34
rcarrEllr rrrrlld it-"15r*lr:trt3'|r3 nt]r!- Ft*r.p rS frrDS flaD3 tf|| cioaa- tttl GiorD& tdaF tll I t*! llll ! ttr l: tll ft illl a! EffilTlmi?Eiffi iili*srl::' lvtfrlliffiiHffi" 3vlfrlliif;?Eiffi lvifilliffiliis" C Major C Mclodio Mnor C Hannonio Mlnor C Mejor C Melodic Minor C Hamonic Minor C Maior C M€lodic Minor c Harmonic Minor

Mick Goodrick - Voice Leading

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Page 1: Mick Goodrick - Voice Leading

rcarrEllr

rrrrlldit-"15r*lr:trt3'|r3 nt]r!-

Ft*r.p

rSfrrDSflaD3

tf|| cioaa-tttl GiorD&tdaF

tll It * !llll !

ttr l:tll ftilll a!

EffilTlmi?Eiffi iili*srl::'lvtfrlliffiiHffi"3vlfrlliif;?Eiffilvifilliffiliis"

C MajorC Mclodio MnorC Hannonio Mlnor

C MejorC Melodic MinorC Hamonic Minor

C MaiorC M€lodic Minorc Harmonic Minor

Page 2: Mick Goodrick - Voice Leading

. PIea*beadvied thatrF.utho.udpqbtislrer!.lanorc6"otuibilitywh.tscv66d ay {and aI) [email protected] .nd wdlprrenietr-innicted iniuie! d-t *i ;;;;qpoErt the mrerid in thB b@L ffhis 6 eepecir|ly Etevut in F8.d ro the tefi handnn86, wilt, 6oHrr sho{dder muscts, tenaos, boGs, cart lge, ;flel" ptc., .l .t.)

, . Any Suii.'ilt who sqkr with thi6 b@k is 8oin8 to b. expGed to tileFJy hu.dBrs or chor& rh.r_inrcke lrPrche .nd 6i€€,i;s d'fuuir;rl,.i-wix;i.ffi;|w {d unrdiliE Be pdtiolatty c.utiG ;d, d.lodils voicd;'d_i;:doh the dryerbo{d. wid, ach Nw de*Fdllg choid, tlE_disr.G b.*l;A;;gadu.Iy inoEs,

. , E!.h (ard *ery) tuitarist musr @rinu@dy Mi!o! dF *@tim rhev lqeiwh their lefr {Enssihd h.nd. Effi 6 rhe dde of 6ein8 lryry ;;f,,t. i\-.-;;f;ih"w.ay !oro." pe'rEFit would be ffi rater k put l rhi; w.y, hJ *, ti*,lir,ijjiiof dy dis(td|IdHs ilE way ro go,,

Thepbblqntieswftfi rhe[..rrh.t.t €€pclant"Seof tsm!{i.tisqoiEtobeEw !o prtty ouch eve.y 8ur.,6t who beriE to wdfwi* rt. v** s_-d;.r"ilT':rR k phr. whore burd of 6tuf rhltisn;t ody tw r,o,r,"* u,ij;.t*"iJ,ii r"'lTEnr ald @.nFuinc tud io ir th@ is a teid*y to _*t t .*,a. u. ,{r jil|w qMdB @ h.E e dmBr Mr@riel*! .ff€cr. TIE ei p€t6 up, rlr mind @06 irto$irp ro.us,rhe @otioBlesin to s4 the iMginatio be8ire t p-y"c

" t ,t

^'*h-y@ u De aDre b @.ll this g'st tuf to @iretery bto; p""pi. "*"y1ri..."1 "i

ir,"erFre or ytu teft h.n<t whd! .t d,i6 point starts ro'ftet Hc r"iu t'.; -*1

.

Y@ iust Bpr @u8ht up in "educlion by MIry.,, you st ,pp€d h@itorit * the FFeti6.in y@ left (fin8en$) hrd. y@ did'h! mlJr you .*jr*t""a"a v"*-oh;ryljJ:,".-."Ttu.1p h.d. nie ride ror s@. But,*61i;G;",;#pne lc d.yn weks, po&ibty hmthi (B.tiere me t,n nol exlS8qadigl) In sd.e ;s6"tne d.mage drtd ihhtre toE of |t@ery rime. OdadqElf,it _"r-a _* a"_*"b.ylod ,*.ry tine. Thr word 6d rtDr 6 :p.^.nmt.- rhe ;r,* , .p"Fdi,frii)&f ir "@nmdins."

Thjnk rbout it -picture yourer with FrDarmt duESFNn whar?

Q: Mi @oddtnd, d. W ttyihs ta eE B?A: Y@ 8ot that nShd

Yd mu3r exftise 'ou

reMitjvfty, 'ou

inr€Ii..iudsm'r No one ebe c.i d.,r* ft , y,ii.f il,;;S5#Hfi :nTi"ff.l.*b" no tDbl@

. Y@ h.w beo WARNED! (pte@ tate tood c4 of y@ hands!) So@ $tgFt'on' E&l t ntarive tuidelic/regEiaios -iI

-toUow a ot ud

Page 3: Mick Goodrick - Voice Leading

-ri|lll |. troa toort-

-_-.H " :-t-!lq,ys..* rt ws qitren with s eye ro rle tutuE of lhe nqt*qaj tendritu of tuitaristd tt .ihs ,r {rici@rraftis; thole who aE;w ot+ ,,ia-ai*J ,iflq Tllbh "ned!" sh4d by.ll tui-

6Bi't! of mkdar denwd roh ;;;;;ifi-"S * * who @ B vet 6bfr. Ir

wd. 'ur

thar inpry Ftenti.ls,r,", "*i".p",", ffiffT"Tple dd sEairhdor-

._,_I*t*"*.-.n".rthemata'iltinthi!b@k{{dewalh@thatwirforN_

ffi ,"#fl"#ffiffi#ffi #ffi*ffi*lrj;ffi_ I rffidy wor !o An!h.i!! CA io do a Dfug{e"ri* ea*t -r '*-B"n;ioi#T'xY,lH,i,l*ffffi*sdrr rla @teri.t..r had prqqtd a trome,ioruea co ror ao.;;H;;#:

ffi".gtriffilffim*HtuTft ft,ilffi ffi IH* ll*xnJ ff d ffi,J:;s.ffi,j#frTtr#ffi 'Hff t';rffi tr'ffir__ -,,l*," " ry*."b.., ,"cereadin€. trs. b@r abqn chorre t?6 a b@k abour L|s@m*"xmuffi,.ffiix's**Htrff

Ils a book abour a nurnt€r ofotlEr rhir,ls s HimF,o€s'bre' k, put inoo rcrd!:.s";;ilH;ff1ffig,then aE dirncurt (irmt

. t€tte.Lmr,t.d8r of dE 6t €sbodd. *,trHs,*ffi Hffi

vini& dnd Hhqic MiM o16' erEr rdowl.d8€ of tut rDd r: g1 lplree.r ^"s.p- 5fi,€5 wjrh ol||q E*i.d no.6: iffi ffi flff , r r r*'a po"uur" sl

-i* .." * r* ",a.p""a-u7. tEE6€d tupGitiondt d|qls. rlE*.d ibFDwi4rioul *it&. [|@!€d t .chie.ti!!. tEE&d h""dity

This i! at$ the dtimre dlit-roursetf b@L Hs s? READ ONI

Page 4: Mick Goodrick - Voice Leading

-tturo|tDm tr-e t[Latt3 I.'rG._,

ffi'**"",#ff; t f"'t-'r'nd *€r'nins .l,rt 6e wordd de6r i'porbnt i!

