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This article was downloaded by: [University of Malaya] On: 05 March 2015, At: 07:54 Publisher: Taylor & Francis Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Architectural Engineering and Design Management Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/taem20 Lessons Learned from Managing the Design of the ‘Water Cube’ National Swimming Centre for the Beijing 2008 Olympic Games Patrick X. W. Zou a & Rob Leslie-Carter b a Faculty of the Built Environment , The University of New South Wales , Sydney, Australia b Arup Project Management , Sydney, Australia Published online: 06 Jun 2011. To cite this article: Patrick X. W. Zou & Rob Leslie-Carter (2010) Lessons Learned from Managing the Design of the ‘Water Cube’ National Swimming Centre for the Beijing 2008 Olympic Games, Architectural Engineering and Design Management, 6:3, 175-188 To link to this article: http://dx.doi.org/10.3763/aedm.2010.0114 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. Terms &

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  • This article was downloaded by: [University of Malaya]On: 05 March 2015, At: 07:54Publisher: Taylor & FrancisInforma Ltd Registered in England and Wales Registered Number: 1072954 Registeredoffice: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK

    Architectural Engineering and DesignManagementPublication details, including instructions for authors andsubscription information:http://www.tandfonline.com/loi/taem20

    Lessons Learned from Managing theDesign of the Water Cube NationalSwimming Centre for the Beijing 2008Olympic GamesPatrick X. W. Zou a & Rob Leslie-Carter ba Faculty of the Built Environment , The University of New SouthWales , Sydney, Australiab Arup Project Management , Sydney, AustraliaPublished online: 06 Jun 2011.

    To cite this article: Patrick X. W. Zou & Rob Leslie-Carter (2010) Lessons Learned from Managingthe Design of the Water Cube National Swimming Centre for the Beijing 2008 Olympic Games,Architectural Engineering and Design Management, 6:3, 175-188

    To link to this article: http://dx.doi.org/10.3763/aedm.2010.0114

    PLEASE SCROLL DOWN FOR ARTICLE

    Taylor & Francis makes every effort to ensure the accuracy of all the information (theContent) contained in the publications on our platform. However, Taylor & Francis,our agents, and our licensors make no representations or warranties whatsoever as tothe accuracy, completeness, or suitability for any purpose of the Content. Any opinionsand views expressed in this publication are the opinions and views of the authors,and are not the views of or endorsed by Taylor & Francis. The accuracy of the Contentshould not be relied upon and should be independently verified with primary sourcesof information. Taylor and Francis shall not be liable for any losses, actions, claims,proceedings, demands, costs, expenses, damages, and other liabilities whatsoever orhowsoever caused arising directly or indirectly in connection with, in relation to or arisingout of the use of the Content.

    This article may be used for research, teaching, and private study purposes. Anysubstantial or systematic reproduction, redistribution, reselling, loan, sub-licensing,systematic supply, or distribution in any form to anyone is expressly forbidden. Terms &

  • Conditions of access and use can be found at http://www.tandfonline.com/page/terms-and-conditions

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  • ARTICLE

    Lessons Learned from Managing theDesign of the Water Cube NationalSwimming Centre for the Beijing 2008Olympic GamesPatrick X. W. Zou1,* and Rob Leslie-Carter2

    1Faculty of the Built Environment, The University of New South Wales, Sydney, Australia2Arup Project Management, Sydney, Australia

    Abstract

    This article discusses the main lessons learned from the management of the design of the Water Cube National

    Swimming Aquatic Centre (a landmark building for the Beijing 2008 Olympic Games), including forming an

    international partnership, managing cultural differences and risks, dealing with intellectual property and

    ownership of design to establish a legacy. The article also discusses design management strategies and

    innovations. It was found that Beijings lack of regulatory transparency, regional differences and a relationship-

    based business culture were some of the factors that made China a challenging project environment. Cultural

    understanding and relationship (guanxi) building were fundamental strategies in responding to these

    challenges. It was also found that developing a shared ownership of intellectual property and innovative design

    ideas may facilitate the collaboration between Western and Chinese partners. In addition, it was necessary for

    the foreign design and project management teams to be continuously involved in the construction stage to

    ensure the conversion of design into reality, construction quality and personal fulfilment.

    B Keywords China; design innovation; design management; guanxi; interface management; international project

    INTRODUCTION AND AIM

    The Beijing 2008 Olympic Games provided great

    opportunities for international architecture,

    engineering and construction firms to demonstrate

    their ability in design and project management.

    Considering the new technologies, new materials

    and innovative designs adopted in the Olympic

    projects, coupled with the complexity of design and

    construction as well as the diversified cultural

    backgrounds of the project teams, there were many

    challenges for the design and construction of these

    projects. As such, many lessons can be learned from

    the successful projects. For example, the Water

    Cube National Swimming Aquatic Centre, one of the

    landmark buildings for the Beijing 2008 Olympic

    Games, provided a number of successful project

    management practices and strategies. This article

    uses the Water Cube as a successful international

    complex project to investigate and document the

    lessons learned, which could be a useful reference

    for future project and design management in

    international building/construction projects.

