JEAN WEBSTER AND THE SECRET OF HAPPINESS

I first read Jean Webster’s novel some fifteen years ago and was immediately charmed by its wit, heart and intelligence. I was also surprised that a novel of such extraordinary sensitivity and economy of structure was not much better known, and was not regard-ed, indeed, as a great American classic. Written in 1911 in a farmhouse in Massachusetts, Daddy Long Legs is one of the most delightful love stories of all time. It is also an eloquent account of the growth of a woman’s spirit and independence at a time when women were just starting to claim the social and legal equalities for which, in many parts of the world, they are still struggling. Webster came from a highly literate and politically engaged family. Her mother was Mark Twain’s niece and her father was Twain’s business manager. Her great-grandmother and grandmother were involved in both the temperance and suffragette movements and she herself attended Vassar College, the progressive women’s college on which Jerusha’s alma mater in the novel is clearly based. In spite of her upbringing, Webster’s great leap of imagination was to see her own world of enlightened privilege through the eyes of a character who starts out in the world with no advantages whatsoever. Jerusha Abbott is a sort of female Candide. She enters the world of college embarrassed by her own ignorance and awkwardness, but her very lack of sophistication, together with a wicked sense of the absurd, allows her to see the world of her peers as it really is, untrammelled by any elements of self-interest. Her critique of the social and academic world around her is marvelously matched when she meets her mentor and benefactor, Jervis Pendleton, the extreme disparity between their two backgrounds allowing Web-ster to develop her story into one of personal growth and emotional evolution. As in the plot of Jane Eyre, Jerusha’s favorite novel, a girl who is born with nothing to her name but her intelligence and clarity of spiritual purpose becomes the moral compass for a rich and privileged man to map his way through the confusing and love-less world in which he has grown up and to find a sense of belonging in the heart of the woman he has grown to love. Jean Webster died in childbirth at the age of 39, only five years after writing her great masterpiece, but her message, in Jerusha’s words, is an enduring one - that ‘the true secret of happiness is to live in the now. Not to be forever regretting the past or an-ticipating the future, but to get the most that you can out of this very instant.’ ‘Life may not last long’ as our final song says, but when lived to the fullest, as lived by Jean Webster, it can make you immortal.

DIRECTOR’S NOTE BY JOHN CAIRD

DAVENPORT THEATRE354 West 45th Street, New York, NY 10036

KEN DAVENPORT MICHAEL JACKOWITZHUNTER ARNOLD PEG MCFEELEY GOLDEN TRES ROSAS

BEN BAILEY DAVID BRYANT CAIOLA PRODUCTIONS CARL DAIKELER JEFFREY GROVE MARGUERITE HOFFMAN

PRESENT

MUSIC AND LYRICS BY

PAUL GORDON

SCENIC AND COSTUME DESIGNDAVID FARLEY

ASSOCIATE DIRECTORNELL BALABAN

PRODUCTION MANAGERDUNCAN R. NORTHERN

LIGHTING DESIGN PAUL TOBEN

CASTING DALE BROWN

CASTING

PRODUCTION STAGE MANAGER

JENNY GORELICK

ASSOCIATE PRODUCER KAYLA GREENSPAN

SOUND DESIGNPETER

FITZGERALD

PRESS REPRESENTATIVE

MATT ROSS PR

COMPANY MANAGERKATIE

MONTGOMERY

LIGHTING ADAPTATION CORY PATTAK

ADVERTISING & MARKETING

AKA

ADDITIONAL MARKETING DTE AGENCY

GENERAL MANAGERDTE

MANAGEMENT/RYAN CONWAY

STARRINGMEGAN McGINNIS AND ADAM HALPIN

MUSIC DIRECTION, ARRANGEMENTS AND ORCHESTRATIONS BYBRAD HAAKDIRECTED BY

JOHN CAIRD

Originally produced by a consortium that includes the Rubicon Theatre Company, Cincinnati Playhouse in the Park and TheatreWorks Palo Alto, the Gem Theatre, Northlight Theatre, Skylight Music Theatre, and David Elzer.