#"Yjr"::rg::-tmo* y@ ha* io do {c.r to do!) whrr y@ rdnr#J";*T3l,_'111 trry ; ;"G;l;; )ffi fi} ffi HTffitrHT-:nfi t3-**n--T-TGeff ;ffi fliJffi mtr"t ffiln**,m't"i.1"* ;ffi6;n;-'J; ;3:ffii:ffiH5n#I*ffi ,;i:gf:t1"., j1il{;H1Ji"",itr#,iltr#fi Hl*11f;.i.l'*'::""::-rygl;5;;;L'b"""-#tr;;tviff "ffiordr thio,materrar i- a wrure. aa Ji"-y-.i,JJiffi fr

.#HF#il

. D.t iLrt iEE!.ti@ m wtut b do

. Op- 6rinS i"dt6't c

. nri6 tyF of gdtd inlo:

gddfr.Ekwrh.ttt otl.dt)

.ltfitkt hqi6t rbrdd

(indboarl|!&*@td .ded

t."otr"a "dla*-a..o," !l!- ataItliEt ttE r||'D(d. Mdd soL...

lihat is not in thi! bookis.s detib€rat ly mitH as wh.t i, ihctud.d. A tow ex.mpl*. Vtilittd huiel nor.to i! rbt u!€d b.ou ,bt .t auitti.r, @ rEd. nDr.tuF i! rbt ued io, rlFse,EdL ptu rh€ t; rhlr ir. "roo t gon g +.dOe'-*TlYyg""1,*.usuibi.rs) who.r k6.r h@ lyra 6. @be@ tr4iDrr@et@ed|iltb&. pd9nqdl.nof dr orh6 "dridN- lfu & rh ro\ $. irdividu.t rut ,i!LtuErE sihped€4 hin !6R4,"p,."a.,ia

""a rp.r"uvl "ii.ifioprrytutury ro qe ldt 6l b, y@ai fifiu3 dr ulrli.rE do-it:yq;;;L)

., *. _5 :r:r d}"S tu .", i5 dE "discoverr/ pr.t of it. r ws Eaty tucky. r db.ov€r€dIf; #HS ffi ,ffi '#fiy4f p'* ":r *** ;J8;;:SHH"iJ?'-'h*-_;;d;-*HUH:trtr:,hY",'8tr#i$

Page 5: Mick Goodrick - Voice Leading

-rEtraltm,Volue I @i!ts of bi.{s-7d dord6. lriad d6 bs note I .nd triid o@ bas

mte tr OBN L TBN tr). Ttiads @ lpdt chords. The othd 3 voi.ing6 d +p.rt .hord$T.i.ds hare simpl., st nd.*tiad tul6. No problenl F chords .160 hi* hirly 6ihpl€aid st ndardi4d lld6 Ale, not a Pttblem. Howae4 TBN I €nd TEN tr chdd! hlwn@ ompld and mudrl* st ndatdlzld llues. Irte F!bl@ involws the f.ct th.tth. tlm€ is only aMate 25% of the time, (*'hen the bss note is .cturlly the lw€51not€ of the voiciitJ The oths 75% of the titr (the other 3 inv4iot) the $o€Iedb$-mte is in ihe sple (bp), dlo (2! Ao!| the top), q !e!o (3td nod the top) i!i.e.Consqumlty the lla'G fd TBN I sd TBN tr etructur€s .r€ leee than .fupletelyetisfactory. (OiE @dd ertair y lEk a ce toi the daundt th.t fo! quple, An/D6ddF t 4 e6ily haw bd @[€d Am add D q Am add t.) nE drcdsrlr what theyar! regardls ol what rhey'E crled. Ad ldE B ou .ppFeh to the !lui!€ ptl)es i!.Gistent (and I b€li4€ it i.), I di.k wdu be oK. l\rb'll i6t haw to pro.eed @ b6t rc.4 (Deid.r the chords ouldn't (e l* wh.t re .dl theB{)

Q: Whd is dv difrtae b.tM TBN I .rn TBN I?

A: Yd oddthinlof it this way: Eih the F duds @uld be tlreutht of (c llMed) sghe kind of hiad .)c ba$ note. Fd €lnple, ctEjT @ulcl be view€d a Ef,/C q€{6 C/B in tdB of diviry at the I difi.mi riE in tlF sl4.ilrEn6tid.d dlie4 rire tlE 7i d'or& t€minototy bm@ fti8tmt dd Bt{rd.diz4wdll go with lhrl we odd think of TBN I dtd TBN [ 6 b€int built up in thit& Aqnthe 7s .hdd. !d etrhple, wh@ En/C iE Cnajz nair€ tE tiad (En) up a diatmicthird podu.es G/c, d IBN I. Moving the tiad up a tltird atain produG Be/C, dtBN tr. Anothd wa to think of it In TBN L the r.laiiffihiD of the td.d to the bas nobeis a diatonic s6; in rbN Il' , the cLtionship of ttP tiad to ti€ be rcte is a di.t@. 7$.I hoF that ddifie it lor y@

Q:Whtt@.!d6?W@tt6?

A. Cyd6 d ways of ndint theth . *de. Cyd6 @ be @lodic c ham@i.. we'Edealiig with the heoni. aspe<t Sine we'r€ €xplding 3 diffemt 7-not s.ler (Majo,Melodic Miioa Handic MiM) it hlfu @t th.t th@ @ 6 di.totric cydB.lq pu!-poae6 of oNiliency, rve t1d€d aI 5 cyd6 by aqrtilt diatonic interaars.

. Cyde ?_$qdiry . di.toni. !', \i.e., Cllr'r7, Dn7, En7, e!.,

. Cyde ++!@di!S a dirtori. ai, (i.e., CMZ FMZ Bn1bs), etc.)

. Cyde 6+!ddina a .ti.tdic 6i, (it., Clv9, AnZ FM7, etc.)q dec.ndiry . dialonic 3', (si6)

. Cyde 7--.ffidiry . dtatonic 7t, (i.e" olfl, Blt1bs) Ai7, eb.)d dBetding . diatonic 29, (edi6)

. Clde +..{@ndi!lt . diatoiic 5F, (i.e, cM7, G7, DnZ et .)d dmdiry . distoiic {6, (dier)

. cyd€ }....l|:!mdiry a di.toni. Y, Qe" cl[i7, Eng, c7, ac)

Page 6: Mick Goodrick - Voice Leading

Cyd62rj ?ftdt *bLysa-d 5-! lh.reE hoppqit diEdi(ELys6 6 .rd 3 .r! th. tu itr oF.dr. dirtdiG

'Nd thd dEr r!. or dE sdqt;d o& 9d.5, E v h. dbrg.rd. { (sany.r(r dud}

_ _ Th. E sr w€ @ the cy.l* i5 b.ee rl,ey oq ,X dEtonic pGihtitie .nE p

11 p .T* *."y,.y -.'"S

diat6i6xy (wid,in ; hote xarel trr* in nor inooaeJiic o cycl6 6ing the sde h.doic aEu.hE

.. AI ofthi6 m.y seo .oinriry iBr in th€ Eadir€ of ir. B!! l,m srE rhat 6e [email protected] !o wqk with the Miri.t, it wi[ gadualy be(dte vEy dea! (you ortd thinr;r ir::::{y"'E tu?'".'.""r ryF.. ii}ou voi'cere.d rlvou;h

"l oe"r* y*-frii"*Nved ibh aeiy chord io evqy othft chqd.)

Q W do .y.16 2 adt 7 Id s diftldt ron 'drt

y@d ap..t to *?

I]y:.:,Try.ry+ 9.*9". red,ni.ary 3peakin& we N iertu ins diruncr wi*F&urr hth flle bi'<t! ror .yd6 2 .!d z. TtF ;d oi;ou! way rcdd"hav; betu - -'

triods: C nai;or CDI4EmEOAmffE)l ) G)a)B)c)DG)A) B-'Ct D.,E) Jc)D) E.rE,,c)a) B

35

I

a)I3- '

5)l )

35

I\ ' 3)

C4c1e:2

'IrE idt€p.Iic voic!-Ladir8 sourd bok lile thir:

)2t)2d., )nd

The finctond voietadir€ huld look lik $is

ljll5Tdl *+1 .4yd"_rhis b€.!@ ire b€en pi€.€nted in oihq books r!.forc. Fdsonsne iu6.sr.rrirg wtth aI of thi", rd $gEe* d;rboth appua-;_;;;;;

Page 7: Mick Goodrick - Voice Leading

A simnd 6in8 hepFn! with the +p{t chords theSh .ycl6 2 {d 7r

7^ clrords:CNe:2

M7 DsZ FnZ lM AZ AnT bnTbG )A)B.rC)D)E )FE .rF )G )A)B-rC )DB)C)D)E)E)G)AC ,*D .*E )F)c )A ) g

The iitdalic voieleadinq would l@k like thisl

) rtd.r 2d) 2nd) 2nd

Tt€ functi@al @icleadins would l@k like this:

t

37I

( ,1I

5r ' )

5 -r53 )37 )7| , . t I

(z 3)

Thir wald be tlE m6t obvi@ oice'le.diry if a Suitarist wft Sivd jult the .hddsyhbols. IrB ertainly d impori.nt 66t step, but, like the tii.dr rhis bF of voielead-i!€ ha! dEady ben ddcrrated in ottEr tlooks

Page 8: Mick Goodrick - Voice Leading

Q:W doyotirdun 4@!.1a.. @i.ings?