    PROJECT BRIEF AND OBJECTIVES

    The functional requirements for the Water Cube

    project included a 50m competition pool, a 33m

    diving pool and a 50m warm-up pool. The main pool

    hall was to have 17,000 seats and the whole facility

    B *Corresponding author: Email: [email protected]

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT B 2010 B VOLUME 6 B 175188doi:10.3763/aedm.2010.0114 2010 Earthscan ISSN: 1745-2007 (print), 1752-7589 (online) www.earthscan.co.uk/journals/aedm

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  • had to accommodate everything required for an

    Olympic operational overlay. Following the Games,

    the main pool hall was to be reduced to 7000 seats,

    with other facilities added in order to make the

    Aquatic Centre a viable long-term legacy. The Beijing

    Municipal Government expected to successfully build

    the best Olympic swimming venue that would then

    become a popular and well-used leisure and training

    facility after the Games. It included several criteria:

    l Quality: the best Olympic swimming venue

    representing the spirit of the Beijing Olympics

    the green games, the high-tech games and the

    peoples games.

    l Cost: no more than US$100 million before the

    Olympics and US$10 million for its conversion to

    legacy mode.

    l Time: the construction was to start before the end

    of 2003 and be completed at least six months

    before the opening of the Olympic Games (i.e. six

    months before 8 August 2008) to allow a sufficient

    period for trial competitive events.

    THE ARCHITECTURAL FORM

    The Water Cube concept was inspired partly by its

    neighbour, the Birds Nest Olympic Stadium. It sits

    next to the glowing Birds Nest National Stadium,

    and the two opposing shapes are in yin-yang

    harmony, a key concept in Chinese culture. For

    example, the Water Cube is blue against the

    Stadiums red, water vs. fire, square vs. round, male

    vs. female, earth vs. heaven. The two sites are

    separated by a protected historic axis to Beijings

    Forbidden City.

    The Water Cube Aquatic Centre design portrays

    the way in which humanity relates to water and the

    harmonious coexistence of humans and nature,

    which in Chinese culture is lifes ultimate blessing.

    The flat ceiling is a feature that signifies peace and

    stability. The entire square site accommodates the

    clients requirements, effectively fixing a square

    footprint for the building. The cube-shaped concept

    is a subtle, thought-provoking design representing

    the beauty and serenity of calm, untroubled water.

    Figure 1 shows the Water Cube building from its

    design imagination to reality.

    The structural solution was based on the formation

    of soap bubbles. Due to its complexity (the structure

    consists of 22,000 steel members and 12,000

    nodes), the entire building was modelled in four

    dimensions. Numerous new techniques and pieces

    of software were developed specifically for the

    Water Cube project to generate the geometry,

    create a physical prototype, optimize the structural

    performance, analyse acoustics, smoke spread

    and pedestrian egress, and provide construction

    documentation in a fully automated 4D sequence.

    The Water Cube is an insulated greenhouse that

    maximizes the use of carbon-free solar energy for

    both heating and lighting. The use of ethylene

    tetrafluoroethylene (ETFE a kind of plastic) in lieu

    of glass creates a superior acoustic environment,

    reduces the weight of material supported by the

    FIGURE 1 The Water Cube from vision to reality: (a) the

    design vision, (b) during construction and (c) the constructed facility

    Source: www.beijingolympicsfan.com

    176 P. X. W. ZOU AND R. LESLIE-CARTER

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT

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  • structure, improves seismic performance, and is

    self-cleaning and recyclable. The roof collects and

    reuses all rainwater that falls on the building. The

    building is the result of integrating the technical

    requirements of all the relevant engineering

    disciplines (not the result of a single dominant one),

    and without performance-based fire engineering (a

    first for China) the Water Cube would not exist.

    MANAGING THE WATER CUBES DESIGN

    The Water Cube was the result of an international

    design competition with 10 shortlisted participants,

    judged by a panel of architects, engineers and

    pre-eminent Chinese academics in 2003. The winner

    was a Sydney-based joint venture (JV) team

    consisting of Arup, PTW Architects and China

    Construction Design International (CCDI). This team

    was made up of more than 100 engineers and

    specialists, spread across 20 disciplines and four

    countries, and was led by Arup Project Management.

    Figure 2 shows the composition of team members

    involved in design and management, with particular

    focus on personnel in project management. Arup

    Project Management led and coordinated the design

    process, and managed both the internal and external

    interfaces.

    Key threads of the project implementation

    strategy covered everything from establishing a

    communication strategy, through to the dynamics of

    team leadership, a risk management strategy

    focused on the complex and dynamic nature of the

    Chinese market, and management of differences

    between Chinese and Australian stakeholders.

    It was a fast-track programme with design

    delivered from competition stage through to a fully

    approved scheme and continued through to the

    official opening of the Water Cube. Furthermore, as

    well as delivering a fully coordinated scheme design,

    FIGURE 2 The Water Cube project design and management team

    Lessons Learned from Managing the Design of the Water Cube National Swimming Centre 177

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT

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  • it also involved regular handover of the design to the

    Chinese design partners for detailing, while ensuring

    that the technical approvals were all obtained and

    that the innovative design was understood, accepted

    and then constructed safely. Ensuring that the Water

    Cube became a reality was achieved by establishing

    and maintaining clarity of the design vision, and full

    and transparent collaboration between the JV parties

    Arup, PTW Architects and CCDI.

    DEVELOPING DESIGN MANAGEMENT

    STRATEGIES

    Recognizing the scale and complexity of the

    challenge, a two-day workshop with key design

    team members was held to produce a roadmap for

    the project. The agenda produced for the workshop

    is shown in Figure 3.