BOOK BY

JOHN CAIRDBASED ON THE NOVEL BY JEAN WEBSTER

CASTJerusha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Megan McGinnisJervis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Adam Halpin

Conductor/Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Brad Haak Guitars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Craig MagnanoCello . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeanette Stenson

Associate Music Director . . . . . . . . . . . . . . . . . . . . . Andy Collopy

UNDERSTUDIES

Understudies never substitute for listed performers unless a specific announcement for the appearance is made

at the time of the performance.

For Jerusha: Hannah CorneauFor Jervis: Will Reynolds

THE BAND

The Oldest Orphan in the John Grier Home . . . . . . . . . . . . . JerushaWho Is This Man? . . . . . . . . . . . . . . . . . . . . . . . . . . JerushaMr. Girl Hater . . . . . . . . . . . . . . . . . . . . . . . . . . Jerusha/JervisShe Thinks I’m Old . . . . . . . . . . . . . . . . . . . . . . . . . . JervisLike Other Girls . . . . . . . . . . . . . . . . . . . . . . . . Jerusha/JervisFreshman Year Studies . . . . . . . . . . . . . . . . . . . . Jerusha/JervisThings I Didn’t Know . . . . . . . . . . . . . . . . . . . . . . . . Jerusha/JervisWhat Does She Mean by Love? . . . . . . . . . . . . . . . . . . . JervisI’m A Beast . . . . . . . . . . . . . . . . . . . . . . . . . . . . JerushaWhen Shall We Meet? . . . . . . . . . . . . . . . . . . . . . . . . JervisThe Color of Your Eyes . . . . . . . . . . . . . . . . . Jerusha/JervisThe Secret of Happiness . . . . . . . . . . . . . . . . . . . . . . JerushaThe Color of Your Eyes (Reprise) . . . . . . . . . . . . . . Jerusha/Jervis

ACT TWOSophomore Year Studies . . . . . . . . . . . . . . . . . . . Jerusha/JervisMy Manhattan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JervisI Couldn’t Know Someone Less . . . . . . . . . . . . . . . . . . JerushaThe Man I’ll Never Be . . . . . . . . . . . . . . . . . . . . . . JervisThe Secret of Happiness (Reprise) . . . . . . . . . . . . . Jervis/JerushaHumble Pie . . . . . . . . . . . . . . . . . . . . . . . . . . JervisGraduation Day . . . . . . . . . . . . . . . . . . . . . . . . . . Jerusha/JervisCharity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . JervisI Have Torn You From My Heart . . . . . . . . . . . . . . Jerusha My Manhattan (Reprise) . . . . . . . . . . . . . . . . . JervisAll This Time . . . . . . . . . . . . . . . . . . . . . . . Jerusha/Jervis

MUSICAL NUMBERSACT ONE

WHO’S WHO IN THE CASTMEGAN McGINNIS (Jerusha). Broad-way: Side Show (Standby Daisy/Violet), Les Misérables (Eponine), Little Women (Beth), Beauty and the Beast (Belle), Thoroughly Modern Millie, Parade, Diary of Anne Frank. London: Daddy Long Legs (Je-rusha). National Tours: Fiddler on the Roof (Hodel), James Joyce’s The Dead (Lily), Sound of Music (Liesl). Regional: Daddy Long Legs (LA Ovation Award, Chicago Jeff Nomination), Sense and Sensibility (Chicago Shakespeare; Jeff Nomination). Recordings: Little Women, Parade, Sutton Foster’s Wish (“Flight”), A Goofy Movie. BA in English, Columbia University.

