou. "A Decolonized Reading of Jean Rhys's Wide Sargasso Sea and Maxine Hong Kingston's The Woman Warrior." Ph.D. diss.. University of

Washington, 1996. [ZM/57-07A, p3008 (January 1997)].

IsbeU, Lyn. "Ripping the Veil: The Defiant Imagination of Jean Rhys." Ph.D. diss.. University of South Carohna, 1997. [DAI 58-03A, p0884 (September 1997)].

Johnson, Erica Laura. "Home, Maison, Casa: The PoHtics of Location in Works by

Jean Rhys, Marguerite Duras, and Erminia Dell'Oro." Ph.D. diss.. University of California at Davis, 2000. [ZM/61:9 (2001: 3551)]

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Johnson, Kerry Lee. "'Vulnerable Figures': Landscape, Gender and Postcolonial

Identity in the Works of Wilson Harris, James Joyce and Jean Rhys." University of Iowa, 1996. [ÌM/57-12A, p5143 (June 1997)].

Kineke, Sheila Alyce. "Prefacing Modernism: The Marketing and Mentoring of

Women Writers in the Early Twentieth Century." Ph.D. diss.. University of Arizona, 1996. [ZM/57-04A, pl633 (June 1996)].

Knox, Alice. "Women Writing Race: Toni Morrison, Nadine Gordimer, Jean Rhys." University of Massachusetts at Amherst, 1998. [ÌM/59-07A, p2487 (1998)].

Konzett, Delia Caparoso. Diasporic Modernisms: Displacement and Ethnicity in

Anzia Yezierska, Zora Neale Hurston, and Jean Rhys." Ph.D. diss., 1998. [£14/58-07, p2647 (1998)].

Lewis, Andrea. "Empire, Gender, and Politics of Display: Twentieth-Century

British Women Writers." Ph.D. diss., Pennsylvania State University, 1995. [£l4/56-09A, p3595 (1995)].

Mardorossian, Carine Melkom. "Cannibalizing the Victorians: Racial and Cultural

Hybridity in the Brontes and Their Caribbean Rewritings." Ph.D. diss.. University of Illinois at Urbana-Champaign, 1998. [ZM/59-59-11A, p4134 (1998)].

Martin, Janette May. "The Dynamics of Expatriatism in the Writing of Jean Rhys

and Jamaica Kincaid. Ph.D. diss. Bowling Green State University, 1996.

McQarthy, Jeffrey Mathes. "Impressions of Disorder: Ford Madox Ford and the

PoHtics of British Modernism." Ph.D. diss.. University of Oregon, 1997. [ZM/58-12A, p4669 (1997)].

O'Brien, Moira. "The Modern Vision: A Quest for Truth and Meaning." Ph.D. diss.. University of the West Indies, 1996.

Olson, Lucia Thomas. "'This, This Is England, But We Only Passed by':

Reclamations and Subversions of English National Identity in Works by

Woolf, Waugh, and Naipaul." Ph.D. diss.. University of lUinois at Urbana-Champaign, 1998. [ZM/59-11A, p4153 (1998)].

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Plate, Leideke. "Visions and Re-Visions: Female Authorship and the Act of

Rewriting." Ph.D. diss., Indiana University, 1995. [DAI 57-OlA, p202 (1995)].

Renk, Kathleen. "The Shadow Catchers: CreoleAVomanist Writers in the Anglophone Caribbean." Ph.D. diss.. University of Iowa, 1995. [DAI 56-06, p2229 (1995)].

Rosenberg, Leah. "Creolizing Womanhood: Gender and Domesticity in Early Anglophone Caribbean National Literatures." Ph. D. diss., Cornell University, 2000.

Scoones, JacqueHne. Ph.D. diss.. University of California at Irvine, 2000. [DAI 61:7 (2001), p. 2707.]

Searles, Susan ADAms. "The Language of Tears in Women's Fiction: A Study of Six Novels." Ph.D. diss., Ohio University, 1995 [DAI 56-12A, p4761 (1995)].

Sheehan, Thomas Wiley. Ph.D. diss.. University of California at Berkeley, 2000. [ZM/61:7 (2001), p. 2702.]

Simpson, Shona Elizabeth. "Making Scenes: Modernism and the Romance in 1930s Fiction by British Women Writers." Ph.D. diss., Duke University, 1996. [ZM/57-09A, p3952 (1996)].

Sonenberg, Nina EHse. "Earning Her Keep: Women and Money in the Post-

Colonial NoveL" Ph.D. diss., Rutgers University. [DAI 6\:\Q (2001), pp. 3987-3988.]

Skubal, Susanne M. "Word of Mouth: Food and Fiction after Freud." Ph.D. diss..

