Embed Size (px)
Citation preview
Kirsten Stolle
viennacontemporary 2020
Booth C01
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Weed Control, 2019
Collage on archival pigment print
56 x 30.5 cm
On Tuesday June 4, 2019, Bayer placed a full-page advertisement in the NY Times defending
the use of the chemical herbicide glyphosate. Stolle has reproduced the original
advertisements and through redactions, cutting, collage, and annotations created
“interventions” that resurface and call out their revisionist history.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
a
Annotated, 2019
Ink, archival pigment print
56 x 30.5 cm
On Tuesday June 4, 2019, Bayer placed a full-page advertisement in the NY Times defending
the use of the chemical herbicide glyphosate. Stolle has reproduced the original
advertisements and through redactions, cutting, collage, and annotations created
“interventions” that resurface and call out their revisionist history.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-2, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-4, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-5, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-6, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-8, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-9, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-7, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Specimen-10, 2013
Gouache, ink, graphite on Yupo
37 x 29.5 x 3 cm
Specimen Series (2013) renders speculative micro-organisms in watercolor. Stolle painted
the series while reading Rachel Carson’s Silent Spring (1962), about the detrimental effects
of pesticides on eco-systems and human biology, and while thinking about unseen
interferences between interior and exteriority.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Falling, 2019
Letraset transfer on abraded stock certificate
30 x 21 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Redaction, 2019
Letraset transfer on abraded stock certificate
37 x 25 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G.Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Gilded, 2019
Letraset transfer on abraded stock certificate
21 x 21 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Diversion, 2019
Letraset transfer on abraded stock certificate
37 x 25 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Divided, 2019
Letraset transfer on abraded stock certificate
22 x 22 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Crossed, 2019
Letraset transfer on abraded stock certificate
39 x 25.5 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Closing In, 2019
Letraset transfer on abraded stock certificate
21 x 30 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Stacked, 2019
Letraset transfer on abraded stock certificate
20 x 30 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Sightlines, 2019
Letraset transfer on abraded stock certificate
20 x 30 cm
“Traded” is a collage project that repurposes chemical company stock certificates to examinethe damaging histories of the pesticide industry. Letraset symbols have been superimposedover abraded Dow Chemical Company, Monsanto Company, and I.G. Farben stockcertificates, creating palimpsests that hint at an entrenched financial past while graphicallypointing to current industry turmoil.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Double Roundup, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Dow Specialty Herbicide, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Fast Action Roundup, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Bayer Advanced, 2020
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Roundup Extended Control, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Roundup Promax, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
2, 4-D Weed Killer, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Concentrate Plus, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Dow Concentrate, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
Dow Shield, 2019
Inkjet print
50 x 50 cm
Ed. 1/3
Appropriated images of toxic herbicides are absurdly glorified and reframed as Pop Art.
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
About the artist:
https://nomegallery.com/artists/kirsten-stolle/
About Kirsten Stolle's show „Pesticide Pop“:
https://nomegallery.com/exhibitions/pesticide-pop/
For further information please contact Olga Boiocchi at
N O M E G A L L E R Y . C O MGlogauer Str. 17 - 10999 - Berlin