1"8€:ta.sT..or d'm_* plaFbte 6 chord& trs al$ htftruu io @ (,p€n shiMEqd' olner r€tted note!. Bur the tuin |Ea$ rh.r'R hctuded t be;* .X-;ii ; ;;playable d.rD.sior This i5 at$ hue wth 6;e 0$6 seoiraiifi."*Jii;pt;voicings. tsone of dE DFp 2 & 3, for Mple.) Ir y@ 6,t pl,y "

;;dd ""

;;;,';6.lw.F pl.y the rctes in gme hnd of arFssio.

Q Wy nttiq wL, Mdodic Mi@ st4, Hnnnnic Miwtut2?

A: If m6i< w€3 pairtirl& rhe M.,q, Metodic Miffi, Hdn@c MtM s@I6 woutd be theequivaLnt ot rlE @loN Fd, ye[4 rnd btue Thele the 7_mb s]es hlve been ;;-hrdtnoue.ls of )r.a yoult @m !o s rh.r rfiey otlD in@dibh hrmonj. v;t

Q An th.E ang odtq vr$ qnieta4ing thtut gldE cyd6?

A: A!$lutelyt wlEt we-rc douB in Vot. I and I i5 iut dmpte qnhon_tone vci.e_ted.dr8. L'ths waF or qGle.duts witt b€ dbcus*d in a tuhE rcluhe.

Q: WM is M.S.R.P.?

lls;lPtands fo] Merodt. Sirind Reptc.rd eq€dw. 116 E lme I om up with ro"T-:" T-" "gy.i"E*+.c d'inss th,i showed up wh,je | ** fr8,,i"s;tfu iiJro{GrqdinS& A8ai.L I,n deiiber.tely not Soin8 ro so into mudr dereit abdt aX ofthis otrEt @cn Fibn @ .Fdisov.r" it iBr Uiu I ;id "

On ech.p€e y@-I s irbMr|n v^i?Er.,,rin&

*:*H:"-ff I j=T-:T]*dMr-r-e-e;iE;th-''Ar.rl;ffi":;;li;*:T*y;1i1"**1i :*"F.r'-h"s "t ii ri*.;i d;'ff l;nl ffi #,i:"Y' IT_f g1-+ :ldrr ai.,r" *a ;a,s" ;;;*iJ;. a;,r";:,T.5::1 agi8le :'elodyD so this i. the mui.al E;o or -whar ;;6;-ih. Jii-J;;S-:*:':.j1t'3l T: -r* -"rg;,.9,-111*yq rt" *rt"r, r "*ia-[-ry ilT.*il3t:Ign.:tr *rran@dy.;) Ms.R.p i6'rirc ha.a," o.r"r"-*iii.r"i"-p

q Yd @nod'n ebt ttut Wt@t t1t & gtuiry Ent ti@ I,iUiM @n enins Ad4If"Saingt lttu|. What @ th.ul -

Actldly, ihr(s vsy difidlt to do, dver .X the p@ible ccruu.tim of djftMr hedud 6t'ga siz.c lql& dedio lrd shorr *ak "!d-,Itens*; hisrr nedi' dd r*,r", *o-o ",", "ff*"'*q

'nd l* s'ing

tl4w€! the uir rhint js to fotrow the adue sivm in th€ DtGnE ma,

ilHH.s""ti* (co b""r

".a *"a ,r "6,i,i .gr,r *,1 rr {e!ym des th,t we,[

Page 9: Mick Goodrick - Voice Leading

rn .dditior! h€!€ rE ,.i:p orha fDinr to .orEi.l*

:3,.ay""dfe ry :>i*dnr ntbbdEr! oF vrFado, :EEri M rr€irdr! dE nd. ir .lrrn s PE@.,_T$ffitr!""dd,,s.P;qi.4

dutuidrsdE.."

iffiyffl#*E! -rbaudrof r!tdd," ro*rEy

q.b1t it.hv tBt nwicic/s tu dat odd h&n.,ic ilu ,! qoing tt6 wtai.t? r3t/wB bid6 Stit'r @ultl lan .

A: Y.3. Blt ple.4 do,t tel ttEnr!

t[W;ffi# W:"a"e @1. q*w Msidains u't duy dd,t h6e to

A: Shhhhll!

Q. Wrn @ t sran b tn@ ".1J dtis.r6? b oth' by.? ^ni

ut6t W i,mnn I d@?

I :T: {lw6 p.*,$ qucsonc r@ ddr how it. lr oov6 by irsetr. jqlt wakhr (Don1

ffi iiT;ilHF^1,jffiR.fl:ffi :l1 r.." "r;",ra"t i*,t",,t*iii;airu oo you redry thinl yoq h.u" opr*a r* a*" illff

orow Dud' of thi! n te'

Q l^nd it uE },tt@y to tqn alJ A.b dtg?

A T!@ is no b.s{ way

Q. O.K A,L..Jt t a. . @orrt wy?

A: Ye.! By tyihg ro trxt the b6t wiy.

Q: O.K Att .........-DoW h@eany aagS5rion ?

A: Yca Don t tty to ter'r t h fr€ t y loa to t€lh iU

Q I danr $t* I td.htsreri! th.t.

A. _ff-)@

d6-t Fy ro ten it if yd lry nor b len it vu ohplet ly etimitute arv ..U-ilffii'trg#,f"^ v* i'"t t'"iit' onit*i"?"*;ffit

Page 10: Mick Goodrick - Voice Leading

- TtR e $ runy arp€6 dd way! in whidratuit dsr cdn ted "6I thisstu{,"

th.l yd d@'t wdt bo ohod-.h.mte ]a;uFlf by 1mir6" it to hst. lusr dEds $mthtEe aDout hd . Sujtarisi lelrfu

. T{tlc (brdo

. slryc (oftddl'wnud)

. rrbr@E odn td.dc)

. R.P.dt6(@r)

. sdruursncodiQ GUIPD. UrdEdr.tls(odrlll{Rtol)

. Glhlt (qtod-dlrdd$

r..6t inly pcible tltartuitdistold hm g@eo{ rhir aEteli.l veay quicuv.(rF alrEldy *6 thi! hrpp.il with . Iew of ny student*) The obvi@ phsriite is t ;tth.y 6 rlpet a cyde widt . voicing dErth . sc.le tu hdcr. Ald thafs OJC ButttF le otri@ mitl'$idc ir tha th.t @t @Xy @ y of rlEr mterial in a fruieldtett rtiey didn-t 8i@ th.olelv6 the ch.G to "leh att rliB !tutfl in ndry diffiwiys at m|ny difi.ffir l@b.

Dorit be in a lErrr. Trle you time. End yout on pr.e. R.lu into vou, oml€ahing proe€ a d t r dlc !r.bri.l do r. y@ (dd r h y@j wtEt (sd Fi) r|eed. xud youbothrE d rine to grow.

t ndize tha whlt toll@! uuy eud a litde *ri!4 d a bit of . strdr (pltn in-!4ded), but 11 $y it dywr'y-l h.E hi$ dEt d* stuctG, conli*ency, *;F ar'd.pp'u.h to thi! mtdid (".X rhtr etufr, h.s u intelitgR .Il iss ()0[ lr3,lm6i d if itw@ .live. If y@ wqt_with it it wil "ryellc to y@. tt wil tel ydl dtirys. rt win Plersyo! with F&ibil i6 rlEr yd hrd NEVER @fiidd€d befoc. Ir win dF you in@dftte"biB ed pieed that y@ will toel aolnFned b dtend .nd mpl€te.

kt ne lere it .t dEL Checl it @t!

-HbL 4.iJrkt '"n.'',

J'h 2.a.

Page 11: Mick Goodrick - Voice Leading

r".' at Yo{n3_.

