18
AIR Architectural Design Studio 2015, Semester 2, Studio 4. Chen 699253: Lee Cody

Journal studio air

Embed Size (px)

DESCRIPTION

 

Citation preview

Page 1: Journal studio air

A I RArchitectural Design Studio

2015, Semester 2, Studio 4. Chen699253: Lee Cody

Page 2: Journal studio air

Personally, I guess I have been modelled by my experiences, alike everyone else.

22yrs of ages, I spent my childhood experiencing the Northern Rivers Region of NSW. Before moving under the clear skies of subtropical Brisbane, and currently here in Melbourne, where I’ve found myself, a 3rd year undergraduate of Bachelor of Environments majoring in Architecture.

The interest I have grown in Architecture, stems from the prospect of designing space. To shape a space is, to arrange an emotive response and vibe within it, through a vagueness or clarity of expression, interpretive through experiential exploration. The power to design the external environment with emotive capacity is directive tool by sociocultural means. Architecture extends beyond shelter, just as the natural environment has shaped human culture and society as does our artificial and manufactured, with accumulating force.

//Currently I’m dawning on confronting Rhino and Grasshopper for the first time typically I have avoided digital programs within my designs, excepting Adobe Photoshop. This computational design and parametric modelling world is extremely unfamiliar and overwhelming, I hope to prevail and hold a positive anticipation that I will change my perspective of digital design.

I understand that digital design has an enormous potential for precise and comprehensive modelling. Somewhat creating an ease in workflow and an improved flexibility and adaptability of design methods, I only hope I can harness and enjoy this method comparable to the traditional methods I have become accustomed to.

Architecture Design Studio Water, Semester 2, 2014.

Page 3: Journal studio air

Table of Contents

4 A.01.

4 Siu Siu – Lab of Primitive Senses / DIVOOE ZEIN Architects

5 A.01.1

5 Bruder Klaus Chapel- Peter Zumthor

6 A.02

6 Westbahnof Train Station- Asemic Forrest, Vienna -Designer Sahira Hammad

7 A.02.1

7 Barkow Leibinger- Loom-Hyperbolic, Venice Architecture Biennale 2012

8 A.03

8 Pheromone Networks Train Station- Almere, Netherlands, Matthijs La Roi

9 A.03.1

9 The ICD/ITKE Research Pavilion 2014-15

Page 4: Journal studio air

4 CONCEPTUALISATION

Creating an intrinsically linked urban space and natural forest, Zein architects blend an intertwined mix of space between the natural and artificial, a harmony of sort between the natural constructs and that of human beings.Located in Taiwan, the idea of a net house is culturally and geographically relevant. As it is utilised as light filtration and ventilation to enhance a natural microclimate.

“As human beings (ourselves) are detached from civilization to access a lifestyle of scanty materials, our inner animality generated from primitive natural habitat is emancipated”

A.01. Siu Siu – Lab of Primitive Senses / DIVOOE ZEIN Architects

Page 5: Journal studio air

CONCEPTUALISATION 5

A.01.1Bruder Klaus ChapelPeter Zumthor

The famous Bruder Klaus Field Chapel, by Zumthor, as an exploration of architecture achieving something more than the pure output of composition and form. The construction method of the chapel holds much of its unique character, as the initial structural supporting members made from an array of tree trunks, were then set alight to leave the layers of poured and rammed concrete to adopt the final form. The concrete shell remains to receive a somewhat bland and rigid response yet it is the interior space that evokes the hollowed sentiment, of the charred and walls which surround a burnt and raw interior cavity.

“IN ORDER TO DESIGN BUILDINGS WITH A SENSUOUS CONNECTION TO LIFE, ONE MUST THINK IN A WAY THAT

GOES FAR BEYOND FORM AND CONSTRUCTION.”

Page 6: Journal studio air

6 CONCEPTUALISATION

A.02Westbahnof Train Station- Asemic Forrest, Vienna Designer Sahira Hammad

“Spontaneous Order- This is not order in the common sense although it could have this appearance”

A contamination of the concept of ‘excessive’ Hammad’s design represents the intersection of natural forms inferring on an existing Venetian train station. The spontaneous emergence of conceptualised natural forms emulates an order out of chaos, found in physical, biological and social networks.

The adaptive form has been digitally produced to create an imposing growth over the existing train station. Through computational design the existing structure has be transformed into digital modelling, through which Hammad has designed a growth of a biomimetic structures that winds through and around the building with accurate

“Asemic: Having no specific semantic (logical) content”

Page 7: Journal studio air

A.02.1Barkow Leibinger- Loom-HyperbolicVenice Architecture Biennale 2012

This canopy of hyperbolic curves was set at the foreground of the Koutoubia Mosque (Morocco), inspired by the local and traditional techniques of weaving upon a wooden frame loom. The form, an undulating canopy of cotton thread is the result of considering geometric as somewhat fluid, constructed using current algorithmic software and combining that with cultural traditions and materials. Reapplying the weaving technique to an architectural scale and producing three dimensional volumes. The pine poles take the form of a rigid structural frame, from which yarn is stretched across and held in place to create a series of parallel lines forming surfaces, much

alike lofted surfaces in digital programming.

The result of digital design’s hard geometry is softened through the use of these raw, natural materials. The inherent quality of the cotton yarn enabled the strong yet elastic, plasticity of the surfaces.

“For hundreds of years, the fibres have been spun into a yarn or thread and then woven into textiles on machines known as looms.”

