MASTERPIECE Jakarta

MASTERPIECE FINE ART AUCTION - JAKARTA

Jakarta, 10 May 2015

Fine Art Auction

catalogue not for sale

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MASTERPIECE FINE ART AUCTION - JAKARTA2


Auction

Sunday, 10 May 2015Luncheon : 11.30 am

Auction : 1.00 pm

Preview

Friday, 8 May 2015Saturday, 9 May 201511.00 am - 08.00 pm

Venue

Masterpiece BuildingTanah Abang IV No. 23-25

Jakarta Pusat - IndonesiaTel: (62-21) 351 0808 (Hunting)

Fax: (62-21) 351 0707

Fine Art Auction

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MASTERPIECE FINE ART AUCTION - JAKARTA 5


BRIEF ON CATALOGUEAll Lots are sold on an “as is” basis. The contents of catalogues produced by Masterpiece formed statements of opinion only. Subject to the limited warranty given in the Conditions of Sale for Buyers, no representation and warranty is made by Masterpiece or any seller of a Lot in respect of anything, including without limitation, description, value, or quality.

Buyers are advised to inspect the property themselves. Masterpiece is not liable for any error or omission in this catalogue. All descriptions of dimensions are approximate only.

CONDITION REPORTSCondition reports are provided as a service to interested clients. Prospective buyers should note that descriptions of property are not warranties and that each lot is sold “as is”. Masterpiece catalogues sometimes include references to condition only in descriptions of Lots such as prints, books and wine. Generally, no statement of condition is given although they can be made available on request. Please liaise with Masterpiece representatives for a condition report on a particular lot.

EXPLANATION OF CATALOGUING PRACTICEFor Pictures, Drawings, Prints and Miniatures.Terms used in this catalogue have the meanings ascribed to them below:Name(s) or Recognized Designation of an Artist without any Qualification in Masterpiece opinion a work by the artist.

*”Attribute to…” In Masterpiece qualified opinion probably a work by the artist in whole or in part.

*”Studio of..’/”Workshop of..” In Masterpiece qualified opinion a work executed in the studio or workshop of the artist, possibly under his supervision.

*”Circle of..” In Masterpiece qualified opinion a work of the period of the artist and showing his influence.

*”Follower of…” In Masterpiece qualified opinion a work executed in the artist’s style but not necessarily by a pupil.

*”Manner of…” In Masterpiece qualified opinion a work executed in the artist’s style but of a later date.

*”After…” In Masterpiece qualified opinion a copy (of any date) of a work of the artist.

*”Signed..”/”dated…”/“Inscribed…” In Masterpiece’s qualified opinion the work has been signed/dated/inscribed by the artist.

“With signature…”/”With inscription…” In Masterpiece’s qualified opinion the signature/ inscription appears to be by hand other than that of the artist.

*With date…” In Masterpiece’s qualified opinion the date on the item was not executed on that date.

INFORMATION FOR BUYERSCONDITIONS OF SALEMasterpiece CONDITIONS OF SALE FOR BUYERS governs the terms and conditions of contract between the buyer and the seller of a lot and is set out later in this catalogue. Persons who have been registered as bidders will be deemed to have read and be fully aware of and subject to the terms as stated in the CONDITIONS OF SALE FOR BUYERS.. No reliance should be placed on oral representations made by any person at the auction.

ESTIMATESEstimates are based upon prices recently paid at auction for comparable property, condition, rarity, quality and provenance. Estimates are subject to revision. Buyers should not rely upon estimates as prediction of actual selling prices. Estimates do not include the buyer’s premium. For estimate on request, please contact us for further information.

RESERVESThe reserve is the confidential minimum price the consignor will accept. The reserve will not normally exceed the low estimate.

BUYERS PREMIUMMasterpiece charges a premium to the buyer on the final bid price of each lot sold at 22% (twenty two percent).

VIEWING/ADMISSION Pre-auction viewings are open to the public and free of charge. Buyers are strongly advised to examine the lots thoroughly, Condition reports are available. Masterpiece reserves the right to refuse admission and participation in its auctions.

REGISTRATIONProspective buyers need to register for a numbered bidding paddle. Details of bank accounts are required for credit reference purposes.

BIDDING The Auctioneer accepts bids from those present in the saleroom, from telephone bidders, or by absentee written bids left with Masterpiece in advance of the auction. Bidding will be done in Rupiah (Rp.). The auctioneer will not specifically identify bids placed on behalf of the consignor.

BIDDING INCREMENTSThe auctioneer will normally start with bids below the low estimate and may at his own discretion increase bids. The standard increments are:-

Rp. 1.000.000 - Rp. 10.000.000 by Rp. 500.000Rp. 10.000.000 - Rp. 20.000.000 by Rp. 1.000.000Rp. 20.000.000 - Rp. 50.000.000 by Rp. 2.000.000Rp. 50.000.000 - Rp. 100.000.000 by Rp. 5.000.000Rp. 100.000.000 - Rp. 200.000.000 by Rp. 10.000.000Rp. 200.000.000 - Rp. 500.000.000 by Rp. 20.000.000Rp. 500.000.000 - Rp. 1.000.000.000 by Rp. 50.000.000Rp. 1.000.000.000 - above by the auctioneer’s direction.

ABSENTEE BIDSAbsentee bids are written instructions from prospective buyers directing Masterpiece to bid on their behalf up to a maximum amount specified for each lot. Masterpiece staff will attempt to execute an absentee bid at the lowest possible price taking into account the reserve price. If identical bids are received from two or more parties, the first bid received by Masterpiece will take priority. The auctioneer may execute absentee bids directly from the rostrum. Absentee Bids Forms are available in this catalogue.Absentee bids submitted on “no-reserve” lots will, in the absence of a higher bid, be executed at the amount of the bid.

TELEPHONE BIDSProspective buyers may bid by telephone during the course of the auction. Arrangements for this service must be confirmed with the Bid Department at least 2 hours prior to the auction. Telephone bids may be recorded. By bidding on the telephone, prospective buyers consent to the recording their conversation. Masterpiece will not be responsible for errors of failures to execute bids.

SUCCESSFULL BIDSThe fall of the auctioneer’s hammer indicates the final bid, at which time, the buyer assumes full responsibility for the lot.

AUCTION RESULTSYou may view auction results at www.masterpiece-auction.com

CONDITIONS OF SALE FOR BUYERS Together with the terms as set out in “INFORMATION FOR BUYERS”, These Conditions contain all terms in which a buyer contracts with a seller in respect of the sale of a Lot. These terms may be amended at any time by way of notices or oral announcements during the sale and auction. The buyer agrees to be bound by these Conditions when he/she bids to purchase a Lot.

1. MeaningsIn these terms and conditions, the following words and expressions have the following meanings:

“Buyer” means the successful bidding buyer of a Lot;

“Catalogue” means the Catalogue prepared by Masterpiece which describes and illustrates all Lots for sale by Masterpiece;“Conditions” means these terms and conditions; “Hammer Price” means the price at which a Lot is sold to Buyer; “Lot” means each piece of property as described in the Catalogue for which bids are invited for purchase;“Masterpiece”, “our”, “we”, “us” means PT. Dwi Samapersada;

“Reserve Price” means in respect of a Lot, the minimum price which the Seller is prepared to accept from a buyer;

“Seller”, means in respect of a particular Lot, the seller of that Lot and his personal representatives;

“Rp” means the lawful currency of Indonesia.

Except where the context otherwise requires, words importing the singular shall include the plural and vice versa, words importing any one gender shall include all genders, and words importing persons shall include companies and corporations and vice versa. Unless otherwise stated, references to Clauses are references to Clauses in these Conditions. The headings appearing in this Agreement are inserted for ease of reference only and shall in no way define, limit or construe the terms and conditions appearing herein.

2. Parties to the sale of a Lot Unless otherwise stated, a Buyer contracts with a Seller to purchase a Lot. Masterpiece acts as the Seller’s agent in respect of the sale of a Lot.

Important Notice

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3. Bidding (a) Registering. Prospective buyers are required to register for a numbered bidding paddle. Copies of bank accounts may be required to be shown to Masterpiece for credit references and/or payment purposes.(b) Reserve. Unless otherwise stated, all Lots are offered for sale, subject to a Reserve Price which is confidential between the Seller and Masterpiece. Bids may be placed by representatives of Masterpiece on behalf of the Seller up to the Reserve Price. There is no obligation on Masterpiece to identify bids placed on behalf of a Seller.(c) Types of bids. Bids may be accepted from those present at the auction and from telephone bidders, or by absentee written bids left with Masterpiece prior to the auction. By bidding by telephone, all prospective buyers consent to the recording of all conversation and bids.(d) Currency. Prices of all Lots are in Rupiah and all bids shall be made in Rupiah. (e) Final bid. The fall of the auctioneer’s hammer indicates acceptance of the final bid, at which time the Buyer enters into a full valid and binding contract with the Seller to purchase the Lot. The results of absentee bids will be notified to the prospective buyer after the auction. Risk and responsibility of the Lot (but not title) pass to the Buyer seven calendar days from the date of the sale or earlier if full payment is made and delivery made to the Buyer. (f) Buyer’s responsibility. When bidding, a prospective buyer accepts personal

responsibility to pay the Hammer Price of the Lot for which he bids if he is successful, together with the premium price of 22% (twenty two percent) of the hammer price.