AMegge To All CoFpeAnrd/Or Almgm:

, Mi tuchod wodd like to inllm you that dy dat all msi. that you d able tocqpGe / md8e by 6in6 uy ldd dxl mteEl @nLained in th6e books ; rcnDletetv lud6@N I vou oq. we e making this mrerial avan.bh to d mdy dE,oas ; tuibl

.r'ond-qdel iEt ir tlE hope thit mu.h gear dwi( wil Fu!!.

ou Universal Noration Sy6tehD w6 eated led has Rolvedl ro ufu thar dl ot v@htu e rus m.tmar @ re€l 34(@ ih the t wledSe thar q hat y@ do wth ir s vlM, a;dra woud revn ruve ro worry ab@r E daiain8 rhd! "thy sot rhrL rlm 6...,

gu,Ttelb:n {bn + slan yd jBt ro plffit nll of ir h d inrelh8dt ttltre rhjt6@tr"d lhit aLl b ho @de @ ot h w* ohplerety fte Lo do dvthinS ldd .U thin8sl

...^ "-. _*-,:T j I::,1,: ,Tdai mwcir roratid. dd /d lablaruF. or tu. othd s)€tor$ e Dve no .hm ar ax tq what vou do

Iis ALL YOURS|| H4,s to a lot of gMt m6i.60r the tut@t!

!5!Omtovor|tm||

Tr$ peqt b@L Enjlh+ rhe rast ftegu wirh Vol@e l) of .dpletis -The Mo|hdd€. rfeulw Eut rbt l@ Dimo cde up w h ihi( tue wh6 he reivA d a; v{e 6Dv of

#tril,ffl,#s* --bined onr,o o0Gpr6 p68s AE ya ruady rmenea*;6ryl

In volme I .U tlE cholds have tffi_

In vol'fu 4 nme of the chods have n m6.

Y@ tuy be aking "Why b thar?"

I wodd tuwd tlbt it smed lik€ a good idea at the rime. _.

Acluaut the lr:aM that dl the .hord6 in Volse tr d I.ft lr4el* js uut the tld6 onetupht Y tP! og'pt@ted. Icsatsthrrosth), for {'ldple.lAlso, Lhse nd€ ould e4rlv rendo mr how tne chorde @utd be r6ed. Sire rtF chods in Vol@e I r@lve @und skuctG oI4$ htewals dd 2nd intetuab, they e moF dbrg!tu surrliit thff rhe strucrh in Vol-

..-T,;.1*:...y.9* sey c m@ flqibte in ttu oI multipte tuftti@. Bur rhe rrurh berord, 1r 'sr

3emed li*e a Soad idea ar thp hme..." tdd I,d 8oin6 ro stick uft,t:,

Page 12: Mick Goodrick - Voice Leading

itllEt|OitFf a.-ii""

I'l asuminq that dyN who hs this new volue ! in lheir hads had 'lt@dy

ben

*-|lne'ffii."r,,;t" ir.i; wtue n'is wav, ttre e'r trm rhe ri6t b@k do€ @t ned to be

HL: rrei.-i;*dr.;;e "Disd.eind/c'utim/wmn8ttr" P'F' whicl arwavs needs to

i".o.""arl r-r*t it *u be tood to leeP in mind uut lrtdv ol the id6 in thie text lor

v"Li* r * *t*tive rU B bo sv that th?y aPPIv [o both b@k!'

r would istisine UEt F.Ple 4 b€8imin8 !o see lld the b@b 4 not iut 60r tulaF

r". rr,*-bo.r' Jr"r "U 'it*ici*

t" i"C it i" p-u"ltu beemitu dd tlEt pi'nist3' dm-

" -ra -"r,q* h"u"

" g*t adv.ntaSe in 8ut trey iron't have to be (ollemed wit! the

iih .ti@ of tF suitar. 0!e E"it ti5t6 how ho{ verv lidhete rnev tr' '

volu$e U dtaiB !P.rl 4tb, +Pdr 4th9 ad sPEad clueteF voiGled thFugh.tn 6

*oe. tl'"ii4"i"? ll"'"of nt* -'at

n-"-'r' vi'- lf re add thi! hate'ill to ar rhe

li#iiii;Jl,"r"i; r'.* -rha vtotrg Lide." (l^te'r 3t"nrcrsiry to ita! trE M-Lode )

ufiar tt t|- r-l!DE?

It Mul<l s(gr thnt the tuin lGu ir 6 +Pan sttldure€ and th't the lPalt strucin€

* @; *-"-*opr"",-e " ff yd l@t .t all ot trE mtsial in volme l' v@ wodld t'e th't

ii: ffi;,;*[. TI* ;d" ;; t'i.a" n'. zt' a"u" * a biad Pru3 @thd Nle rBN I b '

i-a oiu anodret not" eru reN I i! als a Erad PIU mt]|er rct''

wlEt voluiE II dc i! to @mPlete the M-Lode bv intmd(ittt !P'Jt 'rll5

(s a suPPle

m# HJ#tK;,ffiTtrffi#trn1tr#Jtr f - *ooSo, tlN yd'K 8ot the @Plete *t o{ 5 6'mih$ of +Ptn dudt: 7th rDN I tRN Il +

p"tt rtt" ip*d O*m wttat foU(M nelt iB eery imPortet

IHERE AAE NO OIIIER TYPES OT +PART' CHORD FAMILIES WITHIN THE 3pr.+rojrilc i-Ndrt-rorts-wr ARE woRKINc lt'ITlall NA,oR MEtoDlc MINoRliiiciiii i'inion r+p." beins defred

's "ont'tnins 4 ditrett'tr N!6"]

Page 13: Mick Goodrick - Voice Leading

IIIII

.t-Ila?r|.

\.i-rft 0 be8s s trh 1 pdn arh voicin8s (d<t rheu qprcad ( outerDaE, ldrr 5rh5r}a jtd a be 4\ f o, ene eMotu< prcbtm( uuL (ru wtren we ger ro c Meodicr4-idCtlamoru.v'nor

Ilr Fd'lem involve rh€ intwal ot a diminbhed 4th, To !€ more sp€.i6., we-r tatk-q ar: B &ad Fb. \ dmhed 4rh t@Le tike a 4lh on ihe sta6. But the saurl6 a Vdjq ld.: e D: I Carb€qlmdr, oorc, $at olain iie nor* B dd ef, a- t

-*a rrr." +rt

""i.t ,gac

- xt da io. )'o!

f@r C \leLodic \{nDr dd C Hmonic Mimr:

EbF B B EbFB EbF EbF B = Fmin' /*{e5'a)FBEU FBEb

F:@ C \telodic Minor ONLY:

Frch C Hamont Mmr ONL!:

tuEbB

BEUfuB

ABEbEaA BB EUA

EUA BABEbB EbA

EbfuBAbB EbB Eatu

9V-5'.n)

AbminEv l*

Tnnr B not ro vy rhat rhm is dythinS wrcng wirh rhe voidt6. I(( i6t $,r thqdm t $oll\ v{y w€ll in.4th voicinEs.6tAL And iherct

" "ery ei-pi. ua iogi..r

^p[ru-oo. ror uur. .l?f< tdl€ d clo*r l@t at Triad\ K.4th voiciits.

, Tn.d: d Spdl dords bed on t€rtrat hffony (hmony ddved &om lrds, lpan'{r}s e l-palt chod\ bd.d o qudrral }Emonv rhamov den\ e<t tum 4ths,. As it tu; oulleroal hammy md qudrulhmony a prtt) much 6d.l oppGil6. I er/eq how:

Page 14: Mick Goodrick - Voice Leading

Larta|l 4..--.O

Lgs an2lyze the intervals in all 3 invsi@ of a ttiad dd a lpan 4rh voi.inS:

TRTADS 3.PART 4THSGEc

Er , - : | , "cr "_ i)-c

GD

Gt - .ol * I r* i ] -cGE il*

C1

: l , . Gt " 'DcG l)-E) * l f -

on li4 o'E 4rh dd Ona 6rfi O*2n4 on 4rhxdoR 5r|i

EcG Er ." ' [ r* ] ]*

GDc ,* s l* i l_! t

otu 3d, or* 4rh rd otE 6rtr

Fou 3dr rwo 4ns, oe stb Tro 6$rPrin ry intdhls:3rd6.nd 6rnsS@d:.y inb.|s: arIB lrd sdEColor inteP.l* 2nds and 7th. (niBinA)

OtE2n4or.lrh.ndon 5th

'n{o 2ndr Fou4rhs,Two5{E,On ThPii ry id4.r* 4h.nd 5dEs.ondary ini.Pah h& Dd TrhrCold idd.ls: 3de od r'lli (nisins)

