ESoft- und Hardware GmbH

a

Owners ManualLogic Audio Pro ISIS

Ve r s i o n 3 . 6January 1999

English

Important!Please read this licence agreement before opening the disk seal!

CopyrightThis manual, protecopyrighted 199Adam, Clemens Hright laws this manduplicated in wholEMAGIC, except a back-up copy of

Limited WarranExcept to the extewarranties made band software are limmum guarantee peoriginal purchase, implied, shall applwarranty is not tranpurchaser of the so

EMAGIC makes nrespect to this softwity or fitness for a psold as is, and yoas to quality and p

In no event will EMincidental or consein the software or dexclusion or limitadental or consequeexclusion may not ction-key and software described herein are 21998 by Dr. Gerhard Lengeling, Chris omburg with all rights reserved. Under copy-ual, protection-key and software may not be e or in part without the written consent of in the normal use of the software or to make the original disk.

tynt prohibited by applicable law, all implied y EMAGIC in connection with this manual

ited in duration to ninety (90) days or mini-riod in your state or country from the date of and no warranties, whether express or y to this product after said period. This sferable it applies only to the original ftware.

o warranty, either express or implied, with are, its quality, performance, merchantabil-

articular purpose. As a result, this software is u, the purchaser, are assuming the entire risk erformance.

AGIC be liable for direct, indirect, special, quential damages resulting from any defect ocumentation. Some states do not allow the

tion of implied warranties or liability for inci-ntial damages, so the above limitation or apply to you.

Licence AgreementCarefully read all the terms and conditions of this licence agree-ment prior to using this package. Use of all or any portion of this package indicates your agreement to the following terms and conditions.

EMAGIC grants yuse the software interms and conditio

You may:

1. use the softwa

2. make one copy

You may not:

1. make copies ofin part except

2. make alteratiocopy, or otherwthe software.

3. sub-license, leany copy to oth

4. make verbal or

5. make telecomm

Term

This agreement is nate it at any time copies in any formwith any term or coou, the purchaser, a non-exclusive license to this package (the software), under the ns stated in this agreement.

re on a single machine.

of the software solely for back-up purposes.

the user manual or the software in whole oras expressly provided for in this agreement.

ns or modifications to the software or anyise attempt to discover the source code of

ase, lend, rent or grant other rights in all orers.

media translation of the user manual.

unication data transmission of the software.

effective until terminated. You may termi-by destroying the software together with all . It will also terminate if you fail to comply ndition in this agreement.

Owners ManualLogic Audio Pro ISISAuthors: Thorsten Adam, Johannes Prischl, Jan-Friedrich

Conrad, Johannes Waehneldt

Translation: Bernie Hurst, Matt Bell, Ruthven Martinus

Editing: Jeff Dav

Layout: FabiTho

1998 by Ema1334BuilGrasUSA

Tel: +530

Fax: +530

Net: http

eMail: info@

All Rights Reserved. All TraBohnhoff, Robert Hunt, Joel Heppting, id Dvorin, David Freeman

an Schmid, Ronald Bias, Uwe Senkler, rsten Adam

gic Inc.8 Grass Valley Ave.ding C, Suite 100s Valley, CA 95945

477 1051

477 1052

://www.emagic.de

emagicusa.com

demarks are the property of their respective owners.

lPreface

Congratulations!

With Maxi Studio ISIS and Logic Audio Pro ISIS, you have chosen one of the most powerful music production systems currently available. Since its release, countless hits and movie soundtracks have bwhich you are definers the world over resolution, its unpastyles and of courseconfigured system

As a newcomer to Lby the programs imknow that even londiscovering new poplease take the timThen, as time permchapter Using Logiwhich to work comthe course of the foand more, you shoreference that spec

This manual is basSilver and Logic Athe graphics, Logicfeature set than Losupports all Audio simultaneously. LoPoints and 4 Effecbest effects availab

Your Emagic Team

December 1998een produced using Logic Audio many of itely familiar with. Successful audio produc-

value Logic Audio for its high Midi timing ralleled ability to adapt to specific working , its high level of reliability on professionally

s.

ogic Audio, you should not be intimidated mense functionality. Youll be comforted to g-term professional users are constantly ssibilities within the program. At first, e to read the separate Introduction manual. its, we recommend that you at least read the

c, as this will give you an excellent basis with fortably with Logic as fast as possible. Over llowing weeks, as you use the program more uld then read through the sections of this ifically interest you.

ed on the reference manuals for Logic Audio udio Platinum. As you can see from some of Audio Platinum has a slightly different gic Audio Pro ISIS. Logic Audio Pro ISIS

Inputs and Outputs of the Maxi Studio ISIS gics integrated Audio Mixer has 4 Insert t Sends in each channel, and it supplies the le as well as full Plug-In Support.

Table of Contents

OwnerVersion

1

2

3

4

lChapter 1 Using Logic

Chapter 2 Transport Functions

Chapter 3 Arrange Window

Chapter 4 Using

Chapter 5 The E

Chapter 6 Mixe

Chapter 7 The A

Chapter 8 Audio

Chapter 9 The S

Chapter 10 The E

Chapter 11 The H

Chapter 12 The M

Chapter 13 Score

Chapter 14 The T

Chapter 15 Temp

Chapter 16 Synch

Chapter 17 Song

Chapter 18 File T

Gloss

Indexs Manual 3.6 TOC - 1

5

6

7

8

9

10

11

12

13

14

15

16

17

18

Gl

Ix

B

C

Audio in the Arrange Window

nvironment

rs and Audio Objects

udio Window

Driver

ample Edit Window

vent List

yper Editor

atrix Editor

Edit Window

ransform Window

o

ronization

Settings and Preferences

ransfer

ary

Table of Contents

EmagicLogic ATOC - 2 udio Pro ISIS

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lTable of Contents

Chapter 1 Using Logic

1.1 Conventions Of This Manual . . . . . . . . . . . . 1-11.2 The Mouse . . . . . . . . . . . . . . . . . . . . . . . . . . 1-2

Basic functions . . . . . . . . . . . . . . . . . . . . . . . 1-2Mouse Input . . . . . . . . . . . . . . . . . . . . . . . . 1-3

Checkboxes . . . . . . . . . . . . . . . . . . . . . 1-3PuMoUsNuTe

Tools aEffHidSeInfTh

1.3 WindowWorkin

OpCloModisSeSeX/YPaZoZoWi

MenusHieFixMe

Dialog Window

NoFloMa

RelatioCaTOC - 3s Manual 3.6 English

ll-down Menus . . . . . . . . . . . . . . . . . 1-3use as Slider . . . . . . . . . . . . . . . . . . . 1-3

ing the Mouse for In/Decrementing . . 1-3merical Input . . . . . . . . . . . . . . . . . . 1-4xt Input . . . . . . . . . . . . . . . . . . . . . . . 1-4nd the Toolbox . . . . . . . . . . . . . . . . . 1-5ective Range of the Tools . . . . . . . . . 1-6ing/Showing the Toolbox . . . . . . . . . 1-6

lecting Tools . . . . . . . . . . . . . . . . . . . 1-7o Line . . . . . . . . . . . . . . . . . . . . . . . . 1-7e Tools . . . . . . . . . . . . . . . . . . . . . . . 1-8

Functions . . . . . . . . . . . . . . . . . . . 1-11g with windows . . . . . . . . . . . . . . . 1-11ening windows . . . . . . . . . . . . . . . . 1-11sing windows . . . . . . . . . . . . . . . . . 1-11ving up one level in the play hierarchy . . . . . . . . . . . . . . . . . 1-11tting window size . . . . . . . . . . . . . . 1-11lecting the Working Area . . . . . . . . . 1-12 Element . . . . . . . . . . . . . . . . . . . . 1-12

ge Scrolling . . . . . . . . . . . . . . . . . . . 1-13oming . . . . . . . . . . . . . . . . . . . . . . . 1-13oming Selectively . . . . . . . . . . . . . . . 1-14ndow Elements . . . . . . . . . . . . . . . . 1-15 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-15rarchical Menus . . . . . . . . . . . . . . . 1-16

ed key commands . . . . . . . . . . . . . . 1-17nu options with in their title . 1-17Boxes . . . . . . . . . . . . . . . . . . . . . . . 1-17

Types . . . . . . . . . . . . . . . . . . . . . . 1-17rmal Windows . . . . . . . . . . . . . . . . 1-18at Windows . . . . . . . . . . . . . . . . . . 1-18in Menu Window . . . . . . . . . . . . . . 1-19

nships Between Windows . . . . . . . . 1-19tch . . . . . . . . . . . . . . . . . . . . . . . . . 1-19

TOC - 4

Table of Contents

EmagicLogic A

Link, Show Contents, and Contents Catch . . . . . . . . . . . . . . . . . . 1-20Contents Link . . . . . . . . . . . . . . . . . . . 1-20Contents Catch . . . . . . . . . . . . . . . . . . 1-21

Screensets . . . . . . . . . . . . . . . . . . . . . . . . . 1-21Storing Screensets . . . . . . . . . . . . . . . . 1-22SwProCoReSe

1.4 SelectioSeSeSe

1.5 Edit OpUn

The CliCuCoPaDe

1.6 GeneraOpCoAuCoAlt

SelectioSeMiSeSpSeEdTraAltReDe

Step-timKeudio Pro ISIS

itching Screensets . . . . . . . . . . . . . . 1-22tecting Screensets . . . . . . . . . . . . . 1-22pying Screensets . . . . . . . . . . . . . . . 1-22verting to a Stored Screenset . . . . . . 1-23quencer-controlled Switching . . . . . 1-23n Techniques . . . . . . . . . . . . . . . . . 1-23

lecting Individual Objects . . . . . . . . . 1-24lecting Several Objects . . . . . . . . . . . 1-24lecting all Objects . . . . . . . . . . . . . . 1-25erations . . . . . . . . . . . . . . . . . . . . . 1-26do . . . . . . . . . . . . . . . . . . . . . . . . . 1-26pboard . . . . . . . . . . . . . . . . . . . . . . 1-26t . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-26py . . . . . . . . . . . . . . . . . . . . . . . . . . 1-26ste . . . . . . . . . . . . . . . . . . . . . . . . . . 1-27lete . . . . . . . . . . . . . . . . . . . . . . . . . 1-27l Functions of the Editors . . . . . . . . 1-27ening Editors . . . . . . . . . . . . . . . . . 1-27ntrol output via Midi . . . . . . . . . . . . 1-28tomatic Scroll Functions . . . . . . . . . 1-28ntents Link . . . . . . . . . . . . . . . . . . . 1-28ernative Play Function . . . . . . . . . . . 1-29n Commands & Editing Functions . . 1-29

lecting Events with same di channel . . . . . . . . . . . . . . . . . . . . 1-29lect Equal Subpositions . . . . . . . . . . 1-29litting Chords . . . . . . . . . . . . . . . . . 1-30tting Locators by Objects . . . . . . . . . 1-31it Functions . . . . . . . . . . . . . . . . . . . 1-31nsform Functions . . . . . . . . . . . . . . 1-31ering Note Lengths . . . . . . . . . . . . . 1-31peating or Copying Events . . . . . . . . 1-33leting Events . . . . . . . . . . . . . . . . . . 1-33e Recording . . . . . . . . . . . . . . . . . 1-34

yboard Control . . . . . . . . . . . . . . . . 1-35

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Goto Selection . . . . . . . . . . . . . . . . . . 1-36Editing via Midi input . . . . . . . . . . . . . 1-36