    The implementation plan workshop focused initially

    on the need to articulate and communicate a very clear

    project vision for the Water Cube design. This was

    intended to have multiple benefits. Most simply, the

    vision would provide improved clarity and autonomy

    to the design team members. This would help to

    achieve a high-quality outcome in a very short period

    of time, by allowing parallel streams of activities to

    converge quickly and accurately. It was also hoped

    that having a robust vision would greatly help to

    achieve alignment and buy-in from other project

    stakeholders. The workshop resulted in eight threads,

    which were to form the basis for the projects future

    development:

    l The site plan and urban design sitting opposite

    the National Stadium in yin-yang harmony, the

    two sites are separated by a protected historic axis

    to Beijings Forbidden City. Red vs. blue, fire

    vs. water, round vs. square, female vs. male,

    heaven vs. earth.

    l A building full of water made from bubbles a pure

    combination of form and function.

    FIGURE 3 The Water Cube project implementation plan

    178 P. X. W. ZOU AND R. LESLIE-CARTER

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT

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  • l A building harnessing the benefits of nature the

    biomimicry of bubbles and the translation of

    theoretical physics into a unique building form.

    Portraying the harmonious coexistence of man and

    nature.

    l A big blue green building this technically

    performs well in terms of heat, light, sound,

    structure and water; hence function is not

    sacrificed in the name of art. Instead art is made

    from function.

    l A 3D world the giant strides made in 3D design

    and analysis technology, without which this project

    simply could not have been fully conceived or

    documented.

    l Next technology the use of high-tech materials to

    minimize energy consumption.

    l Spiritually uplifting inside and outside the square

    shape of the building reflects Chinese philosophies

    of a square representing earth and a circle

    representing heaven.

    l Total, equitable and transparent partnership

    between Arup, PTW Architects and CCDI.

    These eight threads were initially used as a guide to

    brief the design team and partners. They proved

    invaluable in discussions with external stakeholders

    and local approval authorities, who were able to buy

    into the overall vision and understand how they

    could contribute to achieving that vision. Following

    the workshop, the content of the Water Cube

    implementation plan was approved. Establishing key

    project management strategies and their rapid and

    successful implementation were fundamental in

    shaping the success of the Water Cube.

    The binding thread in the success of the Water

    Cube project was the quality and depth of

    communication both internally and externally. As well

    as day-to-day team communication and information

    management processes, the communication strategy

    established the vision and key messages, and how

    these would be integrated into daily project life. The

    strategy also encompassed the need for the

    continuous incorporation of lessons learned in

    dealing with stakeholders at different locations, and

    with different cultures and languages. In doing so, it

    provided a vehicle for relationship management and

    stakeholder engagement.

    Unique to this building is the direct comparison

    with the model produced for the international design

    competition, and the actual Water Cube when it

    opened five years later. It is remarkable that a vision

    and a reality aligned perfectly a very powerful

    lesson in terms of the importance of capturing and

    communicating a clear direction at the start of the

    project.

    INNOVATIONS

    Several innovations were implemented in this project,

    as discussed below.

    DEVELOPING THE TOOLS TO DELIVER

    The Water Cube was a catalyst for the establishment

    of a range of bespoke project management planning

    and monitoring tools needed to deliver such a large

    multidisciplinary project, delivered across different

    offices, and with a programme that demanded

    reporting, monitoring and action to happen in real

    time. A range of project management tools were

    established for the Water Cube. These include

    simple protocols for shared servers and email filing

    between multiple offices, technical management of

    project interfaces, safety in design (i.e. designing for

    safety) and construction sequencing, through to

    more complex programming applications that interface

    with the cost monitoring system to provide detailed

    forecasting and performance-reporting capabilities

    such as resource management and earned-value

    management.

    INTERFACE MANAGEMENT

    It was a challenge to coordinate 20 specialist

    engineering disciplines, ensuring that the complex

    interfaces of the Water Cube were properly

    understood and documented. The project

    management team introduced an interface

    management strategy that divided the component

    parts of the Water Cube into volumes defined by

    physical and time boundaries, which were described

    in a project volume register. Each volume was owned

    by a sub-project team best placed to manage the

    coordination. At the very start of the design process,

    the project management team identified volumes and

    assigned owners. An interface occurred when

    anything touched or crossed a boundary. Initially all

    Lessons Learned from Managing the Design of the Water Cube National Swimming Centre 179

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT

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  • high- and low-level interfaces were identified and

    captured on a register, and regular interface

    management and coordination meetings were held

    involving all parties (Figure 4). The external interfaces

    were classified as either:

    l Physical an identified and documented point or

    plane common to two or more parties at which a

    physical and potential performance

    interdependency exists. Examples of physical

    interfaces are the location of an underground

    service, space allocation, duct route, etc.

    l Functional an identified and documented

    relationship between two parties at which a

    performance independence exists. Examples of

    functional interfaces are power requirements,

    network connection, data connectivity, etc.

    l Organizational and contractual an identified and

    documented relationship between two parties at

    which a delineation in scope or contractual

    responsibility exists. Examples of organizational

    interfaces include the development of details by

    Chinese design partners CCDI based on Arup

    scheme designs, or interfaces between civil

    engineering and architectural landscaping

    documentation, etc.

    l Operational an identified and documented

    relationship between two parties at which a

    delineation in operational responsibility exists.

