Dear audience!

Congratulation with this your copy of the Junge Hunde Festival programmes! Guard it well!! This programme is to be your dear companion for more than a week and be the key to strange, funny and never-before-seen things at the three stages indicated in the overview. Junge Hunde are Young Dogs and they bark loud because they have something to say but they also bite be-cause they are not in the mood to say it nicely. They are young dogs because they are fairly new in what they do and they are as eager as a puppy to communicate.

Please let yourself be bitten!

Jesper de Neergaard,Artistic Manager of Junge Hunde DK.

The Junge Hunde Festival is made possibleby Kunstrådets scenekunstudvalg,Nordisk kultufond,Region Midtjylland,Århus Kommune, BG-Fonden,Skuespillerforbundets blankbåndsmidler.

I will in this piece play with a f

alling moment; -a falling

body, -a mind in a falling process

. I will focus on the

physicality and with this “falling

physicality” try to grab

an atmosphere of the emotional pic

ture when you are in an

“in between” situation.

There are two on stage,two bodies, t

wo indeviduals.

Choreography: Rosalind Goldberg

Dancers: Stina Nyberg and Sandra Lol

ax

Entré Scenen

6. and 7. nov. 21.00

Everyone has experienced embarrassin

g moments, but for

some people these embarrassing mom

ents are so closely

knit that they become a continuous

state of being.

It´s uncomfortable and limiting and

sometimes the only

way out of it is to get in and embra

ce it. In this

psychosomatic thriller you will enco

unter two female

characters, the ever present Embarra

ssed Army and a

calm rock band. It´s time to genuine

ly

celebrate embarrassment. Entré Scenen

6. and 7. nov. 19.30

You enter a room dominated by a groaning dinner table. The large, round table itself is empty, but there is vivid gesticulation, hands grabing and pouring into glasses, food being consumed. All projected from above. A moving “still leben”.The four chairs around the table are each equiped with headphones and you can now take a seat as a participating observer at a 70’th year birthday celebration. Thecreated soundscapes attempts toexceed the physical borders ofmaterialism and thus confrontyou with yourself as yourself within another.

Concept, video, sound: Annesofie Norn and Signe Lidén | Sound producer: Per PlatouGrandmother Margrethe: Sacha World | Daughter Lise: Ulla KatcherDaughter’s partner Petter: Mikkel Lomberg | Granddaughter Jeanette: Nanna HviidSupported by: Danish Art Council, Københavns kulturfond, Fond for Ly dog Billede (NO),Topkok, Kreative Kager og Royal Copenhagen. Produced on Odsherred Teaterskole andPerforming Arts Forum F

Time and date – will be announced at www.entrescenen.dk

NOTHING IS HAPPENING isactually a self-explaining

piece. But to give at least a little informa-

tion in advance: It stages a tautology in order to

produce a paradox. And by doing this, it questions

where and when action starts in theatre.

NOTHING IS HAPPENING is a work by André Eiermann and Christina Hänsel (Parabiont). They attended

Applied Theatre Studies in Giessen (Germany) and Bergen (Norway). Currently André Eiermann stud-ies for a doctorate and Christina Hänsel works in the department for radioplay and media-art

at Bayerischer Rundfunk. Additionally they de-sign sculptures and are a band.

Entré Scenen 6.nov. 21.30

and 14. nov. 22.00

LOBBY IS WHISKEY AND HERBAL

TEA. MOTHERS GROUPS AND

HEAVY METAL. OPINIONS AND

ACT ION . POETRY, MUS IC AND

CHANGE. DANCING UNDER MAGIC

WANDS. LOBBY WANTS TO MAKE

OUT. LOBBY IS A GIFT. LOBBY IS

FOR ABSOLUTELY EVERYBODY.

VALDEMARSGADE 1, 8000 ÅRHUS C

Performed and devised by: Timo Fredriksson,

Anna Krzystek & Annika Tudeer. Photo: Eija Mäkivuoti

Entertainment Island 1 - An array

of gestures, movements and sounds

emanating from the entertainment

industry are presented in this

energetic performance unveiling

the mechanisms of popular culture.

“We spent weeks doing funny walks and

telling bad jokes while pulling out

false limbs and making funny faces.

