Kayleigh Shoemaker Design Portfolio

8/8/2019 Kayleigh Shoemaker Design Portfolio

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K a y l e i g h S h o e m a k e r

Des ign Portfo l i o


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Ta b l e o f C o n t e n t s

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Pro jects

Archi tecture

Inter ior Design

Graphic & Product Design

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A r c h i t e c t u r e

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Pro jects

Drawing & Percept ion

Vistor Center for the

Phi l ip Johnson House

Shel ter fo r an Ar t i fac t

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D r a w i n g a n d P e r c e p t i o n

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Study of Light & Texture

UmbrellaUmbrella Detail


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Fa l l 05

Transformation

These series of drawings were assignments inarchitecture drawing and perception class. Thegoals of these of drawings are to observe and re-

cord detail and to construct an interesting compo-sition on the page. The Study of Light & Texturefocuses on a glove, egg and crumbled piece ofpaper and how these different objects interact witheach other. The umbrella and umbrella detail seek

to reveal something that usually goes unnoticed inan everyday object. The umbrella was completedfirst and after zeroing in on the form, the umbrelladetail was drawn. Lastly, the transformation draw-

ing aims to not only represent a glove, but showgradual changes to its form as it is altered.


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V i s i t o r s C e n t e r f o r t h e P h i l i p J o h n s o n H o u s e

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New Caanan, CT

Plan

The Visitors Center is designed for the Philip Johnson

House, often referred to as the Glass House. To re-

late the building to the house, the House was studied

extensively and the outstanding design elements were

extracted and focused upon during the design of theVisitors Center. The fenestration of the Visitors Center

resembles that of the Philip Johnson House, but var-ies slightly. The back wall utilizes clerestory windows

only to prevent visitors from immediately discovering

the house, which is situated directly behind the Visi-

tors Center. The structure itself is based on the modu-

larity of the House. Additionally, the path that leadsup to the Center emulates the driveway to the Philip

Johnson House. Inside, the required elements were

an office, information area, model area, sales display

exhibition area, storage area, and restroom.


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Spr ing 06

Site Plan


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V i s i t o r s C e n t e r f o r t h e P h i l i p J o h n s o n H o u s e

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Section AA

Section BB

North Elevation


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East Elevation


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S h e l t e r f o r a n A r t i f a c t

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The shelter for an artifact is designed

to hold an important artifact on the Uni-

versity of Tennessee campus. It is to be

placed in the surrounding area of the Art

+ Architecture Building. Because it will

be seen as an extension of the build-

ing, it is important that the shelters de-sign reflect some of the design qualities

present in the building. This was accom-

plished through the use of the truss-like

roof which emulates the truss structure

on the interior of the atrium. Additionally,

the fenestration on each side of the shel-

ter resembles the juxtaposition of smaller

windows and larger-scale windows on

the upper floors of the building. The ten

foot by ten foot shelter is also stronglyinfluenced by the grid in order to reflect

the modularity of the Art + Architecture

Building. The benches within the shelter

provide a rest area and reflection space

for students and other visitors. Axon

University of Tennessee

Art + Architecture Building


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Spr ing 06

Front Elevation


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I n t e r i o r D e s i g n

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Pro jects

Bald Mountat in Soda

Founta in

Lincoln Memoria l

Univers i ty

Larabees F ine Jewel ry

Cancer Treatment Center

Pink Ice Product ions

Skybox

Ivy Biomedical Inc.

Of f ice of the Future

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B a l d M o u n t a i n S o d a F o u n t a i n

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Shop/Residential: 3400 SFEtowah, TN

Inspiration Store Front

Building Section


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Spr ing 07

The Bald Mountain Soda Fountain is designed for a couple who re-

cently moved south from Pennsylvania. Their soda fountain business

is on the lower level. The couple resides in the above loft. The busi-

ness is located on the historic main street of Etowah, TN. This smalltown is interested in the revitalization of the area. Across the street is a

recently restored L&N train depot. Visitors can now go for a steam en-

gine train excursion through the mountains of Tennessee (including

Bald Mountain). This opportunity will attract customers to the soda

fountain. Additionally, in the old train depot, there was a lunch coun-

ter. This inspired the old-fashioned soda fountain concept. Overall,

the Bald Mountain Soda Fountain design is classic and nostalgic, butstill with a fresh twist.


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Level One Floor Plan: Soda Fountain

Service Counter Display


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Booth Seating Area


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Level Two Floor Plan: Owners Residence

Master Bath


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Living Room View from Kitchen

Kitchen Elevation


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Kitchen Bar/Counter


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L i n c o l n M e m o r i a l U n i v e r s i t y

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Education: 18,000 SFHarrogate, TN

Exterior Facade

Student Center Floor Plan


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The Lincoln Memorial Univer-sity Student Center consists ofmany different spaces workingtogether in tandem. The spaces

within this facility include thebookstore, dinner theater, and

the recreation space. Addition-al spaces include a post officearea, lounge, meeting rooms,and a small eating area. Be-cause LMU is a small college,many of these spaces are multi-fuctional, such as the dinner the-ater. Since it is used only two or

three times a year, it can also be

used as a dining/meeting space

for students in between class-es. The recreation space alsoserves multiple functions. TheLMU cafeteria serves the middle

school-aged academy students,whose school is on the LMU

campus. They can go to therecreation space after lunch. Italso provides entertainment forthe college students. Becausethis college mostly consists ofcommuter students, the designincorporates numerous gather-ing and seating opportunities to

accommodate students during

the day.