    Examples of operational interfaces include

    maintenance for equipment under warranty with

    ongoing maintenance and replacement by the

    operator, and the short-term responsibilities for

    Olympic overlay compared with pre-Olympics

    mode and then legacy mode.

    The management of interfaces became one of the

    most important functions of the project

    management team during the design. Especially in

    the short timeframe, the elimination of mistakes at

    interfaces (e.g. missing or wrongly placed ducts,

    service clashes) meant that the documentation

    handed over to the other partners for further work

    needed to be robust. In the longer term, it also

    generated one of the largest possible savings in

    construction cost compared with current practice.

    DESIGNING FOR SAFETY AND 4D SEQUENCING

    At the implementation plan workshop, the project

    management team made a strong commitment to

    explore the risk-prone activities likely to occur in the

    construction of the Water Cube, and how to improve

    safety by following a safety in design approach.

    This included producing documentation that

    would improve safety awareness, and suggesting

    planned and logical methods for construction and

    maintenance. Using the UK Construction Design and

    Management (CDM) Regulations (1994 and 2007)

    and relevant Australian legislation, the safety in

    FIGURE 4 The volume strategy to resolve complex interfaces

    180 P. X. W. ZOU AND R. LESLIE-CARTER

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT

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  • design approach was intended to ensure that unusual

    hazards and risks (such as post-Olympic alterations to

    the internal fit-out, and working-at-height hazards

    involved in the maintenance of light fittings

    or adjusting broadcasting equipment) were eliminated

    or controlled at the design stage wherever possible.

    The final hazard risk register was included with the

    tender documentation along with recommendations

    that it be incorporated into the safety management

    plans for the various package contractors on site. It

    also included graphical suggestions for construction

    sequencing such as for the superstructure space frame.

    The 3D structural model was linked with a sequential

    timeline and became a 4D model.

    THE PROJECT DESIGN AND MANAGEMENT

    TEAMRESOURCING A WINNING TEAM

    Due to the short timeframes available to progress the

    design from competition stage through to a fully

    approved scheme, the team needed to mobilize very

    quickly, with the right people. To achieve this, the

    project management team began engaging selected

    Arup engineers and specialists in a series of formal

    and informal briefings about the Water Cube and the

    potential opportunities for team members. By

    generating a sense of excitement and anticipation,

    key team members were identified.

    LEADING CLEVER PEOPLE

    Due to the innovative design concepts and materials

    proposed for the Water Cube, the team needed to

    include a high proportion of analysts and

    programmers, capable of developing the new

    analytical approaches and techniques required to

    realize the project. In terms of the team dynamics and

    leadership style, typically these professional individuals

    resist being led, resist working to deadlines and dislike

    centralized management structures, and leadership

    needs to earn their respect. In recognition of this, the

    project management team focused on providing these

    people with a safe environment where they could

    experiment (and fail), and on protecting them from the

    administration distractions that occur in a project of

    this scale. For example, specialist project managers

    took responsibility for all project establishment, internal

    reporting, commercial issues, and identifying and

    coordinating the technical interfaces. This allowed

    specialist designers to focus more purely on design.

    HUNTING IN PACKS

    To remove potential pinch points from specific key

    staff becoming overloaded, and to allow technical

    staff more freedom, project managers established

    semi-independent teams with their own leadership,

    to progress in parallel streams. These teams

    included design, product research, stakeholder

    engagement and commercial issues such as scope,

    contract and fees: for example, establishment of

    clear interfaces to allow the finalization of structural

    geometry and research into the ETFE facade

    performance to proceed without holding up the

    general space planning of the building. On the

    back of the success of the Water Cube, it was

    effective to employ a model of having specialist

    project managers providing leadership, while giving

    freedom to technical staff to add more value to the

    design process. Embedding project management

    into the business was more easily accepted, as the

    specialist project managers also had technical

    engineering backgrounds. In this way they were able

    to contribute at all levels, rather than ever being

    perceived as a non-technical overhead.

    ACHIEVING PROJECT OUTCOMES

    This section discusses project outcomes in relation to

    client expectations.

    CREATE THE BEST OLYMPIC SWIMMING

    VENUE

    Designing the fastest of fast pools for Beijing was

    very much part of the design teams proposals in the

    competition entry. Most obviously, the pool design

    minimized turbulence for swimmers through a

    constant 3m pool depth (compared with 2m for the

    Athens Olympics), extra wide pool lanes and empty

    lanes at each side, lane separators designed to

    dissipate wake and perimeter gutters designed for

    wave surge control. There were also unseen allies

    designed in, such as maintaining the right water

    chemical balance and water temperature critical to a

    swimmers performance, and a displacement air

    conditioning system designed to maintain a layer of

    fresh oxygenated air across the pool surface.

    Lessons Learned from Managing the Design of the Water Cube National Swimming Centre 181

    ARCHITECTURAL ENGINEERING AND DESIGN MANAGEMENT

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  • One of the less tangible factors was the energy

    of the Water Cube. The energy is, in fact,

    thoughtfully designed, not just through the uplifting

    experience of the Water Cube internal space, but

    also through the back-of-house areas, warm-up and

    warm-down facilities for the athletes, the positioning

    and proximity of the 17,000-seat spectator areas,

    and the lighting, acoustics and air quality of the

    building.

