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Design, Interior design, Architecture
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Jessica Jensencreative work
sissonne offices:Adaptive reuse | Jensen-Byrd Building
idec:re-thinking art deco
ritzville project: fields of dreams
interactive art: water bottle installation
art work:sketches from home and abroad
project guide
melrose square: adaptive reuse: tea house/ pilates Studio
construction detail: details from construction documents
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The conceptual strategy for the Sizzonne advertising offices is to create an environment that is sublime, visionary and harmonious in nature, augmenting the creative processes that take place within.
Sublime is seen as a complete and inspiring moment where a sequence of confusion coincides to one moment of conclusion. This is represented by the centralized staircase, which links the free, often chaotic production spaces to the final presentation rooms. A harmonious environment is reflected throughout the space, with soft curves and open floor plan to encourage interaction and greater creative productivity. A visionary approach is felt throughout, with access to new technologies at every turn.
Through these three creative themes, Sissonne symbolizes the creative potential of design, offering itself as wel-come environment of new ideas and ambitions.
sissonne offices:Adaptive reuse | Jensen-Byrd Building
south Elevationscale: 1”=64’
B. Sectionscale: 1”=32’
A. Section: Libraryscale: 1”=16’
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First Floor Planscale: 1”=32’
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Second Floor Planscale: 1’=32’
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interior perspective, floor 2
interior perspective, Entryway
Ref. Level0' - 0"
desk detail: elevation
desk detail: plan
desk detail: section
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ritzville project: fields of dreams
As wind flows through the hills of wheat, dreams also flow through the history of Ritzville, which links its people to the land. For the Natives, dreams connected them closely to the earth. Later, European settlers had great hopes to have their own piece of land, grow wheat, and prosper. The land is a foundational element that supports the cycles of life inspired by dreams. Today, the cycle of growing wheat keeps Ritzville citizens connected to the soil. To reenergize this foundational land, a new seed must be planted so new dreams can grow.
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Wind sculptures act as Wayfinding devices, constructed in the same materials and style as the Ritzville Dream Project, linking users to the primary site.
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Uplighting in treesUplighting on panelsBollards
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first floor plan scale: 1”=32’
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a. site section east-westscale: 1’=32’
164' - 8"
33' - 2 15/32"
34' - 6 7/32"
60' - 11 11/16"
72' - 10 3/4"
88' - 0 23/32"
b. site section north-southscale: 1’=32’
165' - 0 7/8"
33' - 7 1/8" 26' - 9"100' - 9"
entry sequence 1 2
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The statuesque structure of South Side National Bank sits as an icon, embodying the tenets of the Art Deco period -a philosophy of futuristic approaches and technological advancements. Using this concept as an inspiration for the space will exemplify the modern age approach to Art Deco design. The intervention preserves the ideology of the Art Deco movement: An embrace of contemporary technology-based programs compensates for the destruction of the building’s original physical state. This will be rendered through a futuristic technology-based concept, showcased in the design. The proposal acts as a centralized hub for new ideas. A Technology Café also acts as a space for classes, boasting an extensive electronic library database acces-sible to all economic demographics. Sustainability will be showcased through purchasing locally grown foods and products along with materials that are used within the existing structure. Using a modern approach to the Art Deco style promotes a futuristic concept through sustainability, technology, and community.
C. Section: Libraryscale: 1”=16’
idec:re-thinking art deco
A. Section: Libraryscale: 1”=16’
B. Section: Libraryscale: 1”=16’
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First Floor Planscale: 1”=32’
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First Floor - Ceiling Planscale: 1”=32’
perspective - digital cafe
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Interactive art is designed to allow observers create their own interpretation of the installation presented. It was our goal to create a timeline out of a recycled material expressing the series of a design student’s education. The recycled component chosen materializes as 2,000 recycled water bottles, which was recycled back after the instal-lation was over. The progression of water bottles initiated four series of installations representing the four years of design education. First the forms seem unclear and scattered. By the end, however, they form a structure that is comfortable to walk through.
The installation was installed on Washington State University’s campus, capturing the sun shining through the clear bottles, and drawing observers to walk through and experience their own journey of a design student’s education.
interactive art: water bottle installation
installation elevationscale: 1”=4’
installation Planscale: 1”=4’
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installation perspective a . light detailscale: 1”=1’
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Situated in the Capital Hill District of Seattle, Melrose Square symbolizes the importance of adaptive reuse within a city scape. Inspired by the multitude of bridges within Seattle, the concept of compression and release is used throughout the floor plan to create intimate and open spaces.
Adapted from a garage to a teahouse, pilates studio, and residential loft, Melrose Square encompasses the needs of the neighbourhood by promoting a healthy and meditative lifestyle. The idea of compression and release is used throughout the space by the varying levels of box shapes, housing the formal tearooms. Sustainable features include multiple light wells throughout the space to reduce energy consumption.
melrose square: adaptive reuse: tea house/ pilates Studio
a. elevation westscale: 1’=32’
a. section east-westscale: 1’=32’
process images
First Floor Planscale: 1”=32’
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Second Floor Planscale: 1’=32’
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perspective - tea house perspective - tea house seating area
perspective - tea house formal reception
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perspective - tea house counter
perspective - tea house entrance
perspective - tea house second floor
perspective - tea house second floor
perspective - private tea rooms
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perspective - residential loft perspective - residential loft
perspective - pilates studio
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ballerina. oil on canvas, 2008
council house, copenhagen. charcoal, 2005 opera house, sydney. graphite, 2009