ADAM HALPIN (Jervis). Broadway: Glory Days. Off-Broadway: Dogfight, Rent. National Tours: Kinky Boots, Rent. Recent Regional credits include: The Last 5 Years (Long Wharf Theatre; Connecti-cut Critics Circle Nomination); Fam-ily Shots (world premiere; Human Race Theatre); Triangle (world premiere; Lyric Theatre of Oklahoma); as well as North Shore Music Theatre, Pittsburgh CLO, The MUNY, Judson Theatre Co., Signa-ture Theatre (DC). Film: Grind. Original Cast Recordings: Glory Days, Dogfight, A Little Princess - all on Ghostlight Records.

HANNAH CORNEAU (Jerusha u/s). Off-Broadway: Ethel Sings (Beckett). Re-gional: Fiddler on the Roof (Arena Stage); Harmony (Alliance/Ahmanson; Ovation Nomination). Chicago: Les Misérables (Paramount Theatre; Jeff Nomination); Bloody Bloody Andrew Jackson (Bailiwick Chicago); Annual Playwrights Festival (Victory Gardens); A Little Night Mu-sic (Writers Theatre). hannahcorneau.com @hannahcorneau

WILL REYNOLDS (Jervis u/s). Off B’way: Passion (CSC, dir. John Doyle); The Illusion by Tony Kushner (Signature, dir. Michael Mayer) Tour: Mamma Mia! Selected regional: A Room With a View (Old Globe/5th Avenue) and Paul Gor-don’s Emma (Old Globe). Composer of “Tavern” for Audra McDonald’s latest album, Go Back Home. Carnegie Mellon graduate. willreynoldsonline.com

PAUL GORDON (Music & Lyrics) was nominated for a 2001 Tony Award for composing the music and lyrics to Jane Eyre. He won a 2009 Ovation award for his music and lyrics to Daddy Long Legs and won the 2007 Bay Area Critics Cir-cle Award for his libretto to the musical Emma, developed by TheatreWorks Palo Alto and later staged at The Old Globe Theatre in San Diego. Sense and Sensi-bility, commissioned by Chicago Shake-speare Theatre has just been nominated for 4 Jeff Awards including Best New Work. Analog and Vinyl premiered at The Weston Playhouse in Summer of 2014. Being Earnest premiered at Theatre-Works in April of 2013. His other shows include: Little Miss Scrooge, Death: The Musical, The Front, and The Sportswriter. paulgordonmusic.com

JOHN CAIRD (Book & Direction). Re-cent Engagements: McQueen (Haymar-ket Theatre, London), Love’s Labour’s Lost (Stratford Festival), Twelfth Night (Tokyo), Tosca and Parsifal (Lyric Opera, Chicago), La Bohéme (San Francisco Opera). Over twenty productions for the RSC includ-ing Nicholas Nickleby (Aldwych Theatre and Broadway) and Les Misérables (West End, Broadway and worldwide). For the

WHO’S WHO IN THE CASTNational Theatre: Hamlet, Humbleboy, Money, The Seagull and his own new ver-sion of Bernstein’s Candide among many others. Other US productions: Jane Eyre and Stanley (Broadway), Brief Encoun-ter with music by André Previn (Hous-ton Grand Opera). Numerous awards including Oliviers for Nicholas Nickleby and Candide, and Tonys for Les Misérables and Nicholas Nickleby. John’s book about directing - Theatre Craft - is published by Faber & Faber. Go to johncaird.com for more information about his career.

NELL BALABAN (Associate Director). As director: DEATH: The Musical (Vil-lage Theatre), Heartbreak House (Brave New World), The Boy In The Basement (NY International Fringe Festival); as as-sistant/associate director: Golda’s Balcony (B’way), Much Ado About Nothing (The Alley), Seven Brides For Seven Brothers (Paper Mill), The Foreigner (Roundabout). Music: soundcloud.com/nellbalaban

DAVID FARLEY (Scenic & Costume De-sign). Broadway includes: A Little Night Music, 13, Sunday in the Park with George (Outer Critics Circle Award, Tony Award Nominations for sets and costumes, Outer Critics Circle Nomination for costumes). Other US credits include Snapshots (Tour/Goodspeed), Take Flight, Travesties, Are You There, McPhee? (McCarter). Op-era includes: La Bohéme (San Francisco /Houston Grand/Canadian Opera), The Turn of the Screw (New York City Opera). He also designed Josh Groban’s Straight To You International Live music tour.