Event Quantization . . . . . . . . . . . . . . . . . . 1-36Quantizing Events . . . . . . . . . . . . . . . . 1-37

Note Quantization . . . . . . . . . . . . . . . . . . . 1-37Display Functions . . . . . . . . . . . . . . . . . . . . 1-38

ChMa

1.7 Key Covia Mid

SpKey Co

AsDeChMaFin

Online 1.8 Song A

New SoAuCr

Loading Specia

ChSaving

ReClosingQuittin

Chapter 2 Transp

2.1 The TraOpeninThe TraAltering Param

PoLoTeFreTOC - 5s Manual 3.6 English

anging Display Levels . . . . . . . . . . . 1-38trix and Hyper Editors . . . . . . . . . . . 1-39mmands and Remote Control i . . . . . . . . . . . . . . . . . . . . . . . . . . . 1-40ecial Keys . . . . . . . . . . . . . . . . . . . . 1-41mmands Window . . . . . . . . . . . . . . 1-41signing a Function to a Key . . . . . . . 1-42leting Assignments . . . . . . . . . . . . . 1-43ecking the Function of a Key . . . . . . 1-43king the Display Clearer . . . . . . . . . 1-43ding Key Commands . . . . . . . . . . . 1-43Help . . . . . . . . . . . . . . . . . . . . . . . . 1-44dministration . . . . . . . . . . . . . . . . . 1-45ng . . . . . . . . . . . . . . . . . . . . . . . . . 1-45toload Song . . . . . . . . . . . . . . . . . . 1-45eating a new Song . . . . . . . . . . . . . 1-46 a Song . . . . . . . . . . . . . . . . . . . . . 1-46

l Functions . . . . . . . . . . . . . . . . . . . 1-46ecking/repairing Songs . . . . . . . . . . 1-46Songs . . . . . . . . . . . . . . . . . . . . . . . 1-46verting to the Saved Version . . . . . . 1-47 a Song . . . . . . . . . . . . . . . . . . . . . . 1-47g the Program . . . . . . . . . . . . . . . 1-47

ort Functions

nsport Window . . . . . . . . . . . . . . . . . 2-1g the Transport Window . . . . . . . . . . 2-1nsport Bar in Other Windows . . . . . . 2-1 the Display . . . . . . . . . . . . . . . . . . . 2-2

eter Fields and Displays . . . . . . . . . . . 2-3sition Display . . . . . . . . . . . . . . . . . . . 2-3cators . . . . . . . . . . . . . . . . . . . . . . . . 2-4mpo . . . . . . . . . . . . . . . . . . . . . . . . . 2-5e Memory . . . . . . . . . . . . . . . . . . . . . 2-5

TOC - 6

Table of Contents

EmagicLogic A

Time Signature and Divisions . . . . . . . . . 2-6Midi Monitor and Panic Function . . . . . . 2-7Song Title . . . . . . . . . . . . . . . . . . . . . . . 2-8Song End . . . . . . . . . . . . . . . . . . . . . . . 2-8

Keys and Buttons . . . . . . . . . . . . . . . . . . . . . 2-8Transport . . . . . . . . . . . . . . . . . . . . . . . 2-9Mo

2.2 Bar RulDisplay

StaSong P

DirPlaScr

2.3 Cycle MSwitchiHow LoDefinin

GrNuBy

Skip CySeFea

2.4 RecordCh

Count-Record

ReDe

RecordCy

AutodrDeSeRe

CombinReudio Pro ISIS

de . . . . . . . . . . . . . . . . . . . . . . . . . 2-10er . . . . . . . . . . . . . . . . . . . . . . . . . . 2-11 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2-12rt and End Markers . . . . . . . . . . . . . 2-12osition Line . . . . . . . . . . . . . . . . . . . 2-12ect Placement... . . . . . . . . . . . . . . . 2-13cement at a Marker . . . . . . . . . . . . 2-13ubbing . . . . . . . . . . . . . . . . . . . . . . 2-14ode . . . . . . . . . . . . . . . . . . . . . . . . 2-14

ng On Cycle Mode . . . . . . . . . . . . . 2-14gic behaves in Cycle mode . . . . . . . 2-14g the Cycle Region . . . . . . . . . . . . . 2-15aphically using the Bar Ruler . . . . . . 2-15merical Entry . . . . . . . . . . . . . . . . . . 2-16 Objects . . . . . . . . . . . . . . . . . . . . . . 2-16cle . . . . . . . . . . . . . . . . . . . . . . . . . 2-16tting up Skip Cycle . . . . . . . . . . . . . 2-17tures of Skip Cycle Mode . . . . . . . . 2-17

ing . . . . . . . . . . . . . . . . . . . . . . . . . 2-17oosing a Track . . . . . . . . . . . . . . . . 2-17in . . . . . . . . . . . . . . . . . . . . . . . . . . 2-18 Options . . . . . . . . . . . . . . . . . . . . . 2-18place Mode . . . . . . . . . . . . . . . . . . . 2-19structive Midi Recording . . . . . . . . . 2-19ing in Cycle Mode . . . . . . . . . . . . . . 2-19cle and Replace . . . . . . . . . . . . . . . . 2-19op . . . . . . . . . . . . . . . . . . . . . . . . . . 2-20fining the Autodrop Region . . . . . . 2-20tting Autodrop Numerically . . . . . . . 2-20cording in Autodrop Mode . . . . . . . 2-21ing Cycle and Autodrop . . . . . . . . . 2-21

cording with Skip Cycle . . . . . . . . . . 2-21

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2.5 Chase Events . . . . . . . . . . . . . . . . . . . . . . . 2-21

Chapter 3 Arrange Window

3.1 Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-13.2 Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-2

SelectinChSo

CreatinDeletin

DeNaming

DeMuting

MuMu

SelectinSp

3.3 InstrumMa

CreatinThe Ins

OpInsNaTraSeHidSeSeMuAd

3.4 SequenCreatin

CrDeletinRetrievMoving

ReTOC - 7s Manual 3.6 English

g a Track . . . . . . . . . . . . . . . . . . . . . 3-3anging tracks while keeping selection 3-3rting Tracks . . . . . . . . . . . . . . . . . . . . 3-3g tracks . . . . . . . . . . . . . . . . . . . . . . 3-4g Tracks . . . . . . . . . . . . . . . . . . . . . . 3-4leting Unused Tracks . . . . . . . . . . . . . 3-5 tracks . . . . . . . . . . . . . . . . . . . . . . . 3-5leting track names . . . . . . . . . . . . . . 3-6 Tracks . . . . . . . . . . . . . . . . . . . . . . . 3-6ting all tracks . . . . . . . . . . . . . . . . . . 3-6te Instrument . . . . . . . . . . . . . . . . . . 3-7g an Instrument . . . . . . . . . . . . . . . . 3-7

ecial Types of Instrument . . . . . . . . . . 3-7ents . . . . . . . . . . . . . . . . . . . . . . . . . 3-8king an Instrument visible . . . . . . . . . 3-8g a New Instrument . . . . . . . . . . . . . 3-8trument Parameters . . . . . . . . . . . . . 3-8ening/Closing trument Parameter Box . . . . . . . . . . . 3-9me . . . . . . . . . . . . . . . . . . . . . . . . . . 3-9ck Object Type . . . . . . . . . . . . . . . . . 3-9

lecting an Icon . . . . . . . . . . . . . . . . . . 3-9ing an Instrument . . . . . . . . . . . . . . 3-9

tting a Midi Channel . . . . . . . . . . . . 3-10tting the Midi channel: lti Instruments . . . . . . . . . . . . . . . . 3-10justing the sound of a Track . . . . . . 3-11ces . . . . . . . . . . . . . . . . . . . . . . . . . 3-12g a Sequence . . . . . . . . . . . . . . . . . 3-12eating an Empty Sequence . . . . . . . 3-13g Sequences . . . . . . . . . . . . . . . . . . 3-13ing Deleted Sequences . . . . . . . . . . 3-13 Sequences . . . . . . . . . . . . . . . . . . . 3-13moving gaps between sequences . . 3-13

TOC - 8

Table of Contents

EmagicLogic A

Editing the start position of a sequence numerically . . . . . . . . . . . . . 3-14

Copying Sequences . . . . . . . . . . . . . . . . . . 3-14Making multiple copies of sequences . 3-14

Altering the Length of Sequences . . . . . . 3-15 of multiple selection . . . . . . . . . . 3-15

Dividin

MerginDemixiMutingSoloingNaming

MuSpecial

InsDe

3.5 SequenDeEdSimOpThNaQuLoTraVeDyGaDeFixSe

3.6 QuantiHow It

WhFix

3.7 Hyper DAcDisudio Pro ISIS

Adjusting the start . . . . . . . . . . . 3-16g Sequences... . . . . . . . . . . . . . . . . . 3-17 multiple division with the scissors . . 3-18g Sequences . . . . . . . . . . . . . . . . . . 3-19ng Sequences . . . . . . . . . . . . . . . . . 3-19 sequences . . . . . . . . . . . . . . . . . . . 3-20 sequences . . . . . . . . . . . . . . . . . . . 3-20 a Sequence . . . . . . . . . . . . . . . . . . 3-20ltiple Naming . . . . . . . . . . . . . . . 3-21

Functions . . . . . . . . . . . . . . . . . . . . 3-21erting events . . . . . . . . . . . . . . . . . . 3-21leting duplicate Events . . . . . . . . . . 3-21ce Playback Parameters . . . . . . . . . . 3-22fault Sequence parameters . . . . . . . 3-22iting Several Sequences ultaneously . . . . . . . . . . . . . . . . . . 3-23ening and Closing . . . . . . . . . . . . . 3-23e Sequence Parameters . . . . . . . . . . 3-23me . . . . . . . . . . . . . . . . . . . . . . . . . 3-23a . . . . . . . . . . . . . . . . . . . . . . . . . . 3-24op . . . . . . . . . . . . . . . . . . . . . . . . . . 3-24nspose . . . . . . . . . . . . . . . . . . . . . . 3-25locity . . . . . . . . . . . . . . . . . . . . . . . . 3-25namics . . . . . . . . . . . . . . . . . . . . . . 3-25te Time . . . . . . . . . . . . . . . . . . . . . . 3-26lay . . . . . . . . . . . . . . . . . . . . . . . . . 3-26ing/Neutralizing quence Parameters . . . . . . . . . . . . . 3-28zation . . . . . . . . . . . . . . . . . . . . . . . 3-28Works . . . . . . . . . . . . . . . . . . . . . . . 3-29at events can be quantized . . . . . . 3-29

ing the Quantization . . . . . . . . . . . . 3-31raw in the Arrange window . . . . . . 3-32

tivating Hyper Draw . . . . . . . . . . . . 3-33play . . . . . . . . . . . . . . . . . . . . . . . . 3-33