4. Limited warranty(a) No warranty. Neither the Seller nor Masterpiece makes any warranty in respect of the description of any Lot, its value or its quality. Save for the limited warranty set out in this Clause 4(b) below, the Buyer purchases a Lot “as is” without any representation or warranty of any kind by Masterpiece or the Seller. The contents of the Catalogue are statements of opinion only and do not constitute any representation or warranty whatsoever in respect of any Lot.(b) Limited warranty. The Seller and Masterpiece only warrant that the Lot is related to the artist named in its description in the Catalogue. In the event of any allegation of lack of authenticity or forgery, the Buyer is required to notify Masterpiece in writing within a period of one year (the “Notice”) from the date of auction. (c) Contents of Notice. The Notice shall include written evidence from a reputable independent expert who is able to show that the Lot is a forgery. Masterpiece or the Seller reserves the right to request for further evidential proof from other experts if in their respective opinions either of them is not satisfied with the finding of the Buyer’s expert.(d) Refund. In the event that Masterpiece is satisfied with the evidence as enclosed in the Notice and subject to (i) receipt of the full refund from the Seller and (ii) the return of the Lot in such condition as it was sold, a refund of the purchase price for that Lot will be made to the Buyer. The liability of Masterpiece and the Seller is limited to the purchase price of such Lot. Neither Masterpiece nor the Seller shall be liable for any other damages, costs and expenses that may be incurred in presenting the Notice.(e) Conflict of opinion. In the event of conflict of opinion between the Buyer’s expert and the expert appointed by Masterpiece or the Seller, or if it can be shown that tests of authenticity would involve scientific process which could damage or otherwise jeopardize the condition of the Lot and which scientific process did not exist at the time of the publication of the Catalogue, no refund will be made of the affected Lot. (f) No assignment of Limited Warranty. The Limited Warranty in this Clause 4 is for the benefit of the Buyer only and cannot be assigned to any third party.

5. Payment, Title and Collection of purchases(a) Deadline for payment. All payments for sold Lots must be made within seven calendar days from the date of sale.(b) Title. No title in the Lot will pass to the Buyer until all amounts due to Masterpiece as stated in Clause 3(f) above have been paid, even in circumstances where Masterpiece has released the Lot to the Buyer before full payment has been made.(c) Payment modes. Payments must be in Rupiah and may be made in the following modes:- (i) telegraphic transfer to Masterpiece’s bank account. Please include the Buyer’s name and invoice number in the bank instructions. (ii) By way of bankers’ draft or cashier’s order made payable to “PT. Dwi Samapersada.”.(d) Collection. The Buyer is required to collect his purchase from the premises of Masterpiece and pay for all delivery and shipping costs. Masterpiece may assist the Buyer in making packing and shipping arrangements at the Buyer’s own costs and risk.(e) Storage charges. All purchases will initially be held for collection at the premises of Masterpiece at no charge for a period of fourteen days from the date of sale. Subsequently Masterpiece will charge the Buyer storage charges at the rate of Rp. 50.000,- a day per Lot, together with all other transport, handling, removal, insurance and other expenses where a Lot is transported to another location pending collection. (f) Limit on insurance cover. Masterpiece provides general insurance cover for sold Lots for a period of up to seven days from the date of sale of such Lots. Subsequently, risk of such Lots will transfer to the respective Buyers.

6. Non-payment Where a Buyer fails to make payment with cleared funds within the stipulated time, Masterpiece and/or the Seller shall be entitled, in addition to all other rights and remedies available under the law, to :-(a) charge default interest at the rate of 1.5% per month on the outstanding sums due from the Buyer;(b) to commence legal proceedings against the Buyer for recovery of all outstanding sums, including interest, legal fees, costs and other expenses on a full indemnity basis;(c) rescind the sale of the Lot;(d) to resell the property on such terms as they deem fit and to set-off the proceeds of sale against the outstanding sums unpaid by the Buyer;(e) to hold the Lot as security; pledge or lien pending payment of all outstanding sums due from the Buyer.

7. Copyright The copyright in all images, illustrations and literature, including the Catalogue is the property of Masterpiece and shall not be used by the Buyer without the prior written consent of Masterpiece. No warranty is made by Masterpiece and the Seller that the Buyer of a Lot shall acquire any intellectual property rights in it or to reproduce it.

8. Miscellaneous(a) Notwithstanding anything stated in these Conditions, the Buyer shall indemnify Masterpiece and the Seller on a full indemnity basis, in respect of any loss, damage, cost or expense that may be incurred by either the Seller or Masterpiece in respect of any breach by the Buyer of these Conditions.(b) If any part of this agreement is found by any courts to be invalid, illegal or unenforceable, that part may be discounted and the rest of the agreement shall continue to be valid and enforceable to the fullest extent permitted by law.(c) Masterpiece will hold Buyer’s personal data and may communicate it to affiliated companies worldwide for the purposes of enabling the Buyer to consign or purchase property or services and, unless the Buyer objects, advising of forthcoming sales, events and service.(d) These Conditions are subject to Indonesia law, which shall apply to its construction as well as to its effect. (e) Where a translation of this agreement has been provided, the English language version shall prevail in case of conflict.

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001GERARD PIETER ADOLFS (Semarang, 1899 – The Netherlands, 1968)Scenery Arab

Oil on canvas: 30 x 40 cmSigned, lower left: Ger. P Adolfs

RP 65.000.000 – 90.000.000USD 5,200 - 7,200

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002ARIE SMIT (Zaandam, the Netherlands, 1916)Pura Di Bali, 2000

Acrylic on canvas: 40 x 50 cmSigned and dated lower left: Arie Smit, 00Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from artist

RP 90.000.000 – 120.000.000USD 7,200 - 9,600

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003DULLAH (Solo, 1919 – 1996)Jambu, 1987

Oil on canvas: 90 x 66 cm Signed and dated, lower right: Dullah, 1987

RP 90.000.000 – 110.000.000USD 7,200 - 8,800

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004BASOEKI ABDULLAH(Solo, 1915 – Jakarta, 1993)A View of Telaga Warna

Oil on canvas laid on board: 61 x 40.5 cmSigned, lower right: B.i Abdullah RP 60.000.000 – 80.000.000USD 4,800 - 6,400

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005GERARD PIETER ADOLFS(Semarang, 1899 – The Netherlands, 1968)Flamboyant

Oil on board: 30 x 40 cmSigned, lower left: Gr. P. Adolfs

RP 65.000.000 - 90.000.000 USD 5,200 - 7,200

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006LUCIEN FRITS OHL(Palembang, South Sumatra, 1904 – The Hague, 1976)Nelayan

Oil on board: 90 x 70 cmSigned, lower right: L. F.rits Ohl

RP 60.000.000 - 70.000.000 USD 4,800 - 5,600

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007WILLEM GERARD HOFKER(Amsterdam, 1902 – 1981)Ina Levina, 1960

Oil on canvas: 45 x 50 cmSigned, titled and dated, upper area: Ina Levina, WG. Hofker, 1960

RP 250.000.000 - 350.000.000USD 20,000 - 28,000

Willem Gerard Hofker

Born in Amsterdam, the Netherlands, 1902. He studied arts at the academy of Fine Arts, Amsterdam and also learnt under painter W. Witsen and Isaac Israels. He once lived in Bali from 1938 – 1944 together with his wife, Hofker-Reuter. His works were undoubted. His color, texture surface, and contrastive control showed his maturity of painting study. Willem Hofker was a renowned and much sought-after portraitist. Between 1927 and 1981 Hofker made notes on over 1600 paintings, watercolors, etchings, lithos and mezzotints. His color, texture surface, and contrastive control showed his maturity of painting study. His drawing was very refined and smooth, also very poetic.

Besides inspired by Balinese women figure, Hofker also painted portraits of his relatives. All are captured in sharply-observed and widely varied attitudes. If no relatives were at hand, Willem would sit before a mirror and draw himself. Hofker left an even larger number of portraits – in various techniques – of his mother, all bearing witness to his great love. In later years his wife Maria was a frequent and very patient subject of portraits in all kinds of techniques. The present lot illustrates one of his objects in portrait paintings. Hofker used a remarkable striking way with the eyes, involving infinite nuances of color and splendid downward illumination. His entire portrait is typified by its especially capable expression, carefully considered compositional unity and subtle color nuances and grey tints in shaded planes. Even the smallest detail is the result of his awareness of the essence of his models.