The pretend stuttering was the final

straw. We were stuck and not the

least funny. We had to face what

we knew from the start: we are not

entertainers. We do not deal in

entertainment. We deal in structures. Concept, script and produ

ction:

Hildur Kristinsdottir and Maria Dommersnes Ramvi

Actors: Hildur Kristinsdottir, Maria Dommersnes Ra

mvi,

Nina Eileen Sponnich. Sounddesign: Martin Langlie

Light: Asle Lauvland Pettersen | Outside eye: Lars

Øyno

Women, War and Showbiz is discussed and staged

through the life and work of the american vocal

trio The Andrews Sisters. The performance focus

on how we in the West observes, absorbes and

reacts to the state of the world. More precise,

how we as young, newly educated stage performers

can and must comment on this world; we are merely

players without ability to grasp the whole

complexity of it. Some are dancing

smiling or singing, others are

watching. While the world is on fire!

Script inspired by

The Andrews Sisters,

Anton Tsjekhov,

Antonin Artaud,

Midnight Oils,

Paul Auster,

Stanley Kubrick,

Francis Coppola

Thanks to Lars Øyno,

Eirik Arne Willyson,

Ingrid Eggen, Petter

Alstad, Akademi for

Scenekunst.

Foto: Pål Christensen,

Stavanger Aftenblad

Archauz 7. and 8. nov. 21.00

Entré Scenen 8. and 9. nov. at 19.30

You are invited on an incorrect travel backin time in a tribute to life affi rming musicals. Learn the secrets of the ‘3-Step UniversalPosition’ for increased quality of life. Performer: Inge Agnete TarpgaardMore info: www.ingeagnete.dk Støttet af; Initiativpuljen,Kulturforvaltningen, Aarhus Kommune

A farmer’s tragedy. The after hour. Add clouds. A recording.A cleaner. A speaker. A tragic chorus. Play guitar.Play the radio. Make hamburgers. Make comments. Make lightMake sounds. Make memories…until the cows come home. PARADISE.Director/Producer – Zachary Dunbar,Choreographer – Jesús Rubio Gamo,Dramaturgy – Z. Dunbar, J. Gamo, Performers – (Dancers) Alexandre Achour,Aurea Alvarez, Alicia Rodriguez Campi, Koldo Arostegui González,Sofi a Romano;(Cleaner) Jesús Rubio Gamo, (Speaker) Zachary Dunbar; (Guitarist)Giuseppe Lomeo, Soundscape – Patrick Furness, Music – Giuseppe Lomeo,Lighting – Alex Stone, Images – Douglas O’Connell,Scenography consultant/Assistant Stage Manager – Alexa Reid,Costume and Props – Jui-Ming Chiang, Farmer’s Voice by Matt Oliver Clouds by Oliver James Hymans

Archauz 9. and 10. nov. 22.00

Archauz 9. 21.00 and 10. nov. 20.00

A stage version of the film sedmikr

asky (1966) by the czech

Vera Chytilova. they don’t work. t

hey’re not registered.

they claim to be invisible. they a

re in the centre of at-

tention. they change the world sit

ting on their bed.

By and with: Lucie Nina Eva Tumova

and Cecilie Ullerup Schmidt

Technics: Katharina Runte. Dramatu

rgical consultant: Florian Ackerma

nn

English Translation: Ross McElwain

. Supported by: Applied Theatre St

udies, Giessen

Thanks to: Lea Schneidermann, Ana

Berkenhoff, Esther Boldt, Aline Be

necke.

“The only way to alter one’s perception of the wor

ld is to

do the opposite of what one should and ought to do

. By do-

ing so I reset my concept of right and wrong, rede

fine my

moral beliefs, and avoid suffocation.”

FORKERT shows the incurable wounds and di-

vine states of life. A woman drowns in moody

landscapes and dances through black holes.

Through video, text, and live performance

right and wrong are no longer opposites.

Concept: Søren Meisner

& Sofie Volquartz Lebech

Video & sound: Søren Meisner

Text & performance: Sofie Volquartz Lebech

Costumes: Lise Marker

Performers: Maj Riis Poulsen,

René Kruse & Sofie Volquartz Lebech

Co-produced with xofia www.xofia.dk/forkert

Supported by Oticon

Entré Scenen

11. and 12. 19.30

Archauz 11. and 12. nov. 21.00

Concept, choreography and performance: Marie-Louise StentebjergIdea development: Sia Tang and Marie-Louise StentebjergSet design: Sia Tang. Music: Mikko M. JensenCostume: Anna Lica R. L. Hansen. Thanks to: Camilla Duusand Matilde Mørk for being my outside eyes in this process,Jon Erik Nyholm, Dansens Hus, Susan Fazakerley,Bolsjefabrikken, Mads Peter and Benny, Prøvehallen.

A movement through a patchwork of real and percei-ved universes that examines the conflict and para-dox of being a woman in a world that allows all roles and definition of you as a human being. It’sa break with current trends and old traditions to find the essence of one self. It’s about beingalone in a world where everything is on offer.

