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Kaleigh Smith†‡ Yunjun LiuAllison KleinMcGill University MPI Informatik

Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

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Page 1: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Kaleigh Smith†‡ Yunjun Liu† Allison Klein†

†McGill University‡ MPI Informatik

Page 2: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Kaleigh Smith†‡ Yunjun Liu† Allison Klein†

†McGill University‡ MPI Informatik

Page 3: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Static Mosaics

Detail of Roman mosaic, Herculaneum Magritte photomosaic, Silvers

Mosaic imagery - traditional and modern

Page 4: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Static MosaicsArrangement (packing) of objects (tiles)

Page 5: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Static MosaicsArrangement (packing) of objects (tiles)

Perceptual duality of mosaics:

Individual tiles

Whole depiction

Page 6: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Animated MosaicsMosaic that changes over time

Form of stop-motion animation

Perceptual duality of mosaic animation:

Movement of tiles

Movement of overall scene

Page 7: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Animated MosaicsOur goal: system for creating animated mosaics

Challenges:

1. Per-frame Quality

2. Temporal Coherence

3. Performance

Page 8: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

OutlineIntroduction

Related Work

Process Overview

Challenges and Approach

Packing

Results and Conclusions

Page 9: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

OutlineIntroduction

Related Work

Process Overview

Challenges and Approach

Packing

Results and Conclusions

Page 10: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Related Work : Static MosaicsSimulating Decorative Mosaics [Hausner, 2001]

Restricted tile shapes

Point-based centroidal Voronoi diagram for tile placement.

Jigsaw Image Mosaics[Kim, Pellacini, 2002]

Library of tiles

Specified mosaic quality metric

Page 11: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Related Work : Static MosaicsRendering traditional mosaics[Elber, Wolberg, 2003]

Stack tiles along contour lines

Restricted tile shapes

Beyond stippling - methods for distributing objects on the plane [Hiller et al., 2003 ]

Centroidal area Voronoi diagrams

Stipple primitives

Page 12: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Related Work : Animated MosaicsPainterly rendering for animation [Meier, 1996],Processing images and video for an Impressionist effect [Litwinowicz, 2000].

NPR primitives (strokes) tied to underlying geometry (explicit or derived)

Primitives can blend, grow and warp

Coherent stylized silhouettes [R. Kalnins et al., 2004].

Propogate NPR stylized contours

Page 13: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

OutlineIntroduction

Related Work

Process Overview

Challenges and Approach

Packing

Results and Conclusions

Page 14: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Process Overview

Containers are input bounding shapes

Tiles are packed into containers

SVG defines container contours and deformations

Input Containers Packed Containers

Page 15: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Process Overview

Containers are input bounding shapes

Tiles are packed into containers

SVG defines container contours and deformations

Input Containers

Page 16: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Process Overview

For each container, make an initial packing of tiles

User specifies the tile shapes and number of tiles

Input Containers

Initial Packing

Page 17: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Process Overview

Propogate initial packing to pack subsequent frames

Tiles are advected to following frame

Add/remove tiles and adjust tile positions

Input Containers

Initial Packing Coherent Packing

Page 18: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Process Overview

Result: coherent packing of container over time

Render frames or use tile positions as key frames

Input Containers

Initial Packing Coherent Packing Final Animation

Page 19: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

OutlineIntroduction

Related Work

Process Overview

Challenges and Approach

Packing

Results and Conclusions

Page 20: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Challenges1. Static Mosaic: Per-frame Quality

Dense, evenly spaced packing

Appropriate tile alignment

Arbitrary tile shapes

Multiple tile shapes within a single container

Page 21: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Challenges1. Static Mosaic: Per-frame Quality

2. Temporal Coherence

Packings should change smoothly over time.

Tiles should appear attached to depicted object.

Minimize tile appearances and disappearances (“pops”). Input

Container

Packings

Page 22: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Challenges1. Static Mosaic: Per-frame Quality

2. Temporal Coherence

3. Performance

Efficient packing method

Fast for single frames

Supports incremental changes

Interactive control for animator

Page 23: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Perceptual ApproachUltimate challenge: create a visually appealing animosaic

Use grouping theory and perceptual aspects of HVS to:

Understand our perception of animated mosaics

Create animated mosaicsthat will simplify visual processing

Page 24: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Static Mosaic PerceptionGroup tiles to simplify and segment a scene according to:

Similarity (colour, shape, orientation)

Tile proximity

Likeness to common shape

Page 25: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Static Mosaic PerceptionGroup tiles to simplify and segment a scene according to:

Similarity (colour, shape, orientation)

Tile proximity

Likeness to common shape

Page 26: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Animated Mosaic PerceptionMaintain previous grouping and make changes coherent:

Common movement of grouped tiles

Insertion and deletion of groups, not individuals

Maintain emphasis of contours

Observation: uncoordinated changes among groups of tiles will yield distracting, incoherent animations, even if individual tiles have temporal smoothness.