PAUL TOBEN (Lighting Design). Broad-way: The Story of My Life. Off-Broadway:

The Judy Show (DR2), Electra in a One Piece and The Realm (The Wild Project), Romeo and Juliet (Columbia Stages), The Redheaded Man (Fringe Encores). Lon-don: Daddy Long Legs (St. James The-atre) and others. Regional: Actors The-atre of Louisville, Dallas Theater Center, TheatreWorks, Round House Theatre, Williamstown Theatre Festival, Cin-cinnati Playhouse in the Park, Arizona Theatre Company, The Magic Theatre, the Walker Art Center, and many more. paultoben.com PETER FITZGERALD (Sound Design). This Season: Trip of Love, New York Phil-harmonic’s Joan at the Stake, Penn & Teller and 42nd Street Tour. Previous: You’re Welcome America, Movin’ Out, Gypsy; The Capeman, The Will Rogers Follies, La Cage Aux Folles, City of Angels. Noted Plays: All the Way, Glengary Glen Ross, Blithe Spirit, The Odd Couple, M. Butterfly. President of Sound Associates Inc. Peter and wife Maritza are the proud parents of daugh-ters Lori and Mallori.

CORY PATTAK (Lighting Adaption). Stalking the Bogeyman (NWS), Revolu-tion in the Elbow… (Minetta Lane), Handle with Care (Westside Downstairs), Skippyjon Jones (Theatreworks USA), This Side of Paradise (St. Clements), Unlocked, The Blue Flower (Prospect Theatre). Regional: Dog and Pony (Old Globe), The Fabu-lous Lipitones (Goodspeed), The Road to Where (Weston Playhouse), A Little More Alive (KC Rep), Other Desert Cities (Maltz Jupiter), Single Girls Guide (Cap Rep). Associate for Newsies, Peter and the Starcatcher (Broadway). corypattak.com

WHO’S WHO IN THE CASTDUNCAN R. NORTHERN (Produc-tion Manager). A Production Man-ager in and around New York City for many years. Recent work includes Clin-ton The Musical; Amazing Grace; Ha-zel, A Maid in America. Born and raised in Colorado and a proud graduate of the University of Northern Colorado. “Going to Fail, Fail Moving Forward.”

JENNY GORELICK (Production Stage Manager). Off-Broadway: That Bachelor-ette Show, The 69th Annual Tony Awards, One Day – The Musical, Bridget Everett Gets F*cked by Ars Nova, Jacuzzi, Uncool: The Party. Regional: The Seagull (The Lake Lucille Chekhov Project). B.A. in Theatre Arts & Business from Brown University.

KEATON C. GRANT (Assistant Stage Manager). Recent New York SM Credits: Painting His Wings (Kraine Theatre), Matt and Ben (Studio Theatre at Theatre Row), The Trials of Alice in Wonderland (TADA! Youth Theater), Cafe Pen (Theatre 54). Recent NY ASM Credits: Whiskey Jack (Flamboyan Theatre). Making his Off-Broadway Debut; he dedicates this to his family.

BRAD HAAK (Music Direction, Arrange-ments and Orchestrations). Broadway: Music Director for An American in Paris, Disney’s Mary Poppins, Il Divo - A Musi-cal Affair and Elton John’s Lestat. Inter-nationally: Daddy Long Legs (London), Jane Eyre (Tokyo), Honk! (Singapore and Manila), An American in Paris (Paris). National Tours of The Lion King and Miss Saigon. Over 40 U.S. regional produc-tions, including composer Paul Gordon’s Emma and Little Miss Scrooge. Orchestra-

tions for Boston and New York Pops, Na-tional and L.A. Philharmonics. Graduate of Northwestern University.

