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Editing in Television Drama

Lesson 8&9 editing

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Page 1: Lesson 8&9 editing

Editing in Television Drama

Page 2: Lesson 8&9 editing

List as many

transitions as they

can think of that

would be used in a TV drama

Shot reverse Shot

180 degree

Fade Match on action

Page 3: Lesson 8&9 editing

Editing in a TV drama

We are going to watch the first 15 minutes of Sex Traffic (2004)

A powerful two-part drama about two young Moldovan sisters kidnapped and trafficked through Europe to the dark side of London, betrayed by pimps and police, and fighting for their lives.

Watch now on 4oD

Page 4: Lesson 8&9 editing

Fill in the table below when watching the first 15 minutes of Sex Traffic. Transition Seen in Sex Traffic

Why the transition was used in this drama

Shot reverse shot It shows a conversation between two people.

Cut Two separate scenes changed quickly. It shows what other characters are doing at the time in a different place.

Match on action Shows two perspectives and angles of someone for example a shot of someone opening a door and the other one of them walking through to the other room.

Page 5: Lesson 8&9 editing

Editing

Page 6: Lesson 8&9 editing

List the all of the editing

devices that you can think

of

Page 7: Lesson 8&9 editing

Cutting/Cross Cutting

Cutting – The simple change from one shot/scene to another

Cross Cutting - Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. The two actions are therefore linked, associating the characters from both lines of action.

Page 8: Lesson 8&9 editing

Shot Reverse-Shot

We have studied this before for your preliminary task.

This is used in conversation to move from one character to another and back again.

Page 9: Lesson 8&9 editing

Match on Action

Again we have studied this beforeThis is where the camera shoots one

continuous piece of action and the edit switches from one perspective to another.

Page 10: Lesson 8&9 editing

Eye line Match A cut obeying the axis of action principle, in which the first shot shows a person off in one direction and the second shows a nearby space containing what he or she sees. If the person looks left, the following shot should imply that the looker is offscreen right. See the example below -

First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean in the painting. Again, this implies that she is looking directly at Icarus's body.

               

Page 11: Lesson 8&9 editing

Example

First we see her looking... then we see what she

looks at.

As her interest grows, the eyeline match (that is the

connection between looker and looked) is

stressed with matching close-ups of her face and the section of the painting

she is interested in

Page 12: Lesson 8&9 editing

Pace

With pace you are looking for how long or short the time between each edit is. If we are watching a car chase we would

expect the time to be short between each edit.

A emotional drama may have much longer between each of its cuts

You can also think about rhythem. Have the edits been timed to key moments or the beat of the piece of music behind the scene?

Page 13: Lesson 8&9 editing

Task

Watch this clip and analyse how the editing techniques have been used in the clip.

http://www.youtube.com/watch?v=gKkBzbdiqV0

Record examples for each of the techniques using the table on the next slide.

Page 14: Lesson 8&9 editing

Editing DeviceExample from 24 interrogation scene

Function of the editing devise

Cutting /Cross Cutting It shows one scene where the interrogation takes place and another is the people watching outside the room.

It speeds up the scenes and creates a tense atmosphere.

Shot Reverse-Shot The man is interrogating the woman.

Shows the conversation between two people.

Match on Action When the man runs up to the woman and then it shows the other shot of him throwing her to the wall.

Shows one perspective to another.

Eyeline Match The two characters are staring at each other and the camera zooms into their faces which shows that don’t like each other.

To show facial and figure expressions. Shows what they are looking at.

Pace The pace increases when the man pushes the woman to the wall strangling her which creates tension and an adrenaline rush for the person watching.

The cuts are very short which makes the pace faster.

Page 15: Lesson 8&9 editing

In groups fill in the last column

of the table evaluating the function of the

editing devices.

Page 16: Lesson 8&9 editing

Homework

Answer the following question: Does the use of editing in TV Dramas

construct the meaning about relationships between characters.

Post your response on your blog along with this PowerPoint when it is filled in.