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Deactivating Hyper Draw . . . . . . . . . . 3-333.8 All About Folders . . . . . . . . . . . . . . . . . . . . 3-34

The Folder as a Track Instrument . . . 3-35Creating Folders . . . . . . . . . . . . . . . . . . . . . 3-35Changing Display Levels . . . . . . . . . . . . . . . 3-35

Going into a Folder . . . . . . . . . . . . . . . 3-35Qu

MovingUnpackUnpackOther O

3.9 AliasesCreatinPlaybacSearch

FinFin

OrphaSeDe

TurningEditing

Me3.10 Arrang

Adjusti3.11 Alterin

DisplayTraMuReInsIns

Object MaCoObAlt

3.12 Reset FFoUnCoTOC - 9s Manual 3.6 English

itting a Folder . . . . . . . . . . . . . . . . . 3-35 Objects into Folders . . . . . . . . . . . . 3-36ing Individual Objects . . . . . . . . . . . 3-36ing Folders . . . . . . . . . . . . . . . . . . . 3-36perations using Folders . . . . . . . . . 3-36

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-37g an Alias . . . . . . . . . . . . . . . . . . . . 3-37k Parameters . . . . . . . . . . . . . . . . . 3-38Functions For An Original Or Alias . . 3-38ding the original of an alias . . . . . . . 3-38ding the alias of an original . . . . . . . 3-38n aliases . . . . . . . . . . . . . . . . . . . . 3-38

lecting all orphan aliases . . . . . . . . . 3-39leting orphan aliases . . . . . . . . . . . . 3-39 the Alias into a Real Object . . . . . . 3-39

the events in an Alias . . . . . . . . . . . 3-39rging two or more objects . . . . . . . 3-40

e Window Techniques . . . . . . . . . . . 3-40ng locators to fit selected objects . . 3-40g the Display . . . . . . . . . . . . . . . . . . 3-40 Options for the Track List . . . . . . . . 3-41ck numbers / Level meters . . . . . . . 3-41te Switch . . . . . . . . . . . . . . . . . . . . 3-41

cord Audio Switch . . . . . . . . . . . . . . 3-41trument Icon . . . . . . . . . . . . . . . . . . 3-42trument Name and Track Name . . . 3-42Display . . . . . . . . . . . . . . . . . . . . . . 3-43king Sequence Parameters Visible . . 3-43ntents Visible in the Object . . . . . . . 3-43ject Colors . . . . . . . . . . . . . . . . . . . 3-44ering the Background of the Arrange 3-44unctions . . . . . . . . . . . . . . . . . . . . . 3-44r hanging notesPanic Function . . . 3-45wanted modulationntroller Reset . . . . . . . . . . . . . . . . . 3-45

TOC - 10

Table of Contents

EmagicLogic A

If some sounds are suddenly too quietVolume Reset . . . . . . . . . . . . . . . . . . . 3-45If you suddenly hear the wrong soundsSend Instrument Settings . . . . . . . . . . 3-45

3.13 Other Functions . . . . . . . . . . . . . . . . . . . . . 3-46Locating the Midi Metronome . . . . . . . . . . 3-46RecordChase Openin

3.14 Tips . .Record

Chapter 4 Using

4.1 RegionCreatin

InsDiv

ErasingCopyin

CrUsMaMa

MovingMoMorec

ChangiAd

RegionNaLoDe

The ReMidi Se

4.2 RecordCreatinArminRecord

Staudio Pro ISIS

ing Options, Midi OptionsEvents . . . . . . . . . . . . . . . . . . . . . 3-46g the Tempo Editor . . . . . . . . . . . . . 3-46 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3-46ing Several Musicians . . . . . . . . . . . 3-46

Audio in the Arrange Window

s in the Arrange Window . . . . . . . . . 4-1g Regions . . . . . . . . . . . . . . . . . . . . . 4-1erting Audio Files using the Pencil tool 4-1iding Regions . . . . . . . . . . . . . . . . . . 4-2 Regions . . . . . . . . . . . . . . . . . . . . . . 4-2g Regions . . . . . . . . . . . . . . . . . . . . . 4-3eating New Regions . . . . . . . . . . . . . . 4-3ing an existing Region more than once 4-3king cloned Regions independent . . . 4-3king Multiple Copies of Regions . . . . 4-4 Regions . . . . . . . . . . . . . . . . . . . . . . 4-4ving sequences in the Event List . . . . 4-5ving sequences back to ord position . . . . . . . . . . . . . . . . . . . 4-5ng Start and End Points . . . . . . . . . . . 4-6justing the Grid to Zero Crossings . . . 4-7 Parameter Box . . . . . . . . . . . . . . . . . 4-7me . . . . . . . . . . . . . . . . . . . . . . . . . . 4-7op . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-7lay . . . . . . . . . . . . . . . . . . . . . . . . . . 4-8gion Anchor . . . . . . . . . . . . . . . . . . . 4-8quences and Regions compared . . . 4-10ing . . . . . . . . . . . . . . . . . . . . . . . . . 4-11g Audio Tracks . . . . . . . . . . . . . . . . 4-12g Tracks . . . . . . . . . . . . . . . . . . . . 4-12ing Modes . . . . . . . . . . . . . . . . . . . . 4-13ndard Recording with Count-In . . . 4-13

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Punch-in Recording . . . . . . . . . . . . . . . 4-14Pre-programmed Drop-Record . . . . . . 4-15Record and Pause Mode . . . . . . . . . . . 4-16Audio Cycle Recording . . . . . . . . . . . . 4-16

Auto Input Monitoring . . . . . . . . . . . . . . . . 4-17Stereo Recordings . . . . . . . . . . . . . . . . . . . 4-19

4.3 FunctioAutomDigital

AuHyperDNon-de

Chapter 5 The En

ThThTh

5.1 OperatOp

Layers SwNaDeSpDis

ObjectsAdMoAliMoReSp

5.2 Signal PDirect O

BreCabling

MuCaDeTOC - 11s Manual 3.6 English

ns . . . . . . . . . . . . . . . . . . . . . . . . . . 4-19atic Tempo Matching . . . . . . . . . . . 4-19Mixdown . . . . . . . . . . . . . . . . . . . . 4-21dio Crossfades . . . . . . . . . . . . . . . . 4-23raw for Regions . . . . . . . . . . . . . . . 4-24structive Fades . . . . . . . . . . . . . . . . 4-24

vironment

e Situation . . . . . . . . . . . . . . . . . . . . . 5-1e Idea . . . . . . . . . . . . . . . . . . . . . . . . 5-1e Concept of the Environment . . . . . . 5-2ion . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3ening the Environment Window . . . . 5-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-4itching Layers . . . . . . . . . . . . . . . . . . 5-5ming Layers . . . . . . . . . . . . . . . . . . . 5-5leting Layers . . . . . . . . . . . . . . . . . . . 5-5ecialized Layers . . . . . . . . . . . . . . . . . 5-5play . . . . . . . . . . . . . . . . . . . . . . . . . 5-6 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-7justing the Size of Objects . . . . . . . . . 5-8ving Objects . . . . . . . . . . . . . . . . . . . 5-8

gning Objects . . . . . . . . . . . . . . . . 5-9ving Objects Between Layers . . . . . . 5-9

placing Objects . . . . . . . . . . . . . . . . . 5-9ecial Selection Commands . . . . . . . . 5-10ath . . . . . . . . . . . . . . . . . . . . . . . . . 5-11utput Assignment . . . . . . . . . . . . . 5-12aking the direct output assignment 5-12 . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-12ltiple Cabling . . . . . . . . . . . . . . . . . 5-13bling Serially . . . . . . . . . . . . . . . . . . 5-14leting Cables . . . . . . . . . . . . . . . . . . 5-14

TOC - 12

Table of Contents

EmagicLogic A

5.3 Object Overview . . . . . . . . . . . . . . . . . . . . 5-15GM Mixer . . . . . . . . . . . . . . . . . . . . . . 5-16

Object Parameters . . . . . . . . . . . . . . . . . . . 5-17General Object Parameters . . . . . . . . . 5-18

Instrument . . . . . . . . . . . . . . . . . . . . . . . . . 5-19Mapped Instruments . . . . . . . . . . . . . . . . . 5-22

MaMulti-In

MuDeBa

KeyboaMonitoArpegg DelayChannePhysica

PhSe

Midi M Midi O

OpUsSpRePla

Fader VeNuBuTe

Fader FMiRaVaFilt

5.4 The WaFu

The WaThe Wa

Deudio Pro ISIS

pped Instrument Window . . . . . . . 5-24struments . . . . . . . . . . . . . . . . . . . 5-26lti-Instrument Window . . . . . . . . . . 5-29fining Your Own nk Select Commands . . . . . . . . . . . . 5-31rd . . . . . . . . . . . . . . . . . . . . . . . . . . 5-33r . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-34iator . . . . . . . . . . . . . . . . . . . . . . . . 5-34

Line . . . . . . . . . . . . . . . . . . . . . . . . 5-37l Splitter . . . . . . . . . . . . . . . . . . . . . 5-38

l Input / Sequencer Input . . . . . . . . . 5-39ysical Input . . . . . . . . . . . . . . . . . . . 5-39quencer Input . . . . . . . . . . . . . . . . . 5-39etronome Click . . . . . . . . . . . . . . . . 5-40ut Port . . . . . . . . . . . . . . . . . . . . . . 5-40eration . . . . . . . . . . . . . . . . . . . . . . 5-42eful functions for Object Groups . . . 5-42ecial Functions for Faders . . . . . . . . 5-43cording Fader Movements . . . . . . . . 5-43ying Back Fader Movements . . . . . . 5-44Types . . . . . . . . . . . . . . . . . . . . . . . . 5-44rtical / Mute . . . . . . . . . . . . . . . . . . 5-45merical . . . . . . . . . . . . . . . . . . . . . . 5-45ttons . . . . . . . . . . . . . . . . . . . . . . . . 5-45xt . . . . . . . . . . . . . . . . . . . . . . . . . . 5-45unctions . . . . . . . . . . . . . . . . . . . . . 5-47di Events . . . . . . . . . . . . . . . . . . . . . 5-47nge . . . . . . . . . . . . . . . . . . . . . . . . . 5-48l as . . . . . . . . . . . . . . . . . . . . . . . . . 5-49er . . . . . . . . . . . . . . . . . . . . . . . . . . 5-49ve Player . . . . . . . . . . . . . . . . . . . . . 5-50

nctions . . . . . . . . . . . . . . . . . . . . . . 5-50ve Player Window . . . . . . . . . . . . . 5-52ve Player Parameters . . . . . . . . . . . 5-52leting WAV Files . . . . . . . . . . . . . . . 5-55