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008IRSAM(Klaten, 1942)Menunggu Kedamaian, 1999

Oil on canvas: 85 x 90 cmSigned and dated, lower left: Irsam, 1999Signed, titled and dated on the reverse

RP 20.000.000 - 30.000.000 USD 1,600 - 2,400

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009EDDIE HARA(Salatiga, 1957)Hello Kitty and Co, 2010

Acrylic on canvas: 202 x 153 cmSigned and dated, lower left: Eddie Hara, 19.X.2010Signed, titled and dated on the reverse

RP 90.000.000 - 120.000.000 USD 7,200 - 9,600

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010RUSLI(Medan, 1912 – Jakarta 2005)Pelabuhan, 1982

Oil on canvas: 50 x 65 cmSigned and dated, lower right:Rusli, 15 April 82

RP 30.000.000 - 40.000.000 USD 2,400 - 3,200

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011NASIRUN(Cilacap, 1965)Buroq

Oil on canvas: 60 x 120 cm

RP 40.000.000 - 50.000.000USD 3,200 - 4,000

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012ROGER SAN MIGUEL(San Pascual, 1940)Philipines Life, 2005

Oil on canvas: 120 x 243 cmSigned and dated, lower right: R. San Miguel’05

This lot is accompanied with certificate of authenticity from the Artist

RP 60.000.000 - 80.000.000 USD 4,800 - 6,400

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013WILLEM VAN DER DOES(Amsterdam, The Netherlands, 1889 – 1966)Ox-Cart

Oil on canvas: 45 x 60 cm Signed, lower left: W.V.D. Does

RP 50.000.000 - 70.000.000 USD 4,000 - 5,600

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014AGUNG MANGU PUTRA(Sangeh, Bali, 1963)Menyusuri Pagi, 2002

Oil on canvas: 90 x 150 cmSigned and dated, lower left:Mangu Putra.03.2002

RP 80.000.000 - 100.000.000USD 6,400 - 8,000

Agung Mangu PutraMangu Putra was born in Sangeh, Bali, on May 11, 1963. He graduated from the faculty of Art and Design at the Indonesian Arts Institute (ISI), Yogyakarta majoring Visual Communication Design (1990). His first exhibition was in Dewata Gallery (1987) at Taman Budaya Denpasar. Being a designer did not satisfy him as an artist then he decided to engage in full time painting in 1998. Since his first solo exhibition in Ubud (1990) his name was considered as valuable painter in Indonesia. He held his solo exhibition at National Gallery, “Teater Rakyat”, Jakarta, 2010; “Silent Word”, Gajah Gallery, Singapore (2008), Mandala, Bidadari, Ubud-Bali (2007), “Belief, Rupa Gallery”, Surabaya (2005),etc. He also joined in several group exhibitions in Jakarta, Yogyakarta, Bali and other country. He received awards as the Best in Design Arts (during the 4th and 6th anniversary of ISI, as the finalist of Philip Morris Award in 1994 and Indofood Art Award 2002, Second Place, Jakarta.

Mangu Putra’s works arise from intense contact with the world as a conscious expression of his main creative orientation. Representations of natural phenomena, along with the inner pulse of life, form the main stream of his search. The natural world, such as mountains and coasts, are depicted as identifiable objects. Some of his works with abstract designs imply natural images, such as the character of water and the texture and colors of earth or stone. Through his work he expressed his gratitude towards God creations. He gave specific themes on his work from which other painters did not pay attention to. Until now many of his works were collected by art collectors in Indonesia and overseas. This exciting and very talented artist has participated in a number of group and solo exhibitions throughout Indonesia and abroad.

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015NYOMAN GUNARSA(Klungkung, 1944)Ekpresif 2013

Oil on canvas: 95 x 95 cm Signed and dated, lower right: 2013 Signed and dated on the reverse RP 38.000.000 – 45.000.000USD 3,040 - 3,600

016I FANTZE

(Mojoagung, 1931- 2002)Penari Bali

Oil on canvas: 60 x 120 cmSigned, lower left: I Fantze

RP 25.000.000 – 35.000.000USD 3,040 - 3,600

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017DEDE ERI SUPRIA(Jakarta, 1956)Legong Dance, 2012

Oil on canvas: 125 x 100 cm Signed and dated, lower left: Dede Eri Supria, 2012

This lot is accompanied with certificate of authenticity from the artist

RP 40.000.000 – 60.000.000USD 3,200 - 4,800

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018TEGUH OSTENRIK (Jakarta, 1950)Cumi Cile, 1988

Acrylic on canvas: 130 x 140 cmSigned and dated, lower right: Goeh Ost88Signed, titled and dated on the reverse

RP 45.000.000 – 60.000.000USD 3,600 - 4,800

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020FADJAR SIDIK

(Surabaya, 1930 - 2004)Mandala Biru, 1999

Oil on canvas: 90 x 70 cmSigned and dated, lower right: Fadjar Sidik’ 99

Literature:Dr. M. Dwi Marianto, Drs. M. Agus Burhan M. Hum,

Dinamika Bentuk dan Ruang FADJAR SIDIK, published by Rupa Rupa Seni, 2002 Jakarta

illustrated pg. 235

RP 25.000.000 – 35.000.000USD 2,000 - 2,800

019I MADE WIANTA (Apuan, Bali, 1949)Red Nuances Calendar, 2015

Acrylic on Fragrance on canvas: 120 x 240 cmSigned and dated, lower right: Wianta, 2015


RP 20.000.000 – 30.000.000USD 1,600 - 2,400

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021DULLAH (Solo, 1919 – 1996)Nenek dan Cucu, 1973

Oil on canvas: 100 x 70 cmSigned and dated, lower right: Dullah, 1973

Provenance: Prominent collector, Jakarta

RP 100.000.000 – 150.000.000USD 8,000 - 12,000 Photo of the model

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022AGUS DJAYA (Pandeglang, West Java, 1913 - 1993)Penabuh Gendang, 1974

Oil on canvas: 90 x 70 cmSigned and dated, lower right: Agus Djaya, 1974

RP 22.000.000 – 28.000.000USD 1,760 - 2,240

023ZHANG XI HUA

(China, 1939)Tiger, 1994

Oil on canvas: 101 x 115 cmSigned and dated, lower right: Zhang Xi Hua.94

RP 40.000.000 – 50.000.000USD 3,200 - 4,000

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024RUDOLF BONNET (Amsterdam, 1895 – 1978)Mannelijk, 1975

Pastel on paper : 71 x 38 cmSigned and dated, lower left:R. Bonnet,Bali, 1975

RP 160.000.000 – 200.000.000USD 12,800 - 16,000

Rudolf Bonnet Born in Amsterdam, 1895. He studied art at the Hendrick de Keijser-school, the Rijkss-chool voor Kunstnijverheid and the Rijksacademie in Amsterdam. He visited Indonesia in 1936 and stayed in Bali from 1931 – 1941. He helped establish the Museum Puri Lukisan and together with Walter Spies founded the Pita Maha Artist’s Association (1936). His works are amongst the collections of former President Soekarno, the Neka Museum, the Agung Rai Fine Art Gallery, the Rijksmuseum Kroller Muller Otterlo and the Sinerg Mu-seum in Laren. During his existence in “Pita Maha” (the creative center for the moderni-zation of Balinese art before the War), a painter society of young Balinese artists, he had successfully maintained a high artistic level of its member producing work of high quality.

Bonnet’s figures are always unique and captivating. He has an extraordinary ability to portray impressive faces in a conventional way. Since the beginning of his career, he had deep interest in describing the farmers in their rural surrounding. His subjects are portrayed in an impressive way and full of compassion. He preferred to present his portraiture as a unit, as a single portrayal of a race. The present lot is many of Bon-net’s works that interpret the farmer theme. The figure revealed the story of a peas-ant in classical state. Here, Bonnet distinctly portrayed the figure with an impressive anatomy of the muscular male body that represents an element of grace and energy.

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025HENRY VAN VELTHUYSEN (Tandjung, 1881 – The Hague, 1954)Temple Gate, 1992

Oil on board: 47 x 60 cmSigned, lower left: H. Van VelthuysenSigned and dated on the reverse

RP 22.000.000 – 30.000.000USD 1,760 - 2,400

026HASAN DJAAFAR

(Koto Gadang, West Sumatra, 1919 - 1995)Perkampungan Di Padang

Oil on canvas: 54 x 80 cmSigned, lower left: Hasan Djaafar

RP 35.000.000 – 50.000.000USD 2,800 - 4,000

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027LEO ELAND (Java, 1884 – 1952)Landscape with Workers on the Rice Fields

Oil on canvas: 50 x 70 cm Signed, lower left: L. Eland

RP 32.000.000 – 40.000.000USD 2,400 - 3,200

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029ENTANG WIHARSO

(Tegal, 1967)Untitled, 1999

Oil on canvas: 145 x 100 cmSigned and dated, lower right:

Entang Wiharso 99

RP 45.000.000 – 60.000.000USD 3,600 - 4,800

028JUMALDI ALFI(Lintau, West Sumatra, 1973)Abstrak, 1996

Oil on canvas: 115 x 145 cmSigned and dated, lower right: Alfi, Yogya, 1996

RP 50.000.000 – 70.000.000USD 4,000 - 5,600

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030R.E. HARTANTO(Bandung, 1973)Post North Korea Nuckler Test, Genocide is Always Organized, 2009