AKA (Advertising/Marketing). AKA is a global, full-service advertising agency with offices in the U.S., UK and Australia. Current and recent NYC clients include: Matilda The Musical, Les Misérables, Spring Awakening, Fiddler on the Roof, Dames at Sea, Once, It’s Only a Play, The Audi-ence, Wolf Hall, Hand to God and Sylvia.

DTE MANAGEMENT (General Manager) specializes in general man-agement of Broadway and Off-Broad-way productions. Current productions include: Avenue Q, Daddy Long Legs, Spring Awakening, Trip Of Love and That Bachelorette Show. Upcoming: Claudio Quest and Mass Appeal. Find out more at davenporttheatrical.com. DALE BROWN CASTING (Casting). 4th Paul Gordon show! Sense & Sensibil-ity: Chicago Shakespeare. On The Town, City of Angels: Marriott. Nerds: PTC. With Tara Rubin Casting: Phantom of the Opera, Billy Elliot, A Little Night Music & Old Jews Telling Jokes. Regional proj-ects with Arena Stage, Baltimore Center Stage, Milwaukee Rep, BANFF Centre, NETworks.

KEN DAVENPORT (Producer). Broad-way: Spring Awakening, Allegiance, Kinky Boots (Tony Award), It’s Only a Play, The Visit (Tony nomination), Mothers and Sons (Tony nomination), The Bridges of Madi-son County, Macbeth, Godspell, Chinglish, Oleanna, Blithe Spirit, You’re Welcome America (Tony nomination), Speed-the-

WHO’S WHO IN THE CASTPlow, 13. Off-Broadway: That Bachelor-ette Show, Altar Boyz, The Awesome 80s Prom, My First Time, Miss Abigail’s Guide. TV/Film: These Magnificent Miles, “The Bunny Hole.” Ken was featured on a na-tional commercial for Apple’s iPhone; was named one of Crain’s “40 Under Forty”; and is the writer of the popular blog TheProducersPerspective.com, creator of the Broadway board game Be a Broadway Star, co-founder of TEDxBroadway, and founder of the website/smartphone app “DidHeLikeIt?” Upcoming: Gettin’ the Band Back Together, Somewhere in Time. kendavenport.com

MICHAEL JACKOWITZ (Producer) is delighted to be bringing Daddy to NY after shepherding the piece around the world (multiple nominations, two wins for Best Musical). Upcoming: Tuck Everlast-ing (April 2016), The Hawaiian Goddess by Keali’i Reichel (Honolulu) and Little Miss Scrooge a new holiday classic by the Daddy creative team. Past: Seance on a Wet Afternoon, the opera by Stephen Schwartz; How to Succeed revival star-ring Daniel Radcliffe (Tony nomination); The Best is Yet to Come (Drama Desk Award, outstanding review); Pippin (Lon-don); tick, tick..BOOM! (LA Ovation nomination), My Fairytale by Stephen Schwartz; It’s Only Life by John Bucchino and Food Chain. Michael graduated from CTI (1995) and is a founding member of WitzEnd Productions with Marvin Ka-han, Jeff Grove and Laura Dean Koch. michaeljackowitz.com

HUNTER ARNOLD (Producer) is the CEO of Artech Holdings, a company dedicated to bringing best in class tech-

nologies to the live arts. He is also a founder of the New Musicals Creative Collective, which supports the develop-ment of new works from emerging artists. Broadway: Spring Awakening, Kinky Boots (Tony Award), The Visit (Tony nom.), Mothers and Sons (Tony nom.) It’s Only a Play and more. Upcoming: Allegiance and Gettin’ The Band Back Together. Up-coming Film/Television: Something Like Summer, Hello Again and (re)Placed.

PEG MCFEELEY GOLDEN (Producer) has been a big fan of Daddy Long Legs for a few years and she is thrilled to be working with Paul Gordon and John Caird again. Past producing credits are Jane Eyre, Thoroughly Modern Millie (Tony Award), The Glass Menagerie, The Moun-taintop, Dead Accounts and many others. She has also invested in many Broadway shows including the recent hits The Cu-rious Incident of the Dog in the Nighttime and Something Rotten.