Isls lit 'I!ta& @ &on V66 and 4th voicinse @ id M@!!"

mr3Lor8f aru

tu mdtion€d edlis, }pan 41ts in Melodic ad Hamdi. MiM haw sne tlicky @Fsiddatitu. lthe <litrurudpd 4rhl forr@tety. Oce poblec donl (ru in rhe \aajq S<!te

H@ s a Ealy geat thing to do that is very -tutar-frid<Uy." Afts yd,ve ep6l smetine exploing the $p.d 4tlB in C Majo!, tune the low E strinS doM a whole step k' D. Uethe low D stdry 6 a p€dat, Iy@ @ld ale ue the A stdnSl and play U@ugh aI tlE cyctBt Itl'ink y@1l be very pl€a!.d with the 6dti {you d b€ playinS ir D alqid moder sin e llrq!arcrrt dy "avoid" not€! in Ddiaa pEtty nuch mything dd sEything you play wiu wdkvery nielyll Thi! app@dr @uld also be appli€d to aI the oth6 tnod6 oi rt€ C Major Sete,but thb D Ddid thing ir b'y far the 4i6tl

h,r'ne I'm otr th. subia! y@ night abo lxmidd the pqoibdity oI ARPEGGL{IINGrhe 4th widit6 bo dive at wAY cool, melodis! [Ihe nat tift she@ olb "so wh!" qamtlEr tune of tlEt ilk, you'U be eady- -.l

Page 15: Mick Goodrick - Voice Leading

rraro Do l,||t|ttl- x{aDE

Everyrhhg cott jr4d in b;i books @ be approacrEd h a nqb.! of wa)€:

1. @Iodi62. aipiadG3. @ut€rpoint (2 simLaneou8 wic)4. }pan drord55. +p.n dlordg

An e\a!lPl. of nulibs I w@ld bc nulti-lia.Liry eadr of rhe 3 q 4 melodie on a@ding dsie. (Guitat tlio or $itar quariei)

An exuple of nu!D6 2 @rld be ilE Iolowiry:

cBGDc

CtrF

'.-- G.'' - rF-., Eb--,t- c ---r

E!1oAb--rF -'.rc-,B_

EbF/ 'Eb-D --rB -r,

Ebr

G ---rEb --rB. 'ab-

^r 'o "o

tuv

Ebr' F ._-rD- D \ r reC ---r Al, -'-Ab-\ G -

DF "tG

Arpqtiat lrptlE6nt.hon4tt ndo4nthe3eodchor4ryrherhirdch64d![nth. founh dF 4 etc Hed3 anotha way to l@k at it:

OGBG'Fcc

BE!c

, ro,

Page 16: Mick Goodrick - Voice Leading

lrraa ro !o 5it l|- F3d3 ""iDdl

An e6Ple of ndbd I Cpuld be the iollowinS

- B' . . | 6- G' . -F- t -1 D- D- '1

' -1 F-F'1 E- E- '*C- C".rB-. - E - ' - rD- D-.rB- B - ' . |A- A - ' - r

>c-c- ' rA-A->G-G-"rE-

nay .I 6 P@ibL @g|bin'tidB of 2 voi€l

r B --G- G - '* F - F YD - D "-t l r -F ' - -E-E;c-c--*B-

rB-"rG- G- '*F- f " iD- D -"r, . tE _D_ D_.*B- B-- |A- a ---

I B "-G- G ---F - F -- ' | D - D " ' rt lC-C-.-A-A- ' rG-G\E-

rF - F"-rE- E--rC- C---B-" l E

-D - D - . -B - B - . -A - A'--

,F-F'*E-E-"rC-C--rB-ulc-c---a-a ' rG-G>E-

rE \D- D-rB- Bt lA- a-- ' rotC_C---A_A---G-G\E-

Page 17: Mick Goodrick - Voice Leading

lDaa to to rittt- tt a/b3 a.-tt-a,

An Mpl. of numbq 4 aeJd b. uE fon@iry:

nay .I a p@ible .@biMrioru of 3 vot6:

(F)G--rF. . . |Eb_'1 g

- Ab-.-r G - c- ,tD-D-,Eb" ' rD\

W g . tur CacAbFDF _' G..-r F --r Eb_B --'f Ab".r G - G.,D - D., Eb "- D -.|c"-B- B - ' c- ' -

F.. .G- i F r-1

Eb_

D-D-,Eb--rD---rc-aB- B -rc---

Ab Em9G

Eb -' F "rAb-a G '-r

c- c)B "'r ab-

Eb - ' E ' ' - .Ab'--| G --'rc- c)Eb ..' F --rAb'-r G "'rB " ' .Ab*

Eb) F "'-

c- c- ,B --'r ab -

Ab--'r G --rc- c)B -"rAb-

Eb

Eb -'*F- 3.cD --.'N-.',

Eb --'|F_.toD --:r

Eb "'rF_ 6,e

ab -,

Eb ---r

D ---| .f.'

ab -.'

F-D --'r .fa

ab.,

I E n G --r F --- Eb_,.

1 B ".|ab--* G - G..'- c" ' rB- B - 'c- . -

, {

aB--- 'A ' - - ' rG-G)' l D - D. ' Eb -- . r D \r

. c- .*B_ B _. ' C - . r

Ar €r..mple of nurnt'€. 5 otdd be the folowirg

_- nay ev€rrriins €lsc inboh b@t! with th! q<.ption ot 18 paA6 o{ ki.ds a t30tEgtsof $part 4tlEll

Page 18: Mick Goodrick - Voice Leading

,g YL Frarla

r thint that itbdcE vslbbei@ in the exploling of all of thi! nateri4 rlEtguit Fbt! wlb pby 6nSq-6tyle tdw a hwe advatage ovet Ur@ {ho play d y wfth a picl(

In aplodit ofli@ liL ffilerpoid, lpalt dtordB &d sEud spr€ad voicinss,filrts€tyle tuit lists @ do mudr m@ of thts duteirl.

Fii8d49le tuit !tut8 @ e bat6 and 1/2 balG and 1/3 b.tE ro get the id dmgAid thq/ can plu* quy ttce stirgs tt6t ate involved.

IIo th@ of yd tuitariBb who dly ur€ a pktruft Th@ b stit a lor of shrtr !o do withaI of i!......Don t be diffia8ed-..l

Octtll ltatlnor t-.it-r- rdbr..r- hd.hi.rJ

PeduF w. aou|l luve uied th€ lan 'o.raee t+Cffi.i!' but I ptdd to @ rlew€!beda wha I 8ct the cha@ k' lEke tlm up. IA true idlPrcv&.4 I trrs......]

_ Octave i1Etidiriut wh.t y@ mthtgt,B: irusting e diare betstady 2 oie!within a lpdt .hod d a +p.n dDld [Acr@[y, I 8ue€s tlEt w. 6uLl include 2-rcte voiciiuge wdl...wnrt $d!. .alling count€lpoint l

rn Voludre I rc poid€d 5 voicirys for a $p.!t dEid. L.re @ theCWdhiidsan

GCEClep@rtdroddns:

E G C

CEG

EGCspreadvoi.in8:

G C ECEG

GCE***' E G cGCECEG

_ AFnr it would beJood to ke€? h mid that rs h6Uy looting fot M!-id hrndEhtbe phy.ble o a guii.rll Cultaltsb will R tlEt rh.y h,ve .Leady b..ir playiry de voicinS,Duto y a P.n or +P.n drol{s...

tof @'@, a[ of thie .ppli€r !o the ]paft aft voi.iits 6 w€ll..l

EGCSpEadvoicjng: bcicvel

FcfqvdCEG

Page 19: Mick Goodrick - Voice Leading

r,l|lr trourocr^UE tlttlnor urf a-tttr daorDa?