    The Water Cube amazed visitors and inspired

    athletes at the 2008 Olympic Games, hosting the

    swimming, diving and water polo events. The

    Olympic events opened at the pool meaning the

    Water Cube immediately become the global face of

    the Games, and a total of 42 gold medals were

    awarded there. The fastest times in 21 of the 32

    Olympic swimming events now belong to the Water

    Cube in total, 22 world records were set in what is

    now the fastest pool in the world.

    In the short time since its opening, the Water Cube

    has become one of the iconic projects of the 21st

    century a representation of a new Beijing and, by

    extension, a new China. It showcases Chinas

    determination to establish itself as a leading

    destination for world sporting events.

    SPEND NO MORE THAN US$100M

    The construction contract for the project was let at

    US$100 million, which was the budget set for the

    Water Cube Aquatic Centre before the design

    competition. There was an additional US$10 million

    allocated to its conversion post-Olympics, removing

    10,000 seats and building additional commercial

    space. To design a building for this budget is a

    remarkable feat considering that it has 70,000m2 of

    internal floor space, 100,000m2 of cladding and all

    the complex plants required to run three competition

    pools and a very large leisure centre.

    As part of setting the project objectives, the

    project management team led a value management

    exercise to optimize the space planning of the Water

    Cube without compromising any of the project

    objectives. This structured approach led to a

    reduction of building area and costs of nearly 10%,

    and set the tone for an efficient building design that

    the Beijing Municipal Government had confidence

    could be delivered within the budget.

    One key factor built into the design is its

    buildability despite the buildings apparent

    complexity and because the structure is based on

    repetitive geometry, the sub-components repeat

    across the building. There are only four different

    nodal geometries, three typical member lengths and

    22 different ETFE pillow shapes. This deliberate

    approach greatly reduced the time required for

    production and installation, and the fabrication and

    installation costs.

    The Water Cube is flexibly designed to reduce

    from 17,000 seats to 7000 seats post-Olympics,

    which will allow for the addition of commercial

    space inside and a switch to the ongoing legacy

    operation of the building. The Water Cube will still

    be the National Aquatic Centre with the facilities we

    have seen at the Olympics. However, its main future

    revenue will be from a huge leisure pool the size of

    four Olympic pools hence the Water Cube will be

    socially and economically sustainable as well as

    environmentally sustainable.

    Alongside the Birds Nest, the Water Cube is the

    representation of Beijings emergence as a truly

    global city. The greatest gift to Beijing, generated

    from the public exposure and excitement around its

    Olympic venues, will be the social and economic

    benefits that will now follow.

    CREATE A GREEN GAMES

    Beijing has for a long time been blighted by heavy air

    pollution from factories and coal-fired power stations

    within the city itself, and an unstoppable growth of

    motor traffic pushing its transport infrastructure

    towards permanent gridlock. Today, more than 1000

    new cars come onto the roads of Beijing every day. In

    the build-up to the Olympic opening ceremony, the

    question was what Beijing could achieve in a very short

    period of time and if the national stadium would be

    shrouded in smog on the first day of the Games.

    As well as contributing to the green Games

    through its sustainable design initiatives, the Water

    Cube is raising environmental awareness in society

    more broadly through its unique design thinking. It

    responds to the question: How should a building

    best harness the benefits of nature? The answer

    was to design and deliver an insulated greenhouse

    using minimal materials. The resulting building

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  • naturally heats the swimming pools, lights itself,

    catches and stores rainwater, and can resist some of

    the largest seismic forces in the world.

    The design and construction of the Water Cube

    aimed at improving the ecological environment. It

    was a shining light in the national effort to drastically

    improve the environmental quality of Beijing in the

    run-up to the Olympics. The Water Cube is not just

    an exercise of symbolism. In terms of iconic Beijing

    buildings, the Water Cube represents a real

    transition from the traditional monumental communist

    architecture around Tiananmen Square to a future

    that is more about conserving resources, building

    more delicately and sustainably.

    Of course, China needs to invest in long-term

    environmental solutions, and the hope is that after

    the Olympic coming-out party, the Water Cube will

    act as an inspiration for future development, so that

    local architects and engineers will channel their

    ideas and the unstoppable rate of development in

    Beijing into quality design solutions that are

    sustainable.

    CREATE A HIGH-TECH GAMES

    The Olympic Games was a window for Beijing to

    showcase its high-tech achievements and innovative

    capacity. The Water Cube design adopted the

    worlds best technology practices to ensure that the

    swimming events were hosted in an ultra high-tech

    environment. The design teams used their global

    knowledge resources to design a fast pool,

    including research and negotiations with Federation

    Internationale de Natation (FINA) regarding

    improvement in pool shape, water filtration and

    audiovisual projections. The pool was deliberately

    opened six months before the Olympics to allow for

    competition-level testing and optimization of the

    conditions for competitors.

    CREATE A PEOPLES GAMES

    Hosting of the Olympic Games was an opportunity to

    popularize the Olympic spirit, promote traditional

    Chinese culture, and showcase the history and

    development of Beijing as well as the friendliness

    and hospitality of its citizens. The Water Cube is

    thought of as the peoples venue in Beijing, receiving

    more than a million votes from the people of China

    during the International Design Competition. No

    matter where they are from, people seem to share a

    common reaction towards the Water Cube: it has

    a soothing power and a calming effect. The square

    shape of the building reflects the Chinese

    philosophy of a square representing earth and a

    circle representing heaven.