Acrylic on canvas: 225 x 200 cmSigned and dated, lower middle: RE. Hartanto, 2009Signed, titled and dated on the reverse

RP 80.000.000 – 100.000.000USD 6,400 - 8,000

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031WILHEMUS JEAN FREDERIC IMANDT (St. Jansteen, The Netherlands, 1882 – 1967)Three Composition

Oil on canvas: 70 x 50 cmSigned, lower right: Imandt

RP 25.000.000 – 35.000.000USD 2,000 - 2,800

032SUDJONO ABDULLAH

(Yogyakarta, 1911 – 1993)Market Scene, 1980

Oil on canvas: 70 x 135 cmSigned, lower left: S. Abdullah

RP 12.000.000 – 20.000.000USD 960 - 1,600

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033AWIKI (Surabaya, 1961)Angon Bebek, 2008

Oil on canvas: 150 x 125 cmSigned and dated, lower left: AW.8

This lot is accompanied with certificate Of authenticity from The Artist

RP 100.000.000 – 180.000.000USD 8,000 - 14,400

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034IDA BAGUS MADE NADERA(Tegallingah, 1910 - 1998)Wisnu Murti, 1996

Acrylic on canvas: 92 x 82 cmSigned, lower right

RP 11.000.000 – 18.000.000USD 880 - 1,440

035ADRIEN JEAN LE MAYEUR DE MERPRES

(Brussel, 1880 – 1958)Canal Scene

Mixed media on paper: 45 x 60 cmAuthenticity of the work was

inscribed on the reverse

Provenance: Private collector , Jakarta

RP 70.000.000 – 80.000.000USD 5,600 - 6,400

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036ARIE SMIT (Zaandam, the Netherlands, 1916)Balinese Landscape, 2007

Acrylic on canvas: 50 x 60 cmSigned and dated lower left: Arie Smit,07Signed, titled and dated on the reverse


RP 120.000.000 – 180.000.000USD 9,600 - 14,400

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037ALIT SEMBODO (Magelang, 1973 – 2003)Indonesian Spectacular, 1999

Mixed media on canvas: 147 x 186 cmSigned and dated, lower right: Alit Sembodo Yogya’99

Literature: Political Sircus: an Ancient World, Published by Umah Seni, Jakarta, 2011, Pg. 140-141

RP 200.000.000 – 300.000.000USD 16,000 - 24,000

Alit Sembodo Alit’s paintings have shown the tendency to become a media for social commentary. He does not purely make social criticism of the wisdom or practices of the ruling politics. He only goes as far as demonstrating the problems of society through the language of his paintings, according to his own perceptive and perception. Indonesian Spectacu-lar is one such commentary, regarding the people of Indonesia after the reformation period which was tumultuous and abusive, breaking down the order of the society, bordering upon anarchism, desperate poverty, worsening violence, and so on. With his combination of strong drawing techniques and the simple colors in the background, the paintings of Alit Sembodo project an image of a dramatic atmosphere of his times.

Awards:2000 – The finalist of the Phillip Morris Art Awards2000 – The finalist of the Indonesian Art Awards1999 – The Pratisara Affandi Adi Karya1999 – The nominee of 40 Best Winsor & Newton Awards

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038MAHYUDDIN S. (Bukittinggi, Sumatra 1924 - 1993)Ujung Ngarai

Oil on canvas: 75 x 135 cmSigned, lower left: Mahyuddin S.

RP 42.000.000 – 55.000.000USD 3,360 - 4,400

039SUDARSO

(Purwokerto, 1914 - 2006)Kampung Nelayan, 1991

Oil on canvas: 90 x 120 cmSigned and dated, lower right: Sudarso, 1991

RP 22.000.000 – 30.000.000USD 1,760 - 2,400

42


040GA DEWI MONALISA (Bali, 1983)Landscape in Bali, 2014

Acrylic on canvas: 95 x 135 cmSigned and dated, lower right: Gung Dewi Monalisa, 2014

RP 22.000.000 – 30.000.000USD 1,760 - 2,400

041A TRADITIONAL INDONESIAN KERIS

The keris with snake-shaped pamor iron blade set with gold ornament.

Hulu: carved ivory Sarong: ivory

52 cm long

RP 10.000.000 – 15.000.000USD 800 - 1,200

43


042ABDUL AZIZ (Purwokerto, 1928 - Bali, 2002)Balinese Beauty, 1989

Oil on canvas: 35 x 30 cmSigned and dated, upper right: Abdul Aziz, Bali89

RP 90.000.000 – 120.000.000USD 7,200 - 9,600

44


043ISKANDAR FAUZYWaiting For Call From Heaven, 2013

Acrylic on canvas: 200 x 150 cmSigned and dated, lower right: Iskandar Fauzy, 2013

RP 35.000.000 – 50.000.000USD 2,800 - 4,000

044EKO SUPA (Grobogan, Central Java, 1982)Che Guevara: Gue Indonesia, 2009

Oil on canvas: 90 x 70 cmSigned and dated, lower right: Eko Supa 09

Literature: Biennalle Indonesia Art Award 2010, CONTEMPORANEITY

RP 8.000.000 – 10.000.000USD 640 - 800

45


045POPO ISKANDAR(Garut, 1927 – Bandung, 2000)Cat, 1992

Oil on canvas: 40 x 50 cmSigned and dated, lower left: Popo’92

This lot is accompanied with certificateof authenticity from Griya Seni Popo IskandarLiterature: Hawe Setiawan, Soni Farid Maulana, Anton Susanto, RUPAKATA, Art and Thoughts of Popo Iskandar, pg. 373

RP 40.000.000 – 50.000.000USD 3,200 - 4,000

046ERICA HESTU WAHYUNI (Yogyakarta, 1971)My Lovely Room, 2014

Acrylic on canvas and wood: 118 x 118 cmSigned and dated, lower right: Erica, 2014Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from the artist RP 45.000.000 – 60.000.000USD 3,600 - 4,800

46


047SALIM / SARAOCHMIN SALIM(Medan, 1908 – Paris, 2008)Kota, 1973

Oil on canvas: 80 x 65 cmSigned and dated, lower right: Salim.73

RP 65.000.000 – 80.000.000USD 5,200 - 6,400

47



048LEE MAN FONG(Canton, China 1913 – Singapore 1988)A Pair of Chicken, ca.1960

Oil on board: 104 x 50 cmSigned and stamped in chinese character, lower right

Provenance: Prominent Collector, Jakarta

RP 450.000.000 – 600.000.000USD 36,000 - 48,000

Lee Man Fong

Lee’s subject matter included wide range of human figures, landscapes and animals particularly those com-monly found in Chinese brush paintings, such as goldfish, doves, chickens, rabbits, horses and tigers. He developed his paintings by creating a personal expression based on observation of live and nature around him. His paintings often are able to transport us to forgotten places in the wilderness, where old trees, withered mambo grow out of hardened rocks. The present lot was one of the many themes about cock and hen. The pair standing on the hardened rock occupies the foreground, while the background is twisted branches of withered bamboo. Lee showed how it is possible to marry many of the most essential ele-ments of both classical painting traditions – light, shadow and realism on the other hand, and expres-sionism, experienced calligraphic brushwork, and the balance between form and emptiness on the other.

49


049OTTO DJAYA(Rangkas Bitung, West java, 1916 - 2002)3 Bidadari, 1976

Acrylic on canvas: 78 x 66 cmSigned and dated, lower left : Otto Djaya, 1976

RP 12.000.000 – 16.000.000USD 960 - 1,280

050A. HADI MAS’UD (Surabaya, 1966)Teori Tentang Kepemimpinan, 2014

Acrylic on canvas: 170 x 150 cmsigned and dated, lower left:Hadi MasoedDated, lower right: 2014

RP 20.000.000 – 35.000.000USD 1,600 - 2,800

50


051IRSAM(Klaten, 1942 – Bogor, 2006)Wanita Di Taman, 1990

Oil on canvas: 90 x 140 cmSigned and dated, lower right: Irsam, 1990

RP 40.000.000 – 50.000.000USD 3,200 - 4,000

51


052EDO POP (Palembang, South Sumatra, 1972)Alienasi Series I, 2015

Acrylic on canvas: 90 x 120 cmSigned, titled and dated on the reverse

RP 15.000.000 – 20.000.000USD 1,200 - 1,600

053YUNIZAR

(Talawi, West Sumatra, 1971)Pose 1, 2005

Acrylic on canvas: 140 x 50 cmSigned and dated, lower right: Yunizar, 2005

Signed, titled and dated on the reverse

RP 40.000.000 – 50.000.000USD 3,200 – 4,000

52


054DEDE ERI SUPRIA(Jakarta, 1956)Labyrint, 2000

Oil on canvas: 140 x 140 cm Signed and dated, lower right: Dede Eri Supria, 2000Signed, titled and dated on the reverse

This lot is accompanied with certificate of authenticity from the artist RP 50.000.000 – 70.000.000USD 4,000 - 5,600