University of Wisconsin at Milwakee, 1999. [Ä4/60-08A, p2906 (1999)]. Streip, Katharine Ann. "Laughter and Ressentiment: Marcel Proust, Jean Rhys,

and Phüip Roth." Ph.D. diss.. University of California, Berkeley, 1996. [DAI5% (August 1997)].

Su, John Joseph. "Postmodern Nostalgia: Narratives of Return and the Longing for

Foundations." Ph.D. diss.. University of Michigan, 1999. [DAI 60-07A, p2486 (1999)].

79

Sulzer, Caroline. "Jean Rhys; A Study of Migration, Homesickness, and

Creativity." Ph.D. diss., Wright Institute, 1995. [DAI 56-06A, p2232

(1995)]. Sumner, Karen Elizabeth. "Whiteness and Women's Writing in the Caribbean."

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Literature." Ph.D. diss., Michigan State University, 1996. [ZM/57-05A,

p2052 (1996)]. Tinnie, Wallis Warfield Hamm. "Miscegenation Discourse in Faulkner, Rhys and

Toomer; Literary Texts and Legal Subtexts." Ph.D. diss.. University of

Iowa, 1997. [DAI57 Qanuary 1997)]. Tullis, Lynn Bastida. "' Address Unknown'; The Politics of Alienation in the

Novels of Jean Rhys." Ph.D. diss. University of Oregon, 1996. [DAI 57-

07A, p3042 (January 1997)]. Ubois, Lynette Marie. Ph.D. diss., University of California at Berkeley, 2000.

[iM/61:7 (2001), p. 2723]. Vial, Anne Merriam. "The Life of Narrative: Convention Redefined in the Lives

and Fictions of Katherine Mansfield, Dorothy Richardson, Virginia Woolf<, and Jean Rhys." Ph.D. diss., Indiana University, 1997. [DAI5Z-Q9K, p3543

(1997)]. Weiif'er, Deborah. "Islands of Possibility; Gendered Workings of Power in the

Lives and Texts of SheUey, Alcott, Wolf, Rhys, Laurie Anderson, Carter,

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80

Cashman, Brooke Elizabeth. "1 Hope You Will Suffer Prettily in Paris." Jean

Rhys, Djuna Barnes, Anais Nin and the Female Expatriate Experience.

B.A> Thesis, James Madison University, 2001.

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of the Thematic and Societal Representation of the Marginal Character in

Selected Works by Thomas Mann, Jean Rhys, Radclyffe Hall, John Gardner, William Faulkner, Albert Camus, and William S. Burroughs."

M.A. Thesis. Southern Illinois University at Carbondale, 1996.

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Wide Sargasso Sea." M.A. Thesis: Wake Forest University, 1995. Rundall. Sheron. "Every Form of Refuge Has Its Price: Intertextual Heroines and

the Patriarchy." M.A. Thesis. West Georgia College, 1996. Sassi, Kelly Jean. "Strategies for Resisting and Critiquing Colonization in

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of Alaska at Fairbanks, 1996. Smith, Amy Luscher. "Escaping the Kumbla: Identity Reclamation in West Indian

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11111� ........................... ----------���

Miscellaneous

O'

Contributors

Peter Hulme is Professor in Literature at the University of Essex. His most recent

books are Remnants of Conquest:The Island Caribs and their Visitors, 1877-1998,

(OUP, 2000), and two co-edited projects, The Tempest and Its Travels (Reaktion

Books, 2000), and the forthcoming Cambridge Companion to Travel Writing (CUP,

2002).

Cathleen Maslen is finishing her doctorate at the University of Western Australia. She

presented an earlier version of this paper at a conference, "Token Transgreisions:

Confronting the Cultural Lie", University of Exeter, 1998.

Sue Thomas is the author of The Worlding of Jean Rhys (Greenwood, 1999), co­

author (with Ann Blake and Leela Gandhi), of England Through Colonial Eyes in

Twentieth Century Fiction (Palgrave, 2001), an,d compiler of Elizabeth Robbins

(1862-1952): A Bibliography(University of Queensland Press, 1994), and many other

titles in the Victorian Research Guides Series. She has published extensively on late

nineteenth and twentieth-centtµy women�s writing and deco1onising literatures. She

· is Reader in English and Coordinator of the English Program in the School of

Communication, Arts and Critical Enquiry at La Trobe University, Melbourne.

Erika J. Waters is a professor of English at the University of the Virgin Islands, St.

Croix campus. She has published various articles and reviews on Caribbean literature,

with a special focus on early women writers. She co-edited Critical Issues in

Caribbean Literature (1984).and Contemporary Drama of the Caribbean (2002); edited

New Writing from the Caribbean (1994), and is Editor of The Caribbean Writer.

84