    The Water Cube has acted as a bridge for cultural

    exchanges and has deepened the understanding,

    trust and friendship among project team members

    and stakeholders. This was achieved by establishing

    and maintaining clarity of the design vision,

    communicating that vision to project stakeholders

    with differing cultural expectations, and the

    outstanding collaboration between the JV parties

    Arup, PTW Architects and CCDI. The design in

    essence epitomizes the wishes, hopes and dreams

    of the Chinese people, and because it was chosen

    by them, it belongs to them and is something they

    can be proud of for centuries to come.

    LESSONS LEARNEDLESSON 1 FORMING AN INTERNATIONAL

    PARTNERSHIP

    The unusual thing about the Beijing Olympics is that

    international designers were invited to participate at

    all which was not the case in Sydney and other

    previous Olympic host cities. One reason was that

    the challenge was of such a huge scale that Beijing

    recognized it needed solutions from both home and

    abroad. This attitude set the tone for a genuine

    two-way collaboration on the Water Cube where

    Western and Eastern perspectives worked together

    with mutual respect and openness.

    Generally speaking, project-oriented JV is one of

    the major entrance models of international companies

    for undertaking business in countries other than

    their motherhood (Ng et al., 2007). This is partly

    because the specific political and macro-economical

    conditions in the host country may significantly

    impact project performance. Furthermore, the

    unique characteristics of each project are highly

    associated with JV performance, and appropriate

    strategies should be developed to handle particular

    risks and problems associated with the project

    (Ozorhon et al., 2007; Zou et al., 2007; Zou and

    Wong, 2008). When focusing on international

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  • construction projects in China, the five most important

    factors leading to JV success are selection of

    partners, clear statement of JV agreement, obtaining

    information about potential partners, partners

    objectives and control of the ownership of the capital

    (Gale and Luo, 2003).

    The Water Cube team also came about after some

    very deliberate relationship building by Arup and PTW

    in the build-up to the international design competition.

    In 2003, Sydney had the halo effect of having just

    hosted the best Olympic Games ever and what was

    regarded as the fastest pool ever, which had also

    been designed by Arup and PTW. Arup had also

    recently designed the Shenzhen Aquatic Centre from

    its Sydney office, and hence understood some of the

    challenges of working in China as an international firm.

    Specifically, the opportunity to align with Chinese

    design partners CCDI and their parent company

    CSCEC (Chinas biggest construction firm) came

    about from building up relationships and Arups

    reputation through a series of visits to China to

    present credentials, to present the engineering

    behind fast pools and to discuss the opportunities

    for collaboration for the Beijing Games.

    The legacy of the authenticity of the team is the

    fact that the Water Cube was generated by equally

    integrating the requirements of Arups engineering,

    PTWs space planning and Chinese cultural

    influences on the architecture from CCDI. It was not

    the result of any one single dominant party, which

    remains a powerful statement in terms of the

    outstanding collaboration established among this

    international partnership.

    LESSON 2 MANAGING CULTURAL RISKS AND

    DIFFERENCES

    When managing projects in China, a particularly

    important issue that foreign firms need to face is

    how to manage the cultural differences (Zou et al.,

    2007, 2009), especially for companies with

    traditional Western culture backgrounds. Different

    cultures may lead to significant differences in project

    management styles and capacities (Zwikael et al.,

    2005). Understanding organizational and national

    culture, cross-cultural communication, negotiation

    and dispute resolution are considered to be the

    most important issues for the project management

    process in China, where personal relationships are

    very important and teamwork is preferred to make

    decisions (Low and Leong, 1999). For the Water

    Cube, how to manage communication both internally

    and externally, as well as how to handle the

    relationship with all parties involved in the project,

    was critical to the success of the project.

    For the cross-cultural management of construction

    projects in China, one of the most important issues is

    guanxi (Zou and Wong, 2008), which refers to

    relationships or social connections based on mutual

    interests and benefits (Yang, 1999). In general,

    guanxi and Western relationship marketing do share

    some basic characteristics as mutual understanding,

    but they have quite different underlying mechanisms

    (Arias, 1998; Zou et al., 2009). In contrast with

    relationship marketing, guanxi works at a personal

    level on the basis of friendship, and affection is a

    measure of the level of emotional commitment and

    the closeness of the parties involved (Wang, 2005).

    When doing business or managing projects in China,

    developing an effective guanxi with local Chinese

    partners is a key factor for most companies, in spite

    of the type and scope of projects. However, because

    of the complexity of guanxi, some guanxi issues are

    more important than others for certain types of

    projects. For example, the external coalitions among

    guanxi partners that can contribute more resources to

    a firms survival are certainly more important than

    coalitions that contribute fewer resources. Further,

    guanxi strategies should be dynamic and changing

    along with business timing and location (Su et al., 2007).