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Using the Wave Player in the Arrange . 5-555.5 Environment Exchange . . . . . . . . . . . . . . . . 5-565.6 Tips and Comments . . . . . . . . . . . . . . . . . . 5-57

Using Midi Effects flexibly . . . . . . . . . . . . . 5-57

Chapter 6 Mixer

6.1 Concep6.2 Audio O

CrEra

The ObChMiVaNe

MetersLevAdMuPaEqSeIns

Inputs TraSoMu

Stereo Cr

FunctioIcoScaCo

6.3 AutomLogics

ThSigSig

Which ControTOC - 13s Manual 3.6 English

s and Audio Objects

t . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-1bjects . . . . . . . . . . . . . . . . . . . . . . . 6-2

eating Audio Objects . . . . . . . . . . . . . 6-2sing Audio Objects . . . . . . . . . . . . . . 6-2ject Parameter Box . . . . . . . . . . . . . . 6-2a . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-3di Cha . . . . . . . . . . . . . . . . . . . . . . . . 6-4l as . . . . . . . . . . . . . . . . . . . . . . . . . . 6-5utralizing Fader Values . . . . . . . . . . . 6-5 and Controls . . . . . . . . . . . . . . . . . . 6-5el Meter . . . . . . . . . . . . . . . . . . . . . . 6-5justing the level . . . . . . . . . . . . . . . . 6-6te control . . . . . . . . . . . . . . . . . . . . . 6-6

n/Balance . . . . . . . . . . . . . . . . . . . . . 6-7ualizer (EQ) . . . . . . . . . . . . . . . . . . . . 6-7nds (Aux Sends) . . . . . . . . . . . . . . . . . 6-7erts . . . . . . . . . . . . . . . . . . . . . . . . . . 6-8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-10ck arming . . . . . . . . . . . . . . . . . . . . 6-10lo . . . . . . . . . . . . . . . . . . . . . . . . . . 6-10te Remote Control . . . . . . . . . . . . . 6-11

Objects . . . . . . . . . . . . . . . . . . . . . . 6-12eating Stereo Objects . . . . . . . . . . . 6-12ns . . . . . . . . . . . . . . . . . . . . . . . . . . 6-13n representation . . . . . . . . . . . . . . . 6-13ling Objects . . . . . . . . . . . . . . . . . . 6-14lor . . . . . . . . . . . . . . . . . . . . . . . . . 6-15ation . . . . . . . . . . . . . . . . . . . . . . . . 6-15 Various Automation Concepts . . . . 6-15eory of Audio Automation . . . . . . . . 6-16nal flow . . . . . . . . . . . . . . . . . . . . . 6-17nal path and external Fader Objects 6-18Controller Numbers? . . . . . . . . . . . . 6-19llers for the Insert Effects . . . . . . . . . 6-19

TOC - 14

Table of Contents

EmagicLogic A

Automation of the Plug-In Parameters . . . . 6-20Dynamic Controller Allocation . . . . . . . 6-20

Snapshot Record . . . . . . . . . . . . . . . . . . . . 6-21Real-time Record . . . . . . . . . . . . . . . . . . . . 6-21Mixer Automation Parameters . . . . . . . . . . 6-22

Erasing recorded Fader movements . . . 6-246.4 Real-Tim

IntroduInsBu

OvervieGe

EqualizFilter .Delay .FlangerChorusReverbFunctio

6.5 Plug In6.6 GM/GS

BaProVoMuPaCo

SummaSaExtReAp

Autom6.7 Audio M

Autom6.8 Adaptiv

DisplayFoldersTrack S

6.9 BounciOpudio Pro ISIS

e Effects . . . . . . . . . . . . . . . . . . . . 6-25ction . . . . . . . . . . . . . . . . . . . . . . . . 6-25ert Effects . . . . . . . . . . . . . . . . . . . . 6-26s Effects . . . . . . . . . . . . . . . . . . . . . 6-26w of Logics Real-Time Effects . . . . . 6-27neral Parameters . . . . . . . . . . . . . . . 6-27er . . . . . . . . . . . . . . . . . . . . . . . . . . 6-28 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-30 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-31 . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-31 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-32 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-33ns of the Plug-In Window . . . . . . . . 6-34s from Other Manufacturers . . . . . . 6-35/XG Mixer . . . . . . . . . . . . . . . . . . . . 6-36nk . . . . . . . . . . . . . . . . . . . . . . . . . . 6-37gram . . . . . . . . . . . . . . . . . . . . . . . 6-37lume . . . . . . . . . . . . . . . . . . . . . . . . 6-38te . . . . . . . . . . . . . . . . . . . . . . . . . . 6-38

n . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-38ntroller . . . . . . . . . . . . . . . . . . . . . . 6-38ry of the GM Mixer Functions . . . . . 6-40

ving the Mixer Settings . . . . . . . . . . 6-41ended GM, GS and XG Functions . . 6-41set Button . . . . . . . . . . . . . . . . . . . . 6-42pearance of the GM/GS/XG Mixer . . 6-42ation for GM/GS/XG Mixers . . . . . . . 6-42

ixer . . . . . . . . . . . . . . . . . . . . . . . . 6-43ation for the Audio Mixer . . . . . . . . 6-44e Mixer . . . . . . . . . . . . . . . . . . . . . 6-44

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 6-46 and the Adaptive Mixer . . . . . . . . . 6-47election when Playing . . . . . . . . . . . 6-47ng . . . . . . . . . . . . . . . . . . . . . . . . . . 6-47tions in the Bounce Dialog Window 6-48

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Chapter 7 The Audio Window

Opening the Audio Window . . . . . . . . . . . . 7-27.1 Layout . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-3

Zoom Functions . . . . . . . . . . . . . . . . . . . . . . 7-3The Mode Buttons . . . . . . . . . . . . . . . . . . . . 7-4

Link . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-4MoReChMo

7.2 DisplayThe Au

HidDisDisSoSo

The WaOvervie

Co7.3 Operat

SelectioAuAu

Edit CoRegion

CrDeAltMoMoFinProReAd

7.4 File AdRecord

DeWhrem

AddingTOC - 15s Manual 3.6 English

nitoring . . . . . . . . . . . . . . . . . . . . . . 7-4gion Cycle . . . . . . . . . . . . . . . . . . . . . 7-5oosing the Audio Output for nitoring . . . . . . . . . . . . . . . . . . . . . . 7-5

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-6dio List . . . . . . . . . . . . . . . . . . . . . . . 7-6ing and Showing Regions . . . . . . . . . 7-6playing the Lengths of the Regions . . 7-7playing Information about Audio Files 7-8rting Audio Files . . . . . . . . . . . . . . . . 7-8rting Regions . . . . . . . . . . . . . . . . . . . 7-9veform Display outside the Region . . 7-9w Calculation . . . . . . . . . . . . . . . . . 7-10ntrolling the Overview Calculation . 7-10ion . . . . . . . . . . . . . . . . . . . . . . . . . 7-11n Techniques . . . . . . . . . . . . . . . . . 7-11dio Files . . . . . . . . . . . . . . . . . . . . . 7-12dio Files and Regions . . . . . . . . . . . 7-12mmands . . . . . . . . . . . . . . . . . . . . . 7-12s . . . . . . . . . . . . . . . . . . . . . . . . . . . 7-14eating a Region . . . . . . . . . . . . . . . . 7-14leting a Region . . . . . . . . . . . . . . . . 7-14ering the Limits of a Region . . . . . . 7-14ving the Anchor . . . . . . . . . . . . . . . 7-15ving to Zero Crossings . . . . . . . . . . 7-15e Movement . . . . . . . . . . . . . . . . . . 7-16tecting the Region Parameters . . . . 7-16

naming Audio Files and Regions . . . 7-16ding a Region to the Arrangement . 7-17ministration . . . . . . . . . . . . . . . . . . . 7-20 File . . . . . . . . . . . . . . . . . . . . . . . . . 7-20fining the Record Path . . . . . . . . . . 7-20en you choose the Path ember . . . . . . . . . . . . . . . . . . . . 7-23

Audio Files . . . . . . . . . . . . . . . . . . . 7-24

TOC - 16

Table of Contents

EmagicLogic A

Add Audio Files from CD . . . . . . . . . . . 7-25Removing Audio Files . . . . . . . . . . . . . 7-25

Creating Audio Files . . . . . . . . . . . . . . . . . . 7-25Deleting Audio Files . . . . . . . . . . . . . . 7-25Making Backups . . . . . . . . . . . . . . . . . 7-26Copying Audio Files . . . . . . . . . . . . . . 7-27Mo

SpecialSpMa

Audio FExcMa

Other FReWhAu

7.5 Other FAuCh

Chapter 8 Audio

Access using D

Chapter 9 The Sa

Openin9.1 Layout 9.2 Display

OvervieFu

WindowCaLin

The DeDisX- Abudio Pro ISIS

ving Audio Files . . . . . . . . . . . . . . . 7-27 Features of the Stereo Format . . . . 7-28ecial Features of Split Stereo Files 7-28nual Stereo Conversion . . . . . . . . . 7-29ile Format Conversion . . . . . . . . . . 7-29hanging Audio Files between c and PC . . . . . . . . . . . . . . . . . . . . 7-29unctions involving Audio Files . . . . . 7-31assigning Audio Files . . . . . . . . . . . . 7-31at to do if Logic cannot find an dio File . . . . . . . . . . . . . . . . . . . . . . 7-31unctions . . . . . . . . . . . . . . . . . . . . . 7-33dio Record . . . . . . . . . . . . . . . . . . . 7-33oosing the Sample Rate . . . . . . . . . 7-33

Driver

to the Audio Hardware rivers . . . . . . . . . . . . . . . . . . . . . . . . 8-1

mple Edit Window

g the Sample Edit Window . . . . . . . . 9-1. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-2

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-3w . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-3nctions in the overview . . . . . . . . . . . 9-4

functions . . . . . . . . . . . . . . . . . . . . 9-4tch Mode . . . . . . . . . . . . . . . . . . . . . 9-5k Mode . . . . . . . . . . . . . . . . . . . . . . . 9-5tailed Waveform Display . . . . . . . . . . 9-5play Scale . . . . . . . . . . . . . . . . . . . . . 9-5and Y-Axes Scales . . . . . . . . . . . . . . . 9-6solute and Relative Time . . . . . . . . . . 9-7

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Display Waveform as Sample Bits . . . . . 9-89.3 The Sample Edit Window In Use . . . . . . . . . 9-8