, Of @lE i(s p@ible. A8ii4 t@kng at aU of it fbm a Fitlrisrs, srandpoin! a @pteoa optim c(fu to mind:

Drcp 4 is tu optior Some of it is ve.y diffictdt to ptay, trot sme of it is rct

You hiEht also wdt to look at ftis oprior:

T6le a dFp 2 voicin& and do ttE ,dtav. il]gtid rhiiA" betwm tlE hi.ldle two3* -F :.+ ."x qp.1.rybh Drcp z Drop 4 voicinE. tu toq play tnsdaryle, you day

Anotha optid that ie a bit m@ atme [dd dny foj finseFsryle Su rrGtsl would bel

U y@ luprM io t om o{ tu tMy tusts rhar donl pliy rhe gular. ,Et c@idqvou*|J tu<ry, be<a@ you ould @ t]e 3oe pritripls in 4y way rhir you @l1reive...lwowl ....dyou people bl6s€d rt!!t.. ....1

I lt8trt ltt

rn odd to explorc the 2-part and lpalt optioE that have b€6 di*sed in the qsi€tpo$ible Fmea I wourd twlmend the fouowing:

1) Tale a bLal]r' ar6 hde\ @d dd ar it into eEht I /2 ind r o irch sttiF.lY@ @uld ds we paper, but the inda oJd s b"tter beae of its thjcfn*.j

2) T.is otr ilst a bit of the width of aU 8 BrliF.

3) Us $e striF to coq up differ€nt tin6 Inelodjgl that @d io be omitred inwo.king with th€ 2-p.n and }pa!t optioc.

INOIX: 4 srriF Muld be oough br rlF lpan mteriaL bur y@ U need aI 8 strips todo oF 2-pad stulf. louterpohtl l

Beli*e he who I eX that it mak6 it so much @is 0o wdk with th€e othq @tioB.lAle, I d E!* ttEt you e b€siming to rcalia that ru dejsid to tEve the books ;n,bo0d wa a tood @...1

Page 20: Mick Goodrick - Voice Leading

.n.3rrl|l.trt|tlc

. FeUow guft.lisr J@ Dqio reived the fiFt advare .opy or vorue I and ha, b€rstrkinS with il tongq than uyoE He e(pt.ire<t to ,irF +p;rt chord m-te.iar. r @!i t; ; t pffi;;J' " '"'r'

nice wav or qProrins "6e ol

*,*-YRlr lS. "" " *"0..*" o-* * ^l

*o 2-nore rtupinE!. rlF rso 2-mtetmupirys al rerMre in a sqt of q!_dd_BpoM (c cction-*;*f iai". O,"* *iii.rorrowin8 ertple:

D r':r

B t'r

E/ 'c --r

c)A'.-'G -.-'B ":I

E t'{

G -'rF -'-r

A/'

D".rF.'E--rc'.-'

C"rA'-.ro)B -'-r

B. 'G

t'-^

F '-r

A --r

D ".rF '.-i

E =- t{'

G)

DaC +EaD-- -C=|B-D_ 8-:|l---:--| Gar - --' --r c --=) FE-crf

-+ E -rD,_______---___| f rG - 6tcC ==- Bal-- -----f Caa --=_, A-:rG

And h@'s dorh* edrPle:

Cr'V1

B ---rG -'rEb-c- 49- An-

Fn7 W7 Eb+V1 AbMT Dfr7lfr)

FDBG

Ab- Ab.Y G -F- F "-r Eb-Eb"'r D - D ---rc -.- B - B -.r

G"'rF-Eb --r D -c- c - ' - r

B'*A1, - lra GGaF '--F - |E,

Eb-_Cb-. !D--

- -G. 'F-F-EraD_-DD-1C ---C--rB elc.all' -- /lr-r, c

Page 21: Mick Goodrick - Voice Leading

alt Eltnfl taLt rFuGtr|ora

Aytift @.f the wic maves a distaG of a 3!d y@ crr 6I in rlqtint flalsith a*da p<irg tdr. Thi! worb rel for tdividlar hebdi6, couetpoint (2 rcic), ]pand r.trt dEds. Sodre *leted qanple€ iouw

l l . - ' -El l . -Gll --- c

---| c--a E--r G

--.r. G--.r c-'.| E

"'r D-'1 F

--* F---r a---r D

-.i G-'-^ B--r E

-.r E--.| G--* B

-'.| A-.-r c---r F

-..i F"- |A-'r C

"-r C'.-r F-'.| A

'-.| G-.-r^ B-.i D

--1 D--.| G--r B

--r B--.r D-.i G

'-.| E--r a-.-r c

--r c'-i c-rr a

--r A--i c--r E

"'r D --'r B-'r F -'r E--1 a '1 G

"-| D '-r---r F --.r"'r B -'.r

-'.* B "-r-'.| D -'r

---r F "-r---r B --r :---r D --r

-iC-rB>|A -rG 'iF-iE-iD -iC --|B-.i^--riE -rD\C1B -.|A .iG..|F 1E -sD-iG -*F -aE -{t.-ic 18 --r^-}c--rF

"iG -rf -iE -'lt1c -rB 1A-{G--rF-iC..'B\A iG ..|F -.|E-.'D -rC -.|ByA--r-* -*I,1C-.|B -iA 1G--* -.|E --rD --r 'll

Page 22: Mick Goodrick - Voice Leading

aI |'-3aAtta&tFarC^ltf t-th,

thi. mt example sh(M a odtshat r@ h.pFnihgr trc voiG rEve in 3ds...VERSTON A ml(e6 a nie xut r duo.\4R5|ON B show a Jod3) nu 2 rrung.

-':t D)B" iE. ,c

)E=1 G)F-'r a

t'1 c -,

r 'A ' - r'1 D-,r 'B -r

D'1 BF )GE "rCG.-A

' 'C-.- tA, ,t-r

E .tF -r)D"-B)- - |F-rG=r

o"r*' { J - :t.o-.c + D\c\B

-c5B-ra-t a-rA-G + A\G\F+ G\F_rE+ FrErc.*o { ! -_* F5E aD

- E\DFra

- D-c*; :-..er c-r8-*a

- B-raic_ a-*G\F + €rFa

I'ETISIONA

I'ERSION B

I ?: - -c +D---+B +c__+_ ErArG- Arcir + CIFiE

-I ........_ r'so

- E rDrc ' Drc-a- eL --A+ B--G +a__ F +cr

Page 23: Mick Goodrick - Voice Leading

a-a|lDnltf|tlrrrroaatfrta-tE

And two !!lm o(dpl6 of the "toe,s 2 n6 2 Thing" with pasiry rd€ betecen O,irds

FtrTTTD-D"-c---ra_A_A=|F _ F_ F - . - r Eb-- . rEb- Eb- Eb'-r D --r B -c -- . | 8\*G_ c _ G -_*

cD-B -'rG -'rc-

cD-B'.-^F '..r

c-

E

A'.-rc-B-F -.r

rc'rr6- 6- C, -- D*CiB -.- E_-C- c --BrAlG --c- c =_ Fr6r

ryeEbrEnCALUE,FGAbO

D - D --.| B --r ab_ Ab_ Ab _-rG---rF _ F_ F..*D.. i C _Eb- Eb- Eb--r C ---B- B _ *'

C'} Ab-- G - G - G- i Eb\

-! .-q '- D.c"B -- A, _ ^,

_ &rcr_- B*rG -- t F ,BrD -__+ c _rr -__+E"_B --BiD.4 ___ B_B_ €t.

- c-crB{,--c -G -- oiF,E =_

Page 24: Mick Goodrick - Voice Leading

ln|lrtflllGsroa

So fd, within the fabri< ohhe M-tlde re hlw idatifieil an l l,ed t$b 'Fn

crtddf.inili6: Triads 6d lpart 4th voi.inSF. Ir y@ lmerD.q re d€sdiH tt@ 6 "{PPIernqits" fd {E +Pa!t .hdds l

Thd ft. in fac! 3 other m@beD of the lPan.hod fdiues. Thsy wdtd !€ thefou@inF ]pan SpRid CEteF,7th c}Drd lno sthlald ?th ClDtd Irc Jtdl rte ]Panchods h;ve;t ben DE\'ITFED 6

'uch but thlv e thae, qthin th. M-L.de (wlucl| i!

to ey that th€t luve t€6 IOLIND). AU of ttEn d b€ di3@€Ed by eiplding dE }Fnoph;roof Ule +pdt dlotds. [r y@ tqer Ea iliBt do6b to levinS out mof thev;€...1 Th@ ;f 4 po$ible onisuati(B ld hrs bed nBtidEd dtier...l

Ahe Dce:bjlities tum dt bo ta gEe of tE Eet "8uita.fti4dly" optim fd 6euit{i3ts. Alhdt aI o{ ttte$ e mud estq to PLy, ftm a guit rilb P€rsFcliw Atd th€yabll h.ve Uqt codtDdling "MLSTC-REruCA" slMd .nd etrecl, whid is the eu]t of the@siltent I.n4 t i"lie\€, ereXmtl voele.diry- Th* ?Pa.t rcicirys hie mt betNAMED b€EU!€ thAlS thE NAME Of VOI1J$ 2: DO NOT NAME IM*T CHORD'

Trct me, in vol@ 3, @11 take a stab.t tiving lhd 3ift ,ld6. ..

mrE tro{t atrsLloG-

tldtt|e who @'tplay dlords<rdb@not!o ..1

I would susqet that y@ imn diately loot at .ti ot the +way d@ oPtiqrB wilhin uPM.t de. This s th;@i6t affi to dPioa ttdi gic the be€t injtiil L.nd Playablel t€ulta

And I mriltl fifttE! qlcouragey@ 0o qPsilmt with ttEe oPti@ uiry the CHrlmodc MiM S.de m!e!ial. tl"elt te ib nudr of the liEre, n Jl ST SOUNDS BETTER lNHAFN,IONIC MINOR..]