53


055SIAUW TIK KWIE (Solo, 1913 – Jakarta, 1988)Horses

Oil on canvas: 54 x 74 cm Signed, lower left: Siauw Tik Kwie

RP 38.000.000 – 45.000.000 USD 3,040 - 3,600

056JB. IWAN SULISTYO

(Kudus, Central Java, 1954)Pink Temple (Odalan), 2006

Oil on canvas: 100 x 100 cm Signed, lower left: Jb. Iwan Sulistyo

Literature: JB. Iwan Sulistyo, Whisper of a Restless HeArt pg. 214


RP 24.000.000 – 30.000.000

USD 1,920 - 2,400

54


058ARIE SMIT

(Zaandam, the Netherlands, 1916)A Tiny Village in Bali, 2003

Acrylic on canvas: 21.5 x 29.5 cmSigned and dated, lower left: Arie Smit03



RP 30.000.000 – 40.000.000USD 2,400 - 3,200

057HASAN DJAAFAR(Koto Gadang, West Sumatra, 1919 - 1995)Palembang

Oil on canvas: 80 x 60 cm Signed, lower left: Hasan Djaafar

RP 28.000.000 – 35.000.000USD 2,240 - 2,800

55


Han Snel

059HAN SNEL(Scheveningen, 1925 – 1998)Market in Bali, 1981

Oil on canvas: 80 x 80 cmSigned and dated, lower middle: Han Snel, Bali’81

RP 400,000,000 - 500,000,000USD 32,000 - 40,000

Born in 1925 in Scheveningen, Holland, Han Snel arrived in Indonesia as a Dutch soldier in 1946. He had a life-long love affair with Bali. Snel immediately fell in love with the island; a love so deep until he marred a local girl, apply for Indonesia citizenship and embrace Balinese Hinduism. He lived in Ubud from 1950 until his death in 1998.

Balinese themes are Han Snel’s specialism, in particular figures done in a more or expressionist style: he himself prefers to describe his manner with its very conspicuous, curved lines, as ‘roundism’. In his works, Snel focused his attention on the beauty of Balinese women. His colors were varied and lean towards the primary with contrasting area of dark shading. His visual imageries, subdued colors and fine lines captured the essence of Ubud and the island as a place where serenity reigned and simple people led an honest life.



060ERNEST DEZENTJE(Jatinegara, 1885 – 1972)Flamboyant

Oil on canvas: 55 x 75 cmSigned, lower left: Ern. Dezentje

RP 20,000,000 - 30,000,000USD 1,600 - 2,400

061WAKIDI

(Palembang, South Sumatra, 1890 – Padang, West Sumatra, 1979)

Musim Tanam

Oil on board: 35 x 47 cmSigned, lower left: Wakidi

RP 20,000,000 - 30,000,000USD 1,600 - 2,400


062ARIE SMIT(Zaandam, The Netherlands, 1916)Full Moon in Bali, 2003

Acrylic on canvas: 52.5 x 63.5 cmSigned and dated, lower left: Arie Smit’03Signed, titled and dated on the reverse


RP 150,000,000 - 200,000,000USD 12,000 - 16,000


063BAMBANG ‘TOKO’ WITJAKSONO(Yogyakarta, 1973)Kekasih, 2009

Acrylic on canvas: 150 x 150 cmSigned and dated, lower middle: BB. Toko, 2009

RP 18,000,000 - 25,000,000USD 1,440 - 2,000

064BOB SICK YUDHITA AGUNG

(Yogyakarta, 1971)

Dua Sahabat Asik Ngobrol Di Klenteng, 2010

Mixed media on canvas: 145 x 175 cmSigned and dated, lower right: Bob Sick Yudhita Agung, 2010

RP 60,000,000 - 80,000,000USD 4,800 - 6,400


065SURYADI SUYAMTINA(Sleman, Yogyakarta, 1980)Think Today and Speak Tomorrow, 2012

Acrylic on canvas: 150 x 200 cmSigned and dated, lower right: Sure, 2012Signed, titled and dated on the reverse

RP 20,000,000 - 30,000,000USD 1,600 - 2,400


066ASTARI RASJID(Jakarta, 1953)Healing, ed./6, 2010

Plate: 55 x 45 x 20 cmSigned and dated, lower area: Astari, 10. 1/6

RP 32,000,000 - 40,000,000USD 2,560 - 3,200

067HENRY VAN VELTHUYSEN

(Tandjung, 1881 – The Hague, 1954)

Flamboyant

Oil on board: 38 x 46 cmSigned, lower left: H.N.V Velthuysen

RP 15,000,000 - 20,000,000USD 1,200 - 1,600


068ENDRO(Yogyakarta, 1983) This Is Us, 2010

Oil on canvas: 145 x 145 cmSigned and dated, lower right: Endro, 2010

RP 20,000,000 - 30,000,000USD 1,600 - 2,400


069CHEN WEN HSI(Guangdong, China, 1906)Squirrels

Coloured ink on rice paper: 67 x 43 cmSigned and sealed, upper right

Provenance:Private Collection

RP 100,000,000 - 150,000,000USD 8,000 - 12,000

Chen Wen HsiBorn in Baigong, Caozhu, 1906. Chen Wen Hsi studied art at the Hsin Hwa Art Academy in Shanghai. He became a lecturer at the Nangyang Academy of Fine Arts in Singapore. His paintings were strongly influenced by Chan (Zen) and the unorthodox Qing School of Yangzhou. He actively participated in several exhibitions outside Singapore which also incidentally promote Singapore. Wen Hsi’s artistic excellence was recognized. Among the many awards he had received are the Public Service Star in 1964, a Gold Medal by the National Museum of History, Taiwan in 1980, the first recipient of the ASEAN Cultural and Communication Award for outstanding artists in 1987 and received an honorary doctorate from the National University of Singapore. He became famous since his oil study on formalism, cubism, and expressive abstraction.

Chen Wen Hsi is Singapore’s foremost painter that combines Chinese and Western techniques in his semi abstract work. Chen Wen-hsi is renowned for his skill in painting animal themes. Chicken, gibbons, herons, carps and squirrels are some of his favourite subjects. Wen Hsi’s constant eagerness to strike for something new led him to learn finger painting – a technique that dates from the Tang Dynasty. This drawing style has enabled him to produce unpredictable broken stroke on paper. He developed his skill in finger painting, ink-and-brush, oil, sketches, abstracts and semi-abstract techniques. Every subject he paints, whether lotuses, gibbons, egrets, monkeys, squirrels, birds, or flowers and trees, is palpably vibrant. Besides gibbons and egrets, squirrels are the series of most representative of Chen’s style. Chen’s creates a dynamic, vigorous and rhythmic experience.



070EKO SUPA(Grobogan, Central Java, 1982)Obama: Dengan Batik Aku Mendengar, 2008

Oil on canvas: 90 x 70 cmSigned and dated, lower left: Eko Supa’08

Literature: Agus Dermawan T. SIHIR RUMAH IBU-Menyidik Sosial Politik dengan Kacamata Budaya

RP 8,000,000 - 10,000,000USD 640 - 800

071LUO QING(Nanchang City, Jiangxi Province, 1970)Portrait Series, 2005

Oil on canvas: 50 x 50 cmSigned, lower left: LQ

RP 15,000,000 - 20,000,000USD 1,200 - 1,600


072DADANG CHRISTANTO(Tegal, 1957)Untitled, 2012

Acrylic on canvas: 136 x 110 cm

RP 120,000,000 - 140,000,000USD 9,600 - 11,200


073AHMAD SYAHBANDI(Palembang, 1968)Object #3, 2005

Mixed media on canvas: 150 x 150 cmSigned and dated, lower right: Ahmad Syahbandi, 2005Signed, titled and dated on the reverse

RP 15,000,000 - 25,000,000USD 1,200 - 2,000

074TAKASHI MURAKAMI(Japanese, 1962)Warhol / Silver ed.130

Offset lithograph: D. 71 cm

RP 12,000,000 - 18,000,000USD 960 - 1,440


075SALIM / SARAOCHIM SALIM(Medan, 1908 – Paris, 2008)City, 1998

Oil on canvas: 80 x 60 cmSigned and dated, lower right: Salim’98

RP 50,000,000 - 70,000,000USD 4,000 - 5,600


076I DEWA NYOMAN JATI(Born, Ubud, Bali 1940)Panen

Acrylic on canvas: 140 x 95 cmSigned, lower right: DW. Nyoman Jati, Ubud Bali

RP 22,000,000 - 30,000,000USD 1,760 - 2,400

077ERICA HESTU WAHYUNI

(Yogyakarta, 1971)

Sparkling Blessing Budha in Borobudur, 2014


RP 90,000,000 - 110,000,000USD 7,200 - 8,880


078WARDOYO(Banyumas, 1935)Topeng Monyet, 2003

Acrylic on canvas: 110 x 145 cmSigned and dated, lower right: Wardoyo’03

RP 35,000,000 - 50,000,000USD 2,800 - 4,000


079AGUNG MANGU PUTRA(Sangeh, Bali, 1963)Gunung Batur, 2012

Oil on canvas: 130 x 185 cmSigned and dated, lower right: Mangu Putra, 2012Signed, titled and dated on the reverse

RP 250,000,000 - 350,000,000USD 20,000 - 28,000

Agung Mangu PutraMangu Putra’s works arise from intense contact with the world as a conscious expression of his main creative orientation. Representations of natural phenomena, along with the inner pulse of life, form the main stream of his search. The natural world, such as mountains and coasts, are depicted as identifiable objects. Some of his works with abstract designs imply natural images, such as the character of water and the texture and colors of earth or stone. Nevertheless, there is a certain progressive critical vision in Mangu Putra’s way of viewing and interpreting the world. His works are not mirrors of direct observations with the naked eye. Natural objects are shown as if through sophisticated technological imagery, so that they appear artificial, attractive, provocative, and even fantastic. His artistic world is not a natural one but instead is ‘polluted’ by civilization.