Monitoring Sample Playback . . . . . . . . . . . . 9-8Playback from the overview . . . . . . . . . . 9-9Playing the current selection . . . . . . . . . 9-9Playback from a certain position . . . . . . 9-9CyChPla

AutomMaking

SeMaToMoTh

The ReRegion

SeTuCrEd

Search Editing

Un9.4 File Ma

BackupAuMa

9.5 FunctioNoChFadFadSileInvReTriReSeSeTOC - 17s Manual 3.6 English

cle Playback Mode . . . . . . . . . . . . . . 9-9oosing the Audio Output . . . . . . . . 9-10ying Regions . . . . . . . . . . . . . . . . . . 9-10atic Scrolling . . . . . . . . . . . . . . . . . . 9-10 Selections . . . . . . . . . . . . . . . . . . . 9-11

lecting the Whole Audio File . . . . . . 9-11nual Selection . . . . . . . . . . . . . . . . 9-11

change the boundaries of a selection 9-11ving a Selection . . . . . . . . . . . . . . . 9-11

e Selection Parameter Box . . . . . . . . 9-12lationship between Selections and s . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-12lecting the Region . . . . . . . . . . . . . . 9-12rning a selection into a Region . . . . 9-13eating new regions . . . . . . . . . . . . . 9-13iting Regions in the Sample Editor . . 9-13Zero Crossings . . . . . . . . . . . . . . . . 9-14 commands . . . . . . . . . . . . . . . . . . . 9-15do . . . . . . . . . . . . . . . . . . . . . . . . . 9-15nagement . . . . . . . . . . . . . . . . . . . . 9-16 Copies . . . . . . . . . . . . . . . . . . . . . . 9-16tomatic Backups . . . . . . . . . . . . . . . 9-16nual Backups . . . . . . . . . . . . . . . . . 9-17ns . . . . . . . . . . . . . . . . . . . . . . . . . . 9-18rmalize . . . . . . . . . . . . . . . . . . . . . . 9-18ange Gain . . . . . . . . . . . . . . . . . . . . 9-20e In . . . . . . . . . . . . . . . . . . . . . . . . 9-20e Out . . . . . . . . . . . . . . . . . . . . . . . 9-21nce . . . . . . . . . . . . . . . . . . . . . . . . 9-22ert . . . . . . . . . . . . . . . . . . . . . . . . . 9-22verse . . . . . . . . . . . . . . . . . . . . . . . . 9-23m . . . . . . . . . . . . . . . . . . . . . . . . . . 9-24move DC Offset . . . . . . . . . . . . . . . 9-24arch Peak . . . . . . . . . . . . . . . . . . . . 9-25arch Silence . . . . . . . . . . . . . . . . . . . 9-25

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Table of Contents

EmagicLogic A

9.6 The Digital Factory . . . . . . . . . . . . . . . . . 9-25Overview . . . . . . . . . . . . . . . . . . . . . . . . . . 9-26

Time Machine . . . . . . . . . . . . . . . . . . . 9-26Audio Energizer . . . . . . . . . . . . . . . . . 9-26Sample Rate Converter . . . . . . . . . . . . 9-26

Operation . . . . . . . . . . . . . . . . . . . . . . . . . 9-26Option

9.7 MachinTime M

OpPaFreClaUsTh

Audio EOpPa

SampleOpPa

Chapter 10 The Ev

UsOpStr

10.1 Display10.2 Operat

ScrSeSp

Event EAdDuMo

AlteringAltNu

10.3 Event LStaudio Pro ISIS

s . . . . . . . . . . . . . . . . . . . . . . . . . . . 9-27es . . . . . . . . . . . . . . . . . . . . . . . . . . 9-28achine . . . . . . . . . . . . . . . . . . . . . . 9-28ening the Time Machine . . . . . . . . . 9-28rameters . . . . . . . . . . . . . . . . . . . . . 9-29e Transposition . . . . . . . . . . . . . . . . 9-30ssic (correlated) Transposition . . . . . 9-30

ing the graphic display . . . . . . . . . . 9-30e Technology of the Time Machine . 9-31nergizer . . . . . . . . . . . . . . . . . . . . . 9-31ening the Audio Energizer . . . . . . . 9-32rameters . . . . . . . . . . . . . . . . . . . . . 9-32 Rate Converter . . . . . . . . . . . . . . . 9-33ening the Sample Rate Converter . . 9-33rameters . . . . . . . . . . . . . . . . . . . . . 9-34

ent List

age . . . . . . . . . . . . . . . . . . . . . . . . . 10-1ening the Event List . . . . . . . . . . . . 10-1ucture . . . . . . . . . . . . . . . . . . . . . . . 10-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-2ion . . . . . . . . . . . . . . . . . . . . . . . . . 10-3olling . . . . . . . . . . . . . . . . . . . . . . . 10-3lection Techniques . . . . . . . . . . . . . . 10-4ecial Selection Functions . . . . . . . . . 10-4diting . . . . . . . . . . . . . . . . . . . . . . . 10-5ding Events . . . . . . . . . . . . . . . . . . . 10-5plicating Events . . . . . . . . . . . . . . . . 10-5ving Events . . . . . . . . . . . . . . . . . . 10-5 Values . . . . . . . . . . . . . . . . . . . . . 10-6ering the Values of Several Events . . 10-6merical Value Input . . . . . . . . . . . . . 10-6ist Structure . . . . . . . . . . . . . . . . . . 10-7tus . . . . . . . . . . . . . . . . . . . . . . . . . 10-8

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Cha . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-8Num, Val . . . . . . . . . . . . . . . . . . . . . . . 10-8Length/Info . . . . . . . . . . . . . . . . . . . . . 10-8

List Structure on the Arrange Level . . . . . . . 10-9Position . . . . . . . . . . . . . . . . . . . . . . . 10-10Name . . . . . . . . . . . . . . . . . . . . . . . . 10-10TraLen

10.4 Event TNoProPitCoAfPoSysMe

10.5 Event F

Chapter 11 The H

UsOpStr

11.1 Hyper SChCrNaDe

11.2 Event DDeHyCoSoEveMaSim

Hi-Hat 11.3 Operat

SelectioMoTOC - 19s Manual 3.6 English

ck . . . . . . . . . . . . . . . . . . . . . . . . . 10-10gth . . . . . . . . . . . . . . . . . . . . . . . 10-10

ype Structure . . . . . . . . . . . . . . . . 10-10te Events . . . . . . . . . . . . . . . . . . . . 10-10gram Change Events . . . . . . . . . . 10-11

ch Bend Events . . . . . . . . . . . . . . . 10-13ntrol Change Events . . . . . . . . . . . 10-13tertouch Events . . . . . . . . . . . . . . . 10-14ly Pressure Events . . . . . . . . . . . . . 10-14Ex Events . . . . . . . . . . . . . . . . . . . 10-15ta Events . . . . . . . . . . . . . . . . . . . 10-16loat Window . . . . . . . . . . . . . . . . . 10-17

yper Editor

age . . . . . . . . . . . . . . . . . . . . . . . . . 11-1ening the Hyper Editor . . . . . . . . . . 11-1ucture . . . . . . . . . . . . . . . . . . . . . . . 11-1ets . . . . . . . . . . . . . . . . . . . . . . . . . 11-2oosing a Hyper Set . . . . . . . . . . . . . 11-2eating a Hyper Set . . . . . . . . . . . . . . 11-2ming the Hyper Set . . . . . . . . . . . . . 11-3leting a Hyper Set . . . . . . . . . . . . . . 11-3efinitions . . . . . . . . . . . . . . . . . . . . 11-3leting an Event Definition . . . . . . . . 11-5per Sets: Copying Event Definitions . 11-5nverting Event Definitions . . . . . . . . 11-5rting Event Definitions . . . . . . . . . . . 11-6nt Definition Parameter Box . . . . . . 11-6king Different Definitions ultaneously . . . . . . . . . . . . . . . . . 11-10

Mode . . . . . . . . . . . . . . . . . . . . . . 11-10ion . . . . . . . . . . . . . . . . . . . . . . . . 11-10n Techniques . . . . . . . . . . . . . . . . 11-11ving and Copying Events . . . . . . . 11-11

TOC - 20

Table of Contents

EmagicLogic A

Altering Event Values . . . . . . . . . . . . . . . . 11-11Altering Several Events . . . . . . . . . . . 11-11Setting up a manual series . . . . . . . . 11-13Setting up a linear series . . . . . . . . . . 11-13Linear Series in Sections . . . . . . . . . . 11-14

Adding Individual Events . . . . . . . . . . . . . 11-14Fix

Chapter 12 The M

Op12.1 Display

PitPoBaOt

12.2 EditingCreatin

DuMoving

SeCopyin

AltAltSimMaAlt

HyperDDeletin

12.3 Selectio12.4 Functio

Chapter 13 Score

OpeninThe sta

ThZo

13.1 JustifyinStyleudio Pro ISIS

Value . . . . . . . . . . . . . . . . . . . . . . 11-15

atrix Editor

ening the Matrix Editor . . . . . . . . . . 12-1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12-2ch/Note Names . . . . . . . . . . . . . . . . 12-2sition . . . . . . . . . . . . . . . . . . . . . . . . 12-3ckground . . . . . . . . . . . . . . . . . . . . 12-3her Display Options . . . . . . . . . . . . . 12-3 Notes . . . . . . . . . . . . . . . . . . . . . . . 12-3g Notes . . . . . . . . . . . . . . . . . . . . . . 12-4plicating Notes . . . . . . . . . . . . . . . . 12-4 Notes . . . . . . . . . . . . . . . . . . . . . . 12-4

tting a finer Grid . . . . . . . . . . . . . . . 12-5g Notes . . . . . . . . . . . . . . . . . . . . . . 12-6ering Lengths . . . . . . . . . . . . . . . . . 12-6ering the Lengths of Several Notes ultaneously . . . . . . . . . . . . . . . . . . 12-7king Notes the Same Length . . . . . 12-7ering the Velocity . . . . . . . . . . . . . . 12-7raw in the Matrix Editor . . . . . . . . . 12-8g notes . . . . . . . . . . . . . . . . . . . . . 12-10n Techniques . . . . . . . . . . . . . . . . 12-10ns . . . . . . . . . . . . . . . . . . . . . . . . . 12-10

Edit Window

g the Score Editor . . . . . . . . . . . . . . 13-1ndard elements in the Score Editor . 13-1e parameter box . . . . . . . . . . . . . . . 13-1oming . . . . . . . . . . . . . . . . . . . . . . . 13-2g the display . . . . . . . . . . . . . . . . . 13-2 . . . . . . . . . . . . . . . . . . . . . . . . . . . 13-3

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Autostyle . . . . . . . . . . . . . . . . . . . . . . 13-3Display Quantization . . . . . . . . . . . . . . . . . 13-3

13.2 Editing notes . . . . . . . . . . . . . . . . . . . . . . . 13-4Selecting . . . . . . . . . . . . . . . . . . . . . . . 13-4The Info Line . . . . . . . . . . . . . . . . . . . . 13-4