TRES ROSAS (Producer) is the collective venture of Sara Miller McCune, Anne and Michael Towbes, Susan Rose and Al-lan Ghitterman, and Julie Weiner. All the partners in Tres Rosas share a dedi-cation to supporting the arts. Tres Rosas is pleased to be making its Off-Broadway producing debut with Daddy Long Legs, and to be a part of this legendary story’s musical journey from California to the Great White Way.

BEN BAILEY (Producer). After spending 7 years as a day trader, Ben now focuses his time on real estate, Internet startups, and the performing arts. An avid the-ater enthusiast, he is thrilled to be mak-

WHO’S WHO IN THE CASTing his producing debut with Daddy Long Legs. When not in NYC, Ben is home in Portland, Oregon playing jazz music and working on future theater endeavors.

DAVID BRYANT (Producer) is a General Partner on another Paul Gordon/John Caird Broadway bound musical, Little Miss Scrooge. Other producing ventures include: Off-Broadway, Lonesome Trav-eler (Drama Desk, Outer Critics Circle Nominations), Weisenthal (Drama Desk Desk, Outer Critics Circle Nominations). Broadway: A Time to Kill and A Tale of Two Cities, the musical. He also helped capi-talize Disgraced and It Shoulda Been You, the musical. As an actor on Broadway: original Marius, Les Misérables, Showboat, Amadeus, and more!

CAIOLA PRODUCTIONS (Produc-er). Tony winning producer brother and sister team, Luigi and Rose Caiola, own-ers of real estate firm B&L MGMT and Manhattan Movement & Arts Center, Rose is the Artistic Director. Broadway: Godspell, The Heiress, Glengarry Glen Ross, Macbeth, The Bridges of Madison Coun-ty, Who’s Afraid of Virginia Woolf (Tony Award), The Realistic Joneses, All The Way (Tony Award), Cinderella, You Can’t Take It With You, It’s Only a Play, The Elephant Man, An American in Paris.

CARL DAIKELER (Producer). In addi-tion to his work as CEO of Beachbody.com, he is proud to work with the Broad-way producers of diverse projects includ-ing Kinky Boots, Spring Awakening, The Visit and It’s Only a Play. Upcoming: Get-tin’ the Band Back Together and the film adaptation of LaChiusa’s Hello Again.

JEFFREY GROVE (Producer). A strong supporter of the arts and is a manag-ing partner with WitzEnd Productions. Jeffrey served as the 60th National President of the American College of Osteopathic Family Physicians from 2013-2014. He continues to serve the American Osteopathic Association as the Chairman of Continuing Medical Educa-tion. He is a Clinical Professor in Family Medicine at Nova Southeastern Univer-sity in Fort Lauderdale, where he serves on the Board of Trustees of the Health Professions Division.

MARGUERITE HOFFMAN (Pro-ducer) Dallas, serves on various national boards supporting the arts, global health and public media and enjoys investing in worthwhile theater productions.

KAYLA GREENSPAN (Associate Pro-ducer) has worked with Ken Davenport and Hunter Arnold at DTE for five years. She is also represented on Broadway this season with Deaf West Theatre’s Spring Awakening at the Brooks Atkinson Theatre and is a proud alumna of New York University.

DAVENPORT THEATRE. Housed in a remodeled firehouse conveniently lo-cated in the heart of Manhattan’s theatre district, the Davenport Theatre (for-merly the 45th Street Theater) offers two unique performance spaces. The Davenport Theatre is named after Del-bert Essex Davenport, a Producer, Pub-licist, Author and Lyricist from the early 20th century. Known for his publicity and marketing stunts (including drop-ping flyers out of planes), “Del,” as he was

STAFF FOR DADDY LONG LEGScalled, was a theatrical entrepreneur and the great-grandfather of theater owner Ken Davenport. STAFF FOR DADDY LONG LEGS