Mangu’s magnificent landscapes and volcanoes are depicted as majestic, timeless and all powerful, yet quietly dormant. They are breathtaking, yet set within an atmosphere of silent intimidating strength. It is this aspect of his work that sets Mangu apart from his predecessors. It is remarkable how he adapts from one series of work to another, from painting lifelike textures of skin to captivating landscapes or sensual nudes. His feel for colors is always impressive: breathtaking blues for his landscapes, black and whites bonded with a philosophical theme or just translucent colors that captivate the viewers’ attention.



080WAYAN KUN ADNYANA(Bangli, Bali, 1976)Pray For Freedom, 2012

Ink and acrylic on canvas: 160 x 200 cmSigned and dated, lower middle: Wayan Kun Adnyana, 2012Signed, titled and dated on the reverse

RP 27,000,000 - 40,000,000USD 2,160 - 3,200

081AMRUS NATALSYA(Medan, 1933)

a. Lelaki Oil on wood: 80 x 25 x 25 cm

b. Wanita dan Ikan Oil on wood: 75 x 20 x 25 cm

RP 40,000,000 - 50,000,000USD 3,200 - 4,000

a. b.


082THEO FRIDS HUTABARAT(Jakarta, 1987)The Labor, 2012

Oil on canvas: 200 x 150 cmSigned, titled and dated on the reverse

RP 25,000,000 - 35,000,000USD 2,000 - 2,800


083EDO POP(Palembang, South Sumatra, 1972)Adam dan Hawa, 2012

Acrylic on canvas: 150 x 90 cmSigned, titled and dated on the reverse

RP 20,000,000 - 30,000,000USD 1,600 - 2,400

084JUMALDI ALFI

(Lintau, West Sumatra, 1973)

Ayam dan Kalajengking, 1996

Acrylic on canvas: 70 x 95 cmSigned and dated, lower right: Alfi, 1996

RP 15,000,000 - 20,000,000 USD 1,200 - 1,600


085LUCIEN FRITS OHL(Palembang, South Sumatra, 1904 – The Hague, 1976)Ploughing in The Ricefield

Oil on canvas: 60 x 80 cmSigned, lower right: L. Frits Ohl

RP 75,000,000 - 85,000,000USD 6,000 - 6,800


086CATUR BINA PRASETYO(Wonogiri, 1972)Tak Urung Membaja Juga, 2008

Acrylic on canvas: 150 x 125 cmSigned, titled and dated, lower right: Catoer Bina Prasetyo, 008, Tak Urung Membaja JugaSigned, titled and dated on the reverse

RP 10,000,000 - 15,000,000USD 800 - 1,200

087ASTARI RASJID(Jakarta, 1953)Dialogue, 1988

Oil on canvas: 105 x 105 cmSigneda and dated, lower left: Astari'88Titled on the reverse

RP 10,000,000 - 15,000,000USD 800 - 1,200


088NYOMAN GUNARSA(Klungkung, 1944) 3 Penari, 1989

Oil on canvas: 95 x 95 cmSigned and dated, lower right: 1989

RP 35,000,000 - 50,000,000USD 2,800 - 4,000

089TAKASHI MURAKAMI(Japanese, 1962)And Then Yellow Jelly ed.99

Offset lithograph: 50 x 50 cm

RP 12,000,000 - 18,000,000USD 960 - 1,440


Basoeki Abdullah090BASOEKI ABDULLAH(Solo, 1915 – Jakarta, 1993)Reclining Nude, 1964

Oil on canvas: 80 x 185 cmSigned and dated, lower left: Basoeki Abdullah’64

RP 100,000,000 - 150,000,000USD 8,000 - 12,000


Born in Solo, January 27, 1915, he is the second son of Abdullah Soerjosoebroto, a prominent landscape painter. He studied at the Academia van Beeldende Kunsten in The Hague, the Netherlands. Basoeki Abdullah started painting since he was 5 years old in simple drawing, and at 10 he traveled to Surabaya and Bali where he started portrait painting. During 1933, he held his first exhibition in Bandung. He brought his painting to RMP. Sosrokartono, RA. Kartini’s brother, who was very impressed on Basoeki’s painting. Sosrokartono and Prince of Mangkunegoro VII became the person who greatly supported his painting career until Basoeki become a famous painter. During that time he continued his study at Academia van Beeldende Kunsten in the Hague, the Netherlands.

Basoeki Abdullah is one of the most prominent Indonesian maestros in portrait paintings. The late artist was well-known for his realistic paintings. Besides painting of natural beauty and sensuous landscape, he is also noted for his portraits of beautiful women, as well as paintings of scenes from legends that are also tempered with the same lyrical and overly sensual treatment. His great fond of paintings women’s figure perhaps derived from his great interest in exploring the beauty of women that is attractive to paint in any way. There are painters who like to paint nudity. Basoeki was one of the painters who identical with his nude themes. Nudity in art has generally reflected — with some exceptions — social standards of aesthetics and modesty/morality of their time in painting, sculpture and more recently in photography. At all times in human history, the human body has been one of the principal subjects for artists. It has been represented on prehistoric paintings and statutes and in all eras since. The male nude was more common in antiquity, especially in ancient Greece, but today the tendency is for the female nude body to be more highly regarded and represented.


091LUCIEN FRITS OHL(Palembang, South Sumatra, 1904 – The Hague, 1976)Villagers Passing Under The Tree

Oil on board: 76 x 61 cmSigned, lower right: Ohl

RP 70,000,000 - 80,000,000USD 5,600 - 6,400

092YAP HIAN TJAY(Surakarta, Central Java, 1927)Bunga Seruni, 1992

Oil on canvas: 75 x 65 cmSigned and dated, lower right: JHT’92

RP 20,000,000 - 30,000,000USD 1,600 - 2,400


093ARIE SMIT(Zaandam, The Netherlands, 1916)Three Girls Passing The Temple, 2004

Acrylic on canvas: 42 x 36 cmSigned and dated, lower right: Arie Smit’2004Signed, titled and dated on the reverse

This lot is accompanied with certificate authenticity from the artist

RP 60,000,000 - 80,000,000USD 4,800 - 6,400


094LIEM TJOE ING(Surakarta, 1922-1996)Gadis Bali, 1991

Oil on canvas: 95 x 70 cmSigned and dated, lower left: L. Tjoe Ing’91

RP 20,000,000 - 30,000,000USD 1,600 - 2,400

095KOK POO

(Ambarawa, East Java, 1937)Burung Kesayangan, 2000

Oil on canvas: 80 x 100 cmSigned and dated, lower right: Kok Poo, 3.2000

RP 20,000,000 - 30,000,000USD 1,600 - 2,400


097I WAYAN PENGSONG

(Cakra Negara, 1943)

Angel 1-Kedamaian dan Keindahan, 2008

Mixed media on canvas: 60 x 118 cmSigned and dated, lower middle: Pengsong’2008


RP 35,000,000 - 45,000,000 USD 2,800 - 3,600

096BASOEKI ABDULLAH(Solo, 1915 – Jakarta, 1993)Potret Bagong Kusudiarja, 1987

Oil on canvas: 80 x 65 cmSigned and dated, lower right: Basoeki Abdullah’14 Des 87 Jak

RP 35,000,000 - 50,000,000USD 2,800 - 4,000


098ABAS ALIBASYAH(Purwakarta, 1928)Primitif

Oil on canvas: 100 x 80 cmSigned, lower right: Abas

RP 25,000,000 - 35,000,000USD 2,000 - 2,800

099FADJAR SIDIK(Surabaya, 1930 - 2004)Dinamika Bentuk, 1971

Oil on canvas: 65 x 65 cmSigned and dated, lower right: Fadjar Sidik'71

RP 12,000,000 - 18,000,000USD 960 - 1,440


101CATUR BINA PRASETYO

(Wonogiri, 1972)Residensi Para Musisi, 2011

Acrylic on canvas: 180 x 300 cmSigned, titled and dated, lower right: Catoer Bina Prasetyo,

Residensi Para Musisi,2011

RP 20,000,000 - 30,000,000 USD 1,600 - 2,400

100ANGKI PURBANDONO(Semarang, 1971) Frame Coke

Scanography: 94 x 178 cm

RP 25,000,000 - 30,000,000USD 2,000 - 2,400


Lee Man FongLee Man Fong began his art education in Singapore. Later he moved to Indonesia, where he continued his painting career and became the curator of the presidential collection during the Soekarno period. Lee Man Fong was known for his ability to work with any kind of medium available. He used oil on canvas and hardboard, pastel and watercolour on paper, and pen and ink on cardboard. His works combined Oriental and Western concept in his oeuvre. An exceptional aspect of Lee’s art was his great intense in creating a personal expression through observation of life and nature surrounds him.