The Event Parameter Box . . . . . . . . . . . . . . 13-5MoCoIns

InsertDiatoniDeletinHyperD

13.3 Layout PrepariThe paSwitchi

ThTh

The traThe dis

NaS

The alloInsDisPOOH

DisplayInSNM

InsertinInsAsSe

The symManipuTOC - 21s Manual 3.6 English

ving and transposing . . . . . . . . . . . 13-5pying . . . . . . . . . . . . . . . . . . . . . . . 13-6erting . . . . . . . . . . . . . . . . . . . . . . . 13-6 Defaults . . . . . . . . . . . . . . . . . . . . 13-6c Insert . . . . . . . . . . . . . . . . . . . . . . 13-6g . . . . . . . . . . . . . . . . . . . . . . . . . . . 13-7raw in the Score Edit Window . . . . 13-7and Printing . . . . . . . . . . . . . . . . . . 13-9ng the notation for printing . . . . . . 13-10rameter area . . . . . . . . . . . . . . . . . 13-10ng levels . . . . . . . . . . . . . . . . . . . . 13-11e sequence level . . . . . . . . . . . . . . 13-11e song level . . . . . . . . . . . . . . . . . . 13-11ck filter . . . . . . . . . . . . . . . . . . . . . 13-12play parameter box . . . . . . . . . . . . 13-13me . . . . . . . . . . . . . . . . . . . . . . . . 13-13tyle . . . . . . . . . . . . . . . . . . . . . . . 13-13cation of notes in multi-staves . . . 13-14erting . . . . . . . . . . . . . . . . . . . . . . 13-14playing . . . . . . . . . . . . . . . . . . . . . 13-14iano 1/3 . . . . . . . . . . . . . . . . . . . 13-15rgan 1/1/5 . . . . . . . . . . . . . . . . . 13-15rgan 1/3/5 . . . . . . . . . . . . . . . . . 13-16ide/Show Parameters . . . . . . . . . 13-16 Quantization . . . . . . . . . . . . . . . . 13-16terpretation . . . . . . . . . . . . . . . . 13-17yncopation . . . . . . . . . . . . . . . . . 13-17o Overlap . . . . . . . . . . . . . . . . . . 13-18ax. Dots . . . . . . . . . . . . . . . . . . . 13-18g symbols from the partbox . . . . . 13-18erting symbols . . . . . . . . . . . . . . . 13-19signing a symbol to several notes . 13-19lecting Symbols . . . . . . . . . . . . . . . 13-20

bols as seen in the Event Editor . . 13-23lating the notation . . . . . . . . . . . . 13-23

TOC - 22

Table of Contents

EmagicLogic A

Enharmonic shifting . . . . . . . . . . . . . 13-23Note stems . . . . . . . . . . . . . . . . . . . . 13-24Manual beaming . . . . . . . . . . . . . . . . 13-24Moving staves vertically . . . . . . . . . . . 13-25

Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13-26Selecting a font . . . . . . . . . . . . . . . . . 13-26InsPo

Lyrics .Page Ed

PaScrPa

13.4 PrintingThe PriSetting

RARe

Chapter 14 The Tr

UsOp

EffectivPurpos

CoOp

ActionsSeOpSe

14.1 TransfoMode .Event PCondit

ExcDisplay

14.2 TransfoPreCaudio Pro ISIS

erting text . . . . . . . . . . . . . . . . . . . 13-27sitioning text . . . . . . . . . . . . . . . . . 13-27 . . . . . . . . . . . . . . . . . . . . . . . . . . . 13-28it . . . . . . . . . . . . . . . . . . . . . . . . . 13-29

ge Edit and the normal display . . . . 13-29olling the Page Edit display . . . . . . 13-29ge Edit and printers . . . . . . . . . . . . 13-29 . . . . . . . . . . . . . . . . . . . . . . . . . . 13-29

nt menu . . . . . . . . . . . . . . . . . . . . 13-30 up printers . . . . . . . . . . . . . . . . . . 13-30M . . . . . . . . . . . . . . . . . . . . . . . . . 13-31solution . . . . . . . . . . . . . . . . . . . . . 13-31

ansform Window

age . . . . . . . . . . . . . . . . . . . . . . . . . 14-1ening the Transform Window . . . . . 14-1e Range . . . . . . . . . . . . . . . . . . . . . 14-2e of the Transform Window . . . . . . . 14-2nditions . . . . . . . . . . . . . . . . . . . . . 14-2erations . . . . . . . . . . . . . . . . . . . . . 14-3 . . . . . . . . . . . . . . . . . . . . . . . . . . . 14-3lect only . . . . . . . . . . . . . . . . . . . . . 14-3erate only . . . . . . . . . . . . . . . . . . . . 14-3lect and Operate . . . . . . . . . . . . . . . 14-3rmation . . . . . . . . . . . . . . . . . . . . . 14-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14-4arameters . . . . . . . . . . . . . . . . . . . . 14-5ions . . . . . . . . . . . . . . . . . . . . . . . . . 14-6hanging Parameter Values . . . . . . 14-11 . . . . . . . . . . . . . . . . . . . . . . . . . . . 14-11rm Parameter Sets . . . . . . . . . . . . . 14-12sets . . . . . . . . . . . . . . . . . . . . . . . 14-12lling up Presets . . . . . . . . . . . . . . . 14-13

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Chapter 15 Tempo

Tempo Display . . . . . . . . . . . . . . . . . . . . . . 15-1Tempo Track . . . . . . . . . . . . . . . . . . . . . . . 15-1Overview . . . . . . . . . . . . . . . . . . . . . . . . . . 15-1

Information on changing song tempo . 15-115.1 Tempo List Editor . . . . . . . . . . . . . . . . . . . . 15-2

CreatinDe

CopyinPassageOther F

15.2 The GrCreatin

Ot15.3 Tempo

RecordAdjusti

15.4 Tips an Sc

Chapter 16 Synch

16.1 SynchroGenera

SynExtAuSM

Audio NoMTSaDeSyn

MIDI .TraAllplaSe

Unitor TOC - 23s Manual 3.6 English

g Tempo Changes . . . . . . . . . . . . . 15-2leting Tempo Changes . . . . . . . . . . 15-3g The Tempo Changes from a . . . . . . . . . . . . . . . . . . . . . . . . . . . 15-3unctions . . . . . . . . . . . . . . . . . . . . . 15-4aphic Tempo Editor . . . . . . . . . . . . . 15-4g Continuous Tempo Changes . . . . 15-5her Functions . . . . . . . . . . . . . . . . . 15-5Functions . . . . . . . . . . . . . . . . . . . . 15-6ing Tempo Changes . . . . . . . . . . . . 15-6ng the Tempo to fit Regions . . . . . . 15-6d Suggestions . . . . . . . . . . . . . . . . . 15-6ene-orientated Film Music . . . . . . . . 15-6

ronization

nization Window . . . . . . . . . . . . . . 16-1l . . . . . . . . . . . . . . . . . . . . . . . . . . . 16-2c Mode . . . . . . . . . . . . . . . . . . . . . 16-2ernal Stop ends Record Mode . . . . . 16-2to Detect Format of MTC . . . . . . . . 16-3PTE Offset . . . . . . . . . . . . . . . . . . . 16-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16-4minal Sample Rate . . . . . . . . . . . . . 16-4C [Hz] . . . . . . . . . . . . . . . . . . . . . . 16-5

mple Rate . . . . . . . . . . . . . . . . . . . . 16-5viation . . . . . . . . . . . . . . . . . . . . . . 16-5c Mode . . . . . . . . . . . . . . . . . . . . . 16-6

. . . . . . . . . . . . . . . . . . . . . . . . . . . . 16-7nsmit MIDI Clock . . . . . . . . . . . . . . 16-7ow Song Position Pointer while ying . . . . . . . . . . . . . . . . . . . . . . . . 16-8nd MMC (MIDI Machine Control) . . 16-9 . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16-9

TOC - 24

Table of Contents

EmagicLogic A

SMPTE Mode . . . . . . . . . . . . . . . . . . . 16-9SMPTE Type . . . . . . . . . . . . . . . . . . . . 16-9TV Format . . . . . . . . . . . . . . . . . . . . . 16-10Refresh . . . . . . . . . . . . . . . . . . . . . . . 16-11LTC Freewheel, VITC Freewheel . . . . . 16-11VITC Line 1, VITC Line 2 . . . . . . . . . . 16-11Vis

16.2 SpecialSwitchi

ResynIncMTRe

Midi MSw

Positio16.3 Synchro

AVI . .OpSe

16.4 The BaSummaTimeco

BaTimSynsyn

Audio sIf you h

Chapter 17 Song

17.1 Song SRecord

CliMIDI O

SynSynIni

Chase udio Pro ISIS

ible Timecode on Video . . . . . . . . 16-11 Functions . . . . . . . . . . . . . . . . . . . 16-12ng on external sync . . . . . . . . . . . . 16-12cording with external chronization . . . . . . . . . . . . . . . . . 16-12oming Midi Time Code Display . . . 16-12C Interpretation . . . . . . . . . . . . . . 16-12

ceiving Midi Clock/SPP . . . . . . . . . . 16-13achine Control (MMC) . . . . . . . . . 16-14itching on MMC . . . . . . . . . . . . . . 16-14ning Bars to Frames . . . . . . . . . . . 16-16nizing Film Files . . . . . . . . . . . . . . 16-17

. . . . . . . . . . . . . . . . . . . . . . . . . . . 16-17ening a Movie . . . . . . . . . . . . . . . 16-17tting an Offset . . . . . . . . . . . . . . . . 16-17sics . . . . . . . . . . . . . . . . . . . . . . . . 16-17ry . . . . . . . . . . . . . . . . . . . . . . . . . 16-17de and Clock synchronization . . . . 16-18r-Referenced synchronization . . . . 16-19e-Referenced synchronization . . . 16-20chronizers . . . . . . . . . . . . . . . . . . 16-23chronization Procedure . . . . . . . . 16-24ynchronization . . . . . . . . . . . . . . . 16-26ave Sync Problems . . . . . . . . . . . . 16-26

Settings and Preferences

ettings . . . . . . . . . . . . . . . . . . . . . . . 17-1ing Options . . . . . . . . . . . . . . . . . . . 17-1ck . . . . . . . . . . . . . . . . . . . . . . . . . . 17-4ptions . . . . . . . . . . . . . . . . . . . . . . . 17-5chronization . . . . . . . . . . . . . . . . . 17-7chronization Source . . . . . . . . . . . . 17-7

tializing Instruments . . . . . . . . . . . . 17-8Events . . . . . . . . . . . . . . . . . . . . . . . 17-8