The title of the performance is borrowed fromOrhan Pamuk’s novel The Black Book, however there are no other similarities between the novel andthe performance.

A trail of a figure figuring out placesinside in the city. ending up here.

Archauz 11. and 12. nov. 21.30

Collaboration between Malene Nielsen & Esther WrobelChoreography and Dance: Esther WrobelFilm projection “Sketchbook of the City”:Created & directed by Malene Nielsen and Esther Wrobel.Editing and Camera: Malene NielsenMusic: Thomas Knak. Costume: Camilla Lind. Rigging: Ariellah Winther Sketchbook of the City is supported by Københavns Ungdomskulturpulje.

Entré Scenen 13. and 14. nov. 19.30

During my residence at Eira33- Lisbon, I created a storyabout an authority unable torule over anything at all,as it is placed on a huge,vast, empty space. I wasinterested in searchingwhich could be the actionsof such a master and whatkind of rituals he wouldcreate when missing thepartner which activateshis power. How would sucha master react when meeting,one day, a very dumb sheep,for example?

Concept, choreography & interpretation:Ioana Mona PopoviciStage & light design: Ioana M. PopoviciCo-produced by:Production House ‘Eira 33’- Lisbon & Cultural Center‘Zahrada’ – Prague.

Koreografi: Pernille Garde. Komponist:Niklas Schak and Tin Soheili.Dansere: Bo Madvig, Niklas Levin, Thomas Nørskov og Sofia Karlsson.

Scenografisk konsulent: Julie Forchhammer Kostumerdesign: Rikke Von Qualen.Læs mere på pernillegarde.dk og dansescenen.dk Om brødre er støttet af:

Scenekunstudvalget, Augustinusfonden, Oticon Fonden og Toyota Fonden

Entré Scenen 13. and 14. nov. 20.00

Archauz 13. and 14. nov. 21.00 En historie om tre brødre og en kvinde på flugt. Brødrene begiver sig hovedkuls ud på en rejse, hvor magtkampe, indforståede spil og minder vækkes til live. Med humor og alvor tegnes et portræt af brødrenes barndom, kærlighedsliv og seksualitet. Brødrenes liv vises i en billedstrøm, hvor hændel-ser blandes med fragmenter af drømme og erindringer. Territorier, loyalitet og kærlighed vindes og tabes undervejs på de tre brødres rejse.

En historie om tre brødre og en kvinde på flugt. Brødrene begiver sig hovedkuls ud på en rejse,

hvor magtkampe, indforståede spil og minder vækkes til live. Med humor og alvor tegnes et portræt af brødrenes barndom, kærlighedsliv og seksualitet.

Brødrenes liv vises i en billedstrøm, hvor hændel-ser blandes med fragmenter af drømme og erindringer. Territorier, loyalitet og kærlighed vindes og tabes

undervejs på de tre brødres rejse.

How do the things you smell, see, hear, feel or taste create

your idea about reality? Can an unusual collage of these inputs

surprise you and allow different reali- ties to appear? We create

a small performative journey, where the audience is allowed to be

the main character. We work towards increasing their sensitivity

and creating cracks/gaps in their normal way of perceiving

allowing them to experience the mundane in a new way.

Workshop guides invited by Wunderland:

Clare Butler – director, designer, production consultant

Cindy Rudel – performer, dancer

Sarah John – director, designer, writer

Mette Aakjær – performer, dancer and artistic initiator

The JuHu-Court at Entré Scenenan entire trail is carried out withaccusation, defence, testimonies fromwitnesses, evidence, speeches from theaccused, closure, and finally the openvote of the jury.

Brass talks at Entré ScenenA selection of mornings during the festivalthere will be profound discussions of issueschosen by the performing and local artist.

Late nigth meeting at ArchauzEvery night after all the performances,we meet at Lobby for a chat, a glass,a discussion, a late night meeting.

Everyone with a partout card get reducedprices on drinks at Lobby and Café Mozart.At Café Mozart you can also get somethingnice to eat.

Work in progress demonstration on the

13. nov. Book time at Entré Scenen 86190079

Daypas: 70,- Partout kort: 200,-Book your ticketsat 86 19 00 79

The evening shows at Entré Scenenstart every night at 19.30 and at Archauz at 21.00

Artistic Manager: Jesper de NeergaaadFestival Manager: Sigrid AakvikCoordinator: Sofie Van Nord Technical Support: Jeppe NissenEvents: Anne Sofie Van NordLay out: Robin Hart, MBR

Thanks to:All the people at Entré Scenen and Archauz,Irene Møller and Louise Herrche Serup.