Lee was quietly developing his art, which focused on thorough observation of life and nature around him. Lee tried to translate the aesthetic and style of Chinese brush painting into oil on canvas. Considering the differences in texture and consistency between ink and oil, Lee tried to direct the effect of an ink brush with his strokes, which is not a simple act. A large part of these works featured animals, such as the chicken, doves, goldfish, storks, gibbons and cows.

102LEE MAN FONG(Canton, China 1913 – Singapore 1988)Cows, 1973

Oil on board: 103 x 50 cmSigned, stamped and dated in chinese character, lower left

Provenance:Private Collection

RP 700,000,000 - 900,000,000USD 56,000 - 72,000



103ABAS ALIBASYAH(Purwakarta, 1928)Pemandangan, 2014

Acrylic on canvas: 100 x 150 cmSigned and dated, lower right: Abas.9-7-2014

RP 20,000,000 - 30,000,000USD 1,600 - 2,400

104HUANG FONG(Genteng, 1936)Ceremony, 1977

Oil on canvas glued on board: 42 x 72 cmSigned and dated, lower right: Huang Fong'77 Bali

RP 15,000,000 - 20,000,000 USD 1,200 - 1,600


105BARLI SASMITAWINATA(Bandung, 1921)Pelabuhan, 1993

Oil on canvas: 72 x 55 cmSigned and dated, lower right: Barli, 1993

RP 35,000,000 - 45,000,000USD 2,800 - 3,600


106LUCIEN FRITS OHL(Palembang, South Sumatra, 1904 – The Hague, 1976)Nenek

Pastel on paper: 67 x 50 cmSigned, lower right: Ohl

RP 40,000,000 - 50,000,000USD 3,200 - 4,000

107WU YOUModel, 2009

Acrylic on canvas: 150 x 100 cmSigned and dated, middle area: Wu You, 2009

RP 15,000,000 - 20,000,000USD 1,200 - 1,600


108HENDRA BAYU HERMANTO(Ponorogo, 1985) Remembering Series, 2012


RP 28,000,000 - 35,000,000USD 2,240 - 2,800


109IDA BAGUS RAI(Padangtegal, Gianyar, 1933)Raja Pala

Acrylic on canvas: 120 x 180 cmSigned, lower left: Ida Bagus Rai, Ubud Bali

RP 35,000,000 - 50,000,000USD 2,800 - 4,000

110ERNEST DEZENTJE

(Jatinegara, 1885 – 1972)Landscape Mountain

Oil on canvas: 59 x 94 cmSigned, lower right: Ernest Dezentje

RP 15,000,000 - 20,000,000 USD 1,200 - 1,600


111SYARIEF HIDAYAT(Bandung, 1982)Lucky Fish, 2011

Acrylic on canvas: 150 x 200 cmSigned and dated, lower right: Rief’11

RP 35,000,000 - 45,000,000USD 2,800 - 3,600


Samsul ArifinSamsul Arifin's story is a story of a restless soul. He works on his visual creations involving many things and objects. Samsul had always been very much interested in art. His journey in the art world, however, had not been smooth. He started out in Malang, but the town could not facilitate his artistic aspirations and idealism. Eventually he moved to Yogyakarta to study art at the SMSR (the Secondary School for Visual Arts). Now he continues his study at the department of painting of ISI, Yogyakarta.

Objects of still life have become recent theme used by young contemporary painters. They sometimes only represent common object that have been familiar with us but never put into account. Objects like eraser or pencil perhaps do not have deep meaning to a person. On the contrary, for Samsul, this object represents what he feels and thinks. They symbolize how modern people get advantage from using very simple and common thing like eraser, brush and pencil. He keeps questioning about the freedom and the limitation of an artist, about art that is ideally free from any tendency. Samsul's works generally tells of morality and ethics, which he continually questions. As one of the artists who begin their career in the year 2000, like his predecessors, Samsul practices the freedom of choosing his artistic media.

112SAMSUL ARIFIN(Malang, East Java, 1979)Perlawanan Dalam Kepatuhan, 2012

Acrylic on canvas: 300 x 200 cmSigned and dated, lower right: Samsul.03.07.12

RP 400,000,000 - 600,000,000USD 32,000 - 48,000



113SOEDIBIO(Madiun, 1912 - 1981)Petani

Oil on board: 48 x 43 cmSigned and titled on the reverse

This lot is accompanied with certificate authenticity from the artist’s wife

RP 30,000,000 - 40,000,000USD 2,400 - 3,200

114JEIHAN SUKMANTORO(Solo, 1938) Mia, 1974

Oil on canvas: 80 x 70 cmSigned and dated, middle left: Jeihan’74Signed and titled on the reverse

RP 30,000,000 - 50,000,000USD 2,400 - 4,000


115SUPARTO(Yogyakarta, 1929 – 2001)Ibu dan Anak, 1986

Paramic: 140 x 50 x 23 cmSigned, lower area: Suparto

RP 100,000,000 - 125,000,000USD 8,000 - 10,000


116SAFTARI(Payakumbuh, 1971)Sang Pewarta #3, 2008

Acrylic on canvas: 160 x 140 cmSigned and dated, lower right: Saftari'08Signed, titled and dated on the reverse

RP 20,000,000 - 30,000,000USD 1,600 - 2,400

117JB. IWAN SULISTYO

(Kudus, Central Java, 1954)Sakura Di Bulan April

Oil on canvas: 100 x 150 cmSigned, lower right: JB. Iwan Sulistyo

RP 30,000,000 - 40,000,000 USD 2,400 - 3,200


118SIEW HOCK MENG(Malaysia, 1942)Tanah Lot, 1990

Pastel on paper: 48 x 62 cmSigned and dated, lower right: 1990.meng

RP 70,000,000 - 90,000,000USD 5,600 - 7,200


119WIMO AMBALA BAYANG(Magelang, 1976)Sleeping Elephant in The Axis of Yogyakarta: Sultan Palace Square

Digital Print: 110 x 165 cm

RP 18,000,000 - 25,000,000USD 1,440 - 2,000

120GERARD PIETER ADOLFS

(Semarang, 1899 – The Netherlands, 1968)Marocco

Oil on canvas: 40 x 50 cmSigned, lower left: Adolfs

RP 90,000,000 - 120,000,000 USD 7,200 - 9,600


121I MADE DJIRNA(Ubud, 1957)Kuda-Kudaan, 2011

Mixed media on canvas: 140 x 200 cmSigned and dated, lower right: Djirna, 2011Signed, titled and dated on the revese

RP 50,000,000 - 80,000,000USD 4,000 - 6,400


Arie SmitBorn in Zaandam, the Netherlands, 1916. He was a student of the Academy of Arts in Rotterdam before working as lithographer for the Dutch Colonial Army in the Dutch Indies prior to the Second World War. He moved to Bali in 1956 to engage in full time painting and became an Indonesian Citizen, produced as well as taught painting at the Bandung Institute of Technology (ITB). Many of his paintings depict the nature of his surrounding environment. He had several solo exhibitions in Bandung Institute of Technology, The Honolulu East West Center, and the Center of Strategic and International Studies in Jakarta. He received the “Dharma Kusuma” art awards from the local government of Bali.

Arie Smit is an artist who loves natural beauty and Balinese culture in the form of imaginative painting, painting that express the pure soul of an adventurer, a natural devotee of tropical sunlight. Arie Smit’s painting show breath-taking landscapes, relaxing youths, colorful tropical gardens, glittering seascapes, and quiet temples that evoke a sense of wander. Facades of temple are often shown with human figures in front of them. Arie Smit uses a simple single vanishing point perspective to depict the temple surrounding. His special characteristics were seen by the use of his tropical rich color on the object.