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Message Type Switches . . . . . . . . . . . . 17-9Notes . . . . . . . . . . . . . . . . . . . . . . . . . 17-9Program Change . . . . . . . . . . . . . . . . 17-10Pitch Bend Events . . . . . . . . . . . . . . . 17-10Controller Events . . . . . . . . . . . . . . . . 17-10Aftertouch or Channel Pressure Events 17-10PoSysOpIni

Global DisplayScore .Reset M

Whtra

Audio Audio D

PCSeSe

Chapter 18 File Tr

18.1 Logic SDis

TransfeSpSp

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Tra18.3 Midi Fil

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PreSaTOC - 25s Manual 3.6 English

lyphonic Key Pressure Events . . . . . 17-11tem Exclusive Events . . . . . . . . . . . 17-11ening The Preferences . . . . . . . . . 17-12tializing The Preferences . . . . . . . 17-12 . . . . . . . . . . . . . . . . . . . . . . . . . . . 17-12 . . . . . . . . . . . . . . . . . . . . . . . . . . . 17-14 . . . . . . . . . . . . . . . . . . . . . . . . . . . 17-15essages . . . . . . . . . . . . . . . . . . . . 17-17en are Reset Messages

nsmitted? . . . . . . . . . . . . . . . . . . . 17-17 . . . . . . . . . . . . . . . . . . . . . . . . . . . 17-19rivers . . . . . . . . . . . . . . . . . . . . . . 17-22

AV . . . . . . . . . . . . . . . . . . . . . . . . 17-22tting the Record Driver Delay . . . . . 17-23tting the Playback Driver Delay . . . 17-24

ansfer

ongs to Other Platforms . . . . . . . . . 18-1k Formats . . . . . . . . . . . . . . . . . . . . 18-1r . . . . . . . . . . . . . . . . . . . . . . . . . . . 18-2ecial Features of the Atari ST . . . . . . 18-2ecial Features of the Macintosh . . . . 18-2nt Program Versions . . . . . . . . . . . . 18-2m other Programs . . . . . . . . . . . . . 18-3gic Songs . . . . . . . . . . . . . . . . . . . . 18-3

r SL Songs . . . . . . . . . . . . . . . . . . . . 18-4nsfer . . . . . . . . . . . . . . . . . . . . . . . 18-4es . . . . . . . . . . . . . . . . . . . . . . . . . . 18-5 Standard Midi Files . . . . . . . . . . . . 18-5

Standard Midi Files . . . . . . . . . . . . . 18-6paring the Song . . . . . . . . . . . . . . . 18-6

ving a Song as a Standard Midi File . 18-7

TOC - 26

Table of Contents

EmagicLogic Audio Pro ISIS

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Chapter 1

Using Logic

This chapter summ

But first, a quick w

1.1 Conv

Menu Functions

Menu functions ar

If the text is dealinhierarchical menusfollows: Menu > Me

Key Commands

When a function csame name, you wnames differ, or if command, its nam

All Logics key comcommands (for moRemote Control via

Options and Param

The options you caand the parameterseters.

Different parametevalue.1 - 1s Manual 3.6 English

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arizes Logics general operating functions.

ord about this manual.

entions Of This Manual

e written in this font: Function.

g with functions which can be reached via , the different menu levels are described as nu entry > Function.

an be operated by a key command of the ill see this symbol at the side of the text. If a function is only available as a key e will be printed like this: Key Command.

mands can also be accessed via Midi re on this, see the section Key Commands and Midi on page 1 - 40).

eters

n set from the Preferences or Song Settings, in dialog boxes are printed like this: Param-

r values are printed like this: Parameter

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EmagicLogic A

Detailed Explanations

& Sometimes, detailed explanations will be given for things which you dont necessarily need to know about to understand how to use Logic. These are printed in this smaller font.

1.2 The

Basic functioUnless stated otheshould use whenev

Clicking

Place the mouse poand press the mou

Double-clicking

The same as clickibutton twice, in qutime-span for this

Grabbing or Clicki

The same as clickibutton held down.

Moving or Draggin

Grab the object anbutton held down)udio Pro ISIS

Mouse

nsrwise, the left mouse button is the one you er the mouse button is mentioned.

inter on the object (button, input field, etc.) se button once.

ng on an object, but you press the mouse ick succession. You can set the appropriate

in the System Controls.

ng and Holding

ng on an object, but you keep the mouse

g

d move the mouse (keeping the mouse to the desired position.

The Mouse

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Mouse Input

CheckboxesCheckboxes are square boxes which become checked when you click them to activate an option (or function). Click them again to remove th

Pull-down MenPull-down menus buttons. You choosdesired item. If youvisible section,

move the mousethe further you mmenu.

Now click usingof both mouse b

Mouse as SlideYou can set practicavalues or names) bthe mouse up or doseparate numbers number individual

Using the MousAll the parameter vslider may also beclicking on the topright mouse button1 - 3s Manual 3.6 English

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e check and deactivate the option.

usopen when you grab certain input fields or e a command by moving the mouse onto the want to choose an item which is outside the

over the top or bottom edge of the menu; ove it, the faster you will scroll through the

the right mouse button. You can then let go uttons.

rlly all the numerical parameters, (even note

y grabbing the parameter value and moving wn. If the parameter is made up of several

(e.g. song position), you can adjust each ly.

e for In/Decrementingalues which can be set using the mouse as a

increased or decreased in single units by or bottom half of the value with the left or s while holding down the A key.

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Numerical InputDouble-clicking on a numerical parameter value opens an input field. The previous value appears pre-selected, (i.e. high-lighted) to allow it to be overwritten by a new entry. You can also use the mouse to make a partial selection in an input field so that only the higthis, see the sectiolong as the input fiinputting data only(the exceptions are

by arithmetic

At any time, you ccal operation, e.g. current value by th

as ASCII-symbol

You can also input nfront of it, and theexample:

"! gives 33"a gives 97

This function is pastrings.

Text InputYou input text namhave to click the n

Numbered Names

As you might expeobjects the same nnumber will automudio Pro ISIS

hlighted part is overwritten (for more on n Numerical Value Input on page 10 - 6). As eld is open, all the keys may be used for , and may not be used for key commands the main menu functions).

an enter numbers by typing in an arithmeti-+2 or -5, which then simply changes the at amount.

s

umbers as ASCII symbols: just put a ` or " in ASCII code will be input as a number. For

rticularly useful for entering text in SysEx

es in the same way as numbers, but you only ame fields once to allow input.

ct, you can give any number of selected ame. If the name ends in a number, the atically be incremented by 1 for each object.

The Mouse

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This allows you to name all the sequences on one track, or all the faders in the Environment quickly.

Disabling automat

To turn off the autnumber at the endthen end in the sam

Tools and theLogic allows recordmeans that you docommands via numgraphic objects.

When editing objeavailable at the mothe other is activat

You change the curThe mouse pointeon, so that you cansymbol: the Eraserand the glue tool fright mouse buttonwith the right mou

Below is a diagramtools. Since you do1 - 5s Manual 3.6 English

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ic numbering

omatic numbering, place a space after the of the name. All the selected objects will

e number.

Toolboxed data to be handled graphically. This

nt have to carry out operations by inputting ber tables, but rather by manipulating

cts graphically, you always have two tools use pointer position: one is already active, ed by the right mouse button.

rently active tool by clicking on the toolbox. r then adopts the shape of the tool you click tell what its function is by looking at the is used for deleting, the scissors for cutting or merging objects. To assign a tool to the , click on the desired tool in the Toolbox, se button.

of an artificial toolbox containing all Logics nt need all the tools in all the windows, the

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toolboxes in the various windows will contain an appropriate selection of the tools displayed here.

Effective Range Tools are effecti

they were selecteach opened wi

A tool basically aobject is alreadyselected objects

Hiding/ShowinThe Toolbox can bwindows to save sphave a small monitbox.

Upper row

pointer

pencil

scissors

text marker

layout pointer

size tool

magnifying glass

Solo

Muteudio Pro ISIS

of the Toolsve only in the working area of the window ed from (you can define individual tools for ndow).

ffects the objects you click on. If the clicked selected, the tool operates on all other , as well.

g the Toolboxe hidden in the Arrange and Score Editor ace, which can be very helpful if you only or. The function is View > Hide/Show Tool-

Lower row

hand

eraser

glue tool

crosshair

Midi Thru tool

voice splitter

Quantize

Velocity

Important

The Mouse

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Opening the Toolbox at the Mouse Position

Use Show Tools (default: ) to open a toolbox at the mouse position.

Selecting ToolsYou select the toolbox (or clicking whthe alternate tool).

If a toolbox is openone of the numberposition. The toolstop to bottom. Prespointer, and close t

Moving to the Nex

Use Set next Tool aning tool in the top

Info LineWhen operating mtop edge of the windown. The info linThis info line provation you are perfo

During operationssomething like thi

From left to right, arrange object) posand length of the a1 - 7s Manual 3.6 English

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you want to use by clicking on it in the tool-ile holding down the right mouse button for

ed at the mouse position you can also use keys to choose a tool at the corresponding are always numbered from left to right and s the Show Tools key again to switch to the he box.

t Tool

d Set previous Tool to switch to the neighbor-window.

any of the tools an info line appears at the dow for as long as the mouse button is held e replaces the local menus in the window. ides useful feedback about the type of oper-rming.

involving arrange objects, the line will look s:

the readouts are: operation, mouse (or ition, arrange object name, track number, rrange object.

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During operations involving events, the line looks something like this:

From left to right, the readouts are: operation, mouse (or event) position, event typpitch for notes), sefor notes: length of

The Tools

Pointer

The pointer is theshape outside the menu or inputting is used for selectinbing and dragging)dragging) and editcorner and dragginbackground opens

Pencil

The pencil is used and alter the lengt

Eraser

The Eraser deleteselected object all (as if you had used

Text Tool

The text tool is usmusical score.udio Pro ISIS

e, event Midi channel, first data byte (i.e. the cond data byte (i.e. velocity for notes), and the note.

default tool. The mouse also takes on this working area when you are choosing from a a value. Within the working area the pointer g (by clicking on objects), moving (by grab-, copying (by holding down the key and ing lengths (by grabbing the bottom right g). Grabbing and dragging anywhere in the a rubber band (see page 1 - 25).

to add new objects. You can also select, drag, h of objects.

s clicked objects. When you click on a of the currently selected objects are deleted the B key).

ed to name arrange objects or add text to a

The Mouse

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Scissors

The scissors are used to split arrange objects, e.g. before copy-ing or moving individual sections (see page 3 - 17).

Glue Tool

The glue tool is theare merged into a strack position of thinformation can be

Solo Tool

Grabbing with the objects during playoutputs any eventssequencer is stoppsequences on page 3

Mute Tool

Clicking on an objand places a dot in You can unmute it objects are selectedapplies to all selecton page 3 - 20).