I behew that yd wil 6td thrt rhe oPtioB ofien $$d a if they w* *rttten byBelL ld at l@t r€3enble ffi of hb m6i(l lthu th€ betn! MI,lsIC REruC-A- 1

r,ep in lud the foUMilg : Any l8d ALLI +P{l @icingr @ be arPegi.teal in 24dif€6i s.qu€tl€...lsimPle fad, but HUCE imPU@h@l

Y@ @uLl st6!t dt with ary.88iatiry uP @ chod and tl6 doM the next IOr theother way @!id'it al d€p€nds...'@ win h.ve !o exP€rindrl

But e y@ shlls in@4, you odd try a lot of oths thin8s 6 weL ru leaee it at that

Page 25: Mick Goodrick - Voice Leading

aEI|c.'a/rtS3atc-&---a

But I wil ptuaie y@ rlEl to wtEteE oibnt you wdt with thi! stu6, yotr @d.Iprc*s 6 y@ iturtusr will indl@ in M'€ that y@ @utd nes have gtirs€dl

lco Id tll

. . Fco...lfor€uitalbt3 oilyl SiM +way d@ is of!6 v€ry.liIficdr d the$itd, all oftrF abov€ wodd t€ 6 qeldt ERSI PASS. IAs we nouork in the ter1 ia; Volme ! .Iof c tuitd.iB-b 3bll shordd rr) ro 6td d m y pj.yabte wcinSs 60r +way d@ 6 we4..€Peoary uur€ oFr Etrinss.t

-rlrlatot xra alt t rroattt _-wh6 you treSin to wo.k with the epEd duter mteliat in Vohnte E v@ Mv notie

a sEEx pFblem. Cycle 2 and 7 h.ve rwo dr6ehr rciGle.<tinss. lone ror +;v do;e .ndooth6 me fc the otlF 6w voici^g t1"6...1 tNejrhs of d'e voie re"CinF js ;d.ttolaitypl@iry nm a snd F!3p€ctive...l

Vlh felt ttEt thb w@ tr.aery l6F.ialy f.r guitarilrsl bo@ sDlead duleF Dffirsrqc voieleadinS ptublelB ttEt ddr,t (xfu in the oth€, 4 clDrd fan|lii6. r inwl; &€intdal of a diatmic 5lh tlat (EG in the molment fom on€ in!6id to th. tu d withintY etr-'e dpq Fd Suitarilb, ths @uld lead to pormtiat prcblem w h vo€ dwiry scrrothq if re had ch(F6 to utr rcieledirys tlur l,ft moE ple6t|* r,oh a @d D;Ehw. CdBequotly, we opted for rciere.dings rhar .t l€dL prwntea ne mareria iri a ulet"tdd &m$hat -tuiw tsihdlis' r@yE! sine nudr oI thi! ir toiry ro be <mpterety Mw roa kte FiwltlS€ of dE wholeguit ! Mdd.

An of th* sf@d duts voicinF @ Attmely nterstinp, tAnd n6rlv qk@m]ll'q m*-l Ard many of tlm d difretr to play on rhe Suib! ao BF vERt CAREFuL!|IluuFr chd@ f6 voielediit opti@ wil be pr€en!.d in VolMe 3.1

ul|traaoftvoc!3{!rDr3?

- -_ rm ddry a'bout tEt I havn,t do mdriqEd dythiry abour voiel@diit. tlveLrSED it 60r ffi...I All oI the M.r.de b ba!.d on rcic i6din;. Bul !o he, ar thb ;fi in tjrp

ard in nuic history, voici-reding ir tut lhe lMt ihpdrant riing. {At tedt not nthtrcw.wdu tet to hicleadins in Vollnl. 3.1

. Fdm,6 tle auhor lpshrF I slFutd dKibe hr€eu s the <tiffi..lrhe mcruPotEnt uua ts fts :

For th. fict time in the histdy ot hsic on @ plane! aU of the lp.n and 4pdt@icings rlBt qist wirhin the l&id S@te, tE Melodi. Minor S".r

-a qi" n"-o"i. r,ai"",

S<de have b.en fomd.

Page 26: Mick Goodrick - Voice Leading

*t5ttE-tlEtta.--a,

A'*l_ht rhe rime that Volse 3 is odrpleted, pubt6}ed ed dbs@riDhe4 ALL or nEtMtenrr w r be not only four4 bul IDENTIFIED.

._. -Th6

is hu8e, in thar nEi.i@ aI allrund ou plaret Kr[ 8er UE opporturty ro wq*wilh "the fll decL f6 tlE v6v fiFt tihe..." !!

roc n[tE r,|f||n: I{r!E-..NulDer of diffeftnt }p.it chqd! found: 20.Nultb€r of difttgt rci.ings for rhe€ dblds foud: 240.NulD€r of diredrt 4pan <hdd6 foud: s*.Nu$bd of difiect voicilts fo. there chord. found: 800+.Tot l of dif6a€dt lp.n rnd +part wiciiss toutd: 10o+.Nub6 of

'lelodr twdrmB irlolvins a 3!d fourld: 276

.Re4 Ydlow atd 81ue............ twho Kr@???l

I didnt mt€ up aI o{ thi!,.......I jutdisveted i1.......{ioud it...}

A1lof thiB has ba WA[l]\tC IOBEDISCOVEREDI!lFdEF, fo. aF@!& of yee..........1

FE*ly, t'm s{'prtu€d thar rhi! Di!6l€!y hajn,t happded s@n61lDon't dout't th. poEq of wicet@di\t d Cyds d; atain... I

Ard i(6 ALL YOURSI t t

-hic| Caahcl rooz

Page 27: Mick Goodrick - Voice Leading

It)

)

)

t,

)

)

)

)

)

)

)

)

lltto

As vou m.t rccal, Volrm€s I nnd II h.d\orlhg tlpes, .ycles, inrdvalUc voieleading,Prgcs.nd no paad nlmb€rs.

. \€ry.nnsqenr pru\cnrJr.n .hurd rvPc\,fm.t onJl \ l ic l .adins. V 5.R t , .ntnrt . l

\blnme III is drtrerenr: pag€ nxnbcr rhis tim., no mlored pa8€s and : som.*,hara, ' , Ti1nr -r ' . apptud, L b i t . , {he, r r j , : . son.r n. . \nu. t 6no rh. . .n t , . r . .o. :

A. \ou ran D i ,bahl t eue.. I t ( m.a_, } ! ! h2\ , 'o J. ,n. $ J, i r . .nnrsh out th. enbe s oce (tn ihc erenr rhal yor find il intcHtir18...)