    Ling et al. (2007a) suggested that in order to

    implement a superior project management practice

    in China, international construction companies should

    increase their financial strength to overcome the

    blank period before making a profit. International

    companies should also prepare a high-quality

    contract and project schedule as early as possible

    during the pre-contracting and planning stage. To

    control cost, time and quality issues during the

    construction stage, international firms should

    control cultural difference risks and language barrier

    risks to avoid misunderstanding, provide adequate

    equipment and employ qualified workmen. Further,

    Ling et al. (2007b) pointed out the importance of

    minimizing claims or disputes in the contract,

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  • adequate provision of equipment to deliver the

    service, strong financial strength and management,

    controlling resources and cost, appointing qualified

    professional staff, good quality control and

    management plans, and having more face-to-face

    communication than written communication.

    Likewise, Gunhan and Arditi (2005) stated that a

    good track record, project management capability, a

    broad international network, technology, and

    material and equipment advantages are the most

    important strengths of international construction

    companies for entering a new market.

    In international construction project management,

    while companies face threats from key employee

    losses, financial resources, international economy

    fluctuation, foreign competition and cultural

    differences are also some other major risks (Ling

    et al., 2007b). Further, it is worth noting that project

    management in China is still immature, with the

    main problems being lack of qualified and

    experienced project management practitioners,

    conflict between client and project management

    companies, distorted competition in the project

    management market and the time of appointing

    project management companies (Liu et al., 2004).

    For the Water Cube project, what was more

    challenging for the project management team than the

    technical aspects, and ultimately far more rewarding,

    was learning and understanding the business culture

    and context in China. It was not only foreign to the

    team at the start of the project, but also highly difficult

    to read. To resolve this problem, implementation plan

    workshops and follow-up sessions were held with all

    the parties involved in designing the project,

    particularly with Chinese team members, to agree on

    the approach to the early management of difference.

    The workshops served as a platform for bringing the

    team together to exchange ideas and information and

    discussions of key issues. These workshops partly

    focused on maintaining leverage over commercial

    arrangements, but mainly looked at how to minimize

    and manage the risks of the specific differences in

    norms, practices and expectations through project

    implementation.

    The complex and dynamic nature of the Chinese

    market, particularly in the context of the Olympics,

    meant that the risks associated with delivering the

    Water Cube project could not be underestimated.

    Beijings lack of regulatory transparency, regional

    differences and a relationship-based business

    culture were among the factors that made China a

    challenging project environment.

    The project management team identified a diverse

    range of risks, trying to understand and plan an

    approach to the project in the unfamiliar context of

    Chinas legal, social, cultural, economic and

    technological environment. Other than the commercial

    risk of delayed payment, the key risks identified were

    social how Chinas business culture may affect the

    relationships and dynamics within the international

    Water Cube team and with the external stakeholders

    involved in approving the design concept.

    Social risks such as cultural misunderstandings

    could have completely derailed or significantly

    delayed the Water Cube project. Relationship

    building is fundamental in Chinese business; hence

    understanding guanxi a form of social networking

    and how to authentically cultivate and manage it

    was vital to the project management team. Other

    important factors in the approach included

    emphasizing the teams international reputation and

    the depth and diversity of its activities and locations.

    Arup also planned to ensure that all its interactions

    with Chinese stakeholders involved giving them the

    highest possible quality of service, in terms of both

    the material issued and the staff directly involved

    with them. For example, well-respected senior

    engineers from its Beijing and Hong Kong offices

    were directly involved at key stages of the approval

    process. Their influence and local knowledge of the

    Chinese legislation, coupled with their involvement

    in other high-profile Olympic projects in Beijing,

    were leveraged to convince some conservative

    authorities to accept a range of innovative

    approaches to the engineering design that did not

    follow the prescriptive rules of the Chinese building

    codes. This was the number one risk in the

    early stages of the project, and the formal

    approval of the engineering design in early 2004 set

    a major precedent and direction for other Olympic

    projects.

    Another example was the commercial negotiations.

    The project has been a financial success in that it

    made an acceptable profit despite the considerable

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  • risks of working on such a fast-track project, with

    international partners and stakeholders, involving

    such groundbreaking design techniques and

    materials. This is largely because the project

    managers were very specific during contract

    negotiations to clearly define their scope of services

    and the interfaces with Chinese design partners, and

    were robust in contract negotiations that removed

    the project management company (i.e. Arup) from

    some of the post-Olympic payment milestones that

    were unrelated to the project scope. By deliberately

    resolving any potential conflicts early, the project

    management was able to sign a contract and

    facilitate a smooth and seamless handover to the

    Chinese partners with clearly understood and

    accepted interfaces.

    LESSON 3 LACK OF INVOLVEMENT IN THE

    CONSTRUCTION STAGE

    One aspect that could have been improved was being

    able to secure a role for the project management team

    during the construction phase and also post-Olympics

    for conversion to legacy mode. During contract

    negotiations, the Chinese partner CCDI wanted to

    limit its overall fee bid by resourcing elements of the

    detailed design and site supervision locally from

    Beijing. While Arups project management team

    successfully managed to ring-fence its design role,

    its proposal to maintain even a skeleton supervisory

    role during construction to help ensure the design

    intent was achieved was seen as an avoidable cost

    by the Chinese design partners. So the project

    management team was not formally involved in the

    construction stage, and this led to several issues

    regarding the interface and integration between

    design ideas and site construction. For example, for

    the steelwork and ETFE facade, the project

    management company sent staff to Beijing at its

    own cost, but this became increasingly difficult as

    security measures tightened during the months

    leading up to the Water Cubes opening. Further,

    some modifications to minor details were decided

    on site, generally driven by changes to overlay and

    operator requirements. There are examples where

    these decisions are not as the project management

    would have proposed had it been involved. This lack

    of involvement of the project management

    company in construction had some implications on

    quality.