Magnifying Glass

The magnifying glbanded section, rnormal size by clicmore on this, see thYou can also accessdown the A key.1 - 9s Manual 3.6 English

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opposite of the scissors: all selected objects ingle object, which is given the name and e first of the objects on the time axis (more found on page 3 - 19).

solo tool allows you to listen to only selected back. Moving the mouse vertically also the cursor touches, even when the ed (please refer also to section Soloing - 20).

ect with the mute tool stops it from playing front of its name, to indicate that it is muted. by clicking it again with the tool. If multiple , the setting of the object youve clicked on ed objects (see also section Muting sequences

ass allows you to zoom in on a rubber-ight up to full window size. You revert to king on the background with the tool(for e section Zooming Selectively on page 1 - 14). this function via other tools by holding

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Finger

The finger is used in the Matrix Editor to alter note lengths, and, in the marker list window to jump to the markers, and position the locators to the marker position simultaneously.

Crosshair

The Crosshair is useries of parameter

Midi Thru tool

The Midi thru tooEnvironment to ththereby making it

Layout tool

The layout tool is Score Editor to opFormatting) with

Size Tool

The size tool is usethe score.

Quantize Tool

You use the Q toolmost recently set v

Velocity Tool

In the note (i.e. Mtool to change the udio Pro ISIS

sed in the Hyper Editor to input a linear values.

l assigns the instrument clicked on in the e selected track in the Arrange window, the active Midi Thru instrument.

used for graphically moving objects in the timize the display (e.g. bars to lines: Local out altering the timing of actual Midi events.

d to adjust the size of graphic elements in

in the note editors to quantize notes to the alue.

atrix and Score) editors), you can use the V velocity of notes.

Window Functions

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1.3 Window FunctionsThe basic functions of the Logic windows are the same as those in other Windows application programs. However, the display options in Logics windows are far more extensive.

In Logic, you can o(even several of thally. All open windmeans that the winany alterations thaupdate the displaywith. It is also easy(called screen set

Working wit

Opening windoAll Logic windowsYou can open as m

Closing windowYou close windowsthe top right of the

Moving up one The black box in next-highest level section Changing D

Setting windowAs is usual for Wintioning the mouse 1 - 11s Manual 3.6 English

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pen different combinations of windows e same type) and adjust each one individu-ows in a song are constantly updated. This dows update to follow the song position, and t you make in one window immediately of all the other windows you are working to save different window arrangements s), and recall them at the push of a button.

h windows

ws can be opened via the Window main menu. any of the same type of window as you like.

s (A) by clicking on the close symbol in windows.

level in the display hierarchythe Menu line on the left takes you to the of the display (for more on this, read the isplay Levels on page 3 - 35.).

sizedows, you can change window size by posi-over a Window edge, or corner and pulling.

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Maximizing window size

The windows maximize button, in the upper right corner of the window, toggles the window between its maximum size, and the size it was before you clicked on the button .

Minimizing window size

Clicking on the miminimum size. Dorestores it to its ori

Selecting the W

Scroll Bars

The scroll bars arewindow, if you caneither the vertical

You can move the vbing and dragging note:

The size of the entire scroll bar in relation to the

the visible secti

X/Y ElementThe X/Y element window. By grabbital and vertical winscroll bars simultanudio Pro ISIS

nimize button reduces the window to its uble-clicking on a minimized window ginal size.

orking Area

situated at the right and bottom edges of a only see one section of the working area in or horizontal dimension.

isible section by clicking the arrows or grab-the scroll slider. There are two points of

scroll slider in relation to the size of the corresponds to the size of the visible section overall size of the window,

on changes as you move the scroll slider.

is situated in the bottom left corner of the ng and dragging it you can move the horizon-dow section, as if you were dragging both eously.

Window Functions

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Page ScrollingUse the key commands Page Up, -Down, -Left and -Right to scroll one page up, down, left or right, as if you had clicked in the grey region above / below the vertical scroll bar, or to the left / right of the horizontal scroll bar. The key commands Page Top, -Bottom, -Left most aworking area to thegrabbed one of theextreme positions.

Scrolling to selecte

In the Arrange, EvScroll to Selectionsection to the first able as a key commarea. The key com

ZoomingThe telescope-shawindow are used toClicking the left, sthe size of the objeobjects in the samelarger side enlarges

The telescope withcal zooming (ZoomN), while the ohandles horizontaldefault assignmenscope is available, vertical zooming at

Whike zoomingvisible region, whe

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nd -Right most take the visible section of the top, bottom, left or right, just as if you had scroll sliders, and moved it to one of its

d objects

ent List, Hyper and Matrix Editors, View > allows you to move the visible window set of selected events. This function is avail-and from the Various sequence editors

mand works in the currently-active window.

ped zoom symbols in the top right of the zoom in and out of the working area display. maller side of the telescope symbol reduces cts in the display, allowing you to see more space (zoom out) and clicking the right, the objects in the display (zoom in).

the downwards-pointing arrow is for verti- Vertical In/Out, default assignment: U/ne with the sideways-pointing arrow

enlargement (Zoom Horizontal In/Out, t U/N). In some windows, only one tele-and this then handles both horizontal and once.

, the top left selected object is kept in the never possible.

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Storing and Recalling Zoom Settings

You can store three different zoom settings for each window using the key commands Save as Zoom 1-3. Use Recall Zoom 1-3 to call them back up. These commands always apply to the top window only.

Zooming Select

Zooming In On On

To enlarge a sectiowindow use the mover the section yo

Reverting to the P

Click on the backgreturn the zoom to the previous steps.

You can call up thetool (apart from thepointer will still looband with it, it w

Xudio Pro ISIS

ively

e Section of the Screen

n of the screen to the size of the whole agnifying glass tool to drag a rubber band u want. You can do this more than once.

revious Zoom Setting

round with the magnifying glass. This will the original setting, by backtracking through

magnifying glass functions with any other pencil) by holding down the A key. The k like the previous tool, but if you rubber-

ill behave like the magnifying glass.

Window Functions

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Window Elements

Adjusting the Size of the Window Elements

If you move the marea the mouse poyou can now adjuslist, and transport belements in the Scsame method.

Concealing/Reveal

Use View > Show Tpanel buttons fromArrange windows. depends on the amAdjusting the Size of

Concealing/Reveal

The function Viewallows you to displaArrange, Environmcontains the sequethe toolbox. Hidinthe editor window

In many windows,elements, such as tavailable from the

MenusBecause of Logicsnot found in the ma1 - 15s Manual 3.6 English

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ouse over the top left corner of the arrange inter turns into a crosshair. By dragging it, t the size of the bar ruler, arrange area, track uttons. You can also adjust the window

ore, Hyper, and Matrix Editors using the

ing the Transport Functions

ransport to display or remove the transport the top left corner of the Hyper, Matrix or The number of buttons and indicators ount of space available (see the section

the Window Elements on page 1 - 15).

ing the Parameters

> Show Parameters (Hide/Show Parameters) y or remove the entire area to the left of the ent, and other Editor windows, which

nce parameters, instrument parameters, and g these parameters gives you more space for itself.

you can hide and/or reveal further screen he toolbox. These display options are always View menu.

great range of functions, most of them are in menus, but appear as local menus. These

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EmagicLogic A

are always in the menu bars of the Logic windows where they are required.

Hierarchical MenusYou use the menus (whether main or local) in the same way as in other applicationmouse over the deshierarchical menusitem. If you highligright. To choose anto the right, into thdesired item. Releselected function.

The following exawill be referred to New Instrument.

Using a keyboard

You can also select and step through tK keys (or by hittletters) to select thkeys to select the mfunction immediatlined in the menu udio Pro ISIS

programs: grab the menu title, move the ired item , and release the mouse button. In , there is a right-pointing arrow after the ht this item, a sub-menu drops down to the item from this sub-menu, move the mouse e sub-menu, and then vertically over the asing the mouse button will activate the

mple demonstrates how hierarchical menus in this manual: Structure > Track > Create

the active windows menu using the A key, he menus in the usual way using the J and ing the typewriter keys for the underlined e one you want. You then use the M and I

enu entry you want (or carry out the menu ely by hitting the key for the letter under-functions name).

Window Functions

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If you encounter a hierarchical entry (which has a triangle at the end of the entry line), you can use the K key to access the sub-entries (the J key closes the sub-menu again) and, again, use M and/or I to make your selection.

When you have chosen your function, hit the R key to acti-vate it.

Fixed key commSome menu functicombinations of kethereof) are shownoperate globally. For copydata to the

Please note that yoto any key you like

Menu options wThree periods, likeindicate that the eately, but instead o

Dialog BoxesIn Dialog boxes, ypressing the R ke

As per usual for Wibutton to button w

Window TypThere are two diffwindows and float belonging to the cuwhat the type of w1 - 17s Manual 3.6 English

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andsons can be accessed via fixed keystrokes or ystrokes. The keys (or combinations on-screen next to the menu entries and or example, you can open a song with o, Clipboard (=Copy) via c.

u may assign practically any other function using the Key Commands window.

ith in their title this: , next to the menu function title

ntry does not activate a function immedi-pens a dialog box.

ou can hit the thick-bordered button by y, or by clicking with the mouse.

ndows, you can toggle the thick border from ith the JK cursor keys.

eserent types of window in Logic: normal windows. The contents of all the windows rrent song are always updated, no matter

indow.

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Normal WindowsYou can open as many normal windows as you want, including several of the same type. Even though the contents of all the windows is constantly updated, only one of the windows ever has the status of being the top, or active window. This is the window whichwindows are overla

Top or Active Wind

This window can bThe main distingukey commands onlothers. Window > Nforward if it is fullyWindow () brin

Background Windo

Background windbar. This color is dWindows. You brinon it, clicking on thmenu functions.

Float WindowsFloat windows areforeground, even amany open float wiup just click onwindows are recogcontains no name. same way as in nor

The most often enTransport window.udio Pro ISIS

is in the foreground when several normal pping.

ow

e recognized by its fully-shaded title list. ishing characteristic of this window is that y affect this window, and not any of the ext Window () brings the next window covered up by others. Window > Previous

gs the previous window back to the front.

ws

ows are identified by the color of their title etermined by your Appearance settings in g the window to the foreground by clicking e title bar, or calling up one of the local

so called because they always float in the bove the top normal window (if there are too ndows, they will inevitably cover each other them to bring them to the front). Float nizable by their narrower title bar, which Mouse operations can be carried out in the mal windows.

countered example of a float window is the

Window Functions

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Main Menu WindowLogics Main Menu window has special status, as it has the following special characteristics:

The Menu line at the top of the screen is always visible; it never covers up other Logic windows, even when it is

active; it can always be

can then get to thitting the A k

You can keep this wgenerally, there isn

The Minimize Wbetween Logic andLogic at any time b

Press A to toapplication.

RelationshipThe two buttons adetermine its relatother windows (Li

CatchThe Catch functiofollows the song po

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made active by hitting the key (and you he main menu entries using the keys, by first ey).

indow at its preset maximized size, but t much point in doing this.

indow button can be used to switch other applications. You can get back to y cli