Page 27: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

OutlineIntroduction

Related Work

Process Overview

Challenges and Approach

Packing

Results and Conclusions

Page 28: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile PositioningNo previous method packs multiple and arbitrary tile shapes in interactive time.

Pack with centroidal area Voronoi diagram (CAVD).

Standard Voronoi Diagram Area Voronoi Diagram

Page 29: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile OrientationTiles oriented to nearest container edge.

Fast to compute using AVD.

Small container deformations yield coherent changes to tiles orientations.

Container Container’s Orientation Field Resulting Packing

Page 30: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile OrientationAlso supports equivalent tile orientations

Better packing with no impact on packing speed

Without Equivalent Orientations With Equivalent Orientations

Page 31: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile OrientationTile orientations respect and reflect container shape

Continuous changes in continuous container regions

Sharp changes in discontinuous container regions

Page 32: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: ResultTightly packed tiles.

Input (7 Containers)

Page 33: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: ResultTightly packed tiles.

Arbitrary and multiple tiles shapes.

Input (7 Containers)

Page 34: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: ResultTightly packed tiles.

Arbitrary and multiple tiles shapes.

Placement and orientation respects and reflects the container shape.

Input (7 Containers)

Page 35: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile AdvectionTemporal Coherence:

Translations and rotations easy

Deformations are hard because tiles must be displaced, added and deleted

Page 36: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile AdvectionWhat would happen if tiles were advected uniformly over the container area?

Example: map tiles to the next frame according to all container edges.

Uniform Tile Advection

Frame 0 Frame 1

Page 37: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile AdvectionWhat would happen if tiles were advected uniformly over the container area?

Example: map tiles to the next frame according to all container edges.

Uniform Tile Advection

Frame 0 Frame 1

No tiles close to container edge

No space to place new tiles

Page 38: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile AdvectionRecall, in order to promote perceived coherence:

Related tiles should move in groups

Avoid individual tile insertions by concentrating insertion locations

Concentrate deletions

Emphasize container contour

Page 39: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Packing: Tile AdvectionWe propose two tile advection methods:

Anchor Point Mapping

Nearest-Edge Mapping

Previous techniques in NPR animation do not target group motion or perceptual grouping.

Page 40: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Anchor Point MappingAppears that the tiles are being added to the border of the existing packing.

During container contraction, outlying tiles are deleted.

Anchor Point Mapping

Frame 0 Frame 1

anchor pointanchor point

Page 41: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Anchor Point MappingUses container center point as anchor point

Page 42: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Anchor Point MappingUses container center point as anchor point

Page 43: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Nearest-Edge MappingContainer boundaries coherent and strongly preserved

Tiles added in a group at the center of the container

Overlapping tiles are removed from center of container during container contractions

Nearest-Edge Mapping

Frame 0 Frame 1

Page 44: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Nearest-Edge Mapping

Page 45: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Nearest-Edge Mapping

Page 46: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

OutlineIntroduction

Related Work

Process Overview

Challenges and Approach

Packing

Results and Conclusions

Page 47: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,
Page 48: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,
Page 49: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,
Page 50: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,
Page 51: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,
Page 52: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

ConclusionsNew techniques for static mosaic creation

Multiple tile shapes

Improved tile orientation

New characterization of temporal coherence

Group movement

Underlying geometry not necessary

New system for mosaic animations

Easy animation specification

Original, stylized results

Page 53: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Future WorkFurther applications of perceptual grouping laws

Make system choices more automatic

Consider optimizing tile orientation according to the placement of neighbouring tiles

Page 54: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

AcknowledgementsNatural Sciences and Engineering Research Council of Canada

Le Fonds québécois de la recherche sur la nature et les technologies

ATI Technologies Inc. and Alias Systems Corp.

Karol Myszkowski and Hans-Peter Seidel of MPI Informatik

Louisa Sage

Chansoo Kim and Yorico Murakami of UCLA Animation

Page 55: Kaleigh Smith Yunjun Liukaleigh/publications/animosaics/sca_talk.pdfPainterly rendering for animation [Meier, 1996], Processing images and video for an Impressionist effect [Litwinowicz,

Project: http://www.cs.mcgill.ca/~kaleigh/publications/animosaics