DAVENPORT THEATRICAL ENTERPRISESKen Davenport

Ryan Conway Josh Davis Kayla Greenspan Monica Hammond William Aaron Hicks Dylan Jarrett

Matt Kovich Rachel Lindenberg Jesse McCaig Katie Montgomery

Laura Quintela Alice Rix Kristin Stewart Holly Sutton

Eric C. Webb

GENERAL MANAGEMENTDTE MANAGEMENT

Ryan Conway

COMPANY MANAGERKatie Montgomery

PRODUCTION MANAGEMENT

Production Manager. . . . . Duncan R. NorthernAssistant Production Manager . . . Katie Hesketh GENERAL PRESS REPRESENTATIVE

MATT ROSS PUBLIC RELATIONSMatt Ross Nicole Capatasto

Nancy Alligood Claire Wojciechowski

ADVERTISING AND MARKETINGAKA/Jenna Bissonnette, Elizabeth Furze, Joshua Poole, Sean Fry, Jana Burgeson,

Stacy Gollinger, Dominic Barbaro

CASTING DIRECTORDale Brown Casting

Production Stage Manager . . . Jenny GorelickAssistant Stage Manager . . . . Keaton C. Grant

Associate Director . . . . . . . . . . . . . . Nell BalabanScenic/Costume Designer . . . . . . . . David FarleyAssociate Costume Designer . . . . . . Karli BraeSound Designer . . . . . . . . . . . . . Peter FitzgeraldAssociate Sound Designer . . . . . . . . Seth HulingProps Associate . . . . . . . . Sarah Hogan-DePaulLighting Designer . . . . . . . . . . . . . . . . Paul TobenLighting Adaptation . . . . . . . . . . . Cory PattakAssistant Lighting Designer . . . . Dan O’BrienKeyboard Programmer and Rehearsal Accompanist. . . . . . . . . . . . . . Andy Collopy Production Carpenter . . . . . . . . . . Will NeumanAssistant Production Carpenter. . . Chris DakeProduction Electrician. . . . . . . . . John AnselmoAssistant Production Electrician . . Dan MullinsLighting Programmer. . . . . . . . . . . . . . . Rachel ShairA1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maggie Burke Wardrobe Supervisor . . . . . . . . . . Rose BisognoSpecial Counsel to Ken Davenport . . . . . . . . . . Tracy WeilerLegal Counsel. . . . . . . . . . . . . . . . . . . . FWRV/

Daniel M. Wasser, Rachel Kiwi Merchandising. . . . . . . . Encore/Joey Boyles

THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS’ EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES.

THE DIRECTOR AND CHOREOGRAPHER ARE MEMBERS OF THE STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, A NATIONAL THEATRICAL LABOR UNION.

THE MUSICIANS EMPLOYED IN THIS PRODUCTIONARE MEMBERS OF THE ASSOCIATED MUSICIANSOF GREATER NEW YORK, LOCAL 802 OF THEAMERICAN FEDERATION OF MUSICIANS.

DaddyLongLegsMusical.com

DAVENPORT THEATREHouse Manager . . . . . . . . . . . . . . . Josh Davis

EXCLUSIVE DADDY LONG LEGS GROUP SALES AGENT:

Your Broadway Genius Groups877-943-2929

www.BroadwayGeniusGroups.com

SPECIAL THANKS/SPONSORSLinda Balaban, Laura Bergquist, Karyl Lynn

Burns, Maoko Caird, Ann Deal, Denise DeSimone, Al Enomoto, Laurie Glodowski, Kelly Gonda, Alan Gordon, Stephanie Kane Gordon, Rob Hancock, Dr. Kenny Hasija,

Marvin Kahan, Elan McAllister, Julie McBride, Jamie Lynn Moreland,

David Parsons, Jayne Paterson, Clarence “Bud” Soper, Pamela Soper, Mike Suzuki,

Steve Tyler, Steve Withers, Benjamin Wright