Dinner Theater


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Bookstore

Check-out Plan


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Check-out Counter

Check-out Counter Millwork Detials


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Student Center Reflected Ceiling Plan


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Building Sections


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L a r a b e e s F i n e J e w e l r y

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Larabees design is classic and timeless, stemming

from the idea of peoples perpetual fascination with

body adornment. Epitomizing this concept is the

luxury cars of the 1930s and 1940s. These cars are

works of art and possess design elements that stand

the test of time. With this in mind, the design for Lar-

abees looks to the past, yet is relevant to todaysconsumer, young or old. Jewelry is something that

crosses all boundaries of time and Larabees reflects

this ideal. Because Larabees is a high-end jewelry

store, glamour and luxury are essential elements to

the design. Many elements of the vintage luxury car

both interior and exterior, were extracted and loosely

translated into the design. The overall inspiration of

the general layout of the store stems from the sweep-

ing curves of the wheel wells present on many of

these cars. That curve is then continued throughout

the sales floor and is also emulated in the jewelrydisplay counters.

Retail: 3000 SF

Inspiration

Larabees Fine Jewelry Floor Plan


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Spr ing 08

View from Front of Store


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View of Lounge and Managers Office

Larabees Reflected Ceiling Plan


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In many vintage cars, the color

scheme used is very often light

contrasted with dark, which has

been incorporated into the design

of Larabees. A very important as-

pect of the vintage car is the use

of chrome both on the exterior and

interior. The reflective nature of the

material provides a look of rich-

ness and opulence and is included

in Larabees design for that very

reason. Larabees is a fine jewelry

store that caters to the customer.

Emitting the feeling of a vintage lux-

ury car through its design enables

Larabees to give its customers the

ultimate jewelry purchasing expe-

rience. Jewelry is simply beauti-

ful and should be showcased in a

classic, luxurious setting. That set-

ting is Larabees.


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Elevations


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Store Front


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C a n c e r T r e a t m e n t C e n t e r

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Healthcare: 36,000 SF

First Floor Floor Plan

Prototype


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Patients at this cancer treatmentcenter are encouraged utilize theadditional amenities offered in

this facility. Research has shownthat a combination of tradition-al and complementary care ismore beneficial to patients. Thistreatment facility focuses on amore holistic approach, for thepatients and by the patients.There is also the option of 24-

hour care. The goal of the well-ness center is to stimulate andimprove the mind, body, andspirit during the treatment pro-cess. The complementary treat-ments include art therapy, musictherapy, nutrition classes, fitnessclasses, educational classesabout the cancer treatment pro-

cess for patients and families,

massage therapy, acupuncture,and spiritual opportunities inthe sanctuary. Massage therapyand acupuncture are offeredto help alleviate treatment-re-lated side effects and decrease,stress, anxiety, depression, and

pain. This cancer treatment cen-ter strives to improve the qualityof life for the patient during thetreatment process.

Lobby Furniture & Finishes

Lobby View from Entry


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Infusion Room

Infusion Room Furniture & Finishes


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Second Level Floor Plan


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Classroom & Fitness Facility

Wellness Center Fitness Facility

Wellness Center Furniture & Finishes


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Patient Room Furniture & Finishes


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Patient Room


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Pink Ice Productions is a record label for and by women inthe hip-hop music industry. Women have had a difficult timebreaking into and gaining respect in this male-dominatedworld. Pink Ice Productions aims to spotlight and empowerwomen to become accepted as artists in the hip-hop arena.The goal of Pink Ice Productions is to promote the emergingnew perspective that is much more receptive to women intothe hip-hop genre.

P i n k I c e P r o d u c t i o n s S k y b o x

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Hospitality: 3000 SF

First Level Floor Plan


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Hip-hop music is often associated with a luxurious and lavish life style.The design of the Pink Ice Productions Skybox stems from this idea ofopulence, but with a twist. This luxury is combined with industrial ele-ments, looking back to the urban beginnings of Hip Hop. The name

Pink Ice in itself evokes a sense of richness. Of course the pink isa reference to the woman-centered aspect of the record label and theice comes from the slang term for diamond jewelry.

The colors incorporated into the design are many shades of pink, ofcourse, along with silvers and blacks to accomplish an industrial feel.The scheme is fairly monochromatic in order to maintain a clean andclassic feel, appealing to women. This allows the textures and mate-rials in the design to stand out. Many of the finishes have a pearles-

cent or shimmer effect to them to emulate ice, or diamonds. Thisdiamond shape that is present in the logo is also carried through tothe space layout, as well as to the finishes and materials. This subtlyreinforces the Pink Ice Productions brand.