Page 8: Journal studio air

8 CONCEPTUALISATION

A.03Pheromone Networks Train Station- Almere, NetherlandsMatthijs La Roi

A bottom-up design, for a new train station and urban network for the Dutch city, Almere.The design conceptualised from input diagrams marking the social behaviour and attraction to pheromones of ants. The analogous message of a design inspired through the movements of ants is a clever and relevant metaphorical perspective into a new method of designing the urban environment. Through modelling these movements of ants, and considering their adaptable pattern in search for their most efficient route to reach their target, La Roi tracks their swarming nature, as they begin to bridge and tunnel. Through this methodology the final form is an emergence of a three dimensional infrastructure.Utilising input diagrams and output diagrams to project a visual outcome of algorithms and hence, compelling a complex yet primitively generated form.

Page 9: Journal studio air

CONCEPTUALISATION 9

Creating a pavilion inspired by biomimetics and the natural world, whilst delivered through online fabrication and robotics. The ICD/ITKE Research Pavilion at the University of Stuttgart is constructed through robotic fabrication process of a flexible pneumatic formwork which is gradually stiffened by reinforcing it from within with carbon fibres. The pavilion emulates the structure of a water Spider’s nest both in design and construction. The conceptual design is largely based on biological construction processes for fibre-reinforced structures, valuable to progressive architecture as it doesn’t require extensive or additional formwork while maintaining highly material effective

Construction begins with an inflated membrane envelope of ETFE, which is consequently reinforced robotically from within, with carbon fibre, which only selectively applied, where required for structural support. The main fibre bundle locations are generated by a computational form finding method, which integrates fabrication constraints and structural simulation. To determine the fibre layouts an agent based design method was developed to navigate the surface of the membrane geometry, behaviour derived from a diverse range of interrelated parameters.

A.03.1The ICD/ITKE Research Pavilion 2014-15

The diving bell water Spider Agyroneda Aquatica spends the majority of its life underwater within a reinforced air bubble, a sanctuary of its own construction from which it can withstand changing water currents and

pressures. This translation of natural to technical reinforces architecture with the innate motives of shelter.

Page 10: Journal studio air

10 CONCEPTUALISATION

ReferencesB, L. (2015, 14 08). http://www.barkowleibinger.com/. Retrieved from http://www.barkowleibinger.com/archive/view/exhibition_loom_hyperbolic: http://www.barkowleibinger.com/archive/view/exhibition_loom_hyperbolic

Dan, H. (2015, 08 14). Dezeen. Retrieved from http://www.dezeen.com/: http://www.dezeen.com/2014/12/23/barkow-leibinger-cotton-tensile-installation-marrakech-biennale-2012/

http://icd.uni-stuttgart.de/. (2015, 08 14). Retrieved from Institue for Computational Design: http://icd.uni-stuttgart.de/?p=12965

Megan Sveiven. “Bruder Klaus Field Chapel / Peter Zumthor” 26 Jan 2011. ArchDaily. Accessed 14 Aug 2015. http://www.archdaily.com/106352/bruder-klaus-field-chapel-peter-zumthor/

“Siu Siu – Lab of Primitive Senses / DIVOOE ZEIN Architects” 22 Dec 2014. ArchDaily. Accessed 5 Aug 2015. <http://www.archdaily.com/579478/siu-siu-nil-lab-of-primitive-senses-divooe-zein-architects/

Page 11: Journal studio air

CONCEPTUALISATION 11

Page 12: Journal studio air

12 CONCEPTUALISATION

Page 13: Journal studio air

CONCEPTUALISATION 13

Page 14: Journal studio air

14 CONCEPTUALISATION

Page 15: Journal studio air

CONCEPTUALISATION 15

Page 16: Journal studio air

16 CONCEPTUALISATION

Page 17: Journal studio air

CONCEPTUALISATION 17

Dit; in sentea cri in te, peraeliam inirtur. Vivis aurs si furemus forit. Ividelaris in vili pora, num atilis, ut diente intis, nemus hilisum paterfex sulto ime tum ent.

Epeci imihilicae acchuctem medo, Catus fuit. Si siliae nocta, qua esiment ifecientem iu veric retorsulint nit vignaturitum Rompoteat re fecons C. La nercepost? Iferrioste, facepse es se essolud eressultuam dessi ia sa et venihicae ellarisus in Ita potanda ctoruntem strunt? Sedienemoves arium pulem inclute menatia equitiam nostruderum pliam mant quam terentil temei fortum in haliciemus ia? Abem, pra? Valarta ditus am imus nu que derevivere, Ti. Ubliae tus con dem is firmihina, verors apere ta, essena, furbes a tessesest? Cum iae publiis. Essilici estrist duciam ut const plibuntrum is audemus cre, consulv ivilnem P. con vere ate que etiur acri concupiortus hori proraec rentes clus, iam inpractumus, etius bon vilicaed clatiam tam.

Bis, no. Quam res et aurem nuntilicae, nocum in ac te tem sen sente o culviris, qua remus oculica verrips, patifertes C. Fultodi ursulesimod mum paturis, numurnum omplicone confernihica nondem prit videt qui popublius escres constio nculium pulus escrit. Halaris opublicion Etrat. Maes vast niumed feridemque es? Nam quam inclus Ad pultus, demquem sen hoculinaris, oculto vit, egerten testam dis med confero niam Romnem vessena, elutur utem ordi silintea dienteme nem ducient fuidi, nos consum nium parissil huit nestis mere est vernicaesta ius la clarbit, consunt am, us, dum etortare

Page 18: Journal studio air