Some MORF asehbty requlrud..r\ hee are lhos htieri!\7

, , .hu h ry Vo -1p tU., -o, . t a h- rv-@ hor weu \ i . , Lc d. !c.p_o torn t -Jd,_E

J u I furorc vitun! III hd) 5

l : , "^ j "" l l voLmerrrhi ,v.r i r . tsn\ i^ \1Jns! \ . , ,o{ .1, \ 'H,r , , . ror" , r_"

o@\ and I n!rqm.\rn srranB! r , , m. ' l

<.mc. A"$dnp"- ot \ th m ipvoi . . -L<dd,rg -dv-dr, .nphJn-bmq,tL whrt' . L pimr, ,ut i l rnrrsFrtu ' . . ( . r ! e\Jr Dtc. nd\ t_rvc d, n ie( a , , vorF . .d,n!

rou r n d lo dJJ\ hpiLi l \ fn,m ma-r o 'h.

i .h.r . tu. . .onr" ,ma , . r t r r , , , " ,

ror" , i "

crh.uShrhemd4idl i ' r5.ho^L i . o,d,ented, l rpJ,r . utcr . ,d._ihir l rcelh">d.- rJ ' " o8' . In i r doa r f r i -har \ .1 hrL, r"a. rh. . { . r t 1. . ae, .J,nh n^r d rc\ lomr:

i i : i l l : ; , , "" , , " , ' .+ ip i .uund rr l m4er.dr, , dn, q.r .1J , .o$L

Th.r€ is a chapterbwards lhe €nd or rhe book aled Aratv"cThi!! lvhich pFs.ns. . n4, r .a l l -Jr I rhd;Fr d I Inrm.Ini ctdTptts. arehn"k ud'n.u T. . - , r dd rhrn le d, f ,prron.,F ql i r - r o"r ,n -u, ,e. \ , ,n, .no rh, ..UIr ad,o mrr.h lhc de..npron. ro,hc dppmpnd(

" . 1rp. , . , or . o. tu . ro, r tx. whJt,

, _Vo-r Inno'unr ly r ' . , t , m! t ' tJ pmpr. tu hcupt i t -eend. $. thFgr ld.rJ i t . l

v L. ierpdd,ng R& D | _opr\or hnd r t _4*xn8ncrptur In an ur jour mu!.n puAUihi l

-Hirl 6.tt.n, HA J{',r,cr eooSc,"dicl

Page 28: Mick Goodrick - Voice Leading

3-PaIt cBOtDlt! ForxD tID tDEIltaraDtt

, Whd ru1ok. i . J br id,nr,odudon ! tudyof hih ni .m\e dr d erertaDcr l .h!rd\

r) reavr-r ;or i onc \o@tn d 4.odrr chu.d t r i { ( onc 4-paf l .hurd Jroh !cch,-r rne ,oukrcnr +Part chonl famitics

TBN

TBN

CMajT

cq

EB

cBEDc

lrs intcstinB r. ob6dc which lpart .Ioids are Bdelated rmn lh. five 4,idr chord famili6:

GPART CHORD

TBN I

'IBN II

+panspFadclustsr generares

Irach 3 pa.t dord appeaE rour

rwo difrermr dads, 7th (no 3d, 7rh (.o srh)

@e triad, 7th (m 3!d) lpan 6pMd .lusld, sparl ,1ths

om tria4 lpan 4Lk, !p.ri spMd duter, 7th (no 5lh)

lwo lpart 4thr 7th (no sth, nh (no 3rd)

two 3-part spEad clusrers 7rh (no 5rh), 7th (m 3d)

(e! Lo!,bu-) to! ish,h q t,'",.t',o'* ,- -rr.a-furrl]

lrr$orO,-lo.:!o jrl{!_!!u rtus shourd be hetPtut..

, . Bul't vou rca.h dr d Sturhn jor puni.hm€nr.. Ro ro lhe.hnpF, 340 ch.nt, 1..ShoulJ \nor rPr4t' tot J tie pagpTh,tr-F,veaprn'5hrbE. tsmn L dd rcti& hdl

EBcslr

:i: j,.e.ra1llF:{d n $€ qry, ,r,,p* ,cr"iz i. i [ . P , -Gpond

o nmbeb r.il:tr $I;,,131 t"iB{ii''rFF

dreonry Lhrr) moF+prn.h.h;e b*proP,1 rie

The next_.hapbrnfrs rhis one is called Sh,If To D. $iri 3_pan Ch.ds Tiar will

^lnDr "rcdE voi6L..d;iEi;;;iil

Page 29: Mick Goodrick - Voice Leading

da7 trhd rH frri7 oa7(q (r.) (io.d) tmii)

(M.j7 hd rEd cMlr @ii?(.) (F) (m]) 605 r

Page 30: Mick Goodrick - Voice Leading

clmllc n col|i{uacot r- axD anal? c||ottDar4hir fo l los,md) norbr lea inFBrnsiodtorotFadr. . t r (on! ib l .or rhe

tuuFnar'cd po\{b[tie( ol rorR]€adin8 l-prr dnd l.pd.hords stnr..7-note ralcrcnf i8u.hor hsralyqnorrrum'ngph, nrTJ R & D r 'on8 th6e l in6. sh[ . Ivtin.luded ir becau* r lmll perenr.B. ol ou r Ecdcr migh fhJ ir inreF<hr,B .

GEitixtc vo[cf lttDttci For ]t-ttMt|of,Dt (6 pott|ltuflEtt

Cc e) C <----f B

c<_B/

c

A

C -----r E\

B

Page 31: Mick Goodrick - Voice Leading

flriadt 3,eART CHORD VOTCE LEADTNG

G-- cE,- AC'- F

G -..r FE -..r CC\A

G,rAE;,Fc-c

G-rAE..rCcxF

G -..r FEXAc -c

Gx CE.,FC.'* A

{c [{ais)

G.- BE,- GC,, E

G-.^ EEXBcxG

G- GE-Ec --.r B

G-GEXBC.- E

G---^ EE,, G€-.rB

G.-BE -EcxG

G.,AE)Fc.-f D

GX DEXAcxF

G..* FE ..* DC"{ A

G-rFE xAC.-' D

GXDE..f FC..*A

G,-AE"rDcxF

'f.lc qJ

<-B

+B

C<-B

/ " :

B

Page 32: Mick Goodrick - Voice Leading

usBoFc r . j711 3 5I :

c rr7. Dn7(ddii) o7.ui. tEtTad tE-?l FA7(lrditn)

Fnt t F{n7tts) bl TdtFdl ^n7

B7'd

cr,bj7 Emr c

rdidrdr ldlrrdcr

BG

c

IGcGCIC

GIE

B

G

B

IG

I

GI

I

B

I

GE

a

GEI

cB

c

B

BcG

Bc

G

I

Gc8

Gc

I

c

o

BEG

E6Bc

/|h.r ofcd& \ftlG|,.1h. v.l@ lll

Page 33: Mick Goodrick - Voice Leading

cttt-tttPlti6"Crip-Slipping" is a lem I ue lo d€scrib.

' *.i6 ol exeds6 rh'r I som.rin* giv€ to

ny Eliar €tudots io help thd le@all dF iNdioN oI difehi chord6. Wrthour giving awatbo nany "s€cll," rre induded sn ex.npls indrpdarin8 *vd0r .hords in a 8ix bmi. sysltm(whole t6e sGle). Tne voicing t}?€ k Dbp 3. (Yd miSht try Dap 2 an.t DFp 2 & 4 as welt...)

PS. The lvk and tlE FvLs aF ,11 €lrnpla of SCVL lspecific chromtic voie-l€.din3),as oppo*d to cD\7L (s6enc di.bni. voie-l..din8t shidr is all of volunes I & 2.

PPS. Th@, I ewe it awayl

Page 34: Mick Goodrick - Voice Leading

aM1 tu1 EtrT 4u7.Abu7 t6U7 t- t /1

\G \F+\E /Er\Eb\D \C.\E \D r 'Df\C,\C \Bbr'B' ,8 \A \G+\F+'G \F \E\ C , C#\B \A#\A,'A \G

r'C#\B \A#\Arr'A \\A \Gr\F ,G \F Yr\D r 'D#\C#\C \Bbr' .\F' \E ,E# \E, \D \

g!gEl!shi!!: Mai7. Dmp r- Grip.Slipping

ll;E D Dr c* c B, BAGr Flc F : Il :cc* BA*abac F* E Eo Eb D: I

I

5 "ahlnd3'1M2id

5"r3. \

/ \ ,

z.s\\, J

5

I7

C!!El&Eiu: Min7.omp l Grio-Slipping

Cd1 Or.7 .-n1 an1 oa1 ani F4rti rb4i 6bh1

YG \ F \E r 'E \Eb\Db\C r 'C \B \A \Abr'Ab\. \ Eb\ D

-D \C#\Cb\Bb2Br\A \G \F#,Gb\F \ .

' -Br\A \G \Ff r 'Gb\F \Eb\D r 'D \Ctr \Ch\Bb, '\ C r ' C 18 YA \Abr'Ab\G \F \E r 'E \Eb \Db\

l l :c c BAAbtuGFEEEbD': l ll :EbD DclcbBbBbAG Flcbf : l l

I

5 -1b3b3 "r I

Ahteofculwvoleladiigvolun.||l