    Less tangible than the quality of construction

    details was the potential effect on the project

    management team members of being partially

    excluded from the construction stage activities. It is

    a fundamental part of projects that designers get

    enormous satisfaction from seeing their designs

    become reality. There is traditionally an ongoing role

    for engineers responding to site issues, attending

    coordination meetings with contractors, and being

    involved in final commissioning and handover. All

    these are important parts of the ownership that

    engineers ascribe to their work, and their motivation

    to be part of future teams.

    To rectify this, the project management team

    developed an internal communication strategy at the

    outset of the project, which included engaging staff

    before and during the project through presentations,

    briefings, newsletters and regular celebrations of

    milestones. However, it was only after the

    construction work had commenced and the role

    diminished that the project management team

    realized that there was a gap in their involvement in

    actually experiencing the Water Cube being built.

    The situation was highlighted even further by the

    geographical separation from Beijing, and the

    ever-increasing levels of security and bureaucracy

    about site access.

    Ultimately in the case of the Water Cube with its

    crystal-clear design vision and high profile Arups

    lack of involvement during the construction stage

    did not have a significant negative effect on either

    the quality of the outcome or the level of ownership

    among the design team. However, Arups project

    managers have issued a report to CCDI highlighting

    this as a valuable lesson learned, and quantifying the

    added value it could have brought to more than

    offset any additional fees.

    LESSON 4 ESTABLISHING A LEGACY

    As the great cliche reads, there are only three things

    that matter when it comes to the Olympic Games:

    Legacy, Legacy, Legacy. There were legacy

    building opportunities that directly benefited the

    team relationship and the final outcome of

    the Water Cube. An ongoing challenge during the

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  • contract negotiations was the inclusion of standard

    clauses to protect intellectual property and

    copyright over design ideas and documentation. At

    the implementation planning workshop, project

    managers presented the benefits of embracing a

    very clear and simple policy that collaboration

    between all design partners be total and completely

    transparent. This was fundamental to establishing

    and maintaining trust and respect at the start of the

    project. In design terms, this involved accepting that

    the concepts and analytical approaches that were

    developed would become an important knowledge

    legacy to help the design partner develop its

    capabilities. In practical terms, it also meant that the

    handovers to the partners were genuinely open.

    The first legacy of the building is the ETFE facade

    design, construction and performance. Team

    members spent a week interviewing ETFE tenderers

    and being challenged by a panel of Chinese

    academics on various aspects of the ETFE facade

    design and performance. As an extension to the

    deliberate legacy building approach, Arup lobbied

    that the ETFE contractors and the people of Beijing

    would benefit by investing in local manufacturing and

    processing facilities in Beijing, which the winning

    tenderer accepted and implemented. This

    guaranteed local training and employment in the

    short term, but also led to a long-term local capability

    to produce an innovative material likely to feature

    heavily in Beijings ongoing development programme.

    Another often-debated legacy is the legacy of a

    totally shared ownership of the Water Cube concept.

    The philosophy agreed on at the implementation

    planning workshop, and one that resonated with all

    the stakeholders during the project, is that the box

    of bubbles concept for the Water Cube was

    generated by equally integrating the requirements of

    Arups engineering, PTWs space planning and

    Chinese cultural influences on architecture from

    CCDI. It was not the result of any one single

    dominant party. With such an iconic building, this

    was and remains a powerful statement in terms of

    the successful collaboration established between

    the three project partners.

    Finally, for the project management team and

    other team members involved, the relationships they

    have made and the satisfaction they have

    achieved from being part of such a wonderful

    project have provided a very genuine legacy. As well

    as achieving critical acclaim, the project has

    proved to be a successful investment in developing

    a project management approach to establishing

    and leading winning teams, managing relationships

    with stakeholders across cultures, developing project

    management processes required on major

    multidisciplinary projects and technological

    improvements in our immersive 3D modelling

    capability. These have since been used to great

    effect on many other Arup projects.

    CONCLUSIONS

    This article has discussed the major lessons learned

    from managing the design of the Water Cube

    Aquatic Swimming Centre for the Beijing 2008

    Olympic Games. Many aspects of the Water Cube

    project delivery were new and unique to the project

    management team, which required innovative design

    and management strategies and solutions. Virtually

    every aspect has been a lesson learned of some

    sort. It is important that these lessons learned be

    captured and successfully taken forward for

    development on future projects.

    It is found that the design and management of a

    complex international project like the Water Cube

    must be innovative so as to meet client

    expectations. These may include developing project

    implementation strategic plans, developing

    interface management strategies and designing for

    safety; after all the most important strategy is to

    recruit and lead clever people who may resist

    being led and resist working to deadlines. It was

    found that the complex and dynamic nature of the

    Chinese market, its lack of regulatory transparency

    and a relationship-based business culture were

    among the factors that made China a challenging

    project environment. As such, cultural

    understanding and relationship (guanxi) building

    were fundamental strategies in responding to these

    challenges. It was also found that there is a need

    for the design and management teams

    involvement in the construction stage to ensure the

    conversion of design into reality and construction

    quality as well as the fulfilment of professional and

    personal satisfaction.

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