First Level Lounge & Seating Area


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First Level Lighting & Switching Plan

First Level Pendant Fixtures


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First Level Furniture & Finishes


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Sleep Space Lounge

Second Level Furniture & Finishes


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Second Level Floor Plan


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I v y B i o m e d i c a l I n c . O f f i c e o f t h e F u t u r e

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The office of the future is completely wire-less, paperless, voice-activated, kinetical-ly-powered, and health-focused environ-ment. The personal spaces for employees

are smaller, but the areas of collaborationare larger. Many employees are workingfrom home, or telecommuting. Theseemployees cycle in and out of the officeon a schedule and movable pods areavailable for their use. Large collaborationspaces or work areas are also provided.These enable employees to feed off eachothers ideas to find solutions. For smallercollaboration necessities, there are smallinformal meeting areas, which also include

a presentation board, as well as acousti-cal privacy. Personal calls can be taken inthe Cell Cells which are individual spacesprovided for acoustical privacy. Smallermeetings, or brainstorming activities, areencouraged to utilize The Track which en-circles the stacked dens. This promoteshealth of the employee, as well as collabo-ration. There are smartboards in areassurrounding the track as well. Health of theemployee is emphasized for the welfare of

the employees, as well as the productivityof the company. The personal electronicsof the employees are kinetically-powered;therefore the energy to run them is har-nessed by the employees physical activitythroughout the day. This increased activitycreates much higher company morale andproductivity. The manufacturing processhas generally remained the same. The ma- jor change comes to production. Robotsconstruct the product in less time.

Branford, CTCorporate: 25,000 SF

Translucent Concrete

Metal Foam


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View of Dens from Inside of Track


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Pendant Fixtures


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G r a p h i c & P r o d u c t D e s i g n

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Pro jects

Movement Explorat ion

Magazine Double

Spreads

Jeld-wen Student

Door Design Compet i t ion

Entangled Ribbons

Cat Condo

Flyover Cof fee Table

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BMAL

M o v e m e n t E x p l o r a t i o n

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The goal of this project isto investigate the move-ment and relationship ofobjects and text together

on the page. The bar de-

sign on the right was de-signed and decided uponfirst, and the letterformswere designed to reflectthe quality of the bars af-terward.


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M a g a z i n e D o u b l e S p r e a d s

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The goal of this project is to create two spreads of a mag-azine using existing text and images, relating to a specific

architect, and employing the basic grid and formattingtools of InDesign. The requirements include a headline, apull-out quote, captions, body text, and images.

Spread 1


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Spread 2


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Front doors make the first impression;they convey the personality of the resi-dent. The front door should be a doorthat makes guests and residents alikefeel comfortable entering. My mission isto create a front door that serves as a fo-cal point, yet is casual enough to moti-

vate homeowners to take advantage ofit. The overall design of this front dooris inspired by the curving silhouette ofa bridge within an urban environment. Itbrings old city style to the average home.The primary materials are wood, glass,and wrought iron. The double doorsopening mimic outstretched arms, draw-

ing one inside the home and embracingthem. This design makes use of glass

because a door should let in light to ap-peal to the residents. Privacy is alsoan important element of the front door,which is accomplished through the useof textured glass. This design allows forpersonal expression as well. The transomabove the door is optional and the home-

owner can choose the woods to be used.Above all, the front door is a reflection ofthe owner and should make a statement.After all, the front door is the gateway into

someones life.

J e l d - w e n S t u d e n t D o o r D e s i g n C o m p e t i t i o n

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Sketches


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Final Design


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E n t a n g l e d R i b b o n s C a t C o n d o

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The Entangled Ribbons Cat Condo

was born in response to the Young-

Williams Animal Shelters Barki-tecture event. Architects, contrac-

tors and students in the community

each created a house for either a

dog or a cat, with the ultimate goal

of raising money for the shelter.

With the help of two other interior

design students, Entangled Rib-

bons was designed and built. The

design goal was to create some-thing sculptural that not only a cat

could enjoy, but the owner could

enjoy as well. During the auction,

Entangled Ribbons earned the

highest dollar amount out of all the

designs for the shelter.Newspaper Article


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Spr ing 07

Final Design


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F l y o v e r C o f f e e Ta b l e

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The Flyover Coffee Table was a semester long

project for Furniture Design. The design goa

was to first design a coffee table that is func-tional, and secondly to achieve a light-weight

design with the ability to be taken apart and

flattened, possibly for manufacture and ship-

ping. Although I designed the piece with mass

production in mind, being the immediate con-

sumer, I focused on incorporating elements that

would work for me, such as the magazine racknear the base. During the early stages of de-

sign, the idea of the bridge was highly influen

tial. After completing many iterations, the fina

design evolved into a flyover, or overpass cross

section. The three birch plywood supports werecreated using the CNC cutting process. Thethree cross supports are brushed aluminum

and the 3/8 glass top is inset in the tops of the

three supports for increased stability. There are

24 bolts in the piece.

Inspiration


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Final Design

Documents

Kayleigh Shoemaker Design Portfolio