122ARIE SMIT(Zaandam, The Netherlands, 1916)A Temple Complex in Bali, 2010

Acrylic on canvas: 62 x 66 cmSigned and dated, lower left: Arie Smit’2010Signed, titled and dated on the reverse


Literature:Rudolf G Usman, Arie Smit, A Living Legend, Published by Rudolf Studio, Bali 2011, pg. 91

RP 450,000,000 - 500,000,000USD 36,000 - 40,000



123REDY RAHADIAN(Cianjur, West Java, 1973)Chains of Love, 2007

Mild steel: 80 x 21 x 18 cm ( H. Base.183 cm)Signed and dated, lower area: Redy R.07

RP 50,000,000 - 60,000,000USD 4,000 - 4,800


124YUDI SULISTYO(B, 1972)Dunia Tanpa Daratan, 2013

Paper, iron pipe, pvc pipe, wood, found object and paint: 112 x 260 x 188 cm

RP 225,000,000 - 300,000,000USD 18,000 - 24,000


125LUO HAO(Chinese, 1969)Executor


RP 180,000,000 - 220,000,000USD 14,400 - 17,600


127NYOMAN GUNARSA(Klungkung, 1944) Dua Penari


RP 50,000,000 - 80,000,000USD 4,000 - 6,400

126ARIE SMIT(Zaandam, The Netherlands, 1916)Tropical Landscape, 2000

Acrylic on canvas: 34 x 37.5 cmSigned and dated, lower left: Arie Smit’00Signed, titled and dated on the reverse


RP 40,000,000 - 50,000,000USD 3,200 - 4,000


128REARNGSAK BOONYAVANISHKUL (Singhburi, Thailand, 1961)Kuda, 1990

Acrylic on paper: 56 x 76 cmSigned and dated, upper right: Rearngsak, 1990

RP 50,000,000 - 70,000,000USD 4,000 - 5,600


129UMI DAHLAN(Cirebon, 1942 – Bandung, 2009)

a. Abstrak, 1998Acrylic on paper: 39 x 29 cmSigned and dated, lower right: Umi D’98

b. Abstrak, 1997Acrylic on paper: 61 x 28 cmSigned and dated, lower left: Umi D’97

RP 20,000,000 - 30,000,000USD 1,600 - 2,400

a. b.


Abdul AzizAbdul Aziz was born in Purwokerto, Central Java, and showed precocious artistic talent from childhood. His first Diploma was in Social Sciences from Gajah Mada University, after which he studied Art at the Indonesian Fine Arts Academy (ASRI) in Yogyakarta. Due to his exceptional talent he was awarded a scholarship to study at the Academia di Belle Arti in Rome in 1958, where he was awarded two Diplomas, in Painting and in Decoration. On his return to Indonesia in 1965 he lectured in Fine Art at Udayana University and established his studio in Ubud Bali.

Abdul Aziz is now regarded as one of Indonesia’s greatest artists of the 20th Century. Originally from Central Java but a resident of Bali for the last part of his life, Aziz was widely known and highly sought after for his realistic paintings of village scenes. Aziz’s paintings include beautiful women, depicted singly or in groups, and portraits both painted and sculpted. Yet his oeuvre stands out as more of an individual contribution to Indonesian art history than most, belonging in a class with artists who are continuously referred to as the ‘greats’: those individual artists that Western-trained or influenced art writers found to be the most original and innovative of their time.

130ABDUL AZIZ(Purwokerto, 1928 - Bali, 2002)Gazing, 1990

Oil on canvas: 35 x 30 cmSigned and dated, upper left: Abdul Aziz, Bali,1990

Literature:Mary Northmore-Aziz, Abdul Aziz The Artist and His Art, Bali,2005 Pg. 219

RP 90,000,000 - 120,000,000 USD 7,200 - 9,600

Illustrated as the back cover of the book



131M. IRFAN(Bukittinggi, West Sumatra 1972)Rain Sugar, 2013

Acrylic on canvas: 180 x 200 cmSigned and dated, lower right: Irfan, 2013

RP 130,000,000 - 180,000,000USD 10,400 - 14,400


132ARIFIEN NEIF(Surabaya, 1955)Street Performance, 1997

Oil on canvas: 60 x 70 cmSigned and dated, lower left: Neif’97Signed, titled and dated on the reverse

This lot is accompanied with photo of the artist with the painting

RP 45,000,000 - 60,000,000USD 3,600 - 4,800


NasirunNasirun’s paintings do not simply depict comprehensible scenes, but rather are usually intertwined personifications or animations of his thoughts and quests. He mentions that often he paints to make sense of his concerns. Therefore, there is little sense in trying to understand rationally what he is trying to convey in his art works. His message is meant to be conveyed through senses and emotions.

The Javanese characteristic is very strong in his works. At a glimpse other could directly see his works with a strong Javanese culture background. He adopts very interesting themes in his works. He always tells stories or folk tales in painting. Some say his works are horrifying, while actually they embrace a very high sense of humor and allusion as well.

He is very skilled in developing plural figures, enabling us to see various figures in one figure. He never uses the same figure to draw the same subject. Various figures sometimes appear in a mess but in an interesting shape. He compiled them into a solid, biting and stunning continual scene that invokes viewers to understand what he means.

Awards: First Winner Dan II Porseni All Over Karesidenan BanyumasSecond Winner Tourism Promotion Painting Contest Cilacap, Central Java Second Winner Kaligrafi ContestSecond Winner Celengan Painting Contest in Dies Natalis Faculty of Letter, University of Gajah MadaThe Best Sketch and Painting ISI Yogyakarta Mc Donald Award in the 10th Lustrum ISI Yogyakarta Philip Morris Award 1997

133NASIRUN(Cilacap, 1965)Putri Topeng Kelana, 2011


RP 220,000,000 - 300,000,000USD 17,600 - 24,000



134SUPARTO(Yogyakarta, 1929 – 2001)Reclining Nude, 1990

Acrylic on canvas: 63 x 102 cmSigned and dated, lower left: Suparto.9-9-1990 Jakarta

RP 70,000,000 - 100,000,000USD 5,600 - 8,000


135RUSLI(Medan, 1912 – Jakarta 2005)Pura, 1982

Oil on canvas: 61 x 50 cmSigned and dated, lower right: Rusli, 18 Nov’82

RP 35,000,000 - 45,000,000USD 2,800 - 3,600


136POPO ISKANDAR(Garut, 1927 – Bandung, 2000)Macan dan Matahari Senja, 1998

Oil on canvas: 72 x 95 cmSigned and dated, lower right: Popo'98

This lot is accompanied with certificate authenticity from Griya Seni Popo Iskandar

RP 90,000,000 - 120,000,000USD 7,200 - 9,600


137GERARD PIETER ADOLFS(Semarang, 1899 – The Netherlands, 1968)Street Vendor

Oil on canvas: 35 x 45 cmSigned, lower right: Ger. P Adolfs

RP 40,000,000 - 50,000,000USD 3,200 - 4,000


Index Of ArtistA. Hadi Mas’ud

Abas Alibasyah

Abdul Aziz

AJL Mayeur De Merpres

Agung Mangu Putra

Agus Djaya

Ahmad Syahbandi

Alit Sembodo

Amrus Natalsya

Angki Purbandono

Arie Smit

Arifien Neif

Astari Rasjid

Awiki

Bambang Toko

Barli Sasmitawinata

Basoeki Abdullah

Bob Sick Yudhita Agung

Catur Bina Prasetyo

Chen Wen His

Dadang Christanto

Dede Eri Supria

Dullah

Eddie Hara

Eduard (Edo Pop)

Eko Supa

Endro

Entang Wiharso

Erica Hestu Wahyuni

Ernest Dezentje

Fadjar Sidik

Gerard Pieter Adolfs

50

98, 103

42, 130

35

14, 79

22

73

37

81

100

2, 36, 58, 62,

93, 122, 126

132

66, 87

33

63

105

4, 90, 96

64

86, 101

69

72

17, 54

3, 21

9

52, 83

44, 70

68

29

46, 77

60, 110

20, 99

1, 5, 120, 137

GADewi Monalisa

Han Snel

Hasan Djaafar

Hendra Bayu Hermanto

Henry Van Velthuysen

Huang Fong

I Dewa Nyoman Jati

I Fantje

I Made Djirna

I Made Wianta

I Wayan Pengsong

Ida Bagus Made Nadera

Ida Bagus Rai

Irsam

Iskandar Fauzy

JB. Iwan Sulistyo

Jeihan Sukmantoro

Jumaldi Alfi

Keris

Kok Pho

Lee Man Fong

Leo Eland

Liem Tjoe Ing

Lucien Frits Ohl

Luo Hao

Luo Qing

M. Irfan

Mahyuddin S.

Nasirun

Nasirun

Nyoman Gunarsa

Otto Djaya

Popo Iskandar

40

59

26, 57

108

25, 67

104

76

16

121

19

97

34

109

8, 51

43

56, 117

114

28, 84

41

95

48, 102

27

94

6, 85, 91, 106

125

71

131

38

11

133

15, 88, 127

49

45, 136

RE. Hartanto

Rearngsak Boonyavaniskul

Redy Rahadian

Roger San Miguel

Rudolf Bonnet

Rusli

Saftari

Salim / Saraochim Salim

Samsul Arifin

Siauw Tik Kwie

Siew Hock Meng

Soedibio

Sudarso

Sudjono Abdullah

Suparto

Suryadi Suyamtina

Syarif Hidayat

Takashi Murakami

Teguh Ostenrik

Theo Frids Hutabarat

Umi Dahlan

Wakidi

Wardoyo

Wayan Kun Adnyana

WJ Frederic Imandt

Willem Gerard Hofker

Willem Van Der Does

Wimo Ambala Bayang

Wu You

Yap Hian Tjay

Yudi Sulistyo

Yunizar

Zhang Xi Hua

30

128

123

12

24

10, 135

116

47, 75

112

55

118

113

39

32

115, 134

65

111

74, 89

18

82

129

61

78

80

31

7

13

119

107